Дисертації з теми "Nostalghia"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "Nostalghia".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Fauré, Philippe. "Le fil rompu du temps : une lecture de Nostalghia d'Andreï Tarkovski." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20067.
Повний текст джерелаThrough an exhaustive analysis, this dissertation aims to offer a reading of the film Nostalghia, to elucidate its structure, its writing and its cinematographic means, through their potentialities to awaken our sensitivity. Indeed, the structure of the film, on all levels, is a succession of discontinuities whose reception is a continuous interweaving of consciousness and unconsciousness. In that sense, the film is an edifice of images, of sounds and of signs, a "fixed reality" that is not generating just a single reception, but a multiplicity of receptions, without ever invalidating the project of the author. Andreï Tarkovski’s language is one of truth; it offers us primarily an extraordinarily powerful sensorial dimension that is capable of arousing transcendence. None of the resources used in this work is anodyne. Nostalghia is an organic reality, a layout of images and sounds, operating as fragments of time and memory woven together. Their plasticity is what strikes us first, before proposing a signification: it is about the sensation beyond the message; it is about experiencing before proving
Salmose, Niklas. "Towards a poetics of nostalgia : the nostalgic experience in modern fiction." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7728.
Повний текст джерелаJiang, Mengying. "Does the time Machine exist? : Nostalgic consumption of Chinese one-child generation." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-328180.
Повний текст джерелаArmbruster, Stefanie. "Screening and Watching Nostalgia An analysis of nostalgic television fiction and its reception in Germany and Spain." Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/113487.
Повний текст джерелаBetti, Matteo, and Iram Jahan Dad. "The Unique Nostalgic Shopper : Nostalgia proneness and desire for uniqueness as determinants of shopping behavior among Millennials." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-30188.
Повний текст джерелаWirtén, Lovisa. "Re-aktivering av Smedsudden." Thesis, KTH, Arkitektur, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-298834.
Повний текст джерелаThe cape of Smedsudden depicts a story of a place robbed of its former cultural identity; once a flourishing spot for artists and celebra-tion, it is now rendered barren and culturally obsolete. My project exists as a retort to this delapidation. It conveys a vision of what Smedsud-den could become, and relays to it a new sense of purpose. The new structures on the site are designed to evoke a sense of nostalgia, all the while displaying a delicate touch of Smedsuddens own historical presence. This version of Smedsudden provides the people of Stock-holm with the oppurtunity to reexperience the historically ever-present combination of social leisure and cultural enrichment in the context of idyllic countryside vistas, of vibrant river landscapes and lush foliage — in the heart of Stockholm.
Romaniko, Pavel. "Nostalgia /." Online version of thesis, 2009. http://hdl.handle.net/1850/11216.
Повний текст джерелаLopes, Francisca Flávia Plutarco. "Apelo nostálgico no produto e na mensagem e sua influência na resposta do consumidor." reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/14103.
Повний текст джерелаApproved for entry into archive by Pamela Beltran Tonsa (pamela.tonsa@fgv.br) on 2015-10-05T19:53:59Z (GMT) No. of bitstreams: 1 Tese Francisca Flávia Plutarco Lopes.pdf: 3993456 bytes, checksum: 341c14f4df179085fede73ab7acd5719 (MD5)
Made available in DSpace on 2015-10-06T12:12:12Z (GMT). No. of bitstreams: 1 Tese Francisca Flávia Plutarco Lopes.pdf: 3993456 bytes, checksum: 341c14f4df179085fede73ab7acd5719 (MD5) Previous issue date: 2015-09-08
This study analyzes the influence of nostalgic appeal (in products and messages) in consumer attitude. I provide a literature review on the concept and studies about nostalgia to develop hypotheses and variables related to nostalgia. To investigate the relationship between the nostalgic appeal of the message and the product and the attitude toward the advertising, the attitude toward the product and purchase intention, a qualitative research through interviews with thirteen people, six consumer and seven professionals related to the theme. The analysis of interviews were conducted by content analysis. The results were categorized and resulting proposals of the interviews were developed on the mark whit nostalgic appeal and influence on consumer identification and purchase intention, the time of the relationship in a social group with proneness to nostalgia of the group members and the purchase intention and the nostalgic appeal (in products and messages) and purchase intention moderate by the appreciation level of consumer for its culture. This research, with the literature review, served as empirical basis for the quantitative study and hypotheses related to the nostalgic appeal in the product and in the message moderate by involvement with the product and proneness to nostalgia and the influences in attitude toward the ad, attitude toward the product and purchase intention. For the quantitative work were realized two studies, one study was pilot test, were conducted with three experiments each that allowed the test of hypotheses through analysis of variance and covariance analysis. Among the results, it was observed that the combined use between nostalgic appeal in the message and in the product has a better effect on the presentation of an advertisement which facilitates the consumers understanding. The nostalgic appeal in the product directly influenced the attitude towards the advertisement, attitude toward the product and purchase intention. The differences between genders and social classes in the respondents and the finding concerning the involvement with the product and the proneness to nostalgia as covariates were highlighted. In the end, the final considerations, the theoretical and practical implications, limitations and future directions.
