Дисертації з теми "Mediation in architecture"
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SILVA, MARCOS CESAR DA. "A SOFTWARE ARCHITECTURE FOR FLEXIBLE WEB SERVICE MEDIATION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2008. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=12314@1.
Повний текст джерелаThe Service Oriented Architecture (SOA) adoption has been enabling the raise of business networks in which each partner gets automatically the information needed to achieve maximum efficiency. When there is more than one partner providing the same service on a business network, comes the challenge of determining which one is best suited to receive a given request. This dissertation presents a software architecture and a prototype implementation that allows the definition of complex criteria to service mediation, based on both technical (availability, response time) and functional data (price, reputation, geographical location, etc.). Our goal is to explore the practical aspects of this mediation, the technologies used and the solution flexibility.
Patterson, Caleb L. "Pastoral Machines: Architecture and the Mediation of Nature." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277141931.
Повний текст джерелаSUNDERHAUS, NATHAN ALLEN. "URBAN MEDIATION: NEW MEDIA ART AND THE CITY." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148071505.
Повний текст джерелаMargalith, Dana. "Louis I. Kahn - Architectural history as mediation." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121259.
Повний текст джерелаDans Louis I. Kahn – L'histoire de l'architecture comme médiation, on explore le travail de l'un des architectes le plus actifs du 20e siècle. Il a été reconnu par les intellectuels pour son rôle d'architecte et de penseur moderne, ainsi que pour ses recherches en histoire et ses références aux œuvres historiques importantes. En étudiant Kahn et son éducation, sa formation en architecture, ses écrits, lectures, voyages, contacts personnels, le contexte dans lequel il travaillait, en plus d'examiner ses dessins personnels et deux de ses projets de design, on comprend son approche de l'architecture sous plusieurs angles. En décrivant le contexte dans lequel Kahn a été éduqué et dans lequel il a pratiqué son métier, la thèse traite d'importants aspects de la pensée et pratique architecturale auxquels Kahn a été exposé, dévoilant ainsi les motivations derrière sa quête philosophique unique. En examinant les dessins de Kahn, la manière dont il incarne les sites historiques qu'il a vus durant ses voyages devient apparent. À travers l'étude du matériel d'archives, la trace des références architecturales que Kahn a étudiées devient visible. Ainsi, dans ses dessins et la conception architecturale pour le Dominican Motherhouse de St. Catherine de Ricci, Media, Pennsylvanie (1965-1969, jamais construit) et le Hurva Synagogue dans la vieille ville de Jérusalem (1967-1974, jamais construit), les références poétiques aux œuvres historiques que sont ses projets sont clairement illustrées, tout en soulignant des concepts herméneutiques et phénoménologiques en relation avec la perception, la mémoire et la compréhension du passé. Par conséquent, à travers Kahn, cette thèse examinera le débat contextuel concernant l'usage de références historiques dans l'architecture moderne du 18ième siècle jusqu'au postmodernisme, et abordera l'importance de la continuité des références dans l'âge de fragmentation. Louis I. Kahn – L'histoire de l'architecture comme moyen de médiation dévoilera le complexe potentiel dans l'étude de la tradition et l'histoire de l'architecture moderne. Elle éclairera les efforts acceptables dans la pensée et la pratique de l'architecture qui intègrent des références historiques et promeuvent l'authenticité et le progrès – deux éléments fondamentaux de l'expression architecturale poétique et innovatrice.
Sauer, Jordan R. "Architectural Mediation: Man and the Lick Run Elements." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617109515909797.
Повний текст джерелаBoone, Véronique. "Le Corbusier et le cinéma : la communication d'une oeuvre." Thesis, Lille 3, 2017. http://www.theses.fr/2017LIL30011.
