Дисертації з теми "Miracolo"
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Ibisco, Laura. "Le fluttuazioni economiche in Italia durante il miracolo economico (1950-1973)." Doctoral thesis, Luiss Guido Carli, 2012. http://hdl.handle.net/11385/200826.
Повний текст джерелаFerrari, Francesco <1986>. "Il laboratorio del Concilio: Chiesa e industria nella Milano del “miracolo economico”." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7311/1/F._Ferrari_-_Il_laboratorio_del_Concilio_Chiesa_e_industria_nella_Milano_del_miracolo_economico.pdf.
Повний текст джерелаMy research focuses on how the Church of Milan related in many ways with the industrial labour’s world during the transformations triggered by the economic development that hit some part of Italy between 1953 and the mid-Sixty’s – and by the Second Vatican Council (1958-1965) from its calling to its completion. I mostly referred to original papers stored in the Archivio diocesano di Milano (Archive of the diocese of Milan) and in the Archivio per la storia del movimento sociale cattolico in Italia (Archive for the history of the catholic social movement in Italy) at the Università cattolica di Milano (Catholic University of Milan) analysing them through the comparison with reviews and journals of the time, also exploiting the main critical studies related to these issues. Within this frame, my research contributes to reveal the conflicts but also the dynamism of the Ambrosian Catholicism mostly supported by the political debate and by the economical and social transformations that the Italian society was undergoing in those period. The Milanese dioceses presents itself – in the time span between the mid Fifties and the 1965 – as a laboratory that anticipated some of the tensions and trends followed by the worldwide Catholicism after the end of the Second Vatican Council.
Ferrari, Francesco <1986>. "Il laboratorio del Concilio: Chiesa e industria nella Milano del “miracolo economico”." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amsdottorato.unibo.it/7311/.
Повний текст джерелаMy research focuses on how the Church of Milan related in many ways with the industrial labour’s world during the transformations triggered by the economic development that hit some part of Italy between 1953 and the mid-Sixty’s – and by the Second Vatican Council (1958-1965) from its calling to its completion. I mostly referred to original papers stored in the Archivio diocesano di Milano (Archive of the diocese of Milan) and in the Archivio per la storia del movimento sociale cattolico in Italia (Archive for the history of the catholic social movement in Italy) at the Università cattolica di Milano (Catholic University of Milan) analysing them through the comparison with reviews and journals of the time, also exploiting the main critical studies related to these issues. Within this frame, my research contributes to reveal the conflicts but also the dynamism of the Ambrosian Catholicism mostly supported by the political debate and by the economical and social transformations that the Italian society was undergoing in those period. The Milanese dioceses presents itself – in the time span between the mid Fifties and the 1965 – as a laboratory that anticipated some of the tensions and trends followed by the worldwide Catholicism after the end of the Second Vatican Council.
Settis, Bruno. "Il “contratto sociale” fordista : le relazioni industriali dall’America taylorismo all’Europa del miracolo economico." Thesis, Paris, Institut d'études politiques, 2019. http://www.theses.fr/2019IEPP0016.
Повний текст джерелаThe dissertation deals with the complex evolution of theories and practices of industrial relations between the interwar years and postwar growth. “Fordism” is the catchword usually associated with relations between the corporation, labor and government in this period and, more generally, with the supposed social compact arising from the very structure of mass production and its supposed virtuous circle with mass consumption. In this wider sense, Fordism has often been coupled, sometimes overlapped, with Keynesian macroeconomics, government economic interventionism, and the welfare state. The dissertation attempts to disentangle and discuss this supposedly simple notion of “Fordism” by tracing its manifold history and international circulation. Therefore, it involves a wide discussion of the conflict between labor and management in the mass production industries, and a focus on three case studies: the history of Elton Mayo’s “human relations” doctrine, from its origins in Australia to its applications in Europe; the evolution of the surveillance system at Fiat factories in Turin, from the last years of the Fascist regime to the late 1960s; labor scholar Gino Giugni’s experience as a student at Madison, Wisconsin, and later as a translator of American theories of the labor movement and of industrial relations, in the 1950s and 1960s
Settis, Bruno. ""Il contratto sociale" fordista: le relazioni industriali dall'America taylorista all'Europa del miracolo economico." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86060.
