Дисертації з теми "Monumentalità"
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Verri, Marko. "Puntualizzazioni monumentali: elementi decorativi e piccole architetture nell'opera di Jože Plečnik." Doctoral thesis, Università degli studi di Trieste, 2011. http://hdl.handle.net/10077/4518.
Повний текст джерелаNel 2007 ricorreva il cinquantenario della morte dell’architetto sloveno Jože Plečnik (1872 - 1957), figura discussa e controversa all’interno di un panorama architettonico e culturale in rapido e radicale mutamento. Si tratta di un artista attorno alla cui presa di posizione nei confronti dell’architettura si è spesso discusso, e proprio in questi anni si è tornato a discuterne in occasione della ricorrenza dell’anniversario della sua morte. Soprattutto in Slovenia, dove il 2007 è stato eletto ad “anno di Plečnik”, sono stati organizzati dibattiti e convegni e sono state edite alcune nuove pubblicazioni sull’architetto e la sua opera. L’opinione pubblica ha accettato Plečnik come il maggiore architetto sloveno di tutti i tempi, ma tuttavia “la teoretica e la storia dell’architettura non riescono ancora a inquadrarne in maniera coerente l’operato”1. Geniale interprete di forme antiche, rappresenta comunque con i suoi lavori, sviluppati soprattutto attorno alle città di Vienna, Praga e Lubiana, un personaggio di assoluto rilievo nel panorama architettonico e culturale sloveno ed europeo. Le sue ferme convinzioni in merito al ruolo dell’architetto e della sua arte, hanno portato a interpretazioni differenti riguardo la sua opera e spaziano dalla sfera mistica a quella di origine formalista, da quella storicista a quella classicista, da quella espressionismta2 a quella del modernismo. Non è obiettivo della presente tesi risolvere tale questione, piuttosto si è interessati alla lettura dell’opera dell’architetto sloveno in relazione a una parte del suo lavoro meno nota e meno indagata. Molto del materiale bibliografico inerente la sua opera riguarda infatti analisi e studi sul tema delle sue grandi architetture monumentali e del loro ruolo rivestito all’interno di un’ottica di trasformazione urbana ad esse legata o delle varie innovative varianti sul tema dell’architettura sacra. La bibliografia attorno all’opera di Plečnik è sufficientemente ricca per quanto riguarda questi argomenti, benché la maggior parte degli scritti sia edita in lingua slovena o ceca. Il materiale tradotto in altre lingue non è molto. inoltre va specificato che non esiste ancora un “opera omnia” sull’opera di Plečnik che contenga non solo la ingente quantità di architetture realizzate, ma anche le moltissime idee progettuali per soluzioni a temi mai realizzati. Nel corso della sua vita infatti, l’architetto sloveno progetta instancabilmente, riesce a seguire la realizzazione dei lavori e continuamente riflette su nuove soluzioni possibili e su nuove interpretazioni delle forme classiche, disegnando spesso ciò che gli viene in mente. Particolarmente ricca è infatti la collezione dei suoi disegni presso l’archivio del Museo di architettura e design di Lubiana. La mancanza di una pubblicazione che ne raccolga il prezioso materiale, è indice di quanto l’opera dell’architetto sloveno sia in parte relegata a un ambito marginale rispetto al panorama europeo, limitandosi a rivestire un ruolo quasi meramente locale. Ciò pare andare in contrasto con quanto invece è quello che Plečnik persegue attraverso l’architettura, ovvero qualcosa che è molto di più e va ben oltre la ricerca di un’architettura che sia meramente “locale” o “regionale”. Egli, di fatto, persegue l’idea di un’architettura o meglio di un metodo progettuale “universale”, ma non intessa come ricerca di uno stile o di un determinato materiale, bensì conseguita attraverso la volontà di creare una particolare “atmosfera”, un particolare “effetto” che ogni luogo è in grado di assumere attraverso l’architettura. Per conseguire tale fine egli è convinto della necessità del dover partire da elementi originari dell’architettura che non siano stati ancora “contaminati” o naturalizzati, perché solo attraverso essi sarà possibile reinventarli in una nuova condizione estetica che riesca a dar forma a una particolare atmosfera. Egli trova tali elementi primari nell’architettura classica e antica ed è proprio da qui che hanno origine le sue riflessioni attorno alle possibili reinterpretazioni delle forme e degli elementi antichi. Tali riflessioni vengono trasposte su carta in forma di schizzi e disegni. Plečnik infatti non scrive alcun trattato teorico e ritiene che le questioni teoriche debbano essere chiarite e presentate attraverso il progetto e la realizzazione, attraverso l’architettura. Le uniche frasi scritte di su pugno sono presenti all’interno della sua corrispondenza con amici, parenti e collaboratori. Il fatto, però, che non esista ancora un’opera completa riguardo l’ingente quantità di progetti, realizzati e non, dall’architetto sloveno, né tantomeno una completa edizione di tutta la sua corrispondenza, rappresenta in modo evidente il fatto che vi sia ancora molto da studiare attorno alla figura di Plečnik Obiettivo del presente lavoro vuole essere infatti quello di andare ad aggiungere un contributo all’analisi e alla presentazione di alcuni progetti dell’opera di Plečnik mai particolarmente approfondita. Si