Повний текст джерелаThe present study focuses on the cinematographic and television production of and on Le Corbusier, realized during his lifetime. Long ignored – as opposed to photography and publishing – as an instrument of communication for architecture and urban planning, this filmic work remains little known and recognized. The thesis consists of two parts: a catalogue volume of the filmic work, forming the corpus of the study, and a reflective volume, which questions various aspects of creation and diffusion of this production.The first challenge of the thesis was to study the mass of archives relating to the various film projects in order to fill the gap of this aspect of Le Corbusier's production and to fully include it in his artistic production. The catalogue is the result of a transdisciplinary research, which required an investigation into three research domains: architecture, cinema and television, taking into account the specificities of each discipline. Each project or production of a documentary is described from the initial intention to its public reception until its valorisation today, including technical data and contemporary references to films. This volume makes it possible to measure the importance of the quantity of cinematographic and televised documents that Le Corbusier undertook during his life or for which he was solicited. No other architect has been so frequently involved in documentary projects.The second – reflective – part of the research analyses the modalities of communication and representation of Le Corbusier’s architecture and urbanism through cinema and television. By crossing transdisciplinary theories – reception, diffusion, socio-economic, semiotic and rhetorical – with Le Corbusier's cinematographic and televised work, three hypotheses result: transmission, transposition and transcription.The study begins by questioning the mechanisms of transmission. By this is understood any mechanism of mediation of Le Corbusier through the documentaries - and by extension the television interviews. Crossing the results of the corpus with the theories of reception, diffusion and marketing, builds insights into the effectiveness or inefficiency of certain documentaries as tools for communication and even promotion.In a second stage, the knowledge about Le Corbusier's creation process, both in terms of architectural representation and in terms of the construction of discourse in cinematographic documentaries, is deepened. The principle of transposition begins with the observation that cinematographic documents maintain close links with their photographic contemporaries. The research uses established semiotic theories to analyse how Le Corbusier composes with the imaginary and techniques of photography to design his film projects.The third principle, transcription, focuses on Le Corbusier's cinematographic argument. Here the analysis starts from the observation that Le Corbusier's writings on cinema and the thoughts he emanated do not stick with the cinematographic reality and the necessities of a cinema of communication. His rhetoric in the cinema is analysed by taking the techniques described by the main theorists of rhetoric and compared to the examples from conferences and publications
Barker, Brian. "Ecological Mediation: Dialectics of Inside and Outside." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275667998.
Повний текст джерелаLÓSCIO, Bernadette Farias. "Managing the Evolution of XML-based Mediation Queries." Universidade Federal de Pernambuco, 2003. https://repositorio.ufpe.br/handle/123456789/1838.
Повний текст джерелаDiversos sistemas de integração de dados têm sido propostos na literatura com o objetivo de prover acesso integrado a diferentes fontes de dados, que podem ser autônomas e heterogêneas. O problema de integração de dados consiste em oferecer uma visão uniforme das fontes de dados (chamada esquema de mediação ou esquema global) e definir um conjunto de consultas (chamadas consultas de mediação) as quais determinam como obter cada elemento do esquema de mediação em função dos dados armazenados nas fontes locais. Sistemas de integração de dados podem ser classificados de acordo com a abordagem adotada para definição dos mapeamentos entre as fontes de dados e o esquema de mediação. Duas abordagens principais são apresentadas na literatura: Visão Global e Visão Local. Na abordagem Visão Global cada elemento do esquema de mediação é representado como uma visão sobre as fontes de dados. Na abordagem Visão Local cada elemento em uma dada fonte de dados é definido como uma visão sobre o esquema de mediação. Uma das contribuições deste trabalho é a proposta de um sistema de integração de dados que adota a abordagem Visão Global. Um importante diferencial deste sistema é que além de prover acesso integrado a dados distribuídos e heterogêneos, o sistema também oferece soluções para os problemas relacionados à geração e à manutenção das consultas de mediação. Além disso, o sistema proposto usa XML como modelo de dados comum para troca e representação de dados. Para representar os esquemas das fontes de dados locais é adotada a linguagem XML Schema, proposta pelo W3C como linguagem padrão para definição de esquemas para classes de documentos XML. Para prover uma representação de mais alto nível para as informações descritas nos esquemas XML é proposto um modelo conceitual, chamado X-Entity. Além do modelo conceitual, também é apresentado o processo de conversão de um esquema XML (definido na linguagem XML Schema) para um esquema definido no modelo X-Entity. O principal problema com o uso da abordagem Visão Global diz respeito à manutenção das consultas de mediação em conseqüência das atualizações nos esquemas das fontes de dados locais. Em ambientes dinâmicos, as consultas de mediação devem ser flexíveis a fim de permitir modificações nos esquemas locais, adição e remoção de fontes de dados e alterações nos requisitos de usuários. Para gerenciar a evolução do nível de mediação (esquema e consultas de mediação) foram desenvolvidos: i) um conjunto de operações que descrevem os diferentes tipos de evolução nas fontes locais e nos requisitos dos usuários, ii) um conjunto de primitivas de propagação que descrevem as modificações a serem realizadas no esquema e nas consultas de mediação e iii) um conjunto de regras de propagação. Este trabalho também propõe um processo de propagação que define como difundir os diferentes tipos de atualizações. Este trabalho propõe uma abordagem incremental para o desenvolvimento do nível de mediação baseado na evolução dos esquemas das fontes locais e evolução dos requisitos dos usuários. Mais precisamente, a adição de uma nova fonte de dados ao sistema não implica que as consultas de mediação sejam completamente refeitas. Ao invés disso, é possível adicionar a nova fonte de dados às consultas existentes. Quando uma fonte de dados é removida, as consultas de mediação afetadas por esta remoção devem ser reescritas ou removidas. Da mesma forma, mudanças nos requisitos dos usuários também podem ser refletidas no nível de mediação. Esta solução permite a evolução incremental do nível de mediação aumentando tanto a flexibilidade quanto a escalabilidade do sistema de integração proposto
Tanzarella, Beatrice. "Architecture & the commute : a railway station in Mamelodi." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/31459.
