Дисертації з теми "Music sales"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-36 дисертацій для дослідження на тему "Music sales".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Henning, Emelie, and Martin Palmcrantz. "Tacongruity : Impact of congruent music on sales of tex-mex products in a Swedish grocery store." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-176778.
Повний текст джерелаMichel, Norbert. "A Theoretical and Empirical Analysis of the Impact of the Digital Age on the Music Industry." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/td/64.
Повний текст джерелаBeránek, Tadeáš. "Specifika amerického maloobchodního trhu s hudbou." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-197243.
Повний текст джерелаŠtencel, David. "Analýza prodeje hudby prostřednictvím Internetu." Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-15947.
Повний текст джерелаGrobert, Julien. "L'effet de la congruence avec l'image d'une entreprise de deux facteurs atmosphériques (parfum et musique), sur la satisfaction et les réponses comportementales des individus : application au secteur bancaire." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENG001/document.
Повний текст джерелаWhile the bank sector will be the center of huge changes, during next years, due to a restructuration of its model. It seems relevant to understand whether the sensory marketing can create added value for the customer and companies in this context A scent and/or a music diffusion must nevertheless be the object of recommandations. Indeed, will a scent or/a music with high level of congruency with brand image have differents effects(and stronger or lower) than a scent (or a music) with a low level of congruency on the satisfaction and behavioral responses of consumer ? This doctoral research aims to investigate this issue. Two diffents stages have been realised. First of all, a qualitative study allowed to show brand's identity markers allowing the creation of two types of scents (high congruency vs.low congruency) and two types of musics (high congruency vs. low congruency). The second stage, quantitative, has been realised in situ. Results showed that diffusion of a perfume with low congruency with the brand image leads to more favorable responses of physical elements and in fine on the satisfaction and on the behavioral responses. Conversely,a music's diffusion overall leads to negatives effects
Labská, Julie. "Vliv technologií na hudební průmysl z hlediska distribuce hudby." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-162616.
Повний текст джерелаMannis, Jose Augusto 1958. "Design de difusores sonoros a partir de processo serial : adequação acustica de pequenas salas a performance e audição musical." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284649.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-11T10:18:44Z (GMT). No. of bitstreams: 1 Mannis_JoseAugusto_D.pdf: 7332479 bytes, checksum: c694f419a7ad3630d709d9c453b80cb7 (MD5) Previous issue date: 2008
Resumo: Este trabalho é dirigido a soluções de conforto acústico para escuta e performance musical, considerando sobretudo aspectos psicoacústicos da escuta subjetiva de músicos e especialistas nesta área. A partir de critérios de avaliação acústica de salas para música em Beranek e princípios de design e funcionamento dos difusores de Schroeder, a pesquisa apresenta soluções originais de concepção e design de difusores a partir da técnica de composição musical com 12 sons de Schoenberg, e pode ser qualificada como inovação tecnológica. A escuta técnica e de apreciação musicais são ao mesmo tempo base, guia e eixo deste trabalho, assim como a melhoria de condições permitindo escutas de boa qualidade é seu objetivo. Perguntas como: ¿O que acontece no som que é importante para os músicos em performance?¿, ¿Como e o que o músico ouve?¿ e ¿O que é importante para a escuta musical?¿ estão profundamente presentes tanto neste trabalho quanto nos trabalhos de Beranek que, por essa razão, foi, teoricamente, um dos pontos de partida adotados. A pesquisa aqui realizada, bem como este trabalho, situa-se na confluência de três grandes áreas do conhecimento: Artes e Humanidades (Música, Sonologia, Arquitetura), Ciência (Física: Acústica) e Tecnologia (Engenharia de áudio, Acústica aplicada, com alguns recursos de Engenharia Civil e Engenharia Mecânica). Na introdução é destacada a importância do som e do silêncio tanto na música quanto na acústica. Como fundamentação teórica há uma exposição ampla de princípios de acústica relacionados, tipologia das simetrias, elementos da técnica de composição musical serial, aspectos desejáveis e indesejáveis em auditórios, parâmetros de avaliação acústica de salas, princípios e funcionamento de difusores acústicos. São propostas três soluções para novos tipos de difusores, bem como apresentados dois projetos detalhados de adequação acústica de salas para música onde são aplicados, com medição de resultados em um dos casos. É apresentada e discutida uma simulação de desempenho das superfícies seriais através de análise modal, verificando a qualidade e desempenho esperados dos difusores concebidos
Abstract: This study is aimed at acoustic comfort solutions for music listening and performance by mainly considering psychoacoustic aspects related to subjective listening of musicians and specialists concerned with this field of knowledge. Starting from acoustic evaluation criteria of music rooms (opera houses and concert halls) in Beranek and principles of design and operation of Schroeder Diffusers, this piece of research presents original solutions and conception as well as design solutions for diffusers by taking Schoenberg¿s 12- sounds musical composition technique as a starting point. This research can be qualified as technological innovation. Simultaneously, both technical listening and music appreciation listening stand for a basis, a guide, and a main point for this work, as well as the improving conditions that allow good quality listenings makes up its objective. Questions such as: ¿What is important in the sound for performing musicians?¿, ¿How and what does the musician listen to?¿ and ¿What is important for music listening?¿ are deeply present either in this research or in Beranek¿s works, which therefore have been theoretically deemed as one of the starting points in use. The research undertaken ¿ as well as this work ¿ lays within the confluence of three major fields of knowledge: Arts and Humanities (Music, Sonology, Architecture), Science (Physics: Acoustics), and Technology (Audio Engineering, Applied Acoustics, in addition to a few resources from Civil Engineering and Mechanical Engineering). The introduction emphasizes the importance of sound and silence either in music or acoustics. The theoretical basis include an extensive exposition of related acoustic principles, symmetry types, elements of serial musical composition technique, desirable and undesirable aspects in auditoriums, acoustic evaluation parameters of rooms, principles and operation of acoustic diffusers. Three solutions are proposed for new types of diffusers. Two detailed projects of acoustic appropriateness are presented for music rooms and concert halls, where they are applied and, in one of the cases, results therefrom are measured. A simulation of the performance obtained in serial surfaces through modal analysis by checking both quality and performance expected from the conceived diffusers is presented and discussed.
