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Статті в журналах з теми "Melancholic objects"
Junik-Łuniewska, Kamila. "Writing (in) melancholy. Loss and remembrance in the works of two contemporary Hindi writers." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 9 (April 24, 2018): 55–66. http://dx.doi.org/10.26881/jk.2018.9.05.
Повний текст джерелаHarris, Adrienne. "Melancholic Fathers: Tantalizing and Dangerous Objects." Psychoanalytic Perspectives 16, no. 3 (September 2, 2019): 340–52. http://dx.doi.org/10.1080/1551806x.2019.1653671.
Повний текст джерелаSobczyk, Agata. "Deuil et mélancolie de Narcisse : Le joli buisson de jeunesse de Jean Froissart (1373)." Studia Litteraria 17, no. 1 (June 2, 2022): 37–48. http://dx.doi.org/10.4467/20843933st.22.005.15305.
Повний текст джерелаNavaro-Yashin, Yael. "Affective spaces, melancholic objects: ruination and the production of anthropological knowledge." Journal of the Royal Anthropological Institute 15, no. 1 (March 2009): 1–18. http://dx.doi.org/10.1111/j.1467-9655.2008.01527.x.
Повний текст джерелаWróbel, Szymon. "Melancholy either children of Polish Saturn." Psihologìâ ì suspìlʹstvo 3, no. 81 (September 1, 2020): 104–14. http://dx.doi.org/10.35774/pis2020.03.104.
Повний текст джерелаRobson, James. "Faith in Museums: On the Confluence of Museums and Religious Sites in Asia." PMLA/Publications of the Modern Language Association of America 125, no. 1 (January 2010): 121–28. http://dx.doi.org/10.1632/pmla.2010.125.1.121.
Повний текст джерелаMcCallum, E. L. "Not Your Mother’s Melodrama." Camera Obscura: Feminism, Culture, and Media Studies 34, no. 2 (September 1, 2019): 133–61. http://dx.doi.org/10.1215/02705346-7584940.
Повний текст джерелаLaMothe, Ryan. "Singing the Blues: Reflections on African American Men, the Emergence of Melancholic Selves, and the Search for Transformational Objects." Pastoral Psychology 67, no. 6 (August 9, 2018): 655–71. http://dx.doi.org/10.1007/s11089-018-0834-0.
Повний текст джерелаPoluboyarinova, Larisa N., and Olga N. Kulishkina. "Two “Marienbad Elegies”: J.W. Goethe and W.G. Sebald." Studia Litterarum 5, no. 3 (2020): 128–43. http://dx.doi.org/10.22455/2500-4247-2020-5-3-128-143.
Повний текст джерелаOrzeszek, Jakub. "A Negative History of Literature: The Case of Schulz (and Riff)." Tekstualia 2, no. 57 (August 16, 2019): 99–113. http://dx.doi.org/10.5604/01.3001.0013.3547.
Повний текст джерелаДисертації з теми "Melancholic objects"
Barreto, Clarissa Maia Esmeraldo. "The identification in melancholia: from the lost object to the object a." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=17383.
Повний текст джерелаA melancolia à uma afecÃÃo psÃquica caracterizada por dor profunda e terrÃvel sofrimento. Seus estudos ainda hoje despertam questionamentos e querelas no meio psicanalÃtico, principalmente no que se refere a sua categorizaÃÃo como neurose ou psicose. Neste trabalho, partiu-se da dificuldade constatada por meio de revisÃo bibliogrÃfica, tanto em Freud como em autores da atualidade, em precisar o objeto alvo da identificaÃÃo nessa afecÃÃo. Pensar qual a natureza desse encadeamento à importante para se conceber mais especificamente aspectos da clÃnica com sujeitos que padecem dessa estrutura. Nesse contexto, essa pesquisa pretendeu contribuir para o esclarecimento do processo de identificaÃÃo ao que Freud denominou como objeto perdido na melancolia â o qual dà um colorido peculiar a essa afecÃÃo â e lanÃar luzes sobre os debates atuais que envolvem a clÃnica da melancolia. Para tanto, o percurso metodolÃgico se concentrou em duas frentes principais: o estudo do conceito de identificaÃÃo e o desenvolvimento da concepÃÃo de objeto por Freud e a sua releitura estabelecida por Lacan. A partir disso, empreendeu-se uma reflexÃo acerca do que à particular da melancolia, ilustrando os achados dessa pesquisa por meio do caso clÃnico de Louis Althusser, parte final deste trabalho. Um ponto destacou-se dentre os resultados da pesquisa, qual seja: que o objeto alvo da identificaÃÃo melancÃlica, ao qual Freud nomeara de objeto perdido, nÃo à o objeto como causa de desejo, mas sim, o objeto a em sua face real, tal como proposto por Lacan no seu seminÃrio sobre a angÃstia. Esse processo à governado pela identificaÃÃo primÃria ao pai da prÃ-histÃria pessoal, nÃo simbolizada pela identificaÃÃo ao traÃo unÃrio â ou seja, pela incidÃncia do Nome-do-Pai â modelo que se observa especialmente na psicose. Esse fator explica vÃrios aspectos clÃnicos dessa estrutura, como a submissÃo ao impÃrio da Coisa por aÃÃo da pulsÃo de morte, a constituiÃÃo do eu e o suicÃdio.
