Статті в журналах: "Medieval Catalonia"

1

Smet, Joachim. "Carmel in Medieval Catalonia (review)." Catholic Historical Review 86, no. 3 (2000): 500–501. http://dx.doi.org/10.1353/cat.2000.0042.

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2

Turley, Thomas. "Carmel in Medieval Catalonia. Jill R. Webster." Speculum 76, no. 4 (October 2001): 1119–20. http://dx.doi.org/10.2307/2903694.

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3

Escobar, Ángel. "Hacia una caracterización de la transmisión aristotélica en la Cataluña medieval." Anuario de Estudios Medievales 45, no. 1 (June 30, 2015): 299–330. http://dx.doi.org/10.3989/aem.2015.45.1.10.

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4

Meyerson, Mark D., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." Journal of Interdisciplinary History 24, no. 2 (1993): 343. http://dx.doi.org/10.2307/205383.

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5

Brodman, James W., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." American Historical Review 97, no. 4 (October 1992): 1197. http://dx.doi.org/10.2307/2165544.

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6

Bull, M. G. "The origins of peasant servitude in Medieval Catalonia." History of European Ideas 18, no. 1 (January 1994): 123–24. http://dx.doi.org/10.1016/0191-6599(94)90165-1.

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7

Barton, Thomas W. "Lords, settlers and shifting frontiers in medieval Catalonia." Journal of Medieval History 36, no. 3 (September 2010): 204–52. http://dx.doi.org/10.1016/j.jmedhist.2010.07.002.

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8

Amelang, James S., and Paul Freedman. "The Origins of Peasant Servitude in Medieval Catalonia." Hispanic American Historical Review 72, no. 4 (November 1992): 609. http://dx.doi.org/10.2307/2516677.

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9

Amelang, James S. "The Origins of Peasant Servitude in Medieval Catalonia." Hispanic American Historical Review 72, no. 4 (November 1, 1992): 609–10. http://dx.doi.org/10.1215/00182168-72.4.609.

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10

Iborra, Joan. "Entre la coronació de Ramon Berenguer IV i la dotalia de Catalunya. Edició crítica del ms. 280 de la Biblioteca de Catalunya." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (June 12, 2015): 105. http://dx.doi.org/10.7203/scripta.5.6379.

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Resum: Aquest còdex del segle xvi és un aplec de sis textos de procedència diversa ordenats aleatòriament sense cap criteri cronològic. Es tracta d’uns fragments copiats d’altres cròniques medievals que presenta uns interessants punts de contacte amb la Crònica i dietari del capellà d’Alfons el Magnànim, el ms. d.III.2 del Escorial de Martí de Viciana el Vell, avi de l’historiador i el Sumari d’Espanya de Berenguer de Puigpardines. Paraules clau: Història de Catalunya, historiografia, llegendari medieval, cròniques catalanes Abstract: This XVI century codec gathers six texts from varied sources without any chronological criterion. The document consists of extracts copied from other medieval chronicles that links interesting contact points with the Crònica i dietari del capellà d’Alfons el Magnànim, the ms. d.III.2 of El Escorial by Martí de Viciana el Vell – grandparent of the historian – and the Sumari d’Espanya by Berenguer de Puigpardines.Keywords: History of Catalonia, historiography, medieval legendary, Catalan chronicles

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11

Baum, Ilil. "Hebrew-Catalan Medieval Wedding Songs: Satirical Functions of the Hebrew Component and Other Linguistic Aspects." Journal of Jewish Languages 4, no. 2 (August 16, 2016): 166–202. http://dx.doi.org/10.1163/22134638-12340071.

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The Hebrew-Catalan documents of the Jews of medieval Catalonia have not been thoroughly analyzed thus far. The present article analyzes five unique wedding songs of the fourteenth–fifteenth centuries written in Catalan using Hebrew characters (edited in 1970 and 1974). In this study special attention is given to the humorous and satirical functions of the Hebrew component. This sophisticated use of the Hebrew component may imply more widespread oral traditions of parodic character related to the wedding ceremony among the Jews of Catalonia and the Iberian Peninsula. The notion of “Judeo-Catalan” is discussed in the framework of linguistic repertoire while demonstrating undocumented or rarely documented phonetic, semantic, and lexical features of medieval Catalan. The use of a different orthographic system allows for a written representation of the pronunciation of medieval Catalan, whereby the boundaries between the spoken and the written are blurred, creating a sort of a “written-spoken language.”