Doutorado
Doutor em Música
Parks, Regina Anne Tse Kenneth. "The saxophone music of Juan Orrego-Salas a biography and performer's guide for four works /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/417.
Повний текст джерелаParks, Regina Anne. "The saxophone music of Juan Orrego-Salas: a biography and performer's guide for four works." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/417.
Повний текст джерелаCarboni, Márcio Henrique de Sousa. "Qualidade acústica em salas de ensino de música." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/28854.
Повний текст джерелаWu, Zeyuan. "Becoming Sages: Qin Song and Self-Cultivation in Late Imperial China." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587689622910344.
Повний текст джерелаSalzmann, Ralph. "Multimodale Erlebnisvermittlung am Point of Sale eine verhaltenswissenschaftliche Analyse unter besonderer Berücksichtigung der Wirkungen von Musik und Duft." Wiesbaden Dt. Univ.-Verl, 2007. http://d-nb.info/985467762/04.
Повний текст джерелаLappyová, Nella. "Distribuce hudby českých interpretů po nástupu internetu." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-198228.
Повний текст джерелаViero, Claudia Rogeria Gaida. "Caracterização das condições acústicas de salas de aula destinadas ao ensino da música na educação básica." Universidade Federal de Santa Maria, 2012. http://repositorio.ufsm.br/handle/1/7835.
Повний текст джерелаThe acoustic inadequacy in an environment for teaching and study of music can trigger problems in the process of learning music, because the music content or the speech itself, can be modified, creating possibilities of erroneous adaptations to inadequate conditions. Because of this, there is concern with the implementation of Law nº. 11 769/2008 that amends Law no. 9.394/1996 - Law of Guidelines and Bases of Education (LDB), which inserts the teaching of music in primary education on a mandatory way, but not exclusive in the school curriculum. This study aims to contribute to the integration of music in schools so that it can be done correctly, providing to the public school the opportunity to experience this learning. Therefore, it aims to propose recommendations for the adaptation of the existing rooms events, lectures and musical activities in the schools of the state. It was used as a sample, five different types of rooms existing in the state of basic education in Santa Maria - RS which are characterized by architectural forms and construction set in the '70s, '80s and '90s. We collected information on dimensions, geometry and materials, having as goal, to evaluate the acoustics of the rooms. We evaluated the acoustic characteristics of the room, with and without furniture, using measures to determine the impulse response of the acoustic parameters (ISO 3382/2009), of verify the acoustic quality (clarity of musical sounds) and the speech intelligibility. These acoustic parameters are the Reverberation Time, Decay Time Initial, Clarity, Definition and Speech Transmission Index. The evaluation results showed the reverberation times and acoustic parameters of the rooms to be unsuitable for music. There was a determination, through trials in reverberation room (ISO 354/2003),of the sound absorption of classes, chairs, backpacks and other common objects in classrooms. This a showed that the furniture has great influence on the behavior of absorption of the room, changing the experimental results when performed with the furnished room. But does not mean to be a solution to the acoustics conditions of the rooms studied, but rather a guide to possible modifications of the rooms, materials and furnishings. Thus, recommendations were proposed to the adaptation of the rooms now used for events, lectures and musical activities in the schools of the state, fulfilling the proposed objective.
