Книги з теми "Music theory History 18th century"

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

1917-, Mann Alfred, and Parker Mary Ann 1951-, eds. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.

Street, Christensen Thomas, and Dejans Peter 1964-, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

Street, Christensen Thomas, Beelaert Sylvester, Dejans Peter 1964-, Snyers Kathleen, and International Orpheus Academy for Music Theory, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

1943-, Snook-Luther Susan P., ed. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.

Holtmeier, Ludwig. Rameaus langer Schatten: Studien zur deutschen Musiktheorie des 18. Jahrhunderts. Hildesheim: Georg Olms Verlag, 2017.

Christensen, Thomas Street. Rameau and musical thought in the Enlightenment. Cambridge [England]: Cambridge University Press, 1993.

Curry, Robert, 1952 Sept. 26-, Gable David 1955-, and Marshall Robert Lewis, eds. Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester, NY: University of Rochester Press, 2008.

Alfred, Mann. The great composer as teacher and student: Theory and practice of composition : Bach, Handel, Haydn, Mozart, Beethoven, Schubert. New York: Dover, 1994.

1681-1764, Mattheson Johann, ed. Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's universal style in theory and practice. Surrey, UK: Ashgate, 2014.

1965-, Gallagher Sean, Kelly Thomas Forrest, and Wolff Christoph, eds. The century of Bach and Mozart: Perspectives on historiography, composition, theory, and performance. Cambridge, Mass: Harvard University Department of Music, 2008.

1648-1706, Salmon Thomas, and Locke, Matthew, 1621 or 2-1677, eds. Thomas Salmon: Writings on music. Burlington, VT: Ashgate, 2012.

Verba, Cynthia. Music and the French enlightenment: Reconstruction of a dialogue, 1750-1764. Oxford: Clarendon Press, 1993.

Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

Hariharan, M. (Muthuswamy), 1951- author, ed. Music of South India: Upto 18th century. Delhi: B.R. Rhythms, 2016.

Popescu-Judetz, Eugenia. Sources of 18th-century music: Panayiotes Chalathzoglou [i.e. Chalatzoglou] and Kyrillos Marmarinos' comparative treatises on secular music. Beşiktaş, İstanbul: Pan Yayıncılık, 2000.

Yordanova, Iskrena, and Guiseppina Raggi. Theatre spaces for music in 18th-century Europe. Wien: Hollitzer, 2020.

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

B, Schwartz Richard, and National Endowment for the Humanities., eds. Theory and tradition in eighteenth-century studies. Carbondale: Southern Illinois University Press, 1990.

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

1968-, Keefe Simon P., ed. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.

1935-, Odell Scott, ed. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.

1960-, Burden Michael, and Cholij Irena, eds. A handbook for studies in 18th-century English music. Oxford: Burden & Cholij, 1999.

Felicity, Nussbaum, and Brown Laura 1949-, eds. The New eighteenth century: Theory, politics, English literature. New York: Methuen, 1987.

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

Carlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.

Eighteenth-century Russian music. Aldershot, Hants, England: Ashgate Pub. Company, 2006.

18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.

Christensen, Jesper Bøje. 18th century continuo playing: A historical guide to the basics. Kassel: Bärenreiter, 2002.

Malcolm, Boyd, and Carreras López, Juan José, 1957-, eds. Music in Spain during the eighteenth century. Cambridge: Cambridge University Press, 1998.

Lester, Joel. Compositional Theory in the 18th Century. Harvard University Press, 2013.

Lester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.

Krebs, Harald Manfred. Third relation and dominant in late 18th- and early 19th-century music. 1986.

(Editor), Alfred Mann, and Mary Ann Parker (Editor), eds. Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann (Festschrift Series, No 13). Pendragon Press, 1994.

Lester, Joel. Compositional Theory in the 18th Century (Studies in the History of Music, No. 4). Harvard University Press, 1993.

(Editor), Robert Curry, David Gable (Editor), and Robert L. Marshall (Editor), eds. Variations on the Canon: Essays on Music from Bach to Boulez (in Honor of Charles Rosen on his Eightieth Birthday) (Eastman Studies in Music). University of Rochester Press, 2008.

Keefe, Simon P. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention. Boydell & Brewer, Incorporated, 2007.

Christensen, Thomas. Rameau and Musical Thought in the Enlightenment (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2004.

Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.

Keates, Translated By Timothy. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

Semi, Maria, and Timothy Keates. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

Semi, Maria, and Timothy Keates. Music As a Science of Mankind in Eighteenth-Century Britain. Taylor & Francis Group, 2016.

Music as a science of mankind in eighteenth-century Britain. Surrey, England UK: Ashgate Pub., 2011.

Day-O'Connell, Jeremy. Pentatonicism from the Eighteenth Century to Debussy. University of Rochester Press, 2007.

The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance. Harvard University Department of Music, 2009.

Glover, Jane. Handel in London. Penguin Random House, 2010.

Glover, Jane. Handel in London. Penguin Random House, 2011.

Glover, Jane. Handel in London. Pegasus Books, 2018.