O presente trabalho teve por objetivo analisar a influência do apelo nostálgico na atitude do consumidor. O trabalho foi iniciado com uma revisão de literatura sobre a conceituação e os estudos sobre a nostalgia, em seguida, o desenvolvimento das hipóteses e possíveis variáveis relacionadas à nostalgia. Para verificar a relação entre o apelo nostálgico da mensagem e do produto e a atitude em relação à propaganda, a atitude em relação ao produto e a intenção de compra, foi desenvolvida uma pesquisa qualitativa por meio de entrevistas com treze pessoas, seis consumidores e sete profissionais de áreas relacionadas ao tema. A análise das entrevistas foi realizada pela análise de conteúdo. Os resultados foram categorizados e foram desenvolvidas proposições advindas das entrevistas sobre a marca com apelo nostálgico e a influência na identificação do consumidor e a intenção de compra, o tempo de relacionamento de um grupo social com a propensão à nostalgia dos membros do grupo e a intenção de compra e o apelo nostálgico (em produtos e mensagens) e a intenção de compra moderados pelo nível de valorização do consumidor pela sua cultura. Esta pesquisa, juntamente com a pesquisa bibliográfica, serviu de base empírica para o estudo quantitativo e para as hipóteses da pesquisa relacionadas ao apelo nostálgico no produto e na mensagem moderados pelo envolvimento com o produto e a propensão à nostalgia e as influências na atitude em relação à propaganda, atitude em relação ao produto e na intenção de compra. Para o trabalho quantitativo foram realizados dois estudos, um estudo foi de caráter piloto, com três experimentos cada que permitiram o teste das hipóteses por meio de análise de variância e análise de covariância. Entre os resultados, observou-se que o uso combinado entre o apelo nostálgico na mensagem e no produto possui um efeito melhor na apresentação de uma propaganda o que facilita a compreensão dos consumidores. O apelo nostálgico no produto influenciou diretamente na atitude em relação à propaganda, atitude em relação ao produto e na intenção de compra. As diferenças entre os sexos e as classes sociais dos respondentes e o achado em relação ao envolvimento com o produto e a propensão à nostalgia como covariáveis foram evidenciados. Ao final, são apresentadas as considerações finais, as implicações teóricas e práticas, as limitações e direcionamentos futuros.
Krill, Jon Jerome. "Forget Nostalgia." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4077.
Повний текст джерелаOtto, Zimmann Martin. "A Place Apart: The Role of Nostalgia in a Detached Community." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1309889441.
Повний текст джерелаDalrymple, James. "Jouer au détective chez Kazuo Ishiguro et dans le whodunit métafictionnel britannique." Thesis, Université Grenoble Alpes (ComUE), 2017. http://www.theses.fr/2017GREAL009/document.