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12

Tostes, Rogerio R. "Death penalty in late-medieval Catalonia. Evidence and significations." Comparative Legal History 9, no. 1 (January 2, 2021): 111–16. http://dx.doi.org/10.1080/2049677x.2021.1908937.

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13

Kosto, Adam Joshua. "Making and keeping agreements in medieval Catalonia, 1000-1200." Medievalia 13 (November 1, 1997): 35. http://dx.doi.org/10.5565/rev/medievalia.343.

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14

Brodman, James. "Unequal in Charity? Women and Hospitals in Medieval Catalonia." Medieval Encounters 12, no. 1 (2006): 26–36. http://dx.doi.org/10.1163/157006706777502550.

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AbstractThis study asks whether charity in Catalonia had, in fact, any basis in gender, how treatment here compared with what historians have found in Italy, and what all of this says about the role that gender played within Catalan society. Late medieval Catalan charities assisted both men and women, but in different ways. Orphans, the sick, and the homeless of both genders received shelter and care, but, to some degree, males in these categories received more benefits than females. Other charity, such as assistance to poor, single women and to prostitutes, targeted females specifically and had no male counterpart. Gender considerations in the calculation of Catalan authorities seem to reflect an interest in promoting and preserving families and a social consciousness that privileged the so-called deserving poor over their marginalized sisters and brothers.

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15

Perry, Micha J. "Hatpasah– Jewishtranslatadocuments from medieval Catalonia: formulae, law and society." Journal of Medieval Iberian Studies 10, no. 2 (October 2, 2017): 167–94. http://dx.doi.org/10.1080/17546559.2017.1378822.

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16

Bakanova, Anna Valentinovna. "“Danse Macabre” in Catalonia: historical-philological aspect." Litera, no. 6 (June 2020): 132–42. http://dx.doi.org/10.25136/2409-8698.2020.6.33183.

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The object of this research is the theatricalizes “Danse Macabre” in the Catalonian city Verges is the only extant in La Bisbal province testimony of the popular in Medieval Western Europe traditions of Macabre. “Danse Macabre” in Verges takes place on a Maundy Thursday: five actors-skeletons with the symbolic inventory in their hands – scythe, colors, urns with ash and hourglass – move to the sounds of drums and remind spectators on the brevity of life and implacable approach of death. The presence of Macabre images in the Medieval art and literature is substantiated by crisis mentality caused by the Black Death and military conflicts. The conclusions on the archetypical features and authentic elements in Catalonian “Danse Macabre” are based on the research of historical-literary context, examination of the main scientific hypothesis regarding the Iberian trace in the emergence of this synthetic genre form, analysis of the circle beginning of Catalonian “Dance Macabre” under the influence of oriental presence on the peninsula. The author assesses modern approaches towards “Danse Macabre” with their sad procession of the representatives of all social classes to mass manifestations of democratic spirit of irreconcilability and resistance, democratic satire that is fighting for social equality facing death and acting against impunity of the powers that be.

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17

Farmer, Thomas. "Thomas W. Barton et al., eds. Boundaries in the Medieval and Wider World: Essays in Honour of Paul Freedman. Europa Sacra 22. Turnhout: Brepols, 2017, 346 pp., 7 figs., 3 tables." Mediaevistik 31, no. 1 (January 1, 2018): 260. http://dx.doi.org/10.3726/med012018_260.

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Paul Freedman is an outstanding medieval historian with wide-ranging interests. I first encountered his work through Out of the East: Spices and the Medieval Imagination (2008), and was surprised to realize later that he was also the author of Images of the Medieval Peasant (1999). These two works by no means exhaust the full range of Freedman’s erudition: Over the past forty years he has published on topics ranging from papal privileges in Catalonia to medieval historiography—and as this book’s co-editors observe, not only have his interests ramified over the years, he has continued to publish in each of his many areas of expertise, gaining new interests while retaining old ones.

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18

Kuzina, N. A. "The Origin and Formation of the National Symbols of Catalonia within the Framework of the Renaixença and their Visual Representation in the 19th Century." Concept: philosophy, religion, culture 5, no. 4 (December 22, 2021): 114–30. http://dx.doi.org/10.24833/2541-8831-2021-4-20-114-130.