Повний текст джерелаGarofalo, Damiano. "La televisione del «miracolo»: consumi culturali e cultura popolare in Italia (1954-1969)." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3424081.
Повний текст джерелаL'obiettivo di questa tesi è definire una storia del pubblico televisivo italiano incentrata direttamente sui consumatori. La storiografia italiana, infatti, si è generalmente concentrata nel raccontare una storia dell'emittente più che dei riceventi. Per questo, l'oggetto primario di questo studio è il consumo culturale e televisivo delle classi popolari durante il cosiddetto «miracolo economico». Analizzando una serie di fonti statistiche, orali e autobiografiche, la tesi tenterà di descrivere i cambiamenti sociali e identitari di un epoca di grandi mutamenti, utilizzando direttamente la voce delle classi popolari. Se la televisione italiana si è sviluppata proprio a partire dal pubblico, prendendone direttamente la forma e andando a definire, così, una serie di comportamenti e mentalità che potremmo definire «popolari», l'obiettivo è quello di individuare il ruolo assunto dall'ascolto televisivo all'interno del tempo libero.
Macri', Diana <1983>. "Raccontare Milano negli anni del miracolo economico: Luciano Bianciardi, Giorgio Bocca, Antonio Cederna, Danilo Montaldi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2988.
Повний текст джерелаLAVISTA, FABIO DARIO. "Innovazione e persistenze nelle pratiche e nella cultura manageriale italiana tra ricostruzione e miracolo economico." Doctoral thesis, Università Bocconi, 2004. http://hdl.handle.net/11565/4050967.
Повний текст джерелаPITZANTI, ROBERTA. "L’immigrazione meridionale a Torino nell’Italia del miracolo economico. Il caso della Sardegna durante la stagione della Rinascita." Doctoral thesis, Università degli Studi di Cagliari, 2016. http://hdl.handle.net/11584/266727.
Повний текст джерелаDemasi, Sofia <1993>. "«…l’uomo non è più» : il rapporto letteratura e lavoro fra il miracolo economico italiano e la grande recessione." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16850.
Повний текст джерелаZerbinati, Gloria. "Il sacro, il riscatto, la perdita dell'anima. L'Italia del Nord-Est nel documentario cinematografico dal dopoguerra al miracolo economico." Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3425650.
Повний текст джерелаLa tesi analizza le trasformazioni paesaggistiche, antropologiche, culturali, economiche dell’Italia del Nord-Est attraverso le immagini dei documentari realizzati tra l’immediato dopoguerra e gli anni del boom economico. Lo studio si articola secondo un approccio pluridisciplinare - sociologico, artistico, psicanalitico, filosofico, storico-economico - che favorisce una lettura più stratificata e molteplice della rappresentazione cinematografica di tale mutamento, ponendo a questione l’osmosi intercorrente fra difformi materie che, da angolazioni diverse, catturano un comune sentire riproducendolo nella forma loro più congeniale. Dopo una breve introduzione, in cui vengono esplicate le scelte metodologiche e contenutistiche, si passa al vero e proprio corpus della tesi, composta da tre macroaree: Lavoro, rito, sacralità; Il paesaggio, l’anima dei luoghi, i luoghi senz’anima; La perdita di importanza dell’uomo nei confronti dello spazio. Nella prima, dopo aver preso atto della totale assenza di documentari di matrice religiosa o di carattere antropologico assimilabili a quelli prodotti nel Sud Italia nel medesimo periodo, la presenza del sacro viene indagata sotto altri aspetti. Poiché la sacralità si declina, in fondo, sempre in una ritualità, un possibile riscontro è rintracciabile nel rituale lavorativo. Soprattutto grazie ai cortometraggi che Ermanno Olmi realizza per l’Edisonvolta, il lavoro diventa l’emblema del rito sacrale, dell’uomo-demiurgo che, pur nel rapido passaggio alla modernità, mantiene i propri saperi e la propria individualità. Ciò però viene controbilanciato da altri autori, che mostrano invece la disumanizzazione del lavoratore all’interno della fabbrica, indagando così le varie facce del medesimo problema. Nella seconda macroarea, il lavoro non ha più alcuna attinenza col sacro, ma diventa strumento che affranca dalla fame, dalla desolazione, dall’umiliazione, come è evidente nelle opere di Florestano Vancini che, sostenute dalla Camera del Lavoro