Книги з теми "Medieval notaries of Southern Italy"

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1

D'Andrea, Alberto. The Angevins' coins of Southern Italy. Roseto degli Abruzzi]: Edizioni D'Andrea, 2015.

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2

Health and medicine in early medieval southern Italy. Leiden: E.J. Brill, 1997.

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3

Reynolds, Roger E. Studies on medieval liturgical and legal manuscripts from Spain and southern Italy. Farnham, England: Ashgate, 2009.

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4

Studies on medieval liturgical and legal manuscripts from Spain and southern Italy. Farnham, England: Ashgate, 2009.

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5

Terra Sancti Benedicti: Studies in the palaeography, history and liturgy of medieval Southern Italy. Roma: Edizioni di storia e letteratura, 2005.

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6

Pontifical Institute of Mediaeval Studies. and Biblioteca apostolica vaticana, eds. Memory and community in medieval southern Italy: The history, chapter book, and necrology of Santa Maria del Gualdo Mazzocca. Toronto: Pontifical Institute of Mediaeval Studies, 2008.

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7

Räsänen, Marika. The restless corpse: Thomas Aquinas' remains as the centre of conflict and cult in late medieval Southern Italy. [Turku]: Marika Räsänen, 2013.

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8

Jones, Horace Leonard, b. 1879. and Sterrett, J. R. Sitlington 1851-1914., eds. Geography. Cambridge, MA: Harvard University Press, 1997.

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9

Nicola, Biffi, ed. Magna Grecia e dintorni: Geografia, 5,4,3- 6,3,11. Bari: Edipuglia, 2006.

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10

Strabo. Le voyage en Egypte: Un regard romain. Paris: NiL éditions, 1997.

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11

Strabo. Géographie. Paris: Belles Lettres, 1989.

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12

L, Radt S., ed. Strabons Geographika: Mit Übersetzung und Kommentar. Göttingen: Vandenhoeck & Ruprecht, 2002.

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13

Strabo. A geografia da Ibéria segundo estrab~ao: Introduç~ao, versao em vernáculo, comentários e anotaç~oes gramaticais ao texto grego do Livro III dos estudos gregráficos, históricos e antropológico-culturais. Braga: Ed. APPACDM, 1994.

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14

Nicola, Biffi, ed. L' Estremo Oriente di Strabone: Libro XV della Geografia. Bari: Edipuglia, 2005.

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15

Strabo. Il Medio Oriente di Strabone: Libro XVI della Geografia. Bari: Edipuglia, 2002.

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16

Safran, Linda. Medieval Salento: Art and Identity in Southern Italy. University of Pennsylvania Press, 2014.

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17

Sanctity and Pilgrimage in Medieval Southern Italy 10001200. Cambridge University Press, 2014.

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18

The Medieval Salento Art And Identity In Southern Italy. University of Pennsylvania Press, 2014.

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19

Oldfield, Paul. Sanctity and Pilgrimage in Medieval Southern Italy, 1000-1200. Cambridge University Press, 2014.

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20

Art, Ritual, and Civic Identity in Medieval Southern Italy. Pennsylvania State University Press, 2014.

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21

Oldfield, Paul. Sanctity and Pilgrimage in Medieval Southern Italy, 1000-1200. Cambridge University Press, 2014.

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22

Oldfield, Paul. Sanctity and Pilgrimage in Medieval Southern Italy, 1000-1200. Cambridge University Press, 2014.

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23

Oldfield, Paul. Sanctity and Pilgrimage in Medieval Southern Italy, 1000-1200. Cambridge University Press, 2017.

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24

Ramseyer, Valerie. Transformation of a Religious Landscape: Medieval Southern Italy, 850-1150. Cornell University Press, 2015.

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25

The Transformation of a Religious Landscape: Medieval Southern Italy, 8501150 (Conjunctions of Religion and Power in the Medieval Past). Cornell University Press, 2006.

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26

Reynolds, Roger E. Studies on Medieval Liturgical and Legal Manuscripts from Spain and Southern Italy. Taylor & Francis Group, 2018.

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27

Family Power in Southern Italy: The Duchy of Gaeta and its Neighbours, 8501139. Cambridge University Press, 2003.

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28

Morton, James. Byzantine Religious Law in Medieval Italy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861140.001.0001.