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The article presents the study of national symbols of Catalonia: their emergence and visual representation in the art of the 19th century. National symbolic system of Catalonia date back to the Renaixença movement in literature that initiated the formation of the Catalan language and literature. The scope and purpose of the article included an investigation of the works of the most prominent representatives of the Catalan national renaissance in order to identify the origins of the symbols they deploy. Consideration of symbols serves the purpose of defining the way national aspects get their visual representation. The method of historical typology was used to systematize the sources. Memoirs and publications in the press were analyzed with the textual method, and visual materials – with stylistic and iconic methods. Detailed research of the works of Renaixença has shown that Catalan cultural code initially emerged in poetry. In the second half of the 19th century, the symbols acquired visuality in fine art, namely paintings and visual design of the front pages of Catalan newspapers and magazines. The article provides a detailed account of selected examples of such visuals. At that time, Catalan intellectuals created works devoted to the history of Catalan-speaking lands, seeking to find roots that would picture the ancient nature of their motherland. They searched the archives and looked into medieval literature and folklore to prove the continuity of prosperous medieval Catalonia, part of the Kingdom of Aragon, and nineteenth-century Catalonia. Thinking over national history gave birth to national identity. At the same time history acquired a visual dimension. Churches, monasteries, memorable dates, leaders and thinkers that bore distinct national identity were visualized. Medieval plots penetrated art that tapped into heroic deeds of the past for inspiration. The spread of visual images helped bridge the gap between past and present. The newly acquired continuity of tradition strengthened the national narrative. The process enabled the national unity of the Catalan people with the central idea of an imaginary community of a nation-state.

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19

Berger, David. "Nahmanides in Medieval Catalonia: History, Community, and Messianism. Nina Caputo." Speculum 84, no. 3 (January 2009): 678–80. http://dx.doi.org/10.1017/s0038713400209469.

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20

Kagay, Donald J. "Medieval Frontier History in New Catalonia by Lawrence J. McCrank." Catholic Historical Review 85, no. 3 (1999): 448–49. http://dx.doi.org/10.1353/cat.1999.0179.

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21

Banker, James R., and James William Brodman. "Charity and Welfare: Hospitals and the Poor in Medieval Catalonia." American Historical Review 104, no. 4 (October 1999): 1363. http://dx.doi.org/10.2307/2649694.

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22

Kosto, Adam J. "The Limited Impact of the Usatges de Barcelona in Twelfth-Century Catalonia." Traditio 56 (2001): 53–88. http://dx.doi.org/10.1017/s0362152900002415.

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The twelfth-century legal compilation known as the Usatges de Barcelona holds an important place in the history of Catalonia. Recognized as authoritative by kings and parliaments alike from at least the thirteenth century, the Usatges were integrated into the official collection of Catalan law commissioned by the Corts and the new king of Aragón, Fernando de Antequera, in 1412–13. The work of the jurists who carried out this task was eventually fixed in print (in Catalan) in 1495 as the Constitutions y altres drets de Cathalunya, which was reissued in 1588–89 and again in 1704. The Usatges thus formed part of the law of the region for over 500 years, until the suppression of Catalan local law in the Decreto de Nueva Planta of 1716; thereafter, they survived — and still survive — as a focus of Catalan nationalism and regional pride. For medieval historians, the Usatges usefully supplement Catalonia's abundant documentary evidence, evidence unaccompanied before the thirteenth century by significant narrative sources. Individual articles cover such diverse topics as composition payments for injuries, guidelines for judicial proceedings, inheritance rules, military obligation, the status of Jews and Muslims, marriage, rape, treason, and public highways. Drawn from and influenced by a wide variety of sources — including the Visigothic code, Roman law, comital charters, and royal decrees — they provide valuable information about legal traditions and reasoning in Catalonia.

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23

Armentano Oller, Núria, Sílvia Gràcia-Garcia, Júlia Benet Cugat, Ignasi Galtés Vicente, Iñaki Moreno Expósito, and Josep Liria Casafont. "A urinary stone from the early medieval site of Riner, Catalonia." International Journal of Paleopathology 34 (September 2021): 197–200. http://dx.doi.org/10.1016/j.ijpp.2021.07.006.

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24

Vicens, Belen. "Thomas W. Barton. Victory’s Shadow: Conquest and Governance in Medieval Catalonia." American Historical Review 126, no. 2 (June 1, 2021): 849–50. http://dx.doi.org/10.1093/ahr/rhab329.