di Ferrara, associano all’impegno civile e politico uno stile che risente della lezione neorealista così come della pittura dei Macchiaioli. Il paesaggio, che in Vancini è argomento di denuncia, a causa del degrado, o di divagazioni pittoriche, se declinato in chiave bucolica, in registi come Piavoli, ma anche in altri meno conosciuti come Renzo Ragazzi, è immediatamente portatore di mito. La posizione antropocentrica delineata nella prima parte e quella di equilibrio tra uomo e natura tratteggiata nella seconda vengono soppiantate, nella terza macroarea, da una progressiva spersonalizzazione dell’uomo culminante talora nella sua scomparsa, per lasciare il campo a spazi vuoti o a costruzioni architettoniche dagli inquietanti richiami dechirichiani. L’autore che meglio identifica questa parabola è Michelangelo Antonioni, i cui lavori, saturi di problematiche filosofiche, esistenziali ed estetiche, sono anche tra i pochi che interroghino direttamente lo statuto ontologico della visione. I cortometraggi di Antonioni vengono confrontati con quelli di registi che, consapevolmente o inconsapevolmente, risentono della sua influenza e rimangono affascinati dalle “forme” di paesaggi contadini e urbani, decretando al tempo stesso la perdita di rilevanza dell’uomo. Nella conclusione, oltre a fare il punto sulle varie tendenze ricavate dallo studio del materiale cinematografico analizzato, si tenta di individuare chi oggi, nel documentario e nel cinema di finzione, riprenda le fila del discorso sulla trasformazione del territorio e ricerchi nuovamente un’anima nel paesaggio, affermando l’arte, la letteratura, la poesia e soprattutto il cinema come luoghi della memoria e come strumenti atti a contrastare, coraggiosamente, l’appiattimento e la barbarica distruzione.
Zanoni, Melize. "Dario Fo no Brasil: a relação gestualidade - palavra nas cenas de a descoberta das américas de julio adrião e il primo miracolo de roberto birindelli." Universidade do Estado de Santa Catarina, 2008. http://tede.udesc.br/handle/handle/1323.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research investigates in which dimension the formalization of the procedures from solo theater of physical line, in which the scene determines the spoken text, offers concrete ways to a specific problem in the performing arts: the gesture-speech relation. To check the hypothesis and problems of the theme of this research two works presented by Brazilian groups that have as base for their dramaturgy the monologues written by the Italian actor and dramaturg Dario Fo were analyzed: A descoberta das Américas, presented by Julio Adrião, directed by Alessandra Vannucci and produced by the production team Leões de Circo Pequenos empreendimentos from Rio de Janeiro and Il Primo Miracolo, presented and directed by Roberto Birindelli, of the Cia do Bebê from Porto Alegre. The research focuses on the analysis of some elements that constitute gestural score of these spectacles and their relation to the text, such as: repetition, fragmentation, breaks, description, sense creation, textual embodiment and its intertextual relations
Esta pesquisa investiga em que dimensão a formalização de procedimentos provenientes do teatro-solo de linha física, no qual a cena é determinante do texto falado, oferece caminhos concretos para um problema específico da arte teatral: a relação gestualidade - palavra. Para a verificação das hipóteses e problematização do tema desta pesquisa, foram analisados dois trabalhos apresentados por grupos brasileiros que possuem como base para sua dramaturgia os monólogos escritos pelo ator e dramaturgo italiano Dario Fo: A descoberta das Américas, representado por Julio Adrião, dirigido por Alessandra Vannucci e produzido pelo Núcleo de Produção Leões de Circo Pequenos Empreendimentos do Rio de Janeiro, e Il Primo Miracolo, representado e dirigido por Roberto Birindelli, da Cia do Bebê de Porto Alegre. A pesquisa está centrada na análise de alguns elementos que constituem as partituras gestuais destes espetáculos e sua relação com o texto, tais como: repetição, fragmentação, quebras, descrição, criação de sentido, corporificação do texto e suas relações intertextuais
Wilson, Louise Elizabeth. "Miracle and medicine in medieval Miracula ca. 1180 - ca.1320." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610374.