A inadequação acústica em um ambiente destinado ao ensino e estudo da música pode desencadear problemas no processo de aprendizagem, pois os conteúdos musicais ou a própria fala, podem ser modificados, criando possibilidades de adaptações errôneas às condições existentes. Por isso a preocupação com a implementação da Lei nº. 11.769/ 2008, que altera a Lei nº. 9.394/1996 - Lei de Diretrizes e Bases da Educação (LDB), que insere o ensino de música na educação básica de forma obrigatória, mas não exclusiva nos currículos escolares. Este estudo pretende contribuir para que a inserção da música nas escolas seja feita de forma correta, propiciando ao público escolar a oportunidade de vivenciar esse aprendizado. Para isto, objetiva propor recomendações para a adaptação das salas já existentes e utilizadas para eventos, palestras e atividades musicais nas escolas da rede estadual. Foram utilizadas como amostra, as cinco diferentes tipologias de salas já existentes na rede estadual de educação básica de Santa Maria RS que se caracterizam por formas arquitetônicas e construtivas definidas nas décadas de 70, 80 e 90. Foram coletadas informações sobre dimensões, geometria e materiais, objetivando avaliar as condições acústicas das salas. Avaliaram-se as características acústicas das salas, com e sem mobília, utilizando-se medidas da resposta impulso para determinação de parâmetros acústicos (ISO 3382/2009), para verificar a qualidade acústica (clareza dos sons musicais) e a inteligibilidade da fala. Esses parâmetros acústicos são o Tempo de Reverberação, Tempo de Decaimento Inicial, Clareza, Definição e Índice de Transmissão da Fala. Os resultados da avaliação mostraram tempos de reverberação e parâmetros acústicos das salas inadequados para a música. Houve a determinação, através de ensaios em câmara reverberante (ISO 354/ 2003), da absorção sonora de classes, cadeiras, mochilas e outros objetos comuns em salas de aula. Também mostraram que o mobiliário tem grande influência no comportamento da absorção da sala, alterando os resultados experimentais quando realizados com a sala mobiliada. Porém não significa ser uma solução para as condições acústicas das salas estudadas, mas sim uma orientação para possíveis modificações das salas, seus materiais e mobília. Sendo assim, foram propostas recomendações para a adaptação das salas já utilizadas para eventos, palestras e atividades musicais nas escolas da rede estadual, cumprindo com o objetivo proposto.
Brum, Cristhian Moreira. "SIMULAÇÃO ACÚSTICA DE SALAS DE AULA EM ESCOLAS DE EDUCAÇÃO BÁSICA: UMA PROPOSTA TIPOLÓGICA PARA PRÁTICA MUSICAL." Universidade Federal de Santa Maria, 2012. http://repositorio.ufsm.br/handle/1/7813.
Повний текст джерелаThe study of room acoustics is linked to the importance of sound inside a room, so the architectural characteristics of the internal space determine the acoustic behavior. To get better acoustics of a room there are computational methods that simulate the acoustic behavior of a room before his execution, providing the prediction of the simulated environment behavior from the acoustic point of view. The acoustic parameters of the resulting acoustic simulations as Reverberation Time, Initial Decay Time, Clarity, Sharpness and Speech Transmission Index, are responsible for identifying the acoustic conditions of the geometric model of a classroom. This geometric model used as sample classrooms of different types of municipal schools in Santa Maria - RS, with the aim of developing a classroom typology for the music teaching from virtual acoustic models using computing simulation. Geometric models of classrooms for teaching music were developed using as input data, dimensions, shapes and elements usually used in these environments and developed representative virtual acoustic models these virtual classrooms, in which were measured acoustic parameters related to the reverberation time from the impulse response of the acoustic models of virtual rooms. We analyzed the experimental results and simulated with and without furniture for the acoustic parameters, and these comparisons were related to the values of JND (Just Noticeable Difference) near the standard tolerance according to ISO 3382/2009 with normalized values of 500 Hz to 1000 Hz. A geometric study was developed based on Bolt (1946) which defined the appropriate geometric measures of the room. Thus, a functional typology was originated which meets the architectural acoustic requirements and the initial proposal of presenting a music classroom typology providing an environment with acoustic quality, according to Law number 11.769/2008 that inserts education music in schools on a mandatory basis.
O estudo da acústica de salas está vinculado à importância do som dentro de um recinto, logo, as características arquitetônicas do espaço interno determinam seu comportamento acústico. Para buscar melhores condições acústicas de um recinto disponibilizam-se métodos computacionais que simulem o comportamento acústico de uma sala, antes de sua execução, proporcionando a previsão de comportamento do ambiente simulado do ponto de vista acústico. Os parâmetros acústicos resultantes das simulações acústicas, como: Tempo de Reverberação, Tempo de Decaimento Inicial, Clareza, Definição e o Índice de Transmissão da Fala são responsáveis pela identificação das condições acústicas do modelo geométrico de uma sala de aula. Este modelo geométrico utilizou como amostra as salas de aula das diferentes tipologias de escolas da rede estadual de educação de Santa Maria - RS, com o objetivo de desenvolver uma tipologia de sala de aula, para o ensino da música, a partir de modelos acústicos virtuais utilizando-se simulação computacional. Foram desenvolvidos modelos geométricos de salas de aula para o ensino da música utilizando-se como dados de entrada, dimensões, formatos e elementos, usualmente utilizados nestes ambientes, e desenvolvidos modelos acústicos virtuais representativos destas salas, aos quais foi feita uma avaliação dos parâmetros acústicos relacionados ao tempo de reverberação, partindo-se da resposta impulso dos modelos acústicos virtuais das salas. Foram analisados resultados experimentais e simulados na situação sem mobília e com mobília, para os parâmetros acústicos, e essas comparações foram relacionadas com os valores de JND (em inglês Just Noticeable Difference) padronizadas as margens de tolerância, de acordo com a ISO 3382/2009, com valores normalizados de 500 Hz a 1000 Hz. Também foi desenvolvido um estudo geométrico, a partir de Bolt (1946), que definiu as medidas geométricas adequadas da sala. Com isto, originou-se uma tipologia funcional, observando as exigências acústicas arquitetônicas, cumprindo a proposta inicial de apresentar uma tipologia de sala de aula, para a música, a fim de proporcionar um ambiente com qualidade acústica, atendendo a Lei nº 11.769/2008, que insere o ensino da música nas escolas, de forma obrigatória.
