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Книги з теми "Migration; monuments"

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Автор: Grafiati

Опубліковано: 27 липня 2024

Оновлено: 28 липня 2024

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1

Nascimento, Márcia, and Nuno Costa, eds. Käräjäkivet 15: Lampedusa: Solomon’s Cathedral. Barcelos, Portugal: Käräjäkivet, 2023.

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2

Utomo, T. Wedy. Bengkulu Utara: Monumen perjuangan pembangunan. [Arga Makmur]: Pelopor Pembangunan, 1994.

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3

Süleyman, Berk, ed. Zeytinburnu'nun tarihi mezar taşları: Zamanı aşan taşlar. İstanbul: Zeytinburnu Belediyesi, 2006.

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4

1957-, Scarci A. Manuela, Scardellato Gabriele Pietro 1951-, University of Toronto. Dept. of Italian Studies., and Italian-Canadian Immigrant Commemorative Association, eds. A Monument for Italian-Canadian immigrants: Regional migration from Italy to Canada. Toronto: Dept. of Italian Studies, University of Toronto, 1999.

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5

Friedlander, Alan M. Fish movement patterns in Virgin Islands National Park, Virgin Islands Coral Reef National Monument and adjacent waters. Silver Spring, MD: U.S. Department of Commerce, National Oceanic and Atmospheric Administration, National Ocean Service, National Centers for Coastal Ocean Science, 2013.

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6

Smith, Stephen. Hydroacoustic assessment of downstream migrating salmonids at Lower Monumental Dam in spring 1985: Final report. Portland, Or: U.S. Dept. of Energy, Bonneville Power Administration, Division of Fish & Wildlife, 1986.

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7

Marschall, Sabine. Public Memory in the Context of Transnational Migration and Displacement: Migrants and Monuments. Springer International Publishing AG, 2020.

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8

Marschall, Sabine. Public Memory in the Context of Transnational Migration and Displacement: Migrants and Monuments. Springer International Publishing AG, 2021.

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9

Lozanovska, Mirjana. Ethno-Architecture and the Politics of Migration. Taylor & Francis Group, 2015.

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10

Lozanovska, Mirjana. Ethno-Architecture and the Politics of Migration. Taylor & Francis Group, 2015.

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11

Ethno-Architecture and the Politics of Migration. Taylor & Francis Group, 2015.

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12

Lozanovska, Mirjana. Ethno-Architecture and the Politics of Migration. Taylor & Francis Group, 2015.

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13

Lozanovska, Mirjana. Ethno-Architecture and the Politics of Migration. Taylor & Francis Group, 2015.

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14

Crawford, Sally. Birth and Childhood. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.31.

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Анотація:

This chapter provides a brief overview of the emergence of children and childhood as a subject for archaeological investigation, before outlining archaeological evidence for medieval birth and childhood from settlement and cemetery excavations. Children’s burials provide information on the social persona and treatment of children at death, attitudes to the death of infants and older children, and their memorialization in the form of burial location, and above-ground monuments such as brasses. Skeletal material yields evidence of age at death, as well as information on health and life-course. Isotope and other scientific analyses of skeletal material is providing further information about childhoods, including diet and migration. Settlements are a fruitful source of information about geographies of medieval childhoods, children’s involvement in work and play, and the material culture of medieval childhood.

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15

Stećci i Vlasi: Stećci i vlaške migracije 14. i 15. stoljeća u Dalmaciji i jugozapadnoj Bosni. [Split]: Regionalni zavod za zaštitu spomenika kulture Split, 1991.

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16

Ramírez, Dixa. Colonial Phantoms. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479850457.001.0001.

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Colonial Phantoms argues that Dominican cultural expression from the late nineteenth century to the present day reveals the ghosted singularities of Dominican history and demographic composition. For centuries, the territory hosted a majority mixed-race free population whose negotiations with colonial power were deeply ambivalent. Disquieted by the predominating black freedom, Western discourses ghosted—mis-categorized or erased—the Dominican Republic from the most important global conversations and decisions of the 19th century. What kind of national culture do you create when leaders of the world powers, on whose recognition you depend, rarely remember your nation’s name? Dominicans, both island and diasporic, have expressed their dissatisfaction with dominant descriptors and interpellations through literature, music, and speech acts. These expressions run the gamut from ultra-conservative, anti-Haitian nationalist literature to present-day Afro-Latinx activism. Dominant fields of knowledge constructed to account for various modes of being in the Americas have not been able to discern, and, in some cases, have helped to obscure, the kinds of free black subjectivity that emerged in the Dominican Republic. Analyzing literature, government documents, music, the visual arts, public monuments, film, and ephemeral and stage performance, this book intervenes at the level of knowledge production and analysis by disrupting some of the fields. In so doing, it establishes a framework for placing Dominican expressive culture and historical formations at the forefront of a number of scholarly investigations of colonial modernity in the Americas, the African diaspora, geographic displacement (e.g., migration and exile), and international divisions of labor.

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17

Bayrakdar, Deniz, and Robert Burgoyne, eds. Refugees and Migrants in Contemporary Film, Art and Media. Amsterdam University Press, 2022. http://dx.doi.org/10.1017/9789048554584.

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Migration in the twenty-first century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. <i>Refugees and Migrants in Film, Art and Media</i> consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lesvos as well as virtual reality installations of Alejandro G. Iñárritu and others, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.

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18

Bayrakdar, Deniz, and Robert Burgoyne, eds. Refugees and Migrants in Contemporary Film, Art and Media. Amsterdam University Press, 2022. http://dx.doi.org/10.5040/9789048561872.

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Анотація:

Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Contemporary Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lésbos as well as virtual reality installations of Alejandro G. Iñárritu and works by Balkan and Turkish directors, such as Melisa Önel, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.

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19

Bontemps, Arna. And Churches. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037696.003.0025.

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Анотація:

This chapter examines the storefront churches and “cults” of Illinois in the early decades of the twentieth century. Before the Negroes' mass exodus to Illinois and Chicago, migrants settling in the state had selected one or another among the orthodox faiths and had been absorbed quietly. However, the dramatic influx about the middle of the second decade of the twentieth century gave rise to a number of “storefront” churches. Several new standard churches were born during the Great Migration, including Monumental Baptist Church, Liberty Baptist Church, and Progressive Baptist Church. In addition, during the period from the start of World War I, churches of a number of other established faiths were added to the orthodox list. Furthermore, the independent churches multiplied in the latter years of the nearly three decades since 1914. This chapter considers the appeal of storefronts to common people and their undeclared religious war with standard churches, along with the emergence of the spiritualist churches as well as other churches that were regarded as cults in Illinois.

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