Повний текст джерелаMonticelli, Alessandro. "Viaggio nella Storia della Fotografia Giapponese." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16422/.
Повний текст джерелаBiggi, Laura. "Immagini miracolose sotto processo." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/86069.
Повний текст джерелаKavan, Katrina Jill. "Art and miracle." Thesis, Courtauld Institute of Art (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243374.
Повний текст джерелаSandrin, Mattia <1996>. "Giappone e Sud Corea: due miracoli economici a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21964.
Повний текст джерелаOakes, Hannah. "Preying For A Miracle." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/512.
Повний текст джерелаDrozdenko, D. "Photography is a pure miracle." Thesis, Сумський державний університет, 2012. http://essuir.sumdu.edu.ua/handle/123456789/28667.
Повний текст джерелаDrozdenko, D. A. "Photography is a pure miracle." Thesis, Видавництво СумДУ, 2012. http://essuir.sumdu.edu.ua/handle/123456789/26054.
Повний текст джерелаLuck, Morgan. "The metaphysical definition of a miracle." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431989.
Повний текст джерелаBurgel, Guy. "Le miracle athénien au XXe siècle /." Paris : CNRS éd, 2002. http://catalogue.bnf.fr/ark:/12148/cb38879653q.
Повний текст джерелаRééd. de l'ouvrage paru en 1981 sous le titre : "Croissance urbaine et développement capitaliste : le miracle athénien", du même auteur. Bibliogr. p. 353-355. Index.
Zanini, Gaia <1974>. "The Holiness of Healing: "Un Corso in Miracoli" e la questione dell'esoterismo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/257/1/Tesi_Zanini.pdf.
Повний текст джерелаZanini, Gaia <1974>. "The Holiness of Healing: "Un Corso in Miracoli" e la questione dell'esoterismo." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/257/.
Повний текст джерелаPazderic, Nickola Lee. "Success and failure in post-miracle Taiwan /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6469.
Повний текст джерелаRecord, Rachael A. "CULTIVATING MIRACLE PERCEPTIONS: CULTIVATION THEORY AND MEDICAL DRAMAS." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/148.
Повний текст джерелаMendoza, Waldo. "The Peruvian Miracle: Good luck or good policies?" Economía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/117224.
Повний текст джерелаLa economía peruana ha tenido un desempeño extraordinario en los últimos diez años. El PBI per cápita de 2012 está un 66% por encima del de 2002 y es más del doble de su nivel de 1992. En una perspectiva de largo plazo, el crecimiento acumulado del PBI per cápita registrado en los últimos diez años ha sido el más vigoroso desde 1900. Este es el «milagro peruano». Este artículo tiene como propósito encontrar los factores determinantes del milagro peruano. En teoría,el desempeño macroeconómico de los países puede estar determinado por dos razones: i) el «efecto buena (mala) suerte» que tiene que ver con el contexto internacional que puede ser favorable o desfavorable; y ii) el efecto «buenas (malas) políticas», asociado a las políticas macroeconómicas de cortoplazo o a las reformas estructurales, que son políticas que alteran el modelo de desarrollo vigente. La hipótesis de este trabajo es que el milagro peruano de los últimos diez años tiene mucho que ver con la buena suerte y, en parte, con las buenas políticas macroeconómicas de corto plazo.