Melancholia is a psychological disorder characterized by deep and terrible suffering and pain. Its studies still evokes questions among psychoanalytical society, particularly as regards its categorization as neurosis or psychosis. In this work, the authors started with the difficulty found through literature review, both in Freud and in today's authors, in specify the object concerning of the identification in this affection. Thinking about the nature of this linked chain is important to understand more specific clinical aspects with subjects suffering with this structure. In this context, this research intended to contribute to the clarification of the identification process to what Freud called as lost object in melancholia â which gives a peculiar coloring to this condition â and shed a light on current debates surrounding this clinic. Consequently, the methodological approach was focused in two paths: the study of the concept of identification and the development of the object term by Freud and its rereading established by Lacan. From this, the authors analyzed what is particular of melancholia, illustrating these findings through clinical case of Louis Althusser, final part of this paper. One detail shone through the research results, namely: that the target of the melancholic identification, to which Freud had named the lost object, it is not the object as cause of desire, but the object in its real face, as proposed by Lacan in his seminar on anxiety. This process is controlled by primary identification to the father of personal prehistory, not symbolized by the identification to the unary trait â that is, by the incidence of the Name of the Father â a model that is observed especially in psychosis. This factor explains various clinical aspects of this structure, as the submission to the empire oh the Thing by the action of the death instinct, the constitution of the self and suicide.
Brisley, Lucy Anne. "Beyond melancholia : Algeria and its spectres." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:237deb07-8961-4532-b19b-2507e7135b68.
Повний текст джерелаBarreto, Clarissa Maia Esmeraldo. "A identificação na melancolia: do objeto perdido ao objeto a." reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/18934.
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Melancholia is a psychological disorder characterized by deep and terrible suffering and pain. Its studies still evokes questions among psychoanalytical society, particularly as regards its categorization as neurosis or psychosis. In this work, the authors started with the difficulty found through literature review, both in Freud and in today's authors, in specify the object concerning of the identification in this affection. Thinking about the nature of this linked chain is important to understand more specific clinical aspects with subjects suffering with this structure. In this context, this research intended to contribute to the clarification of the identification process to what Freud called as lost object in melancholia – which gives a peculiar coloring to this condition – and shed a light on current debates surrounding this clinic. Consequently, the methodological approach was focused in two paths: the study of the concept of identification and the development of the object term by Freud and its rereading established by Lacan. From this, the authors analyzed what is particular of melancholia, illustrating these findings through clinical case of Louis Althusser, final part of this paper. One detail shone through the research results, namely: that the target of the melancholic identification, to which Freud had named the lost object, it is not the object as cause of desire, but the object in its real face, as proposed by Lacan in his seminar on anxiety. This process is controlled by primary identification to the father of personal prehistory, not symbolized by the identification to the unary trait – that is, by the incidence of the Name of the Father – a model that is observed especially in psychosis. This factor explains various clinical aspects of this structure, as the submission to the empire oh the Thing by the action of the death instinct, the constitution of the self and suicide.