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25

Madigan, Patrick. "Nahmanides in Medieval Catalonia: History, Community, and Messianism. By Nina Caputo." Heythrop Journal 50, no. 6 (November 2009): 1052. http://dx.doi.org/10.1111/j.1468-2265.2009.00523_54.x.

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26

Ifft Decker, Sarah. "Between two cities: Jewish women and exogamous marriage in medieval Catalonia." Journal of Medieval History 45, no. 4 (June 11, 2019): 481–503. http://dx.doi.org/10.1080/03044181.2019.1626270.

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27

McVaugh, Michael Rogers. "Charity and Welfare: Hospitals and the Poor in Medieval Catalonia (review)." Bulletin of the History of Medicine 73, no. 4 (1999): 693–94. http://dx.doi.org/10.1353/bhm.1999.0179.

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28

Kosto, Adam. "The origins of peasant servitude in medieval Catalonia (review)." Parergon 13, no. 2 (1996): 251–53. http://dx.doi.org/10.1353/pgn.1996.0083.

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29

Péquignot, Stéphane. "Jaume Aurell, Authoring the Past: History, Autobiography and Politics in Medieval Catalonia." Mélanges de la Casa de Velázquez, no. 44-2 (November 15, 2014): 328. http://dx.doi.org/10.4000/mcv.5883.

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30

Soler Sala, Maria. "SABATÉ, Flocel, The Death Penalty in Late-Medieval Catalonia. Evidence and significations." Edad Media. Revista de Historia, no. 23 (July 21, 2022): 483–85. http://dx.doi.org/10.24197/em.23.2022.483-485.

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31

WEBSTER, JILL R. "Paul Freedman, "The Origins of Peasant Servitude in Medieval Catalonia" (Book Review)." Bulletin of Hispanic Studies 70, no. 4 (October 1993): 454. http://dx.doi.org/10.3828/bhs.70.4.454.

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32

Bar-Ilan, Meir. "John S. Lucas, Astrology and Numerology in Medieval and Early Modern Catalonia." Review of Rabbinic Judaism 8, no. 1-2 (2005): 287–300. http://dx.doi.org/10.1163/157007005774513909.

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33

Silleras-Fernandez, N. "JAUME AURELL. Authoring the Past: History, Autobiography, and Politics in Medieval Catalonia." American Historical Review 118, no. 3 (May 31, 2013): 916–17. http://dx.doi.org/10.1093/ahr/118.3.916.

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34

Thomson, Hannah Maryan. "Victory's Shadow: Conquest and Governance in Medieval Catalonia by Thomas W. Barton." Comitatus: A Journal of Medieval and Renaissance Studies 51, no. 1 (2020): 239–41. http://dx.doi.org/10.1353/cjm.2020.0008.

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35

Jarrett, Jonathan. "Ceremony, charters and social memory: property transfer ritual in early medieval Catalonia." Social History 44, no. 3 (July 3, 2019): 275–95. http://dx.doi.org/10.1080/03071022.2019.1618570.

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36

Pujol i Hamelink, Marcel. "Medieval shipbuilding in Catalonia, Spain (13th-15th centuries): one principle, different processes." International Journal of Nautical Archaeology 45, no. 2 (August 29, 2016): 283–95. http://dx.doi.org/10.1111/1095-9270.12181.

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37

Gil Farré, Núria. "The Adoption of Japanese Imagery in Catalan Art Nouveau Stained Glass." Journal of Japonisme 6, no. 2 (August 26, 2021): 95–158. http://dx.doi.org/10.1163/24054992-06020001.

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Abstract In the late nineteenth century, Catalonia witnessed an exponential increase in the use of and predilection for the designs and aesthetic characteristics of Japanese art in the design of stained glass. At the time, oriental forms were received with enthusiasm, which resulted in the development of production of artistic stained glass, inspired by these new models. This article focuses on the different ways in which Japanese-based designs made their way from Japan to the stained glass workshops of Catalonia, where they were transformed into spectacular pieces, some of which are still preserved today. In addition, the article examines how stained glass makers assimilated the aesthetics and compositional concepts of Japanese art and made them their own, adapting them to their needs while creating innovative stained glass that helped them to, paradoxically, converge with the medieval stained glass on which they were based.