tratta infatti di una raccolta delle piccole architetture realizzate e progettate dal maestro sloveno che sono parte integrante del suo operato. Plečnik è infatti particolarmente legato al tema del “piccolo”, del “minuto” e se ne occupa infatti costantemente nel corso della sua vita. In ogni progetto egli cura anche il minimo dettaglio, compresi gli elementi d’arredo, per una progettazione che spazia “dal cucchiaio alla città”. Parallelamente alla progettazione dei grandi edifici pubblici o privati, egli progetta infatti anche un’ingente quantità di architetture “in scala ridotta”. Nella maggior parte dei casi si tratta di opere dall’importante significato simbolico e monumentale come ad esempio i monumenti ai caduti o opere di architettura sepolcrale, in altri casi invece, si tratta di piccole architetture urbane, al cui importanza all’interno dello spazio urbano stesso si rivela strategica. Vista la grande quantità di opere realizzate dal maestro sloveno, il campo di ricerca si limita a una parte delle piccole opere progettate. Trascurando gli elementi propri dell’architettura interna, i quali di per sé rappresentano un capitolo a sé grazie al vastissimo repertorio di oggetti prodotti da Plečnik e che indubbiamente necessiterebbero di un approfondimento specifico, la ricerca prende in considerazione tutti quegli elementi che fanno parte della sfera architettonica “non abitabile”, a partire dagli elementi primari dell’architettura, quali la colonna o il pilastro, per arrivare a quelle architetture che rappresentano il limite ultimo del tema di ricerca, ovverosia le architetture composte da una solo vano, ma senza offrire una vera e propria condizione “abitabile”, quali piccole edicole o cappelle. A corollario della presentazione della piccole architetture realizzate, vengono presentati anche alcuni disegni originali tratti dall’archivio del Museo di architettura e design di Lubiana, nonché due interviste con due dei massimi studiosi dell'opera di Plečnik.
XXII Ciclo
1976
Panzeri, Alessandro. "Novum monumentum : étude de la nouvelle monumentalité métropolitaine." Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC1092.
Повний текст джерелаTalking about monumentality in contemporary times has become at least a problematic issue. This notion most often refers to negative interpretations identifying it as the fruit of retrograde thinking, based on historicism and in reading architecture as a question of style. On the contrary, monumentality originally represents the immaterial quality that allows the monument to stand up from its context and to be recognized as a structuring element of the urban. Faced with the metropolis, this quality plays a capital role by opposing the logic of architecture based on economics and by awakening the collective conscience to the monument’s memorial function and its symbolic warning for society. The Greater Paris International Consultation (CIGP) was a considerable international showcase that gave to its multidisciplinary teams the opportunity to define the founding parameters for the development of post-Kyoto metropolis for the 21st century. As asked by politicians, the CIGP teams started to question how to materialise the unifying symbols of contemporary society. Would it be a renewal of monumentality? How can this questioning coexist facing the principles of sustainability? Would we be faced to a new form of emergent monumentality? The aim of this research is to present the historical appeals that have transformed the notion of monumentality and to provide some answers regarding the possible emergence of a new metropolitan monumentality
Ozten, Ulku. "New Monumentality." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/2/12606932/index.pdf.
Повний текст джерелаNew monumentality&rdquo
is a term which was first introduced to architectural discourse by Sigfried Giedion, Jose Luis Sert, and Fernand Lé
ger right after the post-World War II in the early forties. The effect of the term comes from the polemical power of reformulation of the accustomed category &ldquo
monument&rdquo
within the field of the modern architecture. In this way, as it is shaped by the three authors, for the first time &ldquo
New Monumentality&rdquo
had been identified as a modern task under the name of Nine Points on Monumentality in 1943. Therefore, this thesis is mainly grounded on this significant text that is a primary manifestation of the need for the new monumentality. On these bases, that the manifesto is stressed an effort to determine the ethics of the post war modern architecture regarding: historicism, functionalism, and representation. This thesis seeks to clarify the self-critical frame which is unfolded by the manifesto within the context of the modern architecture. Thus, the first one of the three objectives of this thesis is to clarify the concept of new monumentality
the second one is to locate its position in the history of modern architecture
and the third one is to differentiate proposed and unintended outcomes of this movement within the contemporary discourses of architecture.
Fourcade, Anne-Marie. "L'architecture monumentale à l'époque nationale-socialiste : la tentative d'un retour aux formes fondamentales dans l'architecture d'Etat." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010658/document.