Lewis, Eric P. "Descartes and tradition : the miracle of the Eucharist /." Thesis, This resource online, 1995. http://scholar.lib.vt.edu/theses/available/etd-06082009-171023/.
Повний текст джерелаHarris, Courtney Ann 1965. "Taiwan's economic miracle: Presentations of culture and ideology." Thesis, The University of Arizona, 1992. http://hdl.handle.net/10150/291581.
Повний текст джерелаDrolet, Kathi. "The priest, the leper, and the Lord dimensions of healing in Matthew 8:1-4 /." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.
Повний текст джерелаRichards, Emily R. Cranz. "Marine Hybrids, the Lombardo Workshop and the Immaculate Virgin of Santa Maria dei Miracoli, Venice." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1290093592.
Повний текст джерелаMANDILE, ROBERTO. "Il paesaggio tra mirabilia e miracoli : concezioni e rappresentazioni della natura nella poesia latina tardoantica." Doctoral thesis, Università degli Studi di Milano, 2008. http://hdl.handle.net/2434/48898.
Повний текст джерелаTran, Cong, and Yuriy Seleznyov. "A study of Pond's Age Miracle Customer Perceived Value." Thesis, Mälardalen University, Mälardalen University, School of Business, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-4318.
Повний текст джерелаBackground
After a successful launch in early 2007 Pond’s Age Miracle, Unilever Vietnam’s anti-aging skincare product, is now experiencing falling sales and a declining market share having failed to complete its mission of counter-attacking its main competitor – P&G’s Olay Total Effect. This predicament poses a question of how Unilever Vietnam can improve market performance of this product.
Purpose
To determine Pond’s Age Miracle customer perceived value and propose recommendations on how to improve it.
Method
A combination of qualitative and quantitative approaches was pursued. In-depth interviews with consumers were used to discover relevant attributes of anti-aging skincare. A consumer survey was employed to measure relative importance and relative performance of the identified attributes – a basis for determining Pond’s customer perceived value.
Findings, Analysis and Conclusion
Customer perceived value of Pond’s Age Miracle was found to have a negative character on the entire market scale and across most of the listed consumer groups.
Recommendations
A re-launch of the upgraded version of Pond’s is suggested to maintain the current consumers and recruit the potential anti-aging skincare users.
Bailey, Anne E. "Representations of female pilgrimage in twelfth-century miracle collections." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527276.
Повний текст джерелаMatisonn, Heidi. "Miracle or misery? : understanding democratic participation in South Africa." Thesis, London School of Economics and Political Science (University of London), 2010. http://etheses.lse.ac.uk/290/.
Повний текст джерелаJackson, M. G. St A. "Prayer and miracle in the spirituality of St. Augustine." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377225.
Повний текст джерелаEtien, Kouassi-Lazare. "Le miracle économique ivoirien : analyse d'une politique de développement." Nice, 1985. http://www.theses.fr/1985NICE0025.
Повний текст джерелаBalzamo, Nicolas. "Miracle et société en France (vers 1500-vers 1620)." Paris, EPHE, 2011. http://www.theses.fr/2011EPHE5025.