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38

Pietschmann, Horst. "Barcelona, Catalonia and the Crown of Aragón in the Bourbon Spanish Empire." European Review 25, no. 1 (October 3, 2016): 60–68. http://dx.doi.org/10.1017/s1062798716000430.

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After an outline of present-day ‘glocalization problems’ of the European Community this article analyses the problem of whether the centralizing policy of the Spanish Bourbon government after the War of Spanish Succession provides historical evidence on the origins of contemporary Catalan nationalism, as often argued, or not. Referring briefly to the medieval and early modern imperial traditions of both the Aragonese kingdoms, especially of Catalonia and its predominant city of Barcelona, and the Castilian kingdoms, the article argues that during the 18th century the Crown made strong efforts to integrate Catalans into the imperial government and trade and spent large quantities of fiscal income in the modernization of Catalonia as a central base of its Mediterranean policy. Therefore, the historical origins of present-day nationalism have to be explained in the context of more recent historical phenomena in the context of the so-called ‘uncompleted Spanish national project’.

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39

Farías Zurita, Víctor. "Un paisatge urbà medieval a final del segle XIII: Castelló d’Empúries i les viles del seu entorn." Mot so razo 19 (September 3, 2021): 41. http://dx.doi.org/10.33115/udg_bib/msr.v19i0.22664.

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Castelló d’Empúries, a small town in Old Catalonia, capital of the county of Empúries, may be considered a regional example of that process we know as medieval small scale urbanization. Its history, from the 12th century on, is that of the build-up of a particular economy which will function as starting-point of those circuits of exchange relationship which are necessary for medieval urbanisation. In functional terms the town of Castelló, connected to the major Mediterranean comercial circuits, has to be considered not only as a local centre but also as a node in a network of linked urban centers. Competition between lords of towns and cities has to be considered as a major element in definining the specific place of every center in a regional network.

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40

Yisraeli, Oded. "Jerusalem in Naḥmanides's Religious Thought: The Evolution of the “Prayer over the Ruins of Jerusalem”". AJS Review 41, № 2 (листопад 2017): 409–53. http://dx.doi.org/10.1017/s0364009417000435.

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R. Moses ben Naḥman (1194–1270), one of the most prominent rabbinic figures of medieval Spanish Jewry, wrote the majority of his works in Catalonia, and composed only a few isolated pieces after his move to ’Ereẓ Yisra'el three years before his death. This article examines one of his latest works—the prayer he delivered in Jerusalem on visiting its ruins in 1267. This lament over the city, which extols its majesty during its glory days, also reflects the place the temple occupied in Naḥmanides's religious thought. This article presents an earlier version of the prayer that was probably written during the heyday of his career in Catalonia. A close analysis of the changes Naḥmanides made to it after his move to ’Ereẓ Yisra'el reveals changes in his perception of the temple, perhaps also shedding light on some of the motives behind his decision to move to ’Ereẓ Yisra'el at the end of his life.

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41

Buse, Juliana, Vanessa Otero, and Maria Melo. "New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks." Heritage 2, no. 2 (June 4, 2019): 1614–29. http://dx.doi.org/10.3390/heritage2020099.

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A systematic investigation of medieval copper green pigments was carried out based on written sources: 21 manuscripts, dating from 50–70 to 1755 AD, were sourced and 77 recipes were selected, translating into 44 experiments. Reconstructions from medieval recipes were prepared and characterized through a multianalytical approach to disclose the original pigment formulation that is often described as verdigris. Based on the results obtained, we propose three main groups of copper green pigments, group 1, in which only Cu(CH3COO)2·H2O is formed; group 2, where this acetate is found together with copper oxalates; group 3, in which atacamite is present as the major green component or as a signature compound. The products formed are in perfect agreement with that predicted by the state-of-the-art research on the mechanisms of atmospheric corrosion of copper. This knowledge, together with our experience on craft recipes to prepare medieval paint materials, allowed us to recover a lost medieval recipe to produce a copper green pigment based mainly on atacamite, a basic copper chloride, which has been recently detected, by Raman and infrared spectroscopy, in artworks ranging from Catalonia and the Crown of Aragon panel painting to Islamic manuscripts.

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42

Bratsch-Prince, Dawn. "“AB LES MANS JUNCTES E GENOLLS EN TERRA”: INTERCESSION AND THE NOTION OF QUEENSHIP IN LATE MEDIEVAL CATALONIA." Catalan Review 20, no. 1 (January 1, 2006): 211–28. http://dx.doi.org/10.3828/catr.20.12.