Повний текст джерелаDissertation MArch(Prof)--University of Pretoria, 2012.
Architecture
MArch(Prof)
Unrestricted
Bello, Bradford August. "How Architecture can influence private contemplation and public negotiation." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/31617.
Повний текст джерелаMaster of Architecture
Koutsoulias, Michael. "Suburban Rites of Passage: Building, Landscape, and the Mediation of Adolescent Aggression." Thesis, University of Waterloo, 2005. http://hdl.handle.net/10012/889.
Повний текст джерелаReiner-Roth, Shane. "Tropical Islands; or, how the architectural interior became the primary site of aesthetic mediation." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118573.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references.
For three days and two nights, I was a guest at the Tropical Islands Resort, the world's largest indoor water park. While inside, I ate the special at every one of its restaurants, drank every signature cocktail advertised, explored its perimeter in a hot-air balloon, went on all the water slides (twice), lounged in front of and within every water feature, slept in a canvas tent the first night and a junior suite the second. During my stay, the Houston metropolitan area was suffering the worst of Hurricane Harvey, the first tropical cyclone of the abnormally active 2017 Atlantic hurricane season. The floods led to the widespread loss of electricity, the death of over 106 residents, and the incurment of over $125 billion in damage. During its peak, Hurricane Harvey was the top story of several American news outlets. But I had only learned about Hurricane Harvey after leaving the Tropical Islands Resort, stopped at a red light and scrolling through my news feed for the first time in days. For three days and two nights, I was in a bubble. This thesis considers The Tropical Islands Resort as a site of aesthetic mediation, equally as mediating as any other form of popular media. The parallel histories of its precedents including greenhouses, world's fairs, theme parks, bunkers and experiments in social ecology reveal a crucial link between architectural interiority and the public response to some of the greatest challenges facing contemporary society. The Tropical Islands Resort is a testament to human ingenuity and denial thousands of years in the making, and it is absolutely a sign of things to come.
by Shane Reiner-Roth.
S.M.
Walker, Madelyn Grace. "Architectural Mediation: A Community Anxiety Center in Alexandria, VA." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/90291.
Повний текст джерелаMaster of Architecture
Schonhardt, Donald A. "Mediating Between Icon and Experience." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179324459.
Повний текст джерелаPheobus, Evan D. "Systems of Conflict: Translation as a means of exploring mediation." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1277135408.
Повний текст джерелаChamoun, Chaton Smedra. "Set in Stone: Power Mediation through French Colonial Architecture in Lebanon’s Majlis an-Nuwwab." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22903.
Повний текст джерелаSitu, Qihua Gina. "TaMeX, a task-structure based mediation architecture for integration of Web applications using XML." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60498.pdf.
Повний текст джерелаLu, Fangqing. "Medium, mediation and meaning : museum architecture as spatial storytelling : a case study of the Ionic frieze in two Parthenon galleries." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12757/.
Повний текст джерелаDigman, Edward. ""The Seat of an Alien Tyranny": Intentionality, the Mediation of Colonial Power, and Dublin's Custom House." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23949.
Повний текст джерелаGarcia, Pedro Miguel Alexandre. "A mediatização do vinho." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/18316.
Повний текст джерелаNos dias que correm, o vinho adquiriu um estatuto de bebida prestigiada, à qual se associa uma cultura própria, assente em técnicas e tradições milenares, sendo que as novas adegas que têm vindo a ser construídas por todo o mundo desempenham um importante papel na mediatização deste produto. Em A ‘Mediatização do Vinho’, pretende-se aliar o universo vitivinícola à esfera do património arquitectónico, muito dele esquecido e à mercê do tempo, sem uma função que o sustente. No presente estudo procura-se articular a temática do Vinho com a Fortaleza de Mourão, localizada na Vila e Concelho de Mourão, Alentejo, de forma a revitalizar a Vila e o seu Castelo. Percorrendo a história do património e do vinho, desde as suas remotas origens, até à contemporaneidade, unindo estes conceitos e percebendo como se podem, à luz deste estudo, completar mutuamente, estabelece-se desta forma um suporte teórico que fornece a base necessária à elaboração de um projecto arquitectónico que devolva ao património em questão um uso que o revitalize. Propõe-se assim um projecto de arquitectura de um conjunto cultural constituído por Adega e Museu, analisando de que forma uma arquitectura pode mediatizar determinado produto e (ou) região, através da viticultura e da musealização, de forma a vincular o Património e o Vinho, contribuindo para que este não seja esquecido e reduzido a ruína.
