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Статті в журналах з теми "Michon, Pierre (1945-.... ; romancier)":
Barnett, R. L. Etienne. "Poétique de la rupture spectrale." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 1 (June 21, 2013): 119–30. http://dx.doi.org/10.1075/rro.48.1.06eti.
Chassaing, Sylvia. "L’histoire de l’art et le romancier faussaire : Discours de savoirs et fiction dans “Les Onze” de Pierre Michon et “Terrasse à Rome” de Pascal Quignard." Revue critique de fixxion française contemporaine, no. 8 (June 15, 2014). http://dx.doi.org/10.4000/fixxion.9410.
Badaró Santos, José Otávio Monteiro, and Marcello Moreira. "REPRESENTAÇÕES E PRÁTICAS EM "TERRAS DO SEM-FIM", DE JORGE AMADO: A NEGOCIAÇÃO COM O MUNDO SOCIAL." fólio - Revista de Letras 12, no. 1 (July 2, 2020). http://dx.doi.org/10.22481/folio.v12i1.6489.
Дисертації з теми "Michon, Pierre (1945-.... ; romancier)":
Spens, Patrick. "Pierre Michon : la mémoire et la grâce : une présentation critique." Nancy 2, 1999. http://www.theses.fr/1999NAN21007.
Jegham, Amel. "Maîtres et serviteurs de Pierre Michon : Genèse d'un imaginaire pictural, des carnets au récit." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080015.
Steeped in culture and permeated with pictoriality, Pierre Michon's writings are often enigmatic. Access to the preparatory notebooks for Maîtres et serviteurs made it possible to go to the sources of what was written and to trace the creative process of the work by following the thread of pictorial reference. The question is asked about the degree to which the genetic approach can help to better understand the position of painting in the author's imagination and its role in the building up of his writings. The work led to examining the passage from notes on reading to the elaboration of writing, the passage from referential to fictional, from the already said to the new and from the visual to the verbal. This back-and-forth movement between what precedes writing and the final text was used to determine how painting appears in the very first entries in the notebook until these are incorporated in the final text. It also allowed identification of the modes of selection, sampling and appropriation and finally the incorporation of the exogenetic items in the text. The different operations in the rewriting of the literary and pictorial text by the use of twisting, erasure and opacifying were analysed. Finally, the itinerary of pictorial references from notebook to text and reactivation in subsequent writings were examined. Although this first thesis on Pierre Michon's notebooks does not fully elucidate the enigma of his writings, it nonetheless makes it possible to understand and monitor the specific functioning of 'Michonian' writing and to relaunch reflection on erudition. It opens the way to further genetic research on the notebooks for other works by the writer
Préclaire, Florian. "Recommencer le monde. Poétiques du récit dans les œuvres de Marie-Hélène Lafon, Laurent Mauvignier, Pierre Michon et Jean Rouaud." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030037.
From the 1980’s until today, between the initial assessment of its loss and that, more recent, of its re-creation, the world has been adopted by writers as a discontinuous and questionable subject. It is from traces only that the narratives of Marie-Hélène Lafon, Laurent Mauvignier, Pierre Michon and Jean Rouaud are constructed and constituted, while the re-assessment of the relationship to reality and to the story/History is urging them to question the origin of the world in symbolic terms. The understanding of the world is thus filtered in turns through the lens of the investigation or that of the anthropology to closely link the present to the symbols and myths that tell the story of beginnings. Hence, it is by profoundly questioning the arrangements of its narratives and its poetics that contemporary literature commits to recreating the world. Dealing with begetting figures, it positions itself interestingly between obliquity and ubiquity ; it focuses on rethinking place and time to fit the present time, as well as on re-assessing the scope and the arrangements of its implications ; it summons the whole span of the spectrum of elementary symbolism in the service of representations of the creation and of the depiction of ways of being a part of the world ; lastly it reenacts the place of the world in the cosmos, puts words to things, and questions the link between Human and Animal again in order to delineate the shape of a new ethos
Bleau, Alexandre. "Les Vies de Pierre Michon : Étude spéculative des genres littéraires." Thesis, Lille 3, 2012. http://www.theses.fr/2012LIL30022.