Повний текст джерелаAs early as 1934, the official National-Socialist architecture takes a stand which sets it apart from ail things past, bringing out the very peculiar monumentality of the period. Analyzing the characteristics and the sources of this state architecture during the early years of the Third Reich, constitutes the main theme of the present thesis. P.L. Troost, who designed the first buildings of the Party in Munich, Ernst Sagebiel, author of the Tempelhof Airport and Göring's Ministry in Berlin, Hans Reissinger who designed a building with a composite envelop meant for the Reich teachers' Association in Bayreuth, and finally Ludwig and F. Ruff who designed a gigantic hall to accommodate the Party's conventions in Nuremberg, are the architects who se works are being reviewed. Their buildings present monumental forms which are quite remote from simplistic neo-classical references. These works are marked by great representational demands and yet, in some cases, they also respond to functionality in a highly efficient way. This study of the chosen buildings attempts to observe, from the moment of conception through the evolution of sketches and models, an ever-increasing monumentality: the establishment of a mode of composition favoring organizing symmetries of plans and elevations and the final embellishment of the facades with added-on elements, the reached-for effect being always more important than any other consideration. A sculptured iconography glorifying the regime and the Reich, with its signs, symbols and freezes, completes this setting. The concept of a German tectonic, so privileged by historians of the regime, expressing the essence of this official architecture in its search for original forms, is therefore examined in detail, revealing the roots it refers to: at its center is a newly-recreated mythical Germany as cradle of the universe. The analysis of the chosen buildings is thus first architectural, then completed by examining the editorial apparatus which has ensured its official presentation during the Third Reich. On the other hand, the numerous publications spurred by this architecture in Germany since the 1970's, have also been taken into account
Lai, Qianru. "Monumentality of Serenity and Dynamism." Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/100983.
Повний текст джерелаMaster of Architecture
This project came from the idea of " Serenity and Dynamism", which came from the famous wood-print "The Great Wave off Kanagawa". This building design is a way to acheive my initial purpose to present Modern Monumentality. Those efforts I did is to fulfill the original topic of 'New Monumentality'. People need Monumentality to reveal their inner life and their beliefs. This building gives an opportunity to let people to stay closer to their worship. There are lots of elements in the project, and each of them plays a very important role in it. This urban-scale building consists of ideas, form, function, structure, materials, details and human consideration, etc. None of them can be set aside. Stimulated and guided by knowledge, I developed forms and structures to fit for materials and construction methods. This project can wake up memories in local residents' deep minds. Architecture can be a bridge to make a connection between the past and the future. It's not only the memory, but also a sense of identity.
Saindon, Brent Allen. "Toward a Post-Structural Monumentality." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5346/.
Повний текст джерелаDegueurse-Giuliani, Marion Melot Michel. "Attractivité et monumentalité." [S.l.] : [s.n.], 2008. http://www.enssib.fr/bibliotheque-numerique/notice-2054.
Повний текст джерелаAdamsson, Marcus. "Odödliga rum : En jämförelse av det forntida gravkammarskickets utveckling i Västsverige." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-387571.
Повний текст джерелаGagnon, Gabriel. "Ottawa, une capitale en quête de monumentalité." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape8/PQDD_0006/MQ45220.pdf.
Повний текст джерелаThomas, Edmund. "The monumentality of Roman architecture A.D. 98-180." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239426.
Повний текст джерелаGallup, Christopher Lackey. "Embracing Monumentality: a Montpelier Center for the Arts." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/33500.
Повний текст джерелаMaster of Architecture
Theophoanous, Maria. "Towards an Experimental Monumentality : Traversing in Norrland's Woods." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-133172.
Повний текст джерелаPergefors, Johanna. "Konstvägen Sju Älvar : Monumentalitet i Norrlands skogar." Thesis, Södertörn University College, The School of Culture and Communication, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-569.
Повний текст джерелаAn analysis of Konstvägen Sju Älvar, an exhibition of modern Nordic sculpture along a road trough the wilderness of Northern Sweden. Konstvägen is a project for public art and contemporary art in northern Sweden. The intention is to see what happens when you exhibit art alongside a road and what function it fills. By comparing the qualities of Konstvägen to the qualities of a monument Konstvägen and it’s exhibitional functions are sought to be understood.
Thungren, Edvin. "Monumentalism : A Power Language in Visual Communication." Thesis, Konstfack, Grafisk Design & Illustration, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6116.
Повний текст джерелаZEN, GIOVANNA. "Forme monumentali contemporanee : spazi per la memoria." Doctoral thesis, Università IUAV di Venezia, 2013. http://hdl.handle.net/11578/278335.
Повний текст джерелаTang, Ly. "Viva Las Vegas, in search of monumentality for the 21st century." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ63558.pdf.
Повний текст джерелаTruax, Yarger Colleen. "Louis H. Sullivan: The Aesthetic Movement, Classical Monumentality and the Skyscraper." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/583.