Music, Arif [Verfasser], and Dorian [Akademischer Betreuer] Didier. "The versatility of tetracoordinated boron-centered salts for transition-metal free c-c bond formations in organometallic- and electro-chemistry / Arif Music ; Betreuer: Dorian Didier." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1215499884/34.
Повний текст джерелаDilys, Lauras. "Muzikos naudojimas pardavimo vietose." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140605_123558-54394.
Повний текст джерелаMusic is one of the most important means of forming the retail environment. Along with interior design music should illustrate the style of a retail establishment in order to attract desired customers. It is worth mentioning that that the atmosphere that music provides is not limited to the confines of a shop. Music creates a zone surrounding the shop, where a passing by consumer feels almost as though he is already inside. The musical background affects the consumer subconsciously, it pleasantly invites the person to come in, at which point coming in doesn’t seem like such a commitment – the transition becomes more natural. Research shows that music stimulates customers’ good emotions, a more favorable judgment of the shop and its employees and also it helps decrease the fear of engagement with personnel. A respective tempo of music can make the customer more relaxed or more energetic and thus solve problems concerning customer traffic flow. Music also affects customers’ time perception, decreases dissatisfaction caused by the occasional waiting time and tends to evoke all kinds of associations which, if used correctly, become a form of covert marketing. A well chosen musical background means greater sales for the company, thus music should be used in every point of sale, if its owners wish to reach their desired goals.
Ribeiro, Giann Mendes. "Autodeterminação para aprender nas salas de aula de violão a distância online : uma perspectiva contemporânea da motivação." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/76731.
Повний текст джерелаThis research approaches the motivation in learning music in virtual learning environments under the sociocognitive theoretical perspective of motivation. The research aims, as general objective, to investigate the students’ motivational processes in online interaction in guitar classes through distance education in the Degree in Music at the State University of Rio Grande of Norte (UERN), based on the Self-Determination Theory (RYAN; DECI, 2004; RYAN; DECI, 2006). The specific objectives sought to analyze the perceptions satisfaction of the needs for autonomy, competence and belonging of students in online interaction; to identify the quality motivational of the students in those online interactions; to discuss the environmental influences on the students’ motivation, to verify the manifestations of basic psychological needs for synchronous and asynchronous interactions, and to highlight the tools that helped the online interactions in a distance education process. The methodology used on this study was the educational action-research (MORIN, 2004). The analyzed data were collected through participant observation, semi structured interviews, footage of the interactions made in videoconferencing and conversation records in synchronous and asynchronous forums. The results show that the major motivation of the students was not intrinsic. Instead, the motivation was considered complex, multifaceted and sensitive in determined situations. The synchronous and asynchronous interactions, in the complex and complementary way proposed in this study, could provision the basic psychological needs of the students, as well as, enable a viable and effective alternative to the musical education of these students.
Santos, Marta Antão Rodrigues dos. "Qualidade acústica de escolas de música do Algarve: análise e proposta de medidas de melhoria." Master's thesis, Universidade de Évora, 2014. http://hdl.handle.net/10174/11823.
Повний текст джерелаEm?dio, Luiz Felipe Sousa Tavares. "As orquestras invadem as salas de estar: redefini??o dos padr?es e espa?os para a escuta musical no Rio de Janeiro (1926-1931)." Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16940.
Повний текст джерелаIn the late nineteenth and early twentieth century, a series of technical innovations have been commercially and widespread on some urban groups everyday, in Brazil. Some of these technological innovations have played an important role in large-scale distribution of artistic works, which until then had an extremely limited potential for diffusion. Development of devices that can record and play music has been mechanically inserted into this logic, while the gramophones, phonographs, cylinders and discs became popular. By this time a new moment for production and consumption of music had started. Especially since the begging of electrical system for registration and production of sounds, this process bought important meaning to the way some peoples in Rio would leasing and sense music, besides it had contributed substantially to changes in the spatial references of these individuals
No final do s?culo XIX e in?cio do s?culo XX, uma s?rie de inova??es t?cnicas foram difundidas comercialmente e repercutiram consideravelmente no cotidiano de alguns grupos urbanos brasileiros. Algumas dessas novidades tecnol?gicas desempenharam um papel importante na difus?o em larga escala de obras art?sticas que at? ent?o tinham um potencial de difus?o extremamente restrito. O desenvolvimento de dispositivos capazes de registrar e reproduzir m?sica mecanicamente esteve inserido nessa l?gica, ao passo que a populariza??o de gramofones, fon?grafos, cilindros e discos inauguraram um novo momento para a produ??o e consumo de m?sica. Sobretudo a partir da inaugura??o do sistema el?trico de registro e reprodu??o de sons, esse processo trouxe repercuss?es relevantes para as sensibilidades auditivas e maneiras de se ouvir m?sica entre algumas camadas da popula??o carioca, al?m de ter contribu?do substancialmente para altera??es nos referenciais espaciais desses indiv?duos
Picaud, Myrtille. "Mettre la ville en musique (Paris-Berlin). Quand territoires musicaux, urbains et professionnels évoluent de concert." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0069.