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Did medieval women who wore the crown share a common notion of queenship or recognize their own membership in a privileged group? Throughout medieval Europe the most salient images of queenship were those of wife, mother, and intercessor, familiar to the general population through Biblical and literary sources. This essay suggests that medieval Mediterranean queens were, in fact, aware of the power and influence that their role as intercessor afforded them. Two texts composed by the Aragonese queen Violant de Bar are used to shed light on a notion of queenship seemingly understood by her contemporaries, both male and female. The proemi or prologue of the queen’s address on judicial reform to the Catalano-Aragonese corts generals of 1388-1389 and a lengthy letter (1421) to queen María of Castile reference the responsibilities of the queen in mediating tensions and hostilities between the king and his rivals. From these documents, one gleans that queenship in early fifteenth-century Mediterranean Europe appears to have been viewed by its practitioners as a divinely-appointed office that entailed grave responsibility, as well as influence, by means of its emphasis on intercession.

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43

Ferrer Godoy, Joan. "El Cançoner trobadoresc de Sant Joan de les Abadesses: estat de la qüestió, història arxivística i context de producció." Mot so razo 18 (February 19, 2021): 55. http://dx.doi.org/10.33115/udg_bib/msr.v18i0.22594.

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Abstract: In 1917, Josep Masdeu, the monastery archivist of Sant Joan de les Abadesses, identified four songs written down in some blank spaces of a paper-based notarial book of the village. In 1935, Higini Anglès, a musicologist of recognized prestige, made them public and since then, they comprise the songbook of Sant Joan de les Abadesses, the unique troubadour catalogue in Catalonia including both the text of the songs and their equivalent musical notation to be performed. From that moment on, the manuscript has been studied in many occasions from a linguistic and musical point of view. The manuscript, currently preserved at the National Library of Catalonia, includes some other text passages of legal topics which we analyse in depth because they delimit the exact chronological period of the song writings. Our study, therefore, has been focused on three main purposes. In the first place, we revise the contributions made so far regarding the description of the document. Next, we build up the archivistic history of the manuscript, from the moment it was discovered until it was deposited in the library mentioned above. Finally, we frame the overall context of the songbook production based on the extraliterary and extramusical texts. Keywords: Troubadour songs, Medieval manuscripts, Medieval songbook, Sant Joan de les Abadesses Archive, Court books, Notarial - History.

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44

Collins, R. "Making Agreements in Medieval Catalonia: Power, Order and the Written Word, 1000-1200." English Historical Review 117, no. 474 (November 1, 2002): 1307–9. http://dx.doi.org/10.1093/ehr/117.474.1307-a.

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45

Bowman, Jeffrey A., and Adam J. Kosto. "Making Agreements in Medieval Catalonia: Power, Order, and the Written Word 1000-1200." American Journal of Legal History 45, no. 2 (April 2001): 230. http://dx.doi.org/10.2307/3185377.

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46

Panyella, Vinyet. "The Biblioteca de Catalunya – National Library of Catalonia." Alexandria: The Journal of National and International Library and Information Issues 5, no. 2 (August 1993): 127–42. http://dx.doi.org/10.1177/095574909300500205.

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Like all national libraries, the Biblioteca de Catalunya is being affected by change. Founded in 1907, it had a difficult time from the mid-1930s until constitutional government was restored, but received full recognition of its status and role as the national library of Catalonia in 1981; this was reinforced in 1993. It receives Catalan material on legal deposit, is responsible for the Catalan national bibliography and union catalogue, and acquires additional material by purchase, donation and exchange. Its collections, mainly of printed books and music, manuscripts and prints, number over 2 million items and include many rare and valuable documents. It also has an accepted leadership role among Catalan libraries. The changes afoot are mainly in the automation of acquisitions and cataloguing, where the library was a late starter but where much progress has already been made; in the progressive introduction of managerial methods into all procedures; and most conspicuously in a radical rebuilding programme which reflects the revised functions and redesigned procedures. The present medieval building is being reorganized internally to provide better reading and working areas, and previous additions to it are being removed and replaced with larger purpose-built storage areas. Some of the work is now completed, without any disruption to the library's operations, but the whole programme is not due to finish until 1996.

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King, David A. "European Astrolabes to ca. 1500: An Ordered List." Medieval Encounters 23, no. 1-5 (September 22, 2017): 355–64. http://dx.doi.org/10.1163/15700674-12342251.