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Анотація:
This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.
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29

Lantschner, Patrick. Logic of Political Conflict in Medieval Cities: Italy and the Southern Low Countries, 1370-1440. Oxford University Press, 2015.

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30

Logic of Political Conflict in Medieval Cities: Italy and the Southern Low Countries, 1370-1440. Oxford University Press, 2015.

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31

Netherton, Robin, and Gale R. Owen-Crocker, eds. Medieval Clothing and Textiles. The Boydell Press, 2008. http://dx.doi.org/10.5040/9781800108356.

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The fourth volume of this landmark series features a special focus on headdress, with papers analysing women's turbans in fifteenth-century French manuscript paintings; the changing meaning of the term cuff; the spread of wimple from England to Southern Italy; and a surviving embroidered linen cap attributed to Saint Birgitta of Sweden. Northern European dress and textiles are further explored in papers on archaeological textiles from medieval towns in Finland, Norway, and Sweden; the construction of gowns excavated at Herjolfsnes, Greenland; and references to scarlet clothing in Icelandic sagas. Other papers focus on linen production in medieval Russia and an enigmatic quilt of Henry VIII's that almost certainly arrived in England as part of the dowry of Catherine of Aragon. Also included are reviews of recent books on clothing and textiles.
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32

Skinner, Patricia. Early Medieval Wales and Calabria. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198777601.003.0032.

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In 2011 Chris Wickham highlighted the comparative potential in the post-Roman histories of Wales and southern Italy, commenting that ‘the changing societies in each were the result of indigenous developments alone.’ This chapter takes up the implicit challenge in that statement and discusses South Wales and Calabria utilizing three frames: topographical, economic, and literary. Topographically, the mountainous interiors demand attention not only as barriers to access, but also as places of refuge and retreat. Both areas were open to the sea, and potentially to hostile waterborne raiders. Economically, the two regions were unpromising for agriculture, but ideal for pastoralism, and also offered specific resources that were in demand by local elites. From a literary viewpoint, both regions generated stories that emphasized and used the landscape and followed their protagonists on journeys through and beyond the region. Whilst their development in the early Middle Ages may well have been identifiably indigenous, it did not occur in isolation from wider social and economic change.
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33

Nardini, Luisa. Chants, Hypertext, and Prosulas. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197514139.001.0001.

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The liturgical chant that was sung in the churches of southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various times and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand preexisting liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics in the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordance with contemporary waves of religious spirituality and to experiment with a novel musical style in which a syllabic setting is paired with the free-flowing melody of the parent chant. In their representing an epistemological “beyond” and because of their interconnectedness with the parent chant, they can be likened to modern hypertexts. The emphasis on universal saints of ancient lineage stressed the perceived links with the cradles of Christianity, Africa and West Asia, and the center of the papal power, Rome, while the high number of Christological prosulas in manuscripts used in nunneries might be tied to the devotion to Jesus as “spiritual spouse” that was typical of female religiosity. Full editions of texts, melodies, and manuscript facsimiles in the companion website enrich the study of the stylistic features and the cultural components of this fascinating genre.
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34

Arnold, Felix. Islamic Palace Architecture in the Western Mediterranean. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190624552.001.0001.

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Palaces like the Aljafería and the Alhambra rank among the highest achievements of the Islamic world. In recent years archaeological work at Córdoba, Kairouan and many other sites has vastly increased our knowledge about the origin and development of Islamic palatial architecture, particularly in the Western Mediterranean region. This book offers a comprehensive and up-to-date overview of Islamic palace architecture in Spain, Morocco, Algeria, Tunisia and southern Italy. The author, who has himself conducted archaeological field work at several prominent sites, presents all Islamic palaces known in the region in ground plans, sections and individual descriptions. The book traces the evolution of Islamic palace architecture in the region from the 8th to the 19th century and places them within the context of the history of Islamic culture. Palace architecture is a unique source of cultural history, offering insights into the way space was conceived and the way rulers used architecture to legitimize their power. The book discusses such topics as the influence of the architecture of the Middle East on the Islamic palaces of the western Mediterranean region, the role of Greek logic and scientific progress on the design of palaces, the impact of Islamic palaces on Norman and Gothic architecture and the role of Sufism on the palatial architecture of the late medieval period.
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