Повний текст джерелаThis thesis in sociology offers a comparison of music venues in Paris and Berlin. Studying music venues sheds light on the definitions and hierarchisation of musical, urban and professional territories. Diverse music genres are listened to in these venues, and ethnographic observation shows that events happen in many different configurations – audiences are sometimes seated or standing, in large arenas or intimate atmospheres, etc. Statistical methods enable the study of the connection between music styles and the way they are socially appropriated. These musical territories, unequally supported by cultural policies, distinguish themselves from the strict definition of musical genres. The musical subfield is also structured by spatial forces, revealed by the cartography of the music venues in both cities. Their localisation affects the way venues are perceived and defined but, conversely, the music scene also participates in the transformation of representations about the urban territories. Beyond the urban analysis of music, this thesis examines music production through the role of bookers, who select the artists in the venues. In Paris and Berlin, the definition of booking as a territory of competence depends on the musical subfield’s history and is influenced by pressure linked to the increasing economic concentration within the live music market. Interviews with bookers offer material for comparing the cultural intermediaries’ work practices and social trajectories. They illustrate different forms of professional development and uses of disinterestedness in the internationalised activity of booking. Cultural intermediaries and policies participate in the dual structure of the subfields, which reflects the centres and peripheries of the transnational musical field. Indeed, depending on their resources and position in these subfields, venues do not book the same type of artists. Thus, they tend to the local translation of musical value, all the while taking part in Paris’ and Berlin’s positioning as cultural capitals
Die Dissertation behandelt in vergleichender Perspektive „lebendige” Musik in Berlin und Paris. Musik wird hierbei als kulturelle Praxis in Form von Konzerten definiert, stellt die Orte an denen Musik stattfindet ins Zentrum und schließt daher das bloße Musikhören aus. Die Studie bezieht in diesem Rahmen beruflich-professionelle Aspekte, das Konzert als eine sinnliche Wahrnehmung und einen sozialen Tatbestand („fait social“) sowie das anwesende Publikum mit ein. Musik wird somit nicht musikwissenschaftlich sondern soziologisch analysiert. Das Konzert wird als künstlerische Ausdrucksform in seinem sozialen Rahmen betrachtet: das soziale Treiben während des Konzerts, die Besonderheiten des Veranstaltungsorts und ähnliche Aspekte sind in diesem Sinne integrale Bestandteile dieser auf Städteebene angesiedelten Forschungsarbeit
Pita, Juliano Veraldo da Costa. "Os espaços para a música contemporânea." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-20062012-160748/.
Повний текст джерелаThis paper proposes an investigation into the spaces of musical performance and its relationship with the music presented on these, with special focus on contemporary classical music. This proposal is justified from the verification of a dichotomy between the architectural design of these spaces, and the music that presented on them in a repertoire of mostly consolidated in the late nineteenth century. This dissociation is particularly interesting given that, until the advent of modern vanguards of the beginning of the twentieth century, music and performance spaces formed a group in line with your time. From this investigation, some examples of spaces facing the contemporary music and its unique characteristics were analyzed, and considerations about the current state of these, drawn. The approach chosen, however, was not the description and analysis from the architectural, technical or social point of view; it was decided by an investigation that relates the development of music itself and its relationship with the space where it is played as how to strengthen this link and identify the points of intersection between the two disciplines. To do so, the work began with some examples of recently built concert halls in the Brazilian context: The Sala São Paulo (1999) and the Auditório Ibirapuera (2005), followed with an investigation of the music commonly presented in these. From the verification of this music, it was sought to characterize the momentum of architectural auditorium, with regard to spatial organization and social setting of these. Two spaces were taken as example, the Palais Garnier (1875) in Paris and the Festspielhaus (1876) in Bayreuth, because they represent, each in its way, one facet of this type. Finally there was a comparison between the music presented in these spaces and contemporary music, which reinforces the dichotomy observed and preliminarily identifying the beginning of the twentieth century as the moment of transformation of the direct relationship between architecture and music. To prove this claim, was held a retrospective of where music had preeminent importance, and in parallel, we tried to address their own concepts of music and architecture, seeking to create elements for understanding the work of musicians and architects. These concepts are essential to understanding not only of these spaces, but also of general relations between different aspects of social life of his time, of crucial importance for understanding the dimension of rupture reported. Through this review, sometwhat descriptive and linear, reflections of the reasons for the changing of the relationship between architecture and music in Modernism, and the consequences of this fact to both disciplines were made. It was also discussed aspects of contemporary music and architecture in places where it was sought an integration. Finally, the conclusions sought, from interviews with professionals and specialized literature of both disciplines, to reflect on the future of this relationship and the role of the architect in producing spaces for contemporary music. It is noteworthy that the literature that addresses this relationship is extremely scarce; this work, therefore, adopted a more general profile and broad spec- trum, rather than a specific point on a specificity of this relationship, as the beginning of a attempt to fill this void of literature.
Johnson, Graham Mathieu. "The Impact of Colleges on House Prices in Ohio." Oberlin College Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1212551133.