Повний текст джерелаThe detective story has been a rich source of inspiration for writers associated with postmodern fiction. For the most part, critical studies of these attempts to rewrite the genre have focused on non-British authors, including Alain Robbe-Grillet, Paul Auster, Umberto Eco, Jorge Luis Borges and Vladimir Nabokov. This study proposes to analyze British novels, a film and a television series which, similarly, rewrite the whodunit through intertextuality, parody and the self-reflexiveness.In these metafictional works, which have all appeared since the beginning of the 1980s, we ask if the expectations invoked by the detective story are completely frustrated or rather if they are employed in the service of another goal. Rather than subvert the conventions of the genre, we ask instead if the works in the corpus deploy them in order to conduct an investigation of another sort: an investigation into British history and identity. While the works reflect in part the crisis of confidence in historical representation that characterizes the postmodern period, we ask whether they display any faith in our ability to rationally unravel the mysteries and the sufferings of the past. In answering these questions we will decide if these works reflect a total break from the detective genre or, in fact, continuity with it
Welch, Allison Pearl Snow. "Necessity and nostalgia." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1107.
Повний текст джерелаNai, Sen Yang Israel. "Dispositions of Nostalgia." Thesis, Curtin University, 2019. http://hdl.handle.net/20.500.11937/78805.
Повний текст джерелаÇeler, Zafer. "Temporality in the postmodern times and the ottoman nostalgia in Turkey." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01D093.
Повний текст джерелаIn Turkey, there has been an increasing interest towards the Ottoman past in recent years. The appetite for the Ottoman past seems invading the Turkish society. The images, objects and discourses related to the Ottoman history have been appearing in from television series, political discourses and manifestations to social media, from architecture to house decorations. This study aims to understand the reasons for such a revival of the Ottoman past in Turkish society within the framework of the transformation of the history, and the changes in the ways of engagement with the past in modern societies. It attempts to analyse this new interest through the references both to the internal dynamics of the Turkish modernisation and to the more general structural changes within the modern societies. The debates over the neo-Ottomanism either claim that it is strategic policy in the international political stage, or assert that it is a deliberate attempt of the conservative government to establish a new historical discourse. This study, beyond these arguments, contends that the interest towards the Ottoman past is a consequence resulting from the convergence of the changes and ruptures that the Turkish society has been experiencing since the 1980s and of the continuities within the Turkish modernisation. The transformation and changes brought by the integration of the Turkish economy into the global neo-liberal network were not only limited to the economic field, but also affected the social, cultural and political structures. This social constitution caused the transformation of the ways and forms of engagement with the past in the Turkish society. In this regard, the surge of the Ottoman nostalgia implies a structural change of society that can only be explained through illuminating the changes that the modern societies have been undergoing as a result of the arrival of late-capitalism and its neo-liberal edifice. This transformation brought up a change in the temporality in which the past becomes a reserve of ahistorical references. The late-modern or post-modern temporality causes the collapse of the social, political and cultural structures into an abyss of the ahistoric empty references as a result of detemporalisation the history. The Ottoman nostalgia in the Turkish society can be explained within this change of temporality. On the other hand, among these changes and transformation, the continuities of the fundamental characteristics of the Turkish modernisation should also be emphasised. The integration of the Turkish society into the neo-liberal market economy was brought up by a coup d’état which created a social condition in which extensive state authoritarianism and free-market economy have existed side by side. This study claims that the fundamental characteristic defining the Turkish modernisation is reactionary modernism which means a selective approach to modernity in order to avoid the complexities of the modern society by reducing the modernisation into monolithic developmentalism. Reactionary modernism establishes itself on a fundamental distinction between civilisation and culture. In this distinction, while civilisation means a technological development, culture refers to the innate characteristics of the nation as alien features to the universal ideals of the Enlightenment. From the organicist, solidarist corporatism of Kemalism to the neo-liberal free-market authoritarianism of the post-1980 period, the reactionary modernism sustained itself as the continuing characteristic of the Turkish modernisation. [...]
Nguyen, Phuong Thao. ""Nostalgia for the present": Digital nostalgia and mediated authenticity on Instagram." Thesis, Stockholms universitet, Institutionen för mediestudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144082.
Повний текст джерелаNicéphore, Anastasia. "Platωn’s Reality: Baudrillard’s Nostalgia". Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/15298.
Повний текст джерелаKalinina, Ekaterina. "Mediated Post-Soviet Nostalgia." Doctoral thesis, Södertörns högskola, Medie- och kommunikationsvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24576.
Повний текст джерелаFigueroa, Flores Ximena. "Poética del desarraigo : exilio, extrañamiento, nostalgia en cuatro poetas de Valparaiso (Alicia Galaz, Osvaldo Rodríguez, Luis Mizón y Eduardo Embry)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA109.