Повний текст джерелаBibo, Jamilla Charlotte. "Ett monumentalt misslyckande : En diskursanalys av veteranmonumentet Restare." Thesis, Stockholms universitet, Svenska/Nordiska språk, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-147581.
Повний текст джерелаSanchez, Lionel. "Varius, multiplex, multiformis : monumentalité et politique pendant le règne d'Hadrien (117-138)." Perpignan, 2006. http://www.theses.fr/2006PERP0759.
Повний текст джерелаThroughout his reign, Hadrian showed an unquestionable interest for construction, as if it had found in architecture the means of marking of his print the face of this large city. The example of its most accomplished achievements are in Rome and Tibur, and the Pantheon, the temple of Venus and Rome, the mausoleum and the Villa Hadriana are ended of it. The historians however seem less to be interested in the political and ideological range monuments that in their architecture and their decoration. One of the objectives of this study is to connect each construction headlights of the principat of Hadrian while trying to understand how they are related on the policy and the ideology of the emperor. That passes by a study of architecture and decoration, but this work also implies the knowledge of the biographical texts relating to the reign of the emperor and the study of the numismatics, abundant and diversified, between years 117 and 138. Hadrian was also an untiring traveller: during more than twelve years, it did not cease traversing the orbis romanus to visit the provinces of the Empire. Far from the tourist motivation, displacements of Hadrian are accompanied by an original municipal policy, aiming to embellish and raise the cities visited by the Prince. The present study intends to propose the implication political, religious and ideological of these constructions and, from the broader point of view, the vision of the principat such as it was conceived by Hadrian
Iosa, Ioana. "Nationalisme roumain et monumentalité. Le centre civique comme affirmation de réussite nationale." Thesis, Paris Est, 2009. http://www.theses.fr/2009PEST3015.
Повний текст джерелаThis paper aims to place the monumental apology represented by the Civic Center of Bucharest in its urban and socio-political context. Therefore we have analysed the reasons and decisions that led to the way it was conceived and set up, and in addition we have tried to rebuild the narrative of the history of Bucharest through the city’s prominent built heritage. For this reason we have looked into the relations between the fact of erecting buildings and remarkable spaces and the (re)construction of a Romanian national identity, beginning with the Declaration of independence and ending with the European integration, the latter standing for the supreme legitimacy granted to the Romanian State. Therefore this research engages into the analysis of the mechanisms involved in using architectural and urban productions as instruments for defining and promoting national identity. In addition it fills a gap of almost non-existent scientific work dealing with the Civic Center, which is, due to the exceptional efforts engaged in its construction, in the same time Bucharest’s emblem and scar. Finally, it deals with the question of the reception of “ideologically charged” buildings, and more generally, with the fate of urban heritage inherited from totalitarian regimes
Viselli, Elena. "Analisi limite di strutture murarie monumentali. Il macroelemento trasversale." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amslaurea.unibo.it/791/.
Повний текст джерелаSicignano, Francesco. "Caratterizzazione del comportamento statico e dinamico delle strutture monumentali." Doctoral thesis, Universita degli studi di Salerno, 2018. http://hdl.handle.net/10556/3047.
Повний текст джерелаThe study of the static and dynamic behaviour of the architectural heritage of historical-artistic value made up of rigid stone blocks is a topic of particular interest in the field of modern Seismic Engineering. Such knowledge, in fact, is indispensable for the planning of correct maintenance for the conservation of this type of cultural heritage, especially in conditions of natural and human-induced risks. Among these types of artifacts, the Neptune Temple (also called Poseidònion) located inside the Archaeological Park of Paestum (southern Italy) and a case study of this research, is an emblem for the architectural, sculptural, constructional and structural aspects. It is also unique in the international panorama for its state of conservation, still complete of the whole trabeation and the two pediments. The work describes the study and the research in progress in this area, illustrating the main results obtained by in-depth theoretical studies of the static and dynamic behaviour of rigid block, from experimental investigations carried out both in the laboratory and on site. These last were conducted under the patronage of ICOMOS Italia and the Archaeological Park of Paestum. These studies and research have the objective of evaluating the static and dynamic behaviour of the main building blocks of the Temple and, also, evaluating their safety about seismic actions... [edited by Author]
XXX ciclo
Donaldson, Meredith Jane. "Moveable text: Mutability, monumentality, and the representation of motion in British Renaissance literature." Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=96729.