Повний текст джерелаSecurato, Andrea Silvia. "Influência da música, da iluminação e Crowding na atenção do consumidor: um estudo exploratório em ambiente de laboratório de Varejo." Escola Superior de Propaganda e Marketing, 2017. http://tede2.espm.br/handle/tede/274.
Повний текст джерелаApproved for entry into archive by Adriana Alves Rodrigues (aalves@espm.br) on 2017-11-23T15:01:08Z (GMT) No. of bitstreams: 1 ANDREA SILVIA SECURATO.pdf: 2258702 bytes, checksum: ce8b47f8b0a7a37dd282aa762c8f1a49 (MD5)
Approved for entry into archive by Ana Cristina Ropero (ana@espm.br) on 2017-12-01T11:21:36Z (GMT) No. of bitstreams: 1 ANDREA SILVIA SECURATO.pdf: 2258702 bytes, checksum: ce8b47f8b0a7a37dd282aa762c8f1a49 (MD5)
Made available in DSpace on 2017-12-01T11:23:10Z (GMT). No. of bitstreams: 1 ANDREA SILVIA SECURATO.pdf: 2258702 bytes, checksum: ce8b47f8b0a7a37dd282aa762c8f1a49 (MD5) Previous issue date: 2017-03-29
The store environmental factors and their influences on consumption are current and relevant themes, dealt with by much of the academic literature. These factors, divided into auditory, visual, olfactory, tactile, tasteful and social, are presented as the focus of managerial strategies, do to the interferences in the dynamics of attention at the point of sale. This paper seeks to clarify this dynamic, in face of three factors: auditory, visual and social. For that, the variables of music, lighting and crowding and their influences on consumer attention in a simulated supermarket environment were considered. The analysis was carried out in the Retail Lab of the School of Advertising and Marketing with the use of EyeTracking technology to identify the visual attention in front of six varied scenarios. The results point to a positive impact of music of moderate height (ambient sound), as well as influences of the high and natural lighting and acceleration of the decisions of purchase by the density of individuals (crowding). Such results contribute to the academic and managerial knowledge in marketing, with indication of proposals for future studies.
Os fatores ambientais de loja, e suas influências sobre o consumo são temas atuais e relevantes, tratados por grande parte da literatura acadêmica. Estes fatores, divididos em auditivos, visuais, olfativos, táteis, degustativos e sociais apresentam-se como foco das estratégias gerenciais, apresentada as interferências nas dinâmicas de atenção no ponto de venda. Este trabalho busca aclarar esta dinâmica, diante de três dos fatores: auditivo, visual e social. Para tanto, foram consideradas as variáveis de música, iluminação e crowding, e suas influências na atenção do consumidor em ambiente simulado de supermercado. A análise foi realizada no Retail Lab da Escola Superior de Propaganda e Marketing, com o uso da tecnologia Eye Tracking para identificação a atenção visual, diante de seis cenários variados. Os resultados apontam para um impacto positivo de músicas, de altura moderada (som ambiente), bem como influências da iluminação alta e natural, e aceleração das decisões de compra pela densidade de indivíduos, crowding. Tais resultados contribuem para o conhecimento acadêmico e gerencial em marketing, com indicação de propostas para estudos futuros.
Gary, Julie. "Esthétique de la musique en Chine médiévale : idéologies, débats et pratiques chez Ruan Ji et Ji Kang." Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1061/document.
Повний текст джерелаIn third-century China, the huge political and intellectual mutations occurring after the collapse of the Han dynasty result in the awakening of a new self-consciousness of man and the emergence of new philosophical trends (the so called Dark Learning), or also an artistic activity breaking off with four centuries of Confucian orthodoxy. Music, which occupies a privileged position in the life of literati, evolves as well, as far as its traditional status and practice are both concerned. No more considered a tool of moralization for the sake of civilized order or social harmony, it becomes a private and free distraction, emancipated from political or any other pragmatic purpose. The conceptions of music appearing in this context of nascent aesthetics provide the subject matter of our research. Focusing on Ruan Ji 阮籍 (210-263) and Ji Kang 嵇康 (223-262), two leading figures of the well-known literati group “the Seven Sages of the bamboo grove” who were also famous poets, thinkers and musicians, we attempt to examine their aesthetic thought throughout their main writings on music, concerning issues such as the origins and nature of music, its moral or social functions, its political or macrobiotic use, its ethical or dietetic virtues, and also its relation to man’s emotions. The textual analysis is completed by the study of musical practices or gestures (Ruan Ji’s whistling, Ji Kang’s playing the zither), that illustrate the effective application of their ideas in concrete life. Therefore, aesthetics does not only consist in a mere discourse, but becomes a kind of ethos, in which the emancipation of music is inseparable from that of the individual himself, through his aesthetic experience
Fonseca, Cristina, and Cristina Fonseca. "The Influence of Music Congruency and Music Tempo on Sales in a Restaurant." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jg746m.
Повний текст джерела國立臺灣科技大學
管理學院MBA
107
Several experimental studies have demonstrated that background music affects consumer behavior in service environments. This study reports research on the effect of music congruency and music tempo on consumer behavior in a restaurant. The research examines the effect of these two variables on the amount of money spent and the time spent in a restaurant. For music congruency, three levels (congruent, no-congruent and no music) were established. For music tempo, songs were rated as slow and fast. Familiarity was used as a moderator variable. The results indicated that music congruency and music tempo affected the amount of money spent and the time spent. People spent more money on the congruent level and under slow songs. Music congruency made people stayed more time at the restaurant, but slow and fast songs did not have a statistically significant effect on the time spent. Familiarity did not have a significant effect on the dependent variables, but post-hoc analyses on amount spent revealed that it was marginal significant under the no music level.