Повний текст джерелаThe principle purpose of this thesis is to examine the representation of exile in the selected work of four poets native to Valparaíso: Alicia Galaz, Osvaldo Rodríguez, Luis Mizón and Eduardo Embry; that were exiled from Chile after the 1973 coup d'état and created, from a distance, a poetic discourse on estrangement. Five books of poetry are discussed, three of which were writen in Spanish and two in French, outside of Chile (in Europe and the United States, places of refuge for the authors) and from the 1980s to the present day. These are: the book of poetry by Alicia Galaz, Señas distantes de lo preferido (1990); the book of poetry Cantos de extramuros (1994), by Osvaldo Rodríguez; the lyrical works in French by Luis Mizón: Province perdue (1988) and Marée basse. Suivi de six arbres (2012); and the poetic anthology by Eduardo Embry, Al revés de las cosas que en este mundo fenecen (2010). We postulate that these creations constitute an alternative type of writing from and about Chilean exile, that unlike the “canonical” writings from this period, their interest does not lie in articulating a testimonial of condemnation about what occurred during the Pinochet dictatorship, nor do they construct imagery that represents broken national identity. These discourses construct a nostalgic evocation of the provincial place of origin and a happy past (prior to exile), expressing the subjective reinvention of the common experience. We will review the following issues: the type of memorial writing they construct; the literary and/or linguistic identity of the poets; and their different levels of eulogy. Through the comparative analysis of the works, we have been able to determine five recurring literary themes, those that collectively constitute the categories that define our proposal concerning the poetic of uprooting: geographic displacement; emotional displacement; estrangement and "in-between"; the meta-poetics; and the critique of modernization, which we carefully examine throughout this investigation
El propósito principal de esta tesis es examinar la representación del exilio en la obra seleccionada de cuatro poetas oriundos de Valparaíso: Alicia Galaz, Osvaldo Rodríguez, Luis Mizón y Eduardo Embry; autores que fueron exiliados de Chile tras el golpe de estado de 1973 y que crearon desde la distancia un discurso poético sobre el desarraigo. Se trata de cinco poemarios, escritos tres de ellos en lengua castellana y dos en lengua francesa, fuera de Chile (en Europa y Estados Unidos, lugares de acogida de los autores), desde los años 80 hasta la actualidad. Estos son: el poemario de Alicia Galaz Señas distantes de lo preferido (1990); el poemario Cantos de extramuros (1994) de Osvaldo Rodríguez; las obras líricas en francés de Luis Mizón: Province perdue (1988) y Marée basse. Suivi de six arbres (2012); y la antología poética de Eduardo Embry Al revés de las cosas que en este mundo fenecen (2010). Postulamos que estas creaciones conforman un tipo alternativo de escritura desde y sobre el exilio chileno, que a diferencia de las escrituras “canónicas” de este período, su interés no radica en articular un testimonio de denuncia de lo acontecido durante la dictadura militar de Pinochet, ni tampoco construir un imaginario representativo de la identidad nacional en quiebre a causa de este evento. Estos discursos evocan nostálgicamente el lugar provinciano de origen y un pasado feliz (anterior al exilio), expresando la reinvención subjetiva de la experiencia del destierro. Entre las diversas problemáticas que emprendemos se encuentran: el tipo de escritura memorial que construyen; la identidad literaria y/o lingüística de los poetas; y sus diferentes niveles de elaboración de la elegía. El análisis comparado nos ha permitido determinar cinco rasgos temáticos recurrentes en las obras, los que definen las categorías que, en su conjunto, conforman la propuesta de la poética del desarraigo: el desplazamiento territorial; el desplazamiento emocional; el extrañamiento y el “entredós”; la metapoética; y la crítica a la modernización, las que trabajamos detenidamente a lo largo de toda esta investigación
Dimitriadou, Marika. "Nostalgia and ethnocentric product preferences." Thesis, Imperial College London, 2015. http://hdl.handle.net/10044/1/38624.
Повний текст джерелаLindermann, Díaz Leonardo. "La nostalgia en el autorretrato." Tesis, Universidad de Chile, 2007. http://www.repositorio.uchile.cl/handle/2250/101675.