Повний текст джерелаLa représentation du mouvement et du changement dans les œuvres littéraires anglaises de la Renaissance constitue une négociation entre les opinions divergentes sur la valeur et l'efficacité du mouvement. Les poètes de la Renaissance illustrent le mouvement par l'entremise d'autres arts, discours, pratiques et disciplines, où il était soit hautement pertinent soit matière à débat. Sa visibilité révèle la nature riche de sens du mouvement aux yeux des littéraires de la Renaissance: dans les épopées de Spenser et Milton, des objets censés être immobiles se meuvent, ou sont qualifiés de statiques alors qu'ils sont mobiles. De telles inversions sont tout à fait pertinentes à une période qui remet en question l'état et la valeur du mouvement et de l'immobilité. Le mouvement aux seizième et dix-septième siècles est perçu simultanément comme une force de mutabilité qui, tôt au tard, entraînera la ruine de toutes les réalisations humaines, comme force du progrès qui perfectionne tout ce qu'il touche, et comme force d'équilibre qui maintient un cycle perpétuel de dégradation et de renouveau. Le mouvement fournit aux poètes de la Renaissance, dont Edmund Spenser et John Milton, matière à réflexion aussi bien que matière à action, car le mouvement leur offre un cadre unificateur leur permettant de concilier des idées divergentes. Les trois parties de la thèse, se composant chacune de deux chapitres, étudient le mouvement dans le contexte de plus en plus large de l'espace et de l'expérience humaine. La première partie se penche sur la fréquence curieuse selon laquelle les œuvres d'art statiques dans Faerie Queene de Spenser paraissent se mouvoir. Le premier chapitre soutient que le mouvement est une caractéristique essentielle de la pratique rhétorique classique nommée « ekphrasis » (au sens de « description animée ») et qu'à mesure que les poètes de la Renaissance adaptent d'anciennes formes littéraires aux vers anglais, ils incorporent le mouvement à leurs ouvrages, à titre d'élément essentiel de la description. Ils utilisent aussi, toutefois, des descriptions verbales des œuvres d'art visuelles (la définition moderne du terme « ekphrasis ») comme mode poétique distinct. Le deuxième chapitre applique la pratique singulière d'ekphrasis de la Renaissance, énoncée dans le chapitre précédent, à la poésie de Spenser et soutient que la capacité de l'ekphrasis à concilier la tension entre le flux et la fixité retrouvés dans les récits de métamorphose offre une explication possible du rôle central joué par les épisodes ovidiens qui inspirent les ekphraseis de Spenser. La deuxième partie se penche sur la relation entre le développement de l'espace et des intrigues pendant la Renaissance. Le troisième chapitre fait valoir que les éléments dynamiques et narratifs des cartes géographiques des seizième et dix-septième siècles, ainsi que l'absence de tracés de routes, concourent à une expérience du mouvement, mais comportent très peu d'éléments facilitant les voyages réels. Le quatrième chapitre propose que les caractéristiques narratives et le manque de tracés de routes expliquent éventuellement certaines discontinuités retrouvées dans les descriptions de voyages de Spenser. La troisième partie soutient que l'image de Milton de « vicissitude agréable » (PL 6.8) fait écho au débat contemporain sur la dégradation universelle (cinquième chapitre) et laisse entrevoir la poésie plus vaste du mouvement que Milton a perfectionné tout au long de sa carrière (sixième chapitre).
Dungan, Katherine Ann. "Visibility, Monumentality, and Community in the Chacoan Community at Kin Bineola, New Mexico." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/193393.
Повний текст джерелаSýkorová, Alexandra. "Architektura šedesátých let na Slovensku." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2017. http://www.nusl.cz/ntk/nusl-316307.
Повний текст джерелаDe, Stefani Lorenzo. "Tecniche innovative per il miglioramento sismico di edifici storico-monumentali." Doctoral thesis, Università degli studi di Padova, 2012. http://hdl.handle.net/11577/3422116.
Повний текст джерелаNel presente lavoro vengono studiate e proposte tecniche innovative per la protezione sismica di edifici storico-monumentali basate sull’isolamento e la dissipazione energetica. Lo studio pur se di carattere generale è stato applicato in particolare a tre tipologie di costruzioni: i telai in cemento armato dell’edilizia industriale dei primi del ‘900, le torri snelle di muratura ed infine gli edifici monumentali (edifici di culto a pianta basilicale). Dopo una parte introduttiva che riassume lo stato dell’arte e le linee guida in merito agli interventi di miglioramento sismico per gli edifici storico-monumentali, la tesi è organizzata in tre parti riguardanti le tre tipologie di costruzioni citate. La prima parte è dedicata all’adeguamento simico di telai in cemento armato progettati per i soli carichi gravitazionali. In questa tipologia ricadono anche i telai storici in cemento armato dell’edilizia industriale dei primi anni del ‘900. La tecnica innovativa studiata nel dettaglio è l’adeguamento mediante introduzione di controventi eccentrici. Per tale tecnica è stato sviluppato un nuovo metodo di progetto e di verifica dell’adeguamento di facile applicazione e pertanto con possibili ricadute sulla pratica ingegneristica professionale. Il metodo di progetto e verifica dell’adeguamento mediante controventi eccentrici è stato validato mediante applicazione a due casi studio: un telaio piano in cemento armato e un telaio tridimensionale dell’edilizia industriale dei primi del ‘900 soggetto a tutela storico-artistica. La seconda parte riguarda l’analisi delle possibili tecniche per il miglioramento sismico di torri snelle in muratura. Dopo lo studio del