Книги з теми "Music Germany History and criticism"
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Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.
Chorley, Henry Fothergill. Modern German music: Recollections and criticisms. Cambridge: Cambridge University Press, 2009.
Komlós, Katalin. Fortepianos and their music: Germany, Austria, and England, 1760-1800. Oxford: Clarendon Press, 1995.
Wallscheid, Margot, Stephan Schulmeistrat, and J. Bradford Robinson. Musical life in Germany: Structure, facts and figures. Edited by Deutsches Musikinformationszentrum. Bonn: German Music Council, 2011.
Rehding, Alexander. Music and monumentality: Commemoration and wonderment in nineteenth-century Germany. New York: Oxford University Press, 2009.
Morrow, Mary Sue. German music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.
Beal, Amy C. New music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.
Chorley, Henry Fothergill. Music and manners in France and Germany: A series of travelling sketches of art and society. Cambridge: Cambridge University Press, 2009.
Flinn, Caryl. The new German cinema: Music, history, and the matter of style. Berkeley: University of California Press, 2004.
Boomgaarden, Donald R. Musical thought in Britain and Germany during the early eighteenth century. New York: P. Lang, 1987.
Spitta, Philipp. Johann Sebastian Bach: His work and influence on the music of Germany, 1685-1750. London: Novello, 1992.
Kater, Michael H. Different drummers: Jazz in the culture of Nazi Germany. New York: Oxford University Press, 1992.
Henzel, Christoph. Musik im Unterhaltungskino des Dritten Reichs. Würzburg: Königshausen & Neumann, 2011.
de, Vries Willem. Sonderstab Musik: Music confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi occupation of Western Europe. Amsterdam: Amsterdam University Press, 1996.
Biddle, Ian D. Music, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud. Burlington, VT: Ashgate, 2011.
Feiereisen, Florence, and Alexandra Merley Hill. Germany in the loud twentieth century: An introduction. New York: Oxford University Press, 2012.
Saffle, Michael. Liszt in Germany, 1840-1845: A study in sources, documents, and the history of reception. Stuyvesant, NY: Pendragon Press, 1994.
Müller, Reinhold. Spielmann, Trompeter, Hoboist: Aus der Geschichte der deutschen Militärmusiker. Berlin: Militärverlag der Deutschen Demokratischen Republik, 1988.
Salmi, Hannu. Imagined Germany: Richard Wagner's national utopia. New York: P. Lang, 1999.
Gentsch, Werner. Hinter den Kulissen der Berliner Philharmonie: Ein Chorsänger erinnert sich. Berlin: Frieling, 1989.
Lotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5th ed. Bonn: Birgit Lotz Verlag, 1997.
Sound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Sound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Kater, Michael H. The twisted muse: Musicians and their music in the Third Reich. New York: Oxford University Press, 1997.
John, Williamson. The music of Hans Pfitzner. Oxford: Clarendon Press, 1992.
Rehding, Alexander. Resounding monumentality: Nineteenth-century German music, commemoration, and wonderment. New York: Oxford University Press, 2009.
Schutte, Uwe. Kraftwerk: Future Music from Germany. Penguin Books, Limited, 2020.
Williams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2017.
Williams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2008.
Lewis-hammond, Susan. Editing Music in Early Modern Germany. Ashgate Publishing, 2007.
Stefaniak, Alexander. Schumann's virtuosity: Criticism, composition, and performance in nineteenth-century Germany. 2016.
1929-, Jakoby Richard, ed. Musical life in Germany: Structure, development, figures. Bonn: Inter Nationes, 1997.
Schiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2018.
Schiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2019.
Schiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield International, 2018.
Thompson, Mark Christian. Anti-Music. State University of New York Press, 2019.
Michael, Cooper John, and Prandi Julie D. 1951-, eds. The Mendelssohns: Their music in history. Oxford: Oxford University Press, 2002.
(Editor), John Michael Cooper, and Julie D. Prandi (Editor), eds. The Mendelssohns: Their Music in History. Oxford University Press, USA, 2002.
Women composers in Germany. Bonn: Inter Nationes, 1996.
Stefaniak, Alexander. Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press, 2016.
Flinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2004.
Flinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2003.
Rehding, Alexander. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford University Press, Incorporated, 2017.
Waligorska, Magdalena. Klezmer's Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany. Oxford University Press, Incorporated, 2013.
1953-, Walker Paul, ed. Church, stage, and studio: Music and its contexts in seventeenth-century Germany. Ann Arbor, Mich: UMI Research Press, 1990.
Bohlman, Philip. Jewish Music and Modernity: The Paradox of a European Music History. Oxford University Press, 2005.
Rauhut, Michael. One Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990. Berghahn Books, Incorporated, 2019.
Morrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. Cambridge University Press, 2006.
Beal, Amy C. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. University of California Press, 2006.
Medieval Germany: Associations and delineations. Ottawa, Canada: Institute of Mediaeval Music, 2000.