Повний текст джерелаAt the end of the Middle Ages, the miracle was at the crossroads of fundamental religious beliefs and practices : cult of the Virgin Mary and of the saints, devotion to images and relics, vows and pilgrimages. Since the Reformation has rejected the miracle as such and everything connected with it, it is often regarded as a crucial step in the « disenchantment of the world » which results in the progressive purification of Christianity of its magical elements. The analysis of miracle during the period from 1500 to 1620 in France shows that this was not the case. The theoretical comprehension of miracle remained practically unchanged through over the considered period. The same should be stated concerning the practices connected with the miracle. The relations that people had with supernatural beings whose assistance they hoped for were based on the principle of gift and counter-gift codified long time ago, which underwent no change during the sixteenth century. Even the protestants, supposed to have rejected the miracle and the beliefs and practices attached to it, shared to some extent traditional attitudes. On the theological level, a radical providentialism allowed to reintroduce the possibility of direct divine interventions in the material world. As for the simple believers, great number of them continued to rely on saints, vows and relics, which appeared to them as an efficient help against the vicissitudes of existence
Ransom, Michael R. "It's a Miracle: Separating the Miraculous from the Mundane." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1304531829.
Повний текст джерелаWu, Jaushieh Joseph. "Toward another miracle? : impetuses and obstacles in Taiwan's democratization /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487672631602026.
Повний текст джерелаLafond, Patrick. "La France et le miracle économique italien : 1945-1963." Paris 12, 2004. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990003948600204611&vid=upec.
Повний текст джерелаHow French have perceived the economic miracle of Italy after second world war, in spite of accumulated resentment between the two countries ? It's only at the end of fiftee's that tese difficulties disappeared realy. Why this italian take off from extreme end of fortee's ? And how its reasons were perceived by french leaders ? In the same direction we are looking for the moment from which these leaders have understood this remarkable development of Italy. We are looking for the inflluence of interne debates of our neighbour on the french leaders way of approaching french problems. The question of housebuilding is particularly revealing of this italian influence at the beginning of fiftee's. As such the study of three problems implying the two countries, is very important : the union customs at the end of fortee's, the italian emigration and the tunnel of Mont Blanc. But all these requires to stop our study to 1963-1964 who are strategics years in Italy, economic and politic speaking
Sampathkumar, Antoni Raj. "Les récits de miracle dans les Actes des Apôtres." Université Marc Bloch (Strasbourg) (1971-2008), 1990. http://www.theses.fr/1990STR20017.
Повний текст джерелаThe acts of the apostles narrates that the proclamation of the gospel is always accompanied by the "signs and wonders". What is the relation between the signs and wonders, and the proclamation of the gospel? our study after examining the miracle stories in the acts of the apostles arrives at the conclusion that the miracles support the proclamation and make it credible ; invite the jews as well as the gentiles for conversion ; display the power of the word which triumphs over all the obstacles ; bear witness to the honour of the bearers of the word ; serve as sign for the universal salvation and mark the continuity of the time of salvation from jesus to the church
Lafond, Patrick Boutry Philippe. "La France et le miracle économique italien 1945-1963 /." Créteil : Université de Paris-Val-de-Marne, 2007. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0394860.htm.
Повний текст джерелаVersion électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Titre provenant de l'écran-titre. Bibliogr. : 130 réf. Index.
Harrelson, Jeremiah James. "The miracle narratives in Luke allusions to classical mythology? /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.
Повний текст джерелаO'Brien, Geraldine. "The lived experience of organ transplantation: Miracle or medicine?" Thesis, O'Brien, Geraldine (2014) The lived experience of organ transplantation: Miracle or medicine? PhD thesis, Murdoch University, 2014. https://researchrepository.murdoch.edu.au/id/eprint/27869/.
Повний текст джерелаFabbietti, Silvia <1987>. "The centrality of periphery: analysis of the Indian miracle." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2569.
Повний текст джерелаGiani, F. M. "IL CANTIERE DEL DEAMBULATORIO DEL SANTUARIO DI SANTA MARIA DEI MIRACOLI PRESSO SAN CELSO A MILANO." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/488289.