particolare comportamento dinamico di tali costruzioni, con riferimento ad un caso studio sono state verificate alcune classiche tecniche di miglioramento sismico già proposte in letteratura, quali la precompressione verticale e l’introduzione di dispositivi SMAD (dispositivi con leghe a memoria di forma). Comprovata la scarsa efficacia di tali metodologie di intervento, è stata sviluppata una nuova tecnica di miglioramento sismico mediante l’introduzione di dispositivi isteretici e precompressione parziale della canna della torre. Questa nuova tecnica è stata validata mediante analisi numeriche e test sperimentali su un modello in scala sottoposto ad input dinamico. La terza parte consiste in una particolare applicazione delle tecniche di isolamento e dissipazione alla base ad un edificio di culto a pianta basilicale. Il caso di studio analizzato è la Cattedrale di Santo Stefano in Concordia Sagittaria (VE) che presenta una singolare configurazione strutturale allo stato di fatto. In questa terza parte, che è stata portata ad un grado di approfondimento inferiore rispetto alle altre due, vengono esposti i primi risultati ottenuti dallo studio di una possibile proposta di intervento. I risultati incoraggianti ottenuti suggeriscono la percorribilità di tali tecniche di intervento alla base degli edifici monumentali aprendo nuove prospettive di ricerca in questo campo che, ad oggi, presenta ancora pochi contributi scientifici. Le indagini relative alle tre tipologie di costruzioni studiate sono state condotte mediante l’ausilio di analisi, statiche e dinamiche, non-lineari per materiale e per geometria su modelli numerici ad elementi finiti. Mediante il post-processo dei risultati ottenuti dalle analisi numeriche si è valutata l’efficacia delle tecniche proposte anche mediante comparazioni energetiche fra gli esiti di una struttura esistente e la corrispondente post-adeguamento. Nella parte inerente il miglioramento sismico di torri snelle in muratura si è ricorsi anche alla validazione sperimentale mediante modellazione in scala ridotta.
Enders, Tina [Verfasser]. "Behagliche Monumentalität in Frankfurt : Architektur als Produkt städtischer Relevanzen / Tina Enders." Berlin : epubli, 2018. http://d-nb.info/1196416192/34.
Повний текст джерелаToop, Nicola Jane. "Dialogues of power : early Christian monumentality around the northern Irish Sea AD 400-1000." Thesis, University of York, 2005. http://etheses.whiterose.ac.uk/11000/.
Повний текст джерелаCannas, Viviana. "Adeguamento sismico di edifici monumentali in muratura: i Silos di Trieste." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2441/.
Повний текст джерелаJackson, V. "Mycenaean monumentality : an examination of the socio-political significance of monumental architecture in mainland Greece." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605002.
Повний текст джерелаGrima, Reuben. "Monuments in search of a landscape : the landscape context of monumentality in Late Neolithic Malta." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444725/.
Повний текст джерелаRitchie, William Michael. "Thought and Invention: a study of architectural form through the particular and the universal." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/33779.
Повний текст джерела
Rather than present the study as a completed body
of work ending with an objective conclusion, the
included images and text represent an ongoing investigation
addressing critical architectural ideas including
the relationship between form and context
and the role of tradition and historical precedent as
a deciding factor of modern architecture.
Master of Architecture
Kuo, Hsiu-Ling. "Monumentality and modernity in National Socialist architecture : the North-South Axis of the Greater Berlin plan." Thesis, University of Edinburgh, 2004. http://hdl.handle.net/1842/24796.
Повний текст джерелаBrittain, M. W. R. "Accountability and sociopolitics in the archaeology of prehistoric Wales : with a focus on Bronze Age monumentality." Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535199.
Повний текст джерелаCummings, Vicki. "Landscapes in transition? : exploring the origins of monumentality in south-west Wales and south-west Scotland." Thesis, Cardiff University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247683.
Повний текст джерелаJia, Yan. "Imperial Doors of Assyria: Monumentality, Spatiality, and Rituality of the Neo-Assyrian Architectural Doors From Balawat." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:14226073.
Повний текст джерелаSkaldeman, Åse. "Symmetri Tyngd Transparens." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168595.
Повний текст джерелаSYMMETRY: When someone has passed away relatives often experience confusion and doubt. In this, I want to work with symmetry in order to let the physical environment instill confidence. When an individual experiences that life lacks logic they find support in the apparent logic of mirror symmetry. WEIGHT: By alluding to monumental architecture, I want to allow the bereaved a pause from the decision-making of a funeral and give them the opportunity to experience their smallness and thus be able to continue their lives. In earlier times people in Sweden found support in the Church and the established rituals around death and I think these rites helped by reducing the individual's own responsibility. I want the crematorium to provide ease by suggesting a gravity that allows the bereaved the opportunity to lean on an unspoken belief. TRANSPARENCY: Only a small part of today's crematoria are transparent. As a relative, this can provide a sense of uncertainty and worry about what happens in the rest of the building. By working with transparency I want to give the bereaved the peace of feeling confidence in the process.