ABSTRACT: On these days, wine has acquired a prestigious drink statuos, which is associated with its own culture, based on millennial techniques and traditions, where the new architectural wineries that have been built throughout the world play an important role in the mediation of this product. In The Mediatiion of Wine, the aim is to combine the wine with the architectural heritage, much forgotten and at the mercy of time, without a function that can sustain it. In the present study, we intend to articulate the Wine theme with the fortress of Mourão, located in the village and county of Mourão, in Alentejo, in order to revitalize the village and its Castle. Going through the history of wine and architectural heritage, from its remote origins to contemporaneity, uniting these concepts and realizing how, at the light of this study, they can complement one another, a theoretical basis is established which provides the necessary support for the design of an architectural project which gives back to the patrimony a use that revitalizes it. Therefore, it is proposed an architectural project of a cultural equipment, constituted by a Winery and a Museum, analyzing how an Architecture object can mediate and advertise a given product and (or) region, through viticulture and musealisation, to link Wine with Heritage, in order that this arquitectural patrimony may not be forgotten and reduced to ruin.
N/A
IYER, SHARANYA. "HYBRID SPACE FOR ENGAGING WITH THE LIVING PAST: COMMUNITY CENTER FOR TOURISTS AND LOCALS AT HYDERABAD INDIA." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1193884424.
Повний текст джерелаBué, Pascal. "Architecture et réalité augmentée. Une manière d’écrire l’espace : la pensée visuelle instrumentée." Thesis, Sorbonne université, 2021. http://www.theses.fr/2021SORUL001.
Повний текст джерелаThis thesis questions and compares two augmented reality devices, one, UrbaSee, intended for the mediation of urban space during a Concerted Development Zone project, the other, HistoPad, intended for the mediation of urban space. the reconstruction of a historic space. An empirical research jointly combines devices analyzes and ethnographic inquiry through four parts comprised of three chapters each. The first part, establishing our epistemological posture, our methodology of investigation and the definition of fields and cases under study, considers the connection between a semiotics of writing and the anthropology of figuration. The second part questions devices as a poietic technology of seeing. A technosemiotic analysis and a phenomenotechnical approach situate the image of augmented reality between an art image and a scientific image, in which we observe a disproportionate editorial utterance. The third part considers the devices as performative technologies of the imagination, oscillating between a stimulated imagination and a fantasized technology that we analyze through the prism of media variation. Our fourth part shows that these writing strategies mask a process of ownership. The analysis of the belief regimes that these devices give rise to, the creative mediations and the knowledge-power relations between partners and creators of augmented reality devices, reveals the symbolic and economic takeover of the software industry over the projects of others. What our thesis reflects is perhaps the start of a change in the technical, economic and symbolic environment of the practices of the trades in urban and museum spaces
Darrieus, Margaux. "Architecture et communication : construire les valeurs, des auteurs et de leurs œuvres, au XXIe siècle." Thesis, Paris Est, 2019. http://www.theses.fr/2019PESC1007.
Повний текст джерелаWhat makes one project more appealing than another ? What accounts for the fact that this building, rather than the one next door, appears in the pages of specialized architecture journals ? And why is its architect better known than another ? If the key to success resides in the value of the person who is the object of such esteem, identifying the features that make an architectural work and its architect stand out from the mass of projects delivered daily in France would allow us to understand the reasons for their reputation. The aim of this research – the result of a long-term participant objectivation experience in a specialized journal – is to examine the making of values in the field of architecture in the 21st century.In our globalized and dematerialized postmodern society, competition between architects is fierce and the following reality has become increasingly crucial : to build you have to win over and to win over you have to have built. Architects are perfectly aware that their architecture serves as a medium of communication. Conscious of the message transmission potential of their accomplishments, they mobilize them in the service of building their own brand image. Likewise they devote the time of their conception, the mediation that brings them about, to building the images, representations, and discourses that will serve their own recognition as authors. What emerges then, in response to the demands of our society and its “hegemonic culture of real time*”, is iconic architecture, at once artwork and object of adoration. In this race for signature architecture, the work is mobilized to forge the figure of designer as author.This research is based on the assumption that what legitimates a work (from conception to commissioning) and its author are the images it elicits and the representations and discourses that it stimulates, provided one knows how to transmit them. We therefore propose to draw up a detailed description of the game rules that influence the design of architectural projects today. Expanding on sociological studies conducted in the field of architecture, in particular with regard to strategies of access to commissions and modes of co-designing space, we will describe the ideal model of the young contemporary architect, based on a study of the careers and intellectual and built output of award-winning architects, notably the winners of AJAP/Albums des Jeunes Architectes et Paysagistes. We will also look at the practices of those who accompany these young professionals in building their reputation – architecture journal editors but also communication specialists who facilitate access to commissions and who have not been the subject of much study because their role in the world of architecture is relatively new and their influence, though incontestable, has not been very visible. The goal here is to sketch their portrait and objectify their behavior.* BAUDRILLARD Jean, NOUVEL Jean, Les objets singuliers, Paris : Arléa, 2013 [1e éd. 2000], p.105
Bak, Eléonore. "Habiter l'in-vu : formes de visualisations sonores." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAH014/document.