Повний текст джерелаPEREIRA, MARIANA LOPES DA SILVA. "MEMORABLE TOURISM EXPERIENCES AND NOSTALGIA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=30714@1.
Повний текст джерелаO turismo pode reviver experiências e momentos que ficaram no passado. Este estudo identifica dimensões por meio das quais experiências memoráveis provocam nostalgia em relação a locais de turismo. Foram conduzidas quinze entrevistas em profundidade, analisadas com base em métodos da filosofia fenomenológica. Experiências memoráveis que remetem a sentimentos nostálgicos não parecem ser necessariamente relacionadas aos locais ou destinos, mas à reprodução de sensações e emoções ali vivenciadas, ou à lembrança de momentos passados com familiares, amigos próximos ou parceiros românticos.
Tourism may relive experiences and moments from the past. This study identifies dimensions from memorable tourism experiences which can lead to nostalgia related to tourism locations. We proceeded fifteen interviews that were analyzed based on phenomelogical method. The main findings show that memorable experiences which create nostalgic feelings don t seem to be necessarily related to locations or touristic destinations, but to sensations and emotions lived there, or moments experienced with family, with closer friends or in romantic relationships.
White, Cheyenne. "Nostalgia and the Physical Book." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617367598606743.
Повний текст джерелаGonlin, Marion. "Nostalgia Games: Replaying The Past." Thesis, Department of Media and Communications, 2017. http://hdl.handle.net/2123/18630.
Повний текст джерелаOlguín, Espinoza Paulina. "La nostalgia de la imagen." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/164078.
Повний текст джерелаEn la presente memoria pretendo analizar y describir el proceso de elaboración del proyecto La nostalgia de la imagen, tanto desde lo reflexivo como desde lo técnico. Este trabajo nace de la necesidad de reconstruir mi historia en un reencuentro con el hacer, así como también, del anhelo de hallar y comprender los elementos que me llevaron a producir un trabajo que se caracteriza por estar principalmente ligado con mi historia familiar, recuerdos y relaciones que he establecido con las materialidades y las técnicas textiles. Este escrito se estructura en torno a tres temas centrales: memoria, técnica y materialidad, y obra. De estos conceptos se desprenden diversos problemas tales como la idea de la imagen como recurso facilitador del recuerdo, el tiempo, la experiencia, así como las técnicas textiles, en particular las utilizadas para la representación, como por ejemplo el bordado, las distintas materialidades y sus desplazamientos. En términos de antecedentes realizo una revisión de ejercicios previos que me permiten recoger desde mi propio proceso la experiencia de reconstruir imágenes que emergen desde la memoria.
Marchegiani, Christopher A. "Conceptualising personal and historical nostalgia." Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/2252.
Повний текст джерелаHalvarsson, Linda. "Nostalgi : En socialantropologisk studie om platser och föremål som aktiverar och bevarar personliga och kollektiva minnen." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-157502.
Повний текст джерелаThe study examines the physical location of Gamla Linköping where the city of Linköping reconstructs and preserves its collective history through the buildings and the personal memories and stories that today together constitute a living museum. Houses and buildings have been moved from their original locations around the city and some have been given a completely new function in Gamla Linköping. The study also examines personal memories and collective stories from informants in Linköping to answer the questions concerning Gamla Linköping's importance to the city, why the need for reconstruction exists and what importance personal memories have for the study's informants. Conclusions drawn in the study are that Gamla Linköping talks about the everyday life and environment of the individual people in their time and space and that reconstruction on a full scale is an excellent opportunity to relive and interpret a past. The study also shows that emotions such as happiness, joy and nostalgia are what emerges most when informants talks about personal memories that are triggered by both places and objects.
Mostyn, Santiago. "Notes on the productivity of nostalgia." Thesis, Kungl. Konsthögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-6.
Повний текст джерела[I examensarbetet ingår utställningen "Little father, glorious stump":] The exam work consisted of a three-room installation of sculptural objects, activated by a live sound performance, as well as a 3D animation projected unto one wall of the gallery.
Examensarbetet består av en skriftlig del och en gestaltande del. Alternativ titel anger namnet förden gestaltande delen.