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Abstract Research on medieval European astrolabes has hitherto been somewhat haphazard. Most pieces are unsigned and undated, many difficult to assign to a specific region. Some early ones cannot be understood without reference to the Islamic tradition from which they derive. What are perhaps the most important pieces from a historical point of view—the earliest-known astrolabe, from 10th-century Catalonia, and the astrolabe made by the leading astronomer of 15th-century Europe, Regiomontanus,—were declared fakes or suspicious before they could be studied seriously. A detailed study of groups of related instruments, for example, those with Hebrew inscriptions, is a most welcome contribution. A survey of the clearly-identifiable astrolabes made in medieval England (or France or Italy) has never been undertaken; maybe this list might encourage somebody willing to learn the language of instruments to undertake such a task.

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JARRETT, JONATHAN. "NUNS, SIGNATURES, AND LITERACY IN LATE-CAROLINGIAN CATALONIA." Traditio 74 (2019): 125–52. http://dx.doi.org/10.1017/tdo.2019.7.

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It is somewhat rare to be able to analyze the membership of an early medieval women's religious community in any detail. Sant Joan de Ripoll, which operated from the late ninth century until 1017 at modern-day Sant Joan de les Abadesses in Catalonia, provides not just this opportunity but the even rarer chance to evaluate the nuns’ command of writing, by means of a single original charter of 949 that several of them signed autograph. This article argues that the signatures of these nuns indicate that they had in fact been taught to write before joining the nunnery. They are thus a source for female lay, rather than religious, literacy in this time and area. Consolidating this, the article provides a prosopography of the known nuns derived from the other charters of the nunnery's part-surviving archive, including tracing some of their careers beyond the 1017 dissolution of the house. This shows that the members of the comital family who had founded the house and provided several of its abbesses were not otherwise frequent among the nuns; rather, the nunnery recruited from the local notables in its neighborhoods, to whose interest in female literacy these signatures therefore testify. Such support could not prevent the closure of the house, however, and the article closes with a reflection on the agency available to the nuns in a political sphere dominated by male, secular interests.

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Vilanova, Francesc. "Ramon d’Abadal i de Vinyals: construir una historiografía conservadora catalana en el siglo XX/ Ramon d’Abadal i de Vinyals: Constructing a Catalan Conservative Historiography in the Twentieth Century." Historiografías, no. 4 (January 7, 2018): 62. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201242481.

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Ramon d’Abadal i de Vinyals was a singular historian in the Catalan 20th century. With solid legal and institutional training, he was a big rural owner that developed his essential works on the national origins of Catalonia and its relationship with Spain, outside the academic realm. Figure of strong conservative Catalanist convictions, he revolutionized the knowledge and methodology of the Catalan medieval historiography and raised it to the first levels in European historiography.Key wordsJaume Vicens Vives, Carolingian Catalonia, minorities leaders, Spain, Américo Castro, Catalanism.ResumenRamon d’Abadal i de Vinyals fue un historiador singular en el siglo XX catalán. De sólida formación jurídico-institucional, gran propietario rural, desarrolló sus trabajos fundamentales acerca de los orígenes nacionales de Cataluña y la relación de ésta con España, al margen de las instancias académicas. Personaje de sólidas convicciones conservadoras y un catalanismo insobornable, revolucionó el conocimiento y la metodología de la historiografía medievalística catalana y la situó en los primeros niveles de la historiografía europea.Palabras claveJaume Vicens Vives, Cataluña carolingia, Minorías dirigentes, España, Américo Castro, catalanismo

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Grinina, Elena, and Galina Romanova. "Italy and Provence: Cultural Connections in the Middle Ages." Stephanos Peer reviewed multilanguage scientific journal 45, no. 1 (January 31, 2021): 36–46. http://dx.doi.org/10.24249/2309-9917-2021-45-1-36-46.

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The Provencal language and lyrics of troubadours had the highest authority in the Middle Ages, having influenced the development of poetic art, in particular, and the development of philological thought, in general, in adjacent territories. Undoubtedly, there were the closest ties of medieval Provence with Catalonia. However, Italy was also involved in the orbit of the cultural life of Provence. The purpose of the article is to show how Italy and Provence were connected in the 13th century and to what extent Italy contributed to the development and preservation of the grammar of the Provencal literary language of that era.

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