Повний текст джерелаSoundscape noticed to discretion. Hearing is a solitary experience whose potential refinement remains difficult to surround by language because its visual contamination.There exist yet kinds of sound visualisations in art, which would paradoxically permit us to approach very close nuances of hearing and to wander to un-viewed aspects of landscape. Forgotten, unconscious, but not mute at all, they are a part in our living and constructing activities. The constructive experimentation, which means the action of hearing reinforced by a specific modus operandi, a kind of falling, called « the plunge » and the quasi blind representing, could help us to discover them again. This technique, gradually real, virtual would complete the experience by finely postural adjustments.The sound visualisation operates here first as a tool for mediation. Wilful juggling with multi-sensory generated meaning it permits us not only to distinguish both which is given to see (figure) and to live (fond, substance), but also to discover the action of a body which is not representing it-self but tracing in the aim of better inscription into the movement. By virtue of high receptivity and creativity this body would be able to assimilate a playing aura which means the main present, conscious and unconscious, always topical because of the convolution of bodily gestures (listening poses, plastic expressions) and ambient gestures (the yet there, not automatically conscious: the acoustic, climatic, cultural and semantic effects). The moving together of bodies and body like beings would momentarily become denser and shaping knots. The discreet nevertheless concrete organisation of these synthetic figures of transitions, of this aesthetic, sensory and intensive summary, which we call even listening patterns, in the sense of motif, is typical. Our exploration and reproduction modes would help us to learn to interpret them.From then, we would not only understand us as beings among other tempered creatures, but also discover a landscape simultaneously guide and consequence, whose elastic, porous and intimate proceedings and values of living/constructing would make us able to carry out a fade of landscape appearance.We will study all these experiences through our principal corpus (artistic one). We will argue them by mixed evaluations (artistic, architectural ones). We will verify our exploration and restitution modes by cognitive exams. We will think about them by phenomenological and philosophical reasoning.After this we wont become interested by artificial environments. We think in fact that they intervene in the texture of our experience. As they institute normed gestures, which assist more and more frequently our contemporary living/constructing acts they need to be gauged. Leaning on our secondary corpus, which is composed by investigations with other perceiving subjects, we will analyse the consequences of this kind of technological imprisonment of the gestures and precisely the how they interfere with our perceptions and representations. We will also examine gestural and sensory enriched interfaces. The sound visualisation would help us to make etiquettes, shifts and handicaps clear, to think about incorporation of our measurements into the existing tools and models.Our exploration and restitution modes would make us more attentive for sensible aspects of listening, which would become a common divisible. Linguistic instruments of the un-viewen whose sophisticate spontaneous would help us to set to the place of our next neighbour they would permit us to create connexions, to divide up and to cross our ideas, to mature our mutual knowledge and to conceive collaborative constructions
Georgescu, Paquin Alexandra. "L'actualisation du patrimoine par la médiation de l'architecture contemporaine." Thèse, Avignon, 2013. http://www.archipel.uqam.ca/5986/1/D2484.pdf.
Повний текст джерелаClaghorn, Joseph [Verfasser]. "Algorithmic landscapes : computational methods for the mediation of form, information, and performance in landscape architecture : Algorithmische Landschaften : Rechenmethoden zur Vermittlung zwischen Form, Information und Performance in der Landschaftsarchitektur / Joseph Claghorn." Hannover : Gottfried Wilhelm Leibniz Universität Hannover, 2018. http://d-nb.info/1172414467/34.
Повний текст джерелаSi, Amer Aziza Nesrine. "Architecture des ksour de la Vallée de Mzab : Essai d'histoire, de sémiotique et de médiation." Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2006.
Повний текст джерелаThis work focuses on medieval history, architecture and heritage of the Mzab Valley, its semiotics and its cultural mediations. It is an attempt to analyze, understand and interpret the Mzab valley, aiming at its restitution and its cultural valorization. Considering, this through, the movement of religious and social reforms experienced by this Algerian minority. The purpose of this work is to understand how, through this historiographic reform, the Mozabite Berber-speaking and denominational minority found the answers to the changes triggered by its progressive integration with the Algerian nation, society and space
Edwards, Lindsay Keyes. "Architecture as Mediator." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32701.
Повний текст джерелаMaster of Architecture
Bickel, Nichole. "Architecture as mediator." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.
Повний текст джерелаWang, Kenneth W. S. "Interface adaptation for conversational services." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/18465/1/Kenneth_Wang_Thesis.pdf.
Повний текст джерелаWang, Kenneth W. S. "Interface adaptation for conversational services." Queensland University of Technology, 2008. http://eprints.qut.edu.au/18465/.
Повний текст джерелаAzami, Ikram El. "Ingéniérie des Systèmes d'Information Coopératifs, Application aux Systèmes d'Information Hospitaliers." Thesis, Valenciennes, 2012. http://www.theses.fr/2012VALE0013.