Saerodji, Monica Garby, and 模?卡. "Data Analysis for Predicting Ticketing Sales of Classical Music Concert in Taipei." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/44788466070017335687.
Повний текст джерела國立臺灣科技大學
工業管理系
104
Classical music, one of music genre, has its own special audience with unique characteristics of the consumer behavior. For example, for Taipei metropolitan in Taiwan, the ticket sales of classical music concerns with lower price in fact is better than the sales of tickets with higher price. Therefore knowing the characteristics and purchasing pattern of classical music concerts is very crucial for the success of their concert ticket promotion. In this research, multivariate regression analysis and Artificial Neural Network (ANN) were used to study and predict the classical music ticket sales of low, medium, and high price category by using data features which might affect the ticketing sales such as type of classical music, whether the concert has sponsorship, and so on. The ticket sales data of classical music concert from 2010 to 2011 in Taiwan provided by an online ticketing company in Taiwan was used for investigation. The experimental result shows that the ANN model can generate the better prediction result comparing with the multivariate regression method. In average, ANN model can obtain 0.103 of RMSE which can be considered as 10% prediction error in terms of the percentage of ticket sold across three price category. This prediction result also show the percentage of total ticket sold of high price category can be forecasted with higher accuracy.
Yang, Ying-Jyun, and 楊穎鈞. "Does YouTube click-through rate affect physical album sales of music artists?" Thesis, 2014. http://ndltd.ncl.edu.tw/handle/58534650800921774680.
Повний текст джерела國立中山大學
企業管理學系研究所
102
The purpose of this study is to present how the YouTube click-through rate affects music billboard. The data was collected from G-music Chinese billboard from January 3, 2014 to April 17, 2014. The data of official hit click-through rate, like, unlike and people’s comments were also collected from YouTube as study material. This study has assumed that click-through rate and billboard charts have the statistical significant impact to music billboard. After I used Survival analysis, the result of studies shows that click-through rate and Billboard charts do not have the statistical significance to music billboard. The main significant variable is people’s comments divided by click-through rate. Consequently, click-through rate and like do not affect Billboard charts;What does really affect Billboard charts? The real affects is people’s comments divided by click-through rate. More people leave comments on YouTube, more people pay more attention; therefore, more people will buy the album.
Cameron, Samuel. "Music in the Marketplace. A Social Economics Approach." 2015. http://hdl.handle.net/10454/9074.
Повний текст джерелаMuch recent economic work on the music industry has been focused on the impact of technology on demand, with predictions being made of digital copyright infringement leading to the demise of the industry. In fact, there have always been profound cyclical swings in music media sales owing to the fact that music always has been, and continues to be, a discretionary purchase. This entertaining and accessible book offers an analysis of the production and consumption of music from a social economics approach. Locating music within the economic analysis of social behaviour, this books guides the reader through issues relating to production, supply, consumption and trends, wider considerations such as the international trade in music, and in particular through divisions of age, race and gender. Providing an engaging overview of this fascinating topic, this book will be of interest and relevance to students and scholars of cultural economics, management, musicology, cultural studies and those with an interest in the music industry more generally.
Zheng, Kai-Jen, and 鄭凱仁. "Research on the Interaction Between Non-pop Music Retail Sales Marketing and Consumer’s Re-buying will." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/b98w5w.
Повний текст джерела銘傳大學
管理研究所碩士在職專班
96
The digital technology along with the internet strongly affects the conditions and scale of the global music industry. The record’s consumer society in Taiwan is even worse due to the widespread of illegal copy and the disregard of the Copyright Acts. In the past, people used to buy records from the record store. However, the change of consuming habits resulting from the rise of complex supermarkets, shopping malls and the warehouse stores oppresses the traditional record retailers who insist on their proficiency and service. For this reason, the research will focus on the interaction between the non-pop music retail sales marketing and consumer’s re-buying will herewith to realize their consuming habits. The research begins with the instruction of the non-pop music retail sales business and discusses the marketing issues including sales, products and promotions that affect consumer’s re-buying will along with the survey of consumer’s “care” & “satisfaction”. Music is around the world and music is a part of every culture. Plentiful artistic creation reflects each culture’s essence and diversity. An affecting melody can enrich a motion picture. The atmosphere and ambiance become elegant when music is playing. Non-pop music reveals the spirit of the music and makes our lives more beautiful with its simplicity. By way of case study, we can realize that individual needs always affect customer’s cognition and decision. The research offers referable materials for the administration of retail sales in every industry and helps proprietors meet their customer’s need when the M society is oncoming.
Kuo, Yi-hom, and 郭奕宏. "Does Facebook popularity affect sale? The impact of Facebook popularity on the physical album sales of music artists." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/mz7j5t.