The master work includes a written essay and a forming part. The alternative title is the name of the forming part.
Robertson, Sara. "Nostalgia and wellbeing across the lifespan." Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/370449/.
Повний текст джерелаMiranda, Lenir de. "Nostos : a nostalgia de todos nós." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/12130.
Повний текст джерелаThis text, whose title is “Nostos - The Nostalgia we all have”, is a poetic reflexion upon the duality between literature and visual arts. The whole work reflects upon this passage between literary and visual semantics, revealing the intimacy between words and images. A vision of worlds is thus expressed, taking as starting point James Joyce’s “Ullysses”, especially its 3rd part (Nostos), and its 17th episode (Ithaca) Visual projections, through the artist’s paintings and books, are emanations of nostos, ie, the longing for return and identification with the locus of the self, given by the work of art. In this reflection dwells the finding out of a place to replicate, as if through a looking-glass, as if it were a return to the self, made possible through the work which presents itself to the Other´s gaze. There is a return through the itinerary of the work, mediated by the Other’s gaze, building upon the connection established by Joyce’s words and construing, upon it, a visual sign. The text, in this work, refers to the dialectics established in the process of formation of the work, made visible trough its poiesis.
Ross, Simon David. "Nostalgia in postmodern science fiction film." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472741.
Повний текст джерелаGates, James A. "Nostalgia and the Tea Party movement." Thesis, Canterbury Christ Church University, 2018. http://create.canterbury.ac.uk/17322/.
Повний текст джерелаAcosta, Antonio Dante Rodrigues. "Nostalgia e memória em Andrei Tarkovski." Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/JSSS-8Z8QAV.
Повний текст джерелаO presente texto desenvolve-se a partir de fragmentos do percurso de vida de Gorchakov, o personagem estrangeiro do filme intitulado Nostalgia (1983), de Andrei Tarkovski. Tais fragmentos possibilitaram-me a elaboração de pequenos percursos escritos sobre o tempo e a memória, acompanhados de perto pelos textos de Frances Yates sobre a Arte da Memória, bem como pelos escritos do próprio Tarkovski sobre a arte de Esculpir o Tempo. Esta dissertação é, mais do que tudo, fruto da profunda admiração que cultivo pela obra cinematográfica deste artista russo e sua poética sobre a fé na transformação do homem. Daí provém grande parcela de meu arrebatamento com relação às suas imagens, e no modo como estas agem em meu espírito como força de inspiração.
Deng, Jinpei. "Pastoral Nostalgia and Digital Media: A Case Study Exploring Nostalgia Communication in Li Ziqi’s Online Short Videos." Thesis, Uppsala universitet, Institutionen för informatik och media, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-420685.
Повний текст джерелаEngammare, Juliette. "Familles de part et d'autre de l'écran : fiction, expérience et transmission." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA176.
Повний текст джерелаThis work proposes to implement a confrontation between real families and fictional familiesby interposing a screen in between them in order to understand how a fictional experienceinteracts with life experience. We have interviewed seven families from the Nord-Pas-de-Calais region of France. We have chosen three shows that are integral in familyrepresentation. They enjoy great popularity on the M6 TV group’s various channels andexhibit similar airing strategies: The Little House on the Prairie (NBC, 1974-1984), Malcomin the Middle (FOX, 2000-2006) and Desperate Housewives (ABC, 2004-2012). The ideathat we offer is that these three shows establish a permanent curative resource which is thebase of the individual’s self-construction. We may also go as far as to call it a reconstructionof oneself. Nostalgia seems to inspire action which leads to the construction of situations, setdesign, interior decoration, various practices and the creation of a family heritage. In otherwords: the experience of fiction serves as a constant reminder of the experience of life whichtriggers and inspires new experiences that families often pass down from generation togeneration. The shows in this corpus play a role in the creation of one’s family-relatedidentity and memories. An attachment towards fiction equates to an attachment to personallife. The network’s part in this process is substantial
Chick, Mei-yee, and 戚美儀. "History and nostalgia: constructing the past through film." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31950711.
Повний текст джерелаChick, Mei-yee. "History and nostalgia : constructing the past through film /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1966865X.