Повний текст джерелаIn this thesis, we deal with hospital information systems (HIS), we analyze their design issues, interoperability and communication, with the aim of contributing to the design of a canonical, cooperative, and communicative HIS, and model the exchanges between its components and also with other systems involved in the management of patient in a healthcare network.We propose a structure and a conceptual model of a canonical HIS based on three main concepts involved in the production of healthcare data, namely, the pathological case, the Production Post of Healthcare Data (PPHD) and medical activity itself. The latter, being modeled as a tree, will allow better structuring of the care process.However, in view of ensuring continuity of care, we provide an XML-based model for exchanging medical data. This model consists of a set of relevant data organized around five categories: patient data, data on patient history, data of medical activity, data of medical prescriptions and medical records data (images, reporting ...).Finally, we describe a solution for integrating hospital information systems. The solution is inspired by the engineering of cooperatives information systems and consists of mediation-based architecture, structured into three levels: the level of information systems, the level of mediation, and the user level. The architecture offers a modular organization of hospital information systems and helps to insure data, function and workflow integration
Sans, Virginie. "Maintenance de vues XML matérialisées à partir de sources web non coopérantes." Cergy-Pontoise, 2008. http://biblioweb.u-cergy.fr/theses/08CERG0383.pdf.
Повний текст джерелаProviding services by integrating information available in heterogeneous data sources is one of the targets of a mediation architecture. In the Web context, sources may be non cooperative and be sometimes not available. Then, views are materialized in order to allow data access. When an update occurs on underlying data sources, the view must be maintained. Accordingly, we propose an approach for maintaining XML views in this context. The first step of our approach consists in detecting and identifying source updates, and the second step consists in the maintenance process itself. Our work is based upon an extension of the XAlgebra which annotates data with identifiers and upon a process of partial recovery of underlying sources
Tarel, Tracie. "The In-between: Architectural Mediation Between Commerce and Residence." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/35183.
Повний текст джерелаMaster of Architecture
Picotte, Nathan. "Containers of Memory: Mediating the Past Through Architecture." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275667811.
Повний текст джерелаGericke, Ludwig. "Mindful mediations at Three Anchor Bay." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/13096.
Повний текст джерелаThis project is a synthesis of, on the one hand, the interventionist architect curiously and deliberately plotting form and visualising construction and, on the other hand, the human being often wilfully retreated and joyfully observing the uninterrupted and the conflicting. It is this dialectic - rather than immovable theoretical principles - that has informed not only my process, but also my design. In this sense this project represents what I believe to be the most important feature of my architectural education: the inexplicable joy in the constant re-evaluation of the imprecise nexus between the deliberately mediated and the uninterrupted. This impulse is also what (perhaps unknowingly at the time) attracted me to Three Anchor Bay - a site of untameable swells, impenetrable rhythms, ebb and flow. It is a site that necessitates decisiveness in a counterintuitive form; boundaries. Any frontier, however versatile and accommodating, requires commitment (few are capable of confidently kayaking beyond an otherwise parameter-defining promenade). Drawing a line is not only the problem of the architect, but the human being. Although this paper is largely a personal essay instead of a coherent treatise (I reserve the right to remain sceptical of every decision), it is important to make a few general observations. The first is supremely personal: I am decidedly fallible. Although harsh introspection is generally more valuable and courageous than the resolute defence of personal conviction, I often found myself passionately defending lines I have drawn (especially ones that I have spent a lot of time re- drawing and erasing). Redrawing can be a counterintuitive struggle and it has often been difficult to regard it as a necessary and unpredictable process rather than as emblematic of some sort of failure. Although common sense urges us to "learn from our mistakes", it is never quite that simple. This project has, in short, caused me to constantly mediate between conviction and perpetual self-criticism. Secondly, these ideas are by no means new and have been repeated (and often ignored) in various contexts. Karl Popper, for instance, believed that "any idea of Utopia is necessarily closed owing to the fact that it chokes on its own refutations. The simple notion of a good model for society that cannot be left open for falsification is totalitarian” (Taleb, 2004, p.128-129). The same is true of architecture - particularly those projects that are resolutely planted in a pre-determined style, ideology or “balance”.
Hattingh, Johannes Joost. "Cut\fill : architecture as mitigating mediator in dissonance." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/60180.