Sanning, Sofia, and Alexander Eriksson. "Esplanadskolan – ett postmodernt skolpalats vid Årstafältet." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228847.
Повний текст джерелаOn Saturday May 26th, A.D. 2018, the ground work is initiated for one of our time’s most expansive housing projects. Årstafältet, a predominately natural park in southern Stockholm, will during the next twelve years be urbanized to two fifths of its total area, giving context for an entirely new urban quarter, accomodating 15 000 new Stockholmers. The scale of the housing project is comparable to the whole population of Nynäshamn, or one fifth of Kungsholmen’s. The new zoning plan has the motto “a place for meetings”, and its main principle is “variation”. The zoning plan requests that the new buildings should be characterized by a variation in different heights, forms and styles. In accordance with the main principle of the zoning plan, and with the program of the degree project, we have designed a school building for 540 pupils in the ages of 10 to 16 years, which embodies a postmodern, eclectical approach, in uniting diverse architectural elements and inspiration from many different historical styles, and in the standpoint that the diversity of elements and physical environments is not subordinated to any one architectural principle. The school is in itself a place of meetings – between epochs, styles, materials and elements. Esplanade Elementary School has been designed as a postmodern, monumental school, where the awesome dignity of knowledge, as well as the massive importance of the school as a societal institution, is fortified in the architecture’s monumentality. Esplanade Elementary School directs itself as a landmark and symbol to both old and new contexts in its urban vicinity, opening up its doors for the public in many aspects outside of school hours. It also aspires to offer its pupils physical environments which evoke their immersive interest and in its diversity allow for the phenomenological compatibility of equally diverse environmental preferences. The main elements which make up the directional essence of the interior environments are the Botanical atrium, the monumental spiral staircase and the Obelisk of Light, composed of hundreds of naturally and artificially lighted fresnel prisms.
Fatsea, Irene D. "Monumentality and its shadows : a quest for modern Greek architectural discourse in nineteenth-century Athens (1834-1862)." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/65991.
Повний текст джерелаIncludes bibliographical references (p. 319-335).
The dissertation traces the sources of modern Greek architectural discourse in the first period of the modern Greek State following Independence and under the monarchy of Bavarian King Othon I (1834-1862). Its intent is to provide an informed account, first, of the intellectual and ideological dynamic wherein the profession of the modern architect developed in Greece in contradistinction to that of the empirical masterbuilder; and second, of the cognitive realm whereby modern Greeks formed their architectural perception relative to the emerging phenomenon of the westernized city. The dissertation offers a methodical survey of Greek sources of organized discourse on architecture authored mainly by non-architect scholars at the time. The focus of the writings is Athens, the reborn city-capital in which westernization manifested its effects most prominently. Monumentality, a concept with implications of cosmological unity and sharing in the same communicative framework, serves as a working conceptual tool which fa cilitates the identification, categorization, and analysis of different models of thought in reference to key architectural ideas (e.g., beauty, imitation, dignity). Special heed is paid to the writers' attitude relative to the country's monuments, both old and new, which were now considered the principal activators of ethnic unity, cultural assimilation, and national identification for diverse urban populations under the call for a return to the country's "Golden Age." The texts reveal that the urge for nation-building under the aegis of a centralized authority provided but little room for the development of disinterested discourse on architecture as opposed to instructive discourse which often followed the path of prescriptive or ideological reasoning. Bipolarity, moralism, reliance on precedent, and impermeability of boundaries were some of the characteristics of this reasoning. Architecture, in particular, was subjected to an ideologically-based dichotomy of classicism and romanticism which in theory obstructed any fruitful amalgamation of the two intellectual paradigms and which, in effect, displaced any organic/ evolutionist patterns of thought. The dissertation presents the discourse of the Greek philologist-archaeologists as the most influential in the shaping of the theoretical foundations of architecture as a new discipline, in the universalization of neoclassicism as the official style, and in the promotion of monumentality as the preferred rhetorical strategy toward the reacquisition of the country's ancient glory. The written and visual texts of the philologist- archaeologist Stephanos A. Koumanoudis (1818-1899) are set forth as telling witnesses of the relevance of this discourse to architecture, as well as of the positive and negative aspects of such a conjunction. The dissertation finally argues that organic practices of space use and manipulation with roots in the vernacular tradition persisted through the new era and informed people's response to building problems in the new city, yet now coupled with the rational categories of modernity as introduced by the aforementioned discourses.
by Irene Fatsea.
Ph.D.
Jacquet, Benoit. "Principles of monumentality in Tange Kenzo's way of thinking : study of the architectural discourse in early works." 京都大学 (Kyoto University), 2006. http://hdl.handle.net/2433/144002.