Повний текст джерелаMuttib, Hussein Thakaa. "La quête identitaire dans le théâtre de Yasmina Reza." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20033/document.
Повний текст джерелаYasmina Reza’s theatre is a part of the contemporary theatre. This study approaches the identity’s quest. In this theatre of conflict, the rezaldians ─ writers lacking in inspiration, critics or historians ─ are in loss of identity. These protagonists suffer from fear of death, of living in the memory of close relative or of the fact of getting older, experienced as a shipwrecked. They can only suffer of the imposed circumstances upon them and live a life doomed of a repeat scenarios of the past. In this kind of theatre without action, the inner drama transpires through the absurdity of a life filled with ridiculous acts and insignificant words or remembering family’s history. In this kind of plays, the language is the only action as the key which solves the dramatic plot. In this quest for unification of identity, each one tries painfully, through the story, to accept his past and the fact how he becomes now, far away from what he can imagine himself. This fragility of the identity is thus tending to end up as an engine creation. Reza’s writing, full of contradictions, is a looking for pacification. The author of this play invents her own style and identity by describing the quotidian life of her character. Such quest theatrical shows how Reza wants to make her character doing his quest of security, of his own identity and looking for a meaning in his life
Poulot, Marie-Laure. "Pour une géographie du cosmopolitisme autour du boulevard Saint-Laurent : mises en récits, nostalgies patrimoniales et constructions territoriales." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100137.
Повний текст джерелаThis thesis questions the geography of cosmopolitanism, through the study of narratives, practices and representations around Saint Lawrence boulevard in Montreal. The street represents a divide between the “two solitudes” – the French-speaking and the English-speaking areas -, but also a bond, a passage and melting place, where immigrants settled during the 20th century. This research is based on field studies - combining observation and interviews. It also relies on studies of planning documents, reports and literature. In this former immigration corridor, three aspects of cosmopolitanism are converging, competing and sometimes overlapping: a political and identity-led cosmopolitanism, a consumerist cosmopolitanism, and a day-to-day experienced cosmopolitanism. Several scales of power operate on the boulevard (districts, municipality, provincial and federal government) so that one can read in diversity policies and heritage designations. The boulevard is also a lever for branding strategies: while “ethnic” neighborhoods clearly highlight the assets of cosmopolitanism, public and private real estate developers keep a low profile on that front in the Quartier des Spectacles. At any rate, these neighborhoods are not only about communication and branding: they are also daily experiences, commuting and hustle for cultural communities and many other inhabitants. The boulevard is therefore a space of urban experiences, that gives birth to a form of everyday cosmopolitanism, which is underpinned by venues, atmospheres and time specificities. This notably materializes through key people and special venues in time, such as festivals or walking tours
Andersson, Jimmy. "Defining Nostalgia and Its Functions: A Review." Thesis, Högskolan i Skövde, Institutionen för kommunikation och information, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-5230.
Повний текст джерелаAu, Siu-lung, and 區肇龍. "'Nostalgia' and 'Panic' in Huang Biyun's Fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40675956.
Повний текст джерелаChan, Danny C. 1974. "Nostalgia and the idea of urban ruin." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/30216.
Повний текст джерелаIncludes bibliographical references (p. 28).
An archetype for nostalgia withholds moments, suspending time in a state between memory and anticipation. Gravity plays an essential role in creating time in architecture: it gives physicality to the transience, allows time to be experienced with one's senses and imagination. In that sense, time is neither metaphorical and prescriptive, but physical and personal. Using the physical context of Fort Point Channel as the stimulus for intellectual thinking, the thesis project strives to discover how the idea of an urban ruin can inspire new forms of spatial-temporal experience. The physical and spiritual qualities of the Greek temples, in particular the Doric Order, are analyzed in order to understand the fundamentals in architecture such as Absence, Gravity and the Order of space and matter. Through the resurrection of time and memory in architecture, the new archetype allows one to become closer in touch with his senses, thus finding purpose to his own existence.
by Danny C. Chan.
M.Arch.
Bassett, Aurora Kazi. "Difficult history : saving Yangon from colonial nostalgia." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111371.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references (pages 62-67).