Повний текст джерелаOnlangse sosiale en politiese bewegings, wat begin het met #RhodesMustFall, en die opvolgende verskeie #MustFall veldtogte, het onderliggende gevoelens na tevore gebring. Dit was geglo dat hierdie onderliggende sentimente suksesvol gedek is met die veelkleurige verf van die re?nboognasie en tog bly ou spanning opvlam. Die spanning strek van historiese bevoorregting en onterfenis van die huidige diskoers tot rassediskriminasie en die gevoel van bedreiging van identiteite. Dit is duidelik dat versoening en die nasiebouproses wat in 1994 begin is, v?r van klaar is, en dus hersiening op ons erfenisbenaderinge vereis. Die middel vir hierdie studie is die Pretoria Landroshof wat gebou is en 1941 en sleg beskadig is deur 'n brand in 2010. Die ondersoek van hierdie verhandeling fokus op die inherente dissonante in die erfenis van die hof, wat eerstens ge?dentifiseer is in die klassieke aard van die gebou, maar ook in die skepping en werking van regsruimtes. Hierdie erfeniselemente word ge?dentifiseer en benader volgens die Dissonante Erfenis beginsels (Tunbridge & Ashworth 1997). Verder ondersoek hierdie studie die huidige erfenisbenaderingsstrategie? en hoe daardie benaderinge herdefinieer kan word. Dit word nie net gedoen om dissonansie in erfenis te versag nie, maar ook om eietydse betekenis by te voeg. Laastens pas hierdie studie erfenis en aanpassende hergebruik beginsels, wat ge?dentifiseer en geformuleer is, toe om boumateriaal van die bestaande gebou te verwyder, ruimtes te herdefinieer en nuwe ruimtes by te voeg. Dit word gedoen met die doel om die bestaande funksie van die siviele landdroshof weer te vestig. Met hierdie benadering word dissonante erfeniselemente ontgin of versag, terwyl nuwe eietydse waardes en betekenis bygevoeg word. Sodoende word nuwe waardes vir toekomstige generasies geskep.
Mini Dissertation (MArch (Prof))--University of Pretoria, 2016.
Architecture
MArch (Prof)
Unrestricted
Laberge, Marie Elizabeth. "Médiation de l'architecture par l'exposition et sa réception par des visiteurs experts et non experts." Phd thesis, Université d'Avignon, 2012. http://tel.archives-ouvertes.fr/tel-00879654.
Повний текст джерелаPRABHAKAR, SUSHMITA. "Mediating contested spaces in tourist towns." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1203491454.
Повний текст джерелаKrupitzer, Craig. "Body mind spirit mediating the (meta)physical tradition /." This title; PDF viewer required. Home page for entire collection, 2004. http://archives.udmercy.edu:8080/dspace/handle/10429/9.
Повний текст джерелаMurphy, Evan. "Characterising signalling components mediating root architecture in Arabidopsis thaliana." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/31976/.
Повний текст джерелаDEVILUARD, VALERIE. "Architecture et communication : les mediations architecturales dans les annees quatre-vingts." Paris 2, 1999. http://www.theses.fr/1999PA020020.
Повний текст джерелаValerie devillard's doctorate brings forward the numerous evolutions that occurred in the field of architecture during the eighties. Since the doctorate deals with the policy led by francois mitterrand as far as the grands travaux are concerned (great architectural projects that were built during his mandate), the research has been led according to the theory of mediatization. The long chain of material, human and institutional go-betweens throughout the architectural output is being brought to light. In part i of the doctorate, the policy of the grand travaux is being described. Valerie devillard shows how architecture has become the subject of speeches, actions, and political rituals, relayed by the press and resulting in numerous debates and polemics. The doctorate the moves on to another essential issue, i. E. The increasing vision of the architectural output as cultural heritage. The monumental aspect, the + worship ; newly devoted to buildings, the historical value now attached to them, refer to an intellectual process that started back in the nineteenth century. More recently, a real patrimonial policy arose. Architecture is now linked with a whole lot of memorial practices. The recreation of historical centres in the towns reflects this strategy of communication. Part ii shows the link between the public (state) commission and the ways of legitimization through means of distribution and consecration, especially the professionnal media. This part deals simultaneously with the political issue, the strategies of communication and the way things work out in the architectural milieu
Chasme, Ghislain. "L'architecture de l'information, un paradigme pour les dispositifs de formation à distance : le cas du dispositif M@gistère." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR090.
Повний текст джерелаThis PhD Thesis is part of the field of Information and Communication Sciences and deals with the question of information architecture as a paradigm for distance learning devices. A theoretical and conceptual framework located in the notion of device (micro, meso and macro scales) and anchored in the study of uses (“Sociologie des usages” and “Sociologie de l’innovation”) makes it possible to position information architecture as an intermediate principle between the designer-user relationship and raises the following research question: how is mediation operated in distance learning devices? The hypothesis is that in such devices, the functional perspective takes precedence over the normative perspective of communication. This hypothesis is tested through a qualitative approach which is based on the one hand on an observation of distance learning interfaces and on the other hand on semi-structured interviews conducted with the design teams. The case study is about M@gistère, a device dedicated to the training of teachers. It emerges from the content analysis that in fact, in M@gistère it is the normative perspective that prevails over the functional perspective of communication, even if in this device the context seems to take precedence over the content and over the users. The study also shows that information architecture is at the service of mediation in a device. Mediation is a facilitator of uses and appropriation. Finally, the study contributes to information architecture through a model to observe the interface of a distance training device and analyze the organization of information
Huang, Jinhui M. Arch Massachusetts Institute of Technology. "Interstitial DenCity : an architectural apparatus of political mediations in Chinese urban villages." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/103428.