This thesis aims at three closely tied goals. The foremost is to understand the works of Pierre Michon, ever since Vies minuscules (Small Lives ; 1984) and up until Les Onze (The Eleven ; 2009), as a precise chain of generic contents, and to demonstrate that this body of work, even though it might appear to belong to older genres such as the "life" and the autobiography, is driven from an essential evolution of contemporary literature so much so that the detailed analysis of its becoming will reveal the underlying universality of numerous so-called personal and idiosyncratic elements put forth by the author. The second goal is to apprehend the complex historical process which leads to such works ; more precisely, the question will be to explain how different periods produce different genres that are as many ways to reflect humanity's "real" existence upon this earth, or : how life, far from being confined to the biographical, is the matter of literature at large, and that the epic, the tragedy ,the chronicles, the romance, etc., are all in their own respect subspecies of the life-genre. Inasmuch as our primary focus will be the necessity of moving from one genre to the other, we shall moreover be lead to see in Michon's works the ultimate determination of the life-genre, and, in a way, its supersession. The third goal will be to seize the concept of the text as that from which the life-genre comes to be and deploys itself, and, to that end, to examine the differences that this concept holds within, namely the fiction, the story and the tale, or in other terms the difference of the narrator, the character and the hero
Fustin, Ludivine. "Romanciers cyniques : Octave Mirbeau, Pierre Drieu la Rochelle, Michel Houellebecq." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040011.
The antique and modern study of the novels by these three cynical writers aims at trying to portray a new authorial status in the history of nineteenth to twenty-first century literature : the status of the cynical novelist. First and foremost, the common thread of this research comes from the essential link between cynicism and truth. On the one hand, truth as historic truth is defined when cynicism (in its philosophical, psychological and ethical terms) is considered by these novelists as a novel material, in other words, a theme, a character, and an attitude, which exposes the reality of their respective century. On the other hand, truth as transhistorical truth is when they endeavour to unveil what mankind and world are. Cynicism comes therefore from the habit of truth-telling, the one that promotes the alethic aspect of the literary text and determines the content of the speech conveyed by the novel. Mirbeau, Drieu and Houellebecq novels have really definite horizons of their owns. But if I consider the common points to these three writers, I can say that this truth-telling process is a centre around which themes, narrative elements and writing processes gravitate. This strong involvement of cynicism in the literary space necessarily implies a singular connection to reality, therefore, it implies for the novelist both to handle carefully this melting of fiction and real-life experiences and to trigger a process of a honest and lucid disclosure towards literature itself. A cynical novelist must expose the weaknesses, the contradictions and even the quirks of literature in order to be as close as possible to what it really is
Jegham, Amel. "Maîtres et serviteurs de Pierre Michon : Genèse d'un imaginaire pictural, des carnets au récit." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080015.
Steeped in culture and permeated with pictoriality, Pierre Michon's writings are often enigmatic. Access to the preparatory notebooks for Maîtres et serviteurs made it possible to go to the sources of what was written and to trace the creative process of the work by following the thread of pictorial reference. The question is asked about the degree to which the genetic approach can help to better understand the position of painting in the author's imagination and its role in the building up of his writings. The work led to examining the passage from notes on reading to the elaboration of writing, the passage from referential to fictional, from the already said to the new and from the visual to the verbal. This back-and-forth movement between what precedes writing and the final text was used to determine how painting appears in the very first entries in the notebook until these are incorporated in the final text. It also allowed identification of the modes of selection, sampling and appropriation and finally the incorporation of the exogenetic items in the text. The different operations in the rewriting of the literary and pictorial text by the use of twisting, erasure and opacifying were analysed. Finally, the itinerary of pictorial references from notebook to text and reactivation in subsequent writings were examined. Although this first thesis on Pierre Michon's notebooks does not fully elucidate the enigma of his writings, it nonetheless makes it possible to understand and monitor the specific functioning of 'Michonian' writing and to relaunch reflection on erudition. It opens the way to further genetic research on the notebooks for other works by the writer
Rioux, Annie. "L'image de l'écrivain au péril de sa représentation : Corps du roi, de Pierre Michon." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25164/25164.pdf.