Повний текст джерелаThe PhD thesis consists in a reconstruction of the different phases of the decoration of the ambulatory of the Sanctuary of Santa Maria dei Miracoli presso San Celso (between 1540 and 1566) through the examination of works, documents and bibliography. The first part is dedicated to the Sanctuary as a whole, and consists of: a chapter that analyzes the art historiography from the end of the Sixteenth century to today; three appendices, respectively dedicated to the guides (of the Sanctuary and of Milan), the visual fortune and the "fabbricieri" (the Sanctuary holders). The second part is dedicated to the phases of the decoration of the ambulatory and consist of: a chapter that analyzes in chronological order the making of the decoration (with digressions on the period prior to 1540 and next to 1566, in particular on the Borromaic period and on the nineteenth-century restorations); a entry for each work (altar piece) or decorative intervention (stuccoes and frescoes). The thesis is accompanied by a substantial array of images (largely derived from a photo campaign thanks to the instrumentation made available by the Department), a rich document summary and a bibliography.
Millou, Yves. "Phénoménologie de la surprise et de l'étonnement face au miraculeux." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR008/document.
Повний текст джерелаThe miraculous can be understood as a category of event, either profane or religious. Only the latter, in its Christian perspective, will be dealt with in this present work. But in order for this believer’s point of view to mean anything to the impartial observer, the choice has been made to examine the reactions of surprise and wonder felt by the beneficiaries of these unusual events. Could these reactions inform us about what supposedly takes place in the miraculous? The phenomenological methodology which has been implemented in order to answer this question relies on two corpuses: one consists in a set of New Testament texts, in which the reactions of surprise and wonder which accompany the miracles are evaluated to understand how they operate in the mechanism of revelation at work in those texts; the other is composed of narratives told by beneficiaries of miracles who have been interviewed within the frame of the micro-phenomenological 1st person method. Once they have been transcribed and analyzed for their emotional content, these narratives make available experiential resources which exemplify how the miraculous is lived by the beneficiaries, how it surprised and overwhelmed them. The phenomenology of surprise thus brought forward and confronted to that which can be drawn from Scripture narratives enables, first, to understand better how affects of surprise and wonder operate during so-called miraculous irruptive events, and how their materiality, can account for such an experience. But the work also aims at characterizing surprise and wonder as full-fledged phenomenological tools usable for the understanding of the human reality confronted to what exceeds it
SILVA, MARCELO AUGUSTO FELICETTI DA. "FROM MIRACLE TO CURSE: SERGIO BERNARDES AND BRASILIA (1968-74)." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28475@1.
Повний текст джерелаCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A produção do arquiteto carioca Sergio Bernardes (1919/2002) é tão vasta quanto desconhecida. Assertivo e questionador, desde o início da carreira mostrou-se avesso à formatações conceituais, estilísticas ou projetuais. Graduado em 1948 pela Universidade do Brasil, atuou até os anos 1990 no campo alargado do projeto com significativa mudança da escala projetual nos anos 1960/70. Experimentando o aço como partido estrutural da arquitetura, aventurou-se pelo universo das geometrias não euclidianas, pendurou pavilhões como ponte e residenciais como teleférico; testou materiais leves na construção; impulsionou a produção industrial desenvolvendo elementos para fabricação em série. Num caminho ambicioso entre associações multidisciplinares do conhecimento, pesquisa laboratorial e investigação experimental no canteiro, perseguiu uma espécie de idealismo sistêmico, fundamentado num virtuosismo tecnológico. De arquiteto a inventor social , Bernardes reafirmou a crença no sujeito moderno, no poder da razão, na potência do projeto e numa ação preventiva do futuro. No contexto arquitetônico brasileiro dos anos 1960/70, apostou alto na renovação de sua arquitetura, aproveitando-se da proximidade com o poder militar, principalmente, durante o período de pujança econômica (alta concentração de rendas) e desenvolvimento progressista do país sob a Ditadura, o assim chamado período do milagre brasileiro (1968/73). Momento em que o arquiteto assume protagonismo na construção da então recém inaugurada capital federal – Brasília. Esta pesquisa analisa quatro projetos emblemáticos de Sergio Bernardes para Brasília – a sede do Instituto Brasileiro do Café – IBC (1968/71); o edifício do Ministério da Marinha – MM (1970/73); a Escola Superior de Guerra (1970/74) e o Monumento ao Pavilhão Nacional (1972) –, todos destinados ao governo militar e realizados no período do milagre , buscando entender em que medida eles significaram uma possibilidade sem precedentes para sua arquitetura e, ao mesmo tempo, abriram o caminho da maldição que assombra sua obra desde então.