A melancolia é uma afecção psíquica caracterizada por dor profunda e terrível sofrimento. Seus estudos ainda hoje despertam questionamentos e querelas no meio psicanalítico, principalmente no que se refere a sua categorização como neurose ou psicose. Neste trabalho, partiu-se da dificuldade constatada por meio de revisão bibliográfica, tanto em Freud como em autores da atualidade, em precisar o objeto alvo da identificação nessa afecção. Pensar qual a natureza desse encadeamento é importante para se conceber mais especificamente aspectos da clínica com sujeitos que padecem dessa estrutura. Nesse contexto, essa pesquisa pretendeu contribuir para o esclarecimento do processo de identificação ao que Freud denominou como objeto perdido na melancolia – o qual dá um colorido peculiar a essa afecção – e lançar luzes sobre os debates atuais que envolvem a clínica da melancolia. Para tanto, o percurso metodológico se concentrou em duas frentes principais: o estudo do conceito de identificação e o desenvolvimento da concepção de objeto por Freud e a sua releitura estabelecida por Lacan. A partir disso, empreendeu-se uma reflexão acerca do que é particular da melancolia, ilustrando os achados dessa pesquisa por meio do caso clínico de Louis Althusser, parte final deste trabalho. Um ponto destacou-se dentre os resultados da pesquisa, qual seja: que o objeto alvo da identificação melancólica, ao qual Freud nomeara de objeto perdido, não é o objeto como causa de desejo, mas sim, o objeto a em sua face real, tal como proposto por Lacan no seu seminário sobre a angústia. Esse processo é governado pela identificação primária ao pai da pré-história pessoal, não simbolizada pela identificação ao traço unário – ou seja, pela incidência do Nome-do-Pai – modelo que se observa especialmente na psicose. Esse fator explica vários aspectos clínicos dessa estrutura, como a submissão ao império da Coisa por ação da pulsão de morte, a constituição do eu e o suicídio.
Valášková, Kateřina. "Kniha v prostoru." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232330.
Повний текст джерелаHunter, Elizabeth Katherine. "Melancholy and the doctrine of reprobation in English puritan culture, 1550-1640." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:7adadd9e-17c0-4ebe-837b-0e5183fc8495.
Повний текст джерелаLavieille, Jean Clément. "Relique, objet-relique et créativité reliquaire : les devenirs de l’objet conservé dans la clinique du deuil." Thesis, Rennes 2, 2022. http://www.theses.fr/2022REN20009.
Повний текст джерелаIn the bereavement clinic, we met patients who kept the remains of their deceased loved one and with whom they continued a relationship beyond death. We crossed this conservation practice with a religious object : relics. The relics are the remains, after death, of the body of a saint considered also as sacred objects. The relic is an object of belief, catalysis and intercession. The anthropological study of the relic allows us to present the exceptional character of this piece of body and the exception of its inscription in the funeral ritual. At a psychopathological level, the relic object is for some bereaved the start necessary to endure the loss. The experience of mourning is above all the resurgence of the lost object of the relationship to « l'Autre Primordial ». Thus, we will present the relic-object as a promise of openness and reminder of castration : an external, orne-mental and para-melancholic object. We will open the second part to the fate of this preserved object. Gradually, the object is called to be abandoned: the resolution of mourning passes by the acceptance of the verdict of reality and new libidinal investments. Its undefined stop opens towards a fetishization of the object. The object takes care of the chosen other and deals above all with the lack of the Other. Finally, we call reliquary creativity, the movement of embedding and exposure of the void left following the disappearance of a loved one. The reliquary sublimation is to be understood as the common expression of the effects of mourning on the life of the survivor. The reliquary creation is the rarer expression that can bring about the emergence of a « signifiant nouveau » and social réalité
Rushworth, Jennifer Frances. "Discourses of mourning in Dante, Petrarch, and Proust." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4efea31d-85c5-4a68-893e-ac694ebfa08d.
Повний текст джерелаGomes, Cristiana Nogueira Menezes. "A impermanência do processo: poeira, caminhos, objetos." Universidade do Estado do Rio de Janeiro, 2009. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1214.
Повний текст джерелаThis dissertation raises a set of questions related to the reflection of the artistic process. Focusing on concepts like dust, melancholy, flânerie and memory, it was developed a dialogue among Walter Benjamin, W.G. Sebald, Georges Perec, Susan Sontag, Georges Bataille and Giorgio Agamben and also, the works from Marcel Duchamp, Joseph Cornell and Robert Smithson were researched. The text is divided in three moments, which the principal questions are expanded in fragments that consist in propositions inserted in the contemporary art. Along with the text is showed a series of images that belong to a set of photos that will be exposed during the presentation
Brogan, Boyd. "The ethics of otium : pastoral, privacy and the passions 1559-1647." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:f178e449-e48d-4794-bf75-5b7ecc950010.