Повний текст джерелаRoberts, Christopher G. "The Sanctioned Antiblackness of White Monumentality: Africological Epistemology as Compass, Black Memory, and Breaking the Colonial Map." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/502652.
Повний текст джерелаPh.D.
In the cities of Richmond, Virginia; Charleston South Carolina; New Orleans, Louisiana; and Baltimore, Maryland, this dissertation endeavors to find out what can be learned about the archaeology(s) of Black memory(s) through Africological Epistemic Visual Storytelling (AEVS); their silences, their hauntings, their wake work, and their healing? This project is concerned with elucidating new African memories and African knowledges that emerge from a two-tier Afrocentric analysis of Eurocentric cartography that problematizes the dual hegemony of the colonial archive of public memory and the colonial map by using an Afrocentric methodology that deploys a Black Digital Humanities research design to create an African agentic ritual archive that counters the colonial one. Additionally, this dissertation explains the importance of understanding the imperial geographic logics inherent in the hegemonically quotidian cartographies of Europe and the United States that sanction white supremacist narratives of memory and suppress spatial imaginations and memories in African communities primarily, but Native American communities as well. It is the hope of the primary researcher that from this project knowledge will be gained about how African people can use knowledge gained from analyzing select monuments/sites of memorialization for the purposes of asserting agency, resisting, and possibly breaking the supposed correctness of the colonial map.
Temple University--Theses
Marini, Umberto. "Smart guide: un'applicazione basata sulla ludicizzazione per la valorizzazione turistica delle risorse monumentali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/6652/.
Повний текст джерелаGugliotta, Benedetto <1979>. "Politiche urbanistico-monumentali e dinamiche sociali degli arcivescovi di Ravenna del secolo XV." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4168/1/Gugliotta_Benedetto_Tesi.pdf.
Повний текст джерелаGugliotta, Benedetto <1979>. "Politiche urbanistico-monumentali e dinamiche sociali degli arcivescovi di Ravenna del secolo XV." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/4168/.
Повний текст джерелаPITTINI, SANDRO. "La costruzione dei luoghi monumentali centrali : il mercato realtino di fra Giovanni Giocondo (1514)." Doctoral thesis, Università IUAV di Venezia, 1998. http://hdl.handle.net/11578/278413.
Повний текст джерелаLemos, Gláucia Gajardoni de. "Formas políticas e urbanismo grego: a arquitetura monumental como representação do poder entre os séculos VI e IV a.C." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-25042016-142633/.
Повний текст джерелаThis research aims to examining the consolidation of urban and architectural forms as a representation of Greek political space. The central goal is analyze how political power - or its format - interferes in the disciplining of space, especially with regard to the incorporation of tyrannical ideology in large monumental buildings of the Greek West. Thus, the data gathered about the monumentalization primarily of two Greek cities (Athens and Syracuse), between 6th and 4th centuries BC, serve to delimit a comparative analyse between different forms of political organization and social and urban planning, in order to elucidate the landscape of power. In time, data from other poleis as Metaponto, Kamarina, Himera, Tasos and Cyrene will be incorporated to give more density to the expected conclusions. For that, use will be made of the methodology pertaining to the Landscape Archaeology and criteria inspired by the line of research developed by Amos Rapoport dealing with the issue of specialization of space as a feature of complex societies.
Hora, Juliana Figueira da. "A expansão urbanística de Siracusa nos séculos VI e V a.C." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-16042013-144439/.
Повний текст джерелаThis research has the objective to analyse the influence of the tyrannical governments of Syracuse in the urbanistic restructuration of this city, founded by Greeks in the middle of VII century B.C. For so, we are going to explore the written sources for writers who tells important aspects of Sicily. They are: Diodoro Sículo, first reference for Siracuse, Heródoto, Tucídides, Estrabão, Cícero, Políbio, Píndaro and Pausânias. We\'ve been working with the archeological data at the very important areas in the \"polis\" (ásty and khora), and the sub-colonies, with the objective of understanding the urban space, its dynamism of expansion since the foundation until the V century B.C. and its monumentality. The confrontation between the written and the material source, methodology of work, will be the base for better understanding the political, social, economic and spacial relations. The compulsory populational reallocations made by the tyrants are analysed in the context of the changes observed at the syracusean \"polis\".
Mise, Carmen. "Counter-monumentalism in the Search for American Identity in Hawthorne's The Scarlet Letter & The Marble Faun." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2186.
Повний текст джерелаChinni, Ciriaco. "Individuazione e mitigazione delle criticità sismiche nella Collegiata di San Michele Arcangelo di Bagnacavallo (RA)." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/3283/.
Повний текст джерелаSucci, Marco. "Un approccio speditivo per il rilievo, la modellazione numerica e l’analisi strutturale di edifici storici monumentali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
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