Повний текст джерела國立中山大學
企業管理學系研究所
102
In this thesis, the equivalence of popularity and album sales will be discussed its relative to Taiwan pop-music artist. The number of “Like” on Facebook has been adopted as the popularity index. Billboard charts information is used for sales volume because of the physical albums selling record cannot be obtained. Because selling percentage of Billboard charts could not estimate the explicit sales quantity. Consequently, artist’s week status in Billboard charts is substituted for sales record. The Billboard charts and Facebook “Like” data from 30 music artists in A.D. 2012 has been referred. The contexts also contained the albums sales impact from technical implement, the artist’s brand management, other researches in Facebook likes. After the introduction of survival analysis, the hazard function of survival analysis has been adopted to analyze the issue in this research and it is computed by Logit model is meant to the probability to leave Billboard chart. Empirical analysis indicated the 4 preceding week accumulated likes (before being on billboard) and the accumulated likes every week (after being on billboard) do not have the statistical significance. However, MV accumulated likes is significant index to album sales. The artist has more “Like” in MV will cause the lower probability of leaving the Billboard. From the statistical results in this thesis, it presented a phenomenon in pop music market which popularity is not equal to the album sales wholly.
Schimmel, Carl William. "Piano Concerto." Diss., 2008. http://hdl.handle.net/10161/625.
Повний текст джерелаDissertation
Martins, Maria Inês Cunha de Eça de Oliveira. "Impacto da música ambiente nas vendas de hipermercados." Master's thesis, 2019. http://hdl.handle.net/10071/19050.
Повний текст джерелаMusic is an art form which is present on everyone’s daily routine. It can be used as a Marketing tool, affecting the consumer behavior and benefiting each brand. Associated to this, one can identify the hypermarkets, a growing market in Portugal, with huge impact in the Portuguese economy. Purchase duration, consumer satisfaction, and willingness to comeback stand out as means to increase sales in hypermarkets. Through its characteristics – familiarity, type, tempo and volume – music may be a way to achieve these means. This dissertation aims to verify whether music and its characteristics, tempo, familiarity, type and volume can alter consumer behavior, benefitting hypermarkets, particularly with positive impact in sales. Two studies were conducted: (1) directed interviews with Marketing professionals, with the intent of understanding their experience and opinion, and (2) consumer surveys, assessed through 9 hypothesis, formulated from a literature review. In order to analyze quantitative data, SPSS was utilized, particularly for non-parametric tests: Chi-Square test of independence and Fisher. The main results from both methodologies, with relevant contributions from literature review, emphasize the possible subconscious music effect and impact on consumer behavior, according to said music characteristics. Furthermore, findings of this study draw attention to music importance to consumer well-being, as it affects his or her emotions.
Saleh, Pascha Khaled [Verfasser]. ""Gefrorene Musik" : das Verhältnis von Architektur und Musik in der ästhetischen Theorie / vorgelegt von Khaled Saleh Pascha." 2004. http://d-nb.info/970647670/34.
Повний текст джерелаBatista, Maria João Salgado da Silva. "Apoio aos alunos na aprendizagem da performance : treino da ansiedade em salas de estudo adaptadas." Master's thesis, 2013. http://hdl.handle.net/10400.14/21464.
Повний текст джерелаTo achieve a high standard in performance, a musician must be well in all aspects of health (physical, mental and social). Anxiety in performance appears because this requires a high level of coordination and skill, and when this happens, it can affect some elements such as concentration, memory, motor coordination and relaxation. Many studies have found a large number of musicians with problems in its performance due to anxiety, and many researches have developed work in this area with the introduction of specific tools to address anxiety in musical performance, such as the Music Performance Anxiety Inventory (MPAI -A). This dissertation presents two distinct but complementary studies. The first study aimed to translate, adapt and validate a MPAI into Portuguese. After permission of the author, the MPAI scale was translated and validated. The scale in Portuguese was applied to 161 students, of both sexes, of a professional music school . For concurrent validation, we used the State- Trait Anxiety Inventory for Children (Staic C - 2) validated in the Portuguese language. The study allows us to consider the sample with high degrees of reliability and reproducibility, which translates this study as coming from a sample not inclinedand replicable to other populations. The second study was based on an experimental research process that seeks to train anxiety on performance in the context of study adapted rooms where there is some control of extrinsic factors to the moment of performance. The study, from data collection to intervention of the improvement plan, with training of anxiety in the context of IT classes (Individual Work), took part in the first semester of the academic year 2013-2014. Classes are taught IT in a new and unique concept, designed and developed in the institution where the study was conducted, and those classes are conducted in isolated booths with advanced digital technology that allows a permanent contact between teacher and student. Individuals in the sample, a total of fourteen students, of both sexes, at the age of twelve, from a professional music school, replied two complete questionnaires for the assessment of trait anxiety and anxiety on performance. These surveys were conducted before and after the intervention. Respecting to anxiety on performance, in overall, there were no significant decreases. However there have been isolated cases, which showed significant decreases post-intervention, with lower levels of anxiety. Although no significant results in the global results of the study, it was found that this type of study shows potential to be played in the musical academic context.
Brown, Andrew Philip. "The South African Society of Music Teachers : its history, contribution and transformation." Thesis, 2016. http://hdl.handle.net/10500/22599.
Повний текст джерелаArt History, Visual Arts and Musicology
D. Litt. et Phil. (Musicology)