Повний текст джерелаTaveira, Junior Manoel Paulo. "Do fetiche à relíquia: paixão, luto e melancolia (?) a partir de um estudo de caso." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/15369.
Повний текст джерелаThis work aims to investigate the origins and effects of passion through a case study. It is a study of the psychoanalytic clinic that aims to articulate metapsychological concepts of S. Freud's work taking as spine the history of the subject in question. The first chapter is dedicated to discuss the concepts of object-choice and fetishism. The second chapter is devoted to investigate and discuss the concept of the Oedipus complex, ideal Self, and the experience of illusion inherent passions. The third chapter discusses the concepts of mourning and melancholia. Clinical material are presented in each chapter to illustrate the chosen metapsychological concepts and indicate vividly the suffering experienced by the subject of the case, as well as his ability to "cure"
Este trabalho tem a finalidade de investigar as origens e os efeitos da paixão através de um estudo de caso. É um estudo sobre a clínica psicanalítica que objetiva a articulação de conceitos metapsicológicos da obra S. Freud tomando como coluna vertebral parte da história do sujeito em questão. O primeiro capítulo dedica-se a discutir os conceitos de escolha objetal e fetichismo. O segundo capítulo dedica-se a investigar e discutir o conceito de complexo de Édipo, ideal do Eu e a ilusão inerente às paixões. O terceiro capítulo aborda os conceitos de luto e melancolia. Em cada capítulo são apresentados materiais clínicos com a finalidade de ilustrar os conceitos metapsicológicos escolhidos e indicar com vivacidade o sofrimento experienciado pelo sujeito do caso, bem como suas possibilidades de cura
Книги з теми "Melancholic objects"
Schwenger, Peter. The tears of things: Melancholy and physical objects. Minneapolis, MN: University of Minnesota Press, 2006.
Знайти повний текст джерелаThe tears of things: Melancholy and physical objects. Minneapolis: University of Minnesota Press, 2006.
Знайти повний текст джерелаGill, Denise. Melancholic Modes, Healing, and Reparation. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.003.0006.
Повний текст джерелаHanlon, Christopher. Coda. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190842529.003.0005.
Повний текст джерелаMilbank, Alison. God & the Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.001.0001.
Повний текст джерелаRestuccia, Frances L. Jacques Lacan. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0027.
Повний текст джерелаRivera, Takeo. Model Minority Masochism. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197557488.001.0001.
Повний текст джерелаYust, Jason. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696481.003.0016.
Повний текст джерелаЧастини книг з теми "Melancholic objects"
Ganzer, Carol. "Mourning the melancholy object." In Reflections on Long-Term Relational Psychotherapy and Psychoanalysis, 61–73. Names: Lord, Susan (Susan A.), editor.Title: Reflections on long-term relational psychotherapy and psychoanalysis: relational analysis interminable/edited by Susan A. Lord.Description: Abingdon, Oxon; New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429054501-7.
Повний текст джерелаMorton, Timothy. "Melancholy Objects: If Stones Were Lacanian." In Lacan and the Posthuman, 193–209. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76327-9_11.
Повний текст джерелаRolland, J. C. "The denied object of melancholy." In On the Dark Side of Chronic Depression, 58–60. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003279297-5.
Повний текст джерелаWagner-Egelhaaf, Martina. "Das verlorene Objekt. Psychoanalytische Lektüren der Melancholie." In Die Melancholie der Literatur, 159–74. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03696-4_8.
Повний текст джерелаRustin, Michael. "Narcissism and Melancholia from the Psychoanalytical Perspective of Object Relations." In Narcissism, Melancholia and the Subject of Community, 41–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63829-4_2.
Повний текст джерела"Affective Spaces, Melancholic Objects." In The Make-Believe Space, 161–75. Duke University Press, 2012. http://dx.doi.org/10.1215/9780822395133-008.
Повний текст джерела"Affective Spaces, Melancholic Objects." In The Make-Believe Space, 161–75. Duke University Press, 2012. http://dx.doi.org/10.2307/j.ctv1134dxr.12.
Повний текст джерела"7. Affective Spaces, Melancholic Objects." In The Make-Believe Space, 161–75. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822395133-010.
Повний текст джерелаLin, Lana. "Reparative Objects in the Freudian Archives." In Freud's Jaw and Other Lost Objects. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277711.003.0005.
Повний текст джерелаElhaik, Tarek. "Roger Bartra: Intrusion and Melancholia." In The Incurable-Image. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474403351.003.0004.
Повний текст джерела