Nabavi, Seyed Mohammad Nasser. "L'artiste aux prises avec la société et l'histoire dans l'œuvre de Pierre Michon." Thesis, Strasbourg, 2018. http://www.theses.fr/2018STRAC025/document.
This thesis focuses on the theme of the artist in the works of Pierre Michon. The artist as a practitioner of a career linked to creation (pictorial, poetic, musical, etc.) is a complicated figure, because he lives on the edge of an inner world proper to himself and of the socio-historical world that surrounds it and that guides its trials. Having written extensively about painters and writers, Michon is one of the contemporary writers who has widely dealt with the labyrinthine process of becoming-artist. Moreover, the question of the artist in this author can only be approached in the company of the socio-historical aspects of his works. Thus, the objective of this work is to analyze the formation of the artist, as well as the crucial role played by the socio-historical bodies in the becoming-artist, in the works of Michon, in order to formulate the point of view of this author with regard to the various dimensions of artistic creation
Lapeyre, Marie-Laurence. "La représentation romanesque de la peinture hollandaise du siècle d' or dans les romans français et anglophones depuis Marcel Proust." Paris 7, 2007. http://www.theses.fr/2007PA070022.
All through the history of Western art, literature and painting have had polemical but constructive relationships. In the thick of this exchange, the representation of the Dutch painting of the Golden age is brought out in strong relief in contemporary novels. Among the reasons for the particular interest of the novelists in this school of painting, can be found : its innovating strength, its profuse production, its closeness with the world of the novel ; and also, among he crowd of talented little masters, the patronage of some legendary figures now seen as the beacons of the artistic universe : Rembrandt, Vermeer and Hals. Having forced its way into the novel with Balzac, Dutch painting is then seen in Gautier's and the Goncourts'work, and holds a high rank in Remembrance of Things Past : Rembrandt is indisputably recognized as a genius, and Proust bas highly contributed to the recognition of Vermeer's excellence. Dutch painters may sometimes be met in the work of some acknowledged authors, but are mostly represented in the recent popular editions. This study deals with the status bestowed on to the description by French and English novels since Proust, with the means used to involve the painting - as an object - in the narrative dynamic, with the way the legendary figure of the painters is perpetuated or bent, and in the end, with what's become today of the artist's novel
Bouiche, Fayçal. "Vers une poétique du "récit de filiation" contemporain : autour de La Place d'Annie Ernaux et des Vies Minuscules de Pierre Michon." Thesis, Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR2032.
This doctoral work is intended to be a comparative approach in contemporary French literature. The title of the project: « Towards a poetics of the contemporary "récit de filiation": around La Place (Gallimard, 1983) by Annie Ernaux and Vies minuscule (Gallimard, 1984) by Pierre Michon" will be the expression synthetic as well as critical of an attempt to approach, identify and evaluate a non-irrelevant part of this burgeoning literature. It will first be an opportunity to show the characteristics, challenges and limits of the "récit de filiation", an expression coined by Dominique Viart in an article that dates from 1999. Then, starting from these results, we will explain the literary and scientific interest of the study of the two bookis of our corpus and how they are perfectly representative of the birth of this genre in the early 80s, which will concretely translate into the quantitative and qualitative success that must be interpreted as the undeniable proof that this contemporary period tries, through this genre, to grasp some deep reasons for his being and his future. This research will deliberately use an approach that will implement analytical tools belonging to several distinct but complementary fields: literary history, general and comparative literature, sociology, ethnology, anthropology and poetics intimate writing. This choice is at the same time motivated by the initial formation received in Modern Letters, and imposed by the nature of the subject; a multidisciplinary reading of this emerging literature and this emerging genre will become an evidence. Moreover, in order to better understand the problematic, we will also adopt historical, generic, thematic, stylistic and narratological approaches
Частини книг з теми "Michon, Pierre (1945-.... ; romancier)":
Bergez, Daniel, Christiane Lauvergnat-Gagnière, Anne Paupert, Yves Stalloni, and Gilles Vannier. "Pierre Michon (né en 1945)." In Précis de littérature française, 455–58. Armand Colin, 2023. http://dx.doi.org/10.3917/arco.berge.2023.01.0625.