Повний текст джерелаThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 115-117).
Since the 1979 Economic Reform, the Chinese government's authoritarian interference with land use development to serve developers and its own interests has led to incongruent development between industrialization and urbanization. This process of land commodification has resulted in the demolition of existing productive urban fabric such as urban villages. And yet paradoxically suffering from both high vacancy rates and exorbitant property prices, developed cities such as Guangzhou exemplify the impending crisis wrought by this flawed mode of urbanization. Furthermore, the urbanization does not take into account the massive urban migration that fulfills the low-wage labor force necessary to sustain a metropolis. The native villagers, who collectively own rural residential land, have elected to house the urban migrants within their own buildings. With high density, occupancy, and adaptability, the urban villages represent a resilient form of urbanism. The Xiancun village in Guangzhou is encircled by the Tianhe CBD area and epitomizes the utmost contradiction of an agricultural land enclave encircled development. The CBD is the nexus of real estate development and also houses over 20,000 urban migrants who are excluded from public amenity access. The villages have exhausted the capacity to grow as their expansion cannot encroach upon the boundary between urban and agricultural land. The rural-urban land ownership system also prevents the urban village from receiving governmental support to develop formal amenities. At the same time, the government cannot regulate the village with its current urbanization tools or its urban policy framework. The distribution of governance remains unresolved between the city government, the village committee, and individual villagers. This thesis argues for the further densification of Xiancun and proposes an architectural framework to create a new social contract between the city government, the villagers, and the urban migrants. A series of anchoring structures with centralized infrastructure and amenities re-territorialize the distribution of resources and a strategy of architectural infill achieves higher densification.
by Jinhui Huang.
M. Arch.
Brewin, Ross, and ross brewin@rmit edu au. "Mediating Pressure, Facilitating Exchange: 3 Architectural Projects in Pressured Urban Environments." RMIT University. Architecture and Design, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080215.154127.
Повний текст джерелаOsborn, Caitlin. "Fostering Connectivity: Mediating the Urban and Human Scale through Architecture." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1280779696.
Повний текст джерелаSinagub, Jonathan. "Mediating spaces : a jazz village for Paterson, New Jersey." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/77337.
Повний текст джерелаIncludes bibliographical references (p. 125-126).
The object of my thesis is to make a place for Jazz in the Great Falls Historic District in Paterson, New Jersey. This project is a continuation of larger interests in the idea of "urban villages" and the nature and role of neighborhoods and communities in the larger urban context. I think of Paterson as a very physical city: the powerful waterfalls, the rugged palisades, the austere mill architecture and the intense urban life. The object, forged from these fragments by taking advantage of the opportunity that lies amongst these diverse elements. The object is actually a vehicle to explore and further define the idea of "mediating spaces". An idea that is drawn from my own urban experience and is directly associated to "street life" within a city. Inherent in this idea are themes of "journey" and "place". Themes which are defined architecturally by movement and connections, edges and adjacencies. The work contains two parallel or concurrent ideas: "Mediating Space" and "Progressive Discovery". This work begins to answer the question: What is the relationship of "mediating spaces" to "progressive discovery" ? First of all, the two ideas are connected by "movement": experiencing space as a series of relationships. Both are concerned with edges and adjacencies: the places where connections are made. "Mediating Spaces" pertain to the formal aspects of making connections, of building movement through space. "Progressive Discovery" pertains to the experience of places and spaces as a total "Gestalt". Progressive Discovery is an old idea brought from a previous theoretical construct, the present task now is to set it to an architectural score. The thesis is predominately concern with how to make mediating spaces on the urban scale. On this level mediating spaces serve to connect layers of a community: the institutional and the commonplace, the event and the everyday activity.
by Jonathan Sinagub.
M.Arch.
Piek, Rinus. "Mediating the urban boundaries of Marabastad: towards sustainability through architectural regionalism." Diss., University of Pretoria, 2021. http://hdl.handle.net/2263/78597.
Повний текст джерелаMini-Dissertation (MArch (Prof))--University of Pretoria, 2021.
Architecture
MArch (Prof)
Unrestricted
Johnson, Katherine A. "Gradients of Meaning: Spatial Mediations within Liminal Conditions at the World Trade Center." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477242.
Повний текст джерелаSteenkamp, Nina. "Occupying the in between : a typology of architecture as the mediator." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/29874.
Повний текст джерелаDissertation MArch(Prof)-University of Pretoria, 2012.
Architecture
MArch(Prof)
Unrestricted