The production of the Brazilian and native of Rio de Janeiro architect Sergio Bernardes is as vast as unknown. Assertive and questioner, since the beginning of his career, he presented himself against the conceptual, stylistic and projective formats. Graduated in 1948 at the Universidade do Brasil, he worked until 1990s in the large field of the project with abrupt change in the architectonical scale of the 1960s and 1970s. Starting from the experimentation of more restrict and defined programs, he interspersed a complex universe of the megastructures and headed prospective and visionary to the territory scale. By experimenting steel as structural source of architecture, he threw himself into the universe of the non euclidianas geometries; he hung pavilions as bridges, houses as cable cars; tested light materials in the construction, and increased the industrial production through the development of elements for series manufacturing. Through an ambitious way of multidisciplined associations of knowledge, laboratorial research and experimental investigation of the construction site, he pursued a type of systemic idealism, based on a technological virtuousism. From architect to a social inventor , he reassured his belief in the modern individual, in the power of reason, in the potency of the project and in a preventive action of future. In the Brazilian architectonical context of the 1960s and 70s, he truly believed in the renovation of his architecture, taking advantage of the good relationship he had with the Military, especially, during a period of economical force (concentration of incomes) and the progressive development of the country during the Dictatorship era, the Brazilian Miracle (1968/73). A moment in which, the architect takes over the protagonism of the just built, Federal Capital, Brasilia. This research is about four of the Sergio Bernardes emblematic projects for Brasilia– Instituto Brasileiro do Café – IBC (1968/71); Ministério da Marinha – MM (1970/73); Escola Superior de Guerra (1970/74); Monumento ao Pavilhão Nacional (1972) – all destined to the military government and finished within the period of time called the miracle , in order to understand how much of a possibility without precedents they meant for his architecture, and at the same time, how much of this opened the way to a curse that haunts his work since then.
Abdul, Nabi Saleh Ali. "The concept of the Sufi Saintly Miracle: A Literary Approach." University of Western cape, 2020. http://hdl.handle.net/11394/7302.
Повний текст джерелаstudy analyses the concept of al-Karāmah al-Sūfīyah (the Sufi Saintly Miracle) in both its religious and literary dimensions. The researcher will shed more light on this genre of narrative literary phenomena by developing its definition and placing it in the social and historical context of the Sufi thought as a whole. Many communities in the Islamic world embrace and practice the Sufi doctrine and also believe in the Ṣūfī Sheikhs’ saintly miracles and its paranormal aspects, which they also consider to be parallel in its sacredness to the miracles of the Prophets. Furthermore, in this study the researcher will not only focus on the religious significance of the saintly miracle but also on their literary approach and aesthetic dimensions. In fact many of the contemporary Arab scholars and Litterateurs categorize this narrative discourse to fall under the cloak of al-Adab al-‘ajāibī (miraculous literature) due to the nature of its narrative style and structure from which it achieves its goals, such as: Myth – Legend – Superstition – Storytelling, etc. The study will be mainly qualitative. It is a content analysis study in the sense that the researcher will analyse the stylistic, formal and rhetorical techniques of the saintly miracles’ discourse with specific reference to extracts taken from al- Sheikh al-Hassan al- Shadili and al-Sheikh Abdelssalam Bin Machich. The study will use an eclectic theoretical and conceptual framework which combines the historical approach with the reception theory.