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Статті в журналах з теми "Melania Mazzucco"
Swiderski, Liliana. "Tintoretto by Melania Mazzucco: a poetic of ekphrasis." Anclajes 24, no. 2 (May 1, 2020): 33–46. http://dx.doi.org/10.19137/anclajes-2020-2423.
Повний текст джерела이현경. "Aspects of Diaspora in Vita by Melania Mazzucco." Journal of Mediterranean Area Studies 15, no. 4 (November 2013): 55–80. http://dx.doi.org/10.18218/jmas.2013.15.4.55.
Повний текст джерелаSais, Maria Luisa. "Per una nuova genealogia femminile: L’architettrice di Melania G. Mazzucco." Narrativa, no. 44 (November 30, 2022): 107–23. http://dx.doi.org/10.4000/narrativa.2408.
Повний текст джерелаCarton-Vincent, Alison. "Le sergent Manuela Paris dans Limbo de Melania G. Mazzucco (2012)." Italies, no. 19 (October 1, 2015): 329–40. http://dx.doi.org/10.4000/italies.5326.
Повний текст джерелаGarosi, Linda. "Raccontare l’altra Italia tra storia e finzione." Revista de Italianística, no. 41 (December 31, 2020): 3–13. http://dx.doi.org/10.11606/issn.2238-8281.i41p3-13.
Повний текст джерелаLucamante, Stefania. "The Privilege of Memory Goes to the Women: Melania Mazzucco and the Narrative of the Italian Migration." MLN 124, no. 1 (2009): 293–315. http://dx.doi.org/10.1353/mln.0.0103.
Повний текст джерелаLucamante, Stefania. "Il desiderio perverso e il rovesciamento dello sguardo meduseo in Il bacio della Medusa di Melania Mazzucco." Italica 76, no. 2 (1999): 220. http://dx.doi.org/10.2307/479752.
Повний текст джерелаGibert, Pierre. "Melania G. Mazzucco , La longue attente de l’ange , Traduit de l’italien par D. Vittoz. Flammarion, 2013, 447 pages, 22 €." Études Tome 419, no. 10 (October 1, 2013): III. http://dx.doi.org/10.3917/etu.4194.0407c.
Повний текст джерелаIppolito, Antonella. "“L’orma nello schermo opaco”. Intermedialità del costrutto narrativo e rappresentazione di una “realtà depotenziata” in Un giorno perfetto (2005) di Melania G. Mazzucco." Linguæ & - Rivista di lingue e culture moderne, no. 15 (2016) 2 (December 2016): 49–67. http://dx.doi.org/10.7358/ling-2016-002-ippo.
Повний текст джерелаAlù, Giorgia. "Melania Mazzucco’s Vanishing Heroines: The Visual inMedusa’s KissandLimbo." Critique: Studies in Contemporary Fiction 58, no. 4 (November 28, 2016): 459–70. http://dx.doi.org/10.1080/00111619.2016.1253540.
Повний текст джерелаДисертації з теми "Melania Mazzucco"
Sais, Maria Luisa. "L'opera narrativa di Melania G. Mazzucco : le forme dell'impegno." Electronic Thesis or Diss., Paris 10, 2024. http://www.theses.fr/2024PA100025.
Повний текст джерелаThis research project focuses on the work of the contemporary Italian writer Melania Mazzucco. While memory, the role of women and social criticism are the most studied themes in her works, the main thread running through our research is the concept of commitment. This is a new critical perspective, in which impegno constitutes a kind of 'macro-category' encompassing all the many themes in the writer's output that have been analysed by critics.Mazzucco's commitment, which is evident in his literary output, consists of a marked interest in social issues, in caring for the oppressed and marginalised in society. It’s in this context that women play a very important role, as they are always the protagonists of his novels: they are often eccentric, dissatisfied women, perpetually in search of their own place in the world and their own identity. In short, this is a particular form of civic commitment linked to women's issues, and it develops mainly in two directions, which will form the second and third parts of our thesis: the female genealogies that Mazzucco reconstructs in his historical novels, with the intention of giving a life, a voice and a history to female figures from the past who really existed and who can be a source of inspiration for women today; the representation of contemporary Italy through female figures who highlight issues such as sexism, the migratory phenomenon, new family models. Women thus become a vehicle for addressing issues that affect both sexes equally.In our thesis, therefore, we have examined the presence of forms of commitment in Mazzucco's work by studying its manifestations in the two directions described above, in order to answer some fundamental questions: in the debate on literary commitment, which is very fertile in Italy today, how can we situate Mazzucco's work? In what forms and on what themes does his commitment express itself? Is it effective? Is it appreciated?Our thesis is divided into three parts. In the first part, the aim is to situate Mazzucco in the Italian literary context, from the 1980s – the period of her formation – to the present day, in order to highlight influences, legacies and gaps. In the second part, we propose a cross-analysis of two novels, which are both historical biographies of women artists forgotten by history: La lunga attesa dell'angelo, which tells the life story of Marietta Tintoretto, the famous painter's favourite daughter who was encouraged by her father to exploit her talents despite the ban on women being painters; and L'Architettrice, which tells the story of Plautilla Bricci, the first woman architect in modern history, who was also the daughter of an artist. We wanted to understand why Mazzucco embarked on this recovery operation, and who these women of the past were whose life experience she wanted to pass on. My aim is to understand why Mazzucco embarks on this operation of recovery, who these women of the past are whose life experience she wants to pass on, and how she wants to pass it on.The third and final part of the thesis is devoted to the study of four novels set in the present day: Un giorno perfetto, Limbo, Sei come sei, Io sono con te. Storia di Brigitte. These books no longer set out to re-evaluate extraordinary women of the past in order to reintegrate them into Italian artistic and cultural history. Instead, they tell the ordinary stories of women in Italy today, struggling with problems of violence, discrimination and marginality within the family and/or society
Debenedetti, Sara. "Tra esilio, memoria e nostalgia: studi su vita, di Melania Mazzucco." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-10082007-161158/.
