Готові списки джерел за темами / Media narrativi / Статті в журналах
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Статті в журналах з теми "Media narrativi"

Автор: Grafiati
Опубліковано: 11 березня 2023

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1

Oenning da Silva, Rita de Cácia. "Quem conta um conto aumenta muito mais que um ponto: narrativa, produção de si e gênero na produção fílmica com crianças pequenas." Perspectiva 33, no. 3 (2016): 1069–88. http://dx.doi.org/10.5007/2175-795x.2015v33n3p1069.

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Анотація:
Analisando as performances narrativas do conto Chapeuzinho Vermelho de três crianças pequenas (2 a 4 anos de idade) frente à câmera filmadora, este artigo apresenta e discute o modo como essas narrativas tanto expressam quanto constituem o mundo e os sujeitos narradores. Variando na forma narrativa, no conteúdo e nos personagens clássicos do conto, essas performances narrativas revelam como as crianças narradoras entendem e dinamizam relações: entre seus pares (atentando especialmente para as relações de gênero – gender); com outros seres (imaginários ou não); e com o próprio gênero narrativo.
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2

Paviotti, Antea. "God and COVID-19 in Burundian social media: The political fight for the control of the narrative." Journal of African Media Studies 13, no. 3 (2021): 385–97. http://dx.doi.org/10.1386/jams_00055_1.

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Анотація:
While an incredible series of twists characterized the fight against COVID-19 in Burundi and its narration, references to God have never been missing in the narratives around the disease. Trust in God represented one of the pillars of the government’s narrative, next to an attitude of ‘denialism’, and the fight against ‘fake news’. This article analyses the evolution of the narration of COVID-19 on Twitter during the first three phases of the fight against the disease, focusing on the use of the religious narrative. Within Burundi’s contemporary sociopolitical context, analysis of these narrat
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3

Baptaglin, Leila Adriana, and Doris Pires Vargas Bolzan. "PERCURSOS INVESTIGATIVOS ACERCA DA APRENDIZAGEM DA DOCÊNCIA NO ENSINO MÉDIO INTEGRADO." Cadernos de Pesquisa 21, no. 2 (2014): 52. http://dx.doi.org/10.18764/2178-2229.v21.n2.p.52-66.

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Анотація:
Este estudo objetiva aprofundar a discussão da cultura escolar como uma dimensão da aprendizagemda docência dos professores que trabalham nos cursos de Ensino Médio Integrado. A metodologia utilizada é denatureza qualitativa, com abordagem narrativa sociocultural. Tomamos por base, para a discussão da narrativa socioculturalos estudos de Vygotski (1995, 2003, 2007). Para a discussão da aprendizagem da docência nos cursostécnicos de Ensino Médio integrado utilizamos os estudos de Forquin (1993) e Julia (2001). Nesta perspectiva, apartir da análise das narrativas docentes evidenciamos as dimensõ
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4

Sapiezynska, Ewa. "The Media and Power in Postliberal Venezuela." Latin American Perspectives 44, no. 1 (2016): 199–214. http://dx.doi.org/10.1177/0094582x16661185.

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Анотація:
Two narratives dominate the literature about the state of freedom of expression in postliberal Venezuela, and they have few points in common, since they depend on different conceptualizations of the notion of freedom of expression. While the traditional liberal narrative focuses on the negative freedom that prohibits state interference, the postliberal narrative is based on positive freedom that encompasses the collective right of self-realization, particularly for the previously marginalized. During the government of Hugo Chávez, the discourse of freedom of expression was renewed, placing it
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5

Haj Omar, Husam. "A narrative approach to media reporting of the Arab-Israeli conflict 2000–2010." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 17, no. 1 (2019): 20–38. http://dx.doi.org/10.1075/forum.17014.haj.

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Abstract Narrative shapes conflict, influencing its outcomes and the parties involved in it. Translations reported by media lie in the heart of this dynamism as translation plays a crucial role in enabling narratives to cross cultural and linguistic barriers. This paper adopts a narrative approach to the analysis of media reporting of political discourse communicated during the Arab-Israeli conflict. The data under analysis is mainly derived from three conflicts: The Second Intifada 2000–2005, Lebanon War 2006 and Gaza War 2008/9. The study suggests that competing narratives have manifested th
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6

Sverbilova, Tetiana. "COMPATIVE LITERATURE : FROM COMPARATIVE MEDIACULTURAL STUDIES TO TRANSMEDIAL NARATOLOGY." LITERARY PROCESS: methodology, names, trends, no. 13 (2019): 41–50. http://dx.doi.org/10.28925/2412-2475.2019.137.

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Анотація:
The article is devoted to the review of the prospects of multidisciplinary media-cultural studies in modern comparative literature studies towards comparative cultural studies and transmedial naratology. Comparative cultural studies syncretically combine the concepts of comparative literary criticism with the study of culture in the aspect of media-cultural studies, not limited to literature, but also various arts, mass media, computer games, etc. Literature is understood only as one of the media among other media. This is a transdisciplinary turn in comparative literature studies. Comparative
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7

Horstmann, Jan. "Zeitraum und Raumzeit: Dimensionen zeitlicher und räumlicher Narration im Theater." Journal of Literary Theory 13, no. 2 (2019): 185–205. http://dx.doi.org/10.1515/jlt-2019-0007.

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Abstract The positioning in space and time of performed narration in theater poses a specific challenge to classical narratological categories of structuralist descent (developed, for example, by Gérard Genette or Wolf Schmid, for the analysis of narrative fiction). Time is the phenomenon which connects narratology and theater studies: on the one hand, it provides the basis for nearly every definition of narrativity; on the other, it grounds a number of different methodologies for the analysis of theater stagings, as well as theories of performance – with their emphasis on transience, the ephe
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8

Ferreira Junior, Sergio Do Espirito Santo, Nathan Nguangu Kabuenge, and Alda Cristina Costa. "Composição da intriga na narrativização de acontecimentos violentos // Emplotment in the narrativization of violent events." Contemporânea Revista de Comunicação e Cultura 18, no. 1 (2020): 53. http://dx.doi.org/10.9771/contemporanea.v18i1.27597.

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Анотація:
A composição da intriga emerge no projeto hermenêutico de Paul Ricoeur como momento do processo da mímesis que instaura uma configuração narrativa de um mundo prefigurado rumo a uma refiguração do mundo, articulando uma síntese do heterogêneo que agencia acontecimentos e os associa a ações, causas e intenções. Neste trabalho, analisamos a composição da intriga em narrativas jornalísticas sobre violência urbana, partindo da tríplice mímesis em Paul Ricoeur, a fim de compreender os elementos e as estratégias alinhavados pela intriga da narrativização jornalística. Efetuamos