Using the form of an essay I discuss the preservation of built heritage from the 'difficult' histories of colonialism and enslavement, linking together the global stories of oppression through colonialism and slavery to the global tourism and pressure for economic growth today. I focus on Yangon, Myanmar (Rangoon, Burma), which has the world's largest collection of Victorian and Edwardian colonial architecture. Years of active neglect by the military government have preserved these aging structures, but this era is coming to an end amid with often conflicting pressures to modernize and campaigns to actively restore the historic downtown. In this thesis I explore the politics of preservation and the market forces of international tourism that have led to nostalgic restorations of colonial relations for elite travelers.
by Aurora Kazi Bassett.
M.C.P.
Ara?jo, Francisco Magno Silva de. "O Ateneu e a nostalgia na forma." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16200.
Повний текст джерелаCoordena??o de Aperfei?oamento de Pessoal de N?vel Superior
The actual study proposes Raul d‟?vila Pomp?ia‟s O Ateneu (1888) among the most significant works in Brazilian Literature panorama, according to the perspective of verbal materiality of the Romanesque genre under a form nostalgia sign that, in its turn, ascends to the archaic origin poetry of fable. Along with large rereading of pertinent bibliography, it is gone here toward narrator Sergio‟s cr?nica de saudades on pursuit of showing it, firstly, as poetic language allegory updated in the novel technique; secondly, as radical metalanguage that still renders problematic several aspects of modern fictional prose
O presente estudo prop?e O Ateneu (1888) de Raul d‟?vila Pomp?ia dentre as obras mais significativas no panorama da Literatura Brasileira, segundo a perspectiva de materialidade verbal do g?nero romanesco sob o signo de uma nostalgia da forma que, por sua vez, remonta ? poesia da origem arcaica da f?bula. A par de ampla releitura da bibliografia pertinente, envereda-se aqui pela cr?nica de saudades do narrador S?rgio em busca de mostr?-la, primeiro, como alegoria da linguagem po?tica atualizada na t?cnica do romance; segundo, como metalinguagem radical que ainda problematiza v?rios aspectos da moderna prosa de fic??o
Su, John J. "Ethics and nostalgia in the contemporary novel /." Cambridge : Cambridge university press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40102937z.
Повний текст джерелаShen, Jiaxi. "Home Video and Nostalgia in Transitional China." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1404.
Повний текст джерелаBernhard, Emelie. "Nostalgi och retro." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43652.
Повний текст джерелаHiort, af Ornäs Alice. "Om jag vore dig så nära : Om upplevelsen av avstånd under emigrationen till Amerika." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34409.
Повний текст джерелаAndo, Tomoko. "La nostalgie dans l'œuvre d'Albert Camus." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040071.
Повний текст джерелаIn the beginning of Carnets, Albert Camus mentions “the nostalgia for a lost poverty” as he expresses what drives him to create. Ambiguous nostalgia, which does not mean a simple regret of lost time, concerns the “strange feeling” that the son carries toward his silent mother. In reality, it consists in the painful aspiration for tenderness, which is intrinsically bound up with the misery that the author has experienced in his childhood. In order to tell his past, he elaborates his nostalgia as the essence of his sensitivity. And as a signof its complexity, such captivity includes a regret and a sense of guilt towards the poor environment which he left behind. Despite its ambiguity, the name of nostalgia is just because it concerns the quest for identity: in the torn sensitivity, there is an insatiable quest for a true source of being. Therefore, in the existential context, the concept of the absurd is established upon the nostalgic sensibility: human beings are torn between their limited condition and their desire for a full life. They choose to hold their torn nostalgia astheir existential foundation, their life axis and their raison d’être. For the absurd man, literary creation is not an option. It embodies the will of lucidity and liberty, in order to “give power of expressing vacuum to colors”. The dialectic of presence and absence is represented in the novels of Camus in various ways. In his later years, Camus expresses nostalgia for the homeland, consciously searching for his origin; the quest after his “buried sun”. He has always known this “buried sun” which had been attracting him as his guidance
Meyer, Katherine Conner. "Sport nostalgia: An examination of familiarity and intended behavior." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275393944.
Повний текст джерелаNourmohammadi, Shima. "Nostalgia in George Orwell's Coming Up For Air." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-74261.
Повний текст джерела