Повний текст джерелаVita, de Melania Mazzucco (jovem escritora italiana contemporánea), é um romance que trata sobretudo do exílio, (ex-solum, distância da própria terra, emigração) por meio de uma narrativa que mescla ficção, realidade, memória. Escrito em algumas partes em primeira pessoa, o romance possui uma nuance de autobiografia. A ficção se entrelaça com as pesquisas da memória familiar e pessoal da autora, de modo a narrar uma epopéia coletiva, a qual em raríssimos casos encontrou a via da literatura. Vita e Diamante Mazzucco, os protagonistas, são dois jovens italianos que, no início do século XX, junto à multidão que compôs a grande emigração italiana, afrontam a América, a paixão e a vida. Com um enredo aparentemente limitado a um grupo e a um período histórico, os temas presentes na obra apontam para uma questão contraditória, o limite entre a reportagem verídica e a reconstrução ideal dos fatos, entre a memória histórica e a construção narrativa, colocando em evidência situações análogas. A problemática do \"outro\" (Vita e Diamante como representantes dos \"vencidos\", da outra face da história) faz emergir a real alteridade que a literatura - e o romance melhor que outros gêneros - é capaz de trazer à tona, verbalizando aquilo que estava desde muito tempo escondido na memória familiar e, talvez, na memória coletiva
Debenedetti, Sara. "Formação e viagem: a vida de Annemarie Schwarzenbach no romance Lei così amata de Melania Mazzucco." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-08022011-112140/.
Повний текст джерелаThe life of a young man and his way through the world in search of his own identity is the motto of the formation novel, subgenre which had its climax between the 18th and the 19th centuries. Franco Moretti and Esther Labovitz, among other critics considered by us, studied the formation novel in depth the Bildungsroman , this last author focusing on the feminine variant in the Bildungsroman of the 20th century. This study aims at analyzing the novel of the Italian writer Melania Mazzucco Lei così amata. The novel focuses on part of the life of the Swiss writer Annemarie Schwarzenbach, therefore it presents all the characteristics of the biographical novel. However, in this study, our main intention is to demonstrate all the features that make this work a formation novel. Through the troubled trajectory lived by the protagonist, we try to recognize, in her journeys around the world, the fundamental features of the formation novel. In particular, based on the Mikhail Bakhtins studies of the chronotope, we analyze the forms in which the time lived in the different continents Asia, America and Africa determine the heroines formative course.
Faggian, Giulia <1993>. "«Il romanzo legge nelle zone d’ombra dei fatti». Figure dell'alterità nella narrativa di Melania G. Mazzucco." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/11847.
Повний текст джерелаBakun, Ewa. "Worlds imagined and worlds experienced : Italians in America in Vita by Melania Mazzucco and Umbertina by Helen Barolini." Connect to resource, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1162317019.
Повний текст джерелаКниги з теми "Melania Mazzucco"
Jacomo Tintoretto & i suoi figli: Storia di una famiglia veneziana / Melania G. Mazzucco. Milano: Rizzoli, 2009.
Знайти повний текст джерелаЧастини книг з теми "Melania Mazzucco"
Valdés, Pablo García. "MELANIA MAZZUCCO Y LA CREACIÓN DE RETRATOS FICCIONALES:." In Escritoras y personajes femeninos en relación., 494–507. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv20hcss2.35.
Повний текст джерелаSales, José Luis Espinosa. "UNA MUJER ENTRE EL DESEO Y LA LOCURA EN LA PALABRA DE MELANIA G. MAZZUCCO." In Encrucijadas en la cultura italiana., 65–72. Dykinson, 2022. http://dx.doi.org/10.2307/j.ctv2s0j64s.8.
Повний текст джерела"Fleeting Photographs and Vanishing Rebels in Melania Mazzucco’s Fiction." In Journeys Exposed, edited by Giorgia Alù, 27–49. Routledge, 2018. http://dx.doi.org/10.4324/9780429437700-2.
Повний текст джерелаFiore, Teresa. "Writing the Pasta Factory and the Boardinghouse as Transnational Homes: Public and Private Acts in Melliti’s Pantanella and Mazzucco’s Vita." In Pre-Occupied Spaces. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274321.003.0007.
Повний текст джерела"4. Melania Mazzucco’s Un giorno perfetto: Domestic Violence on an Everyday Perfect Day." In Righteous Anger in Contemporary Italian Literary and Cinematic Narratives, 114–46. University of Toronto Press, 2020. http://dx.doi.org/10.3138/9781487535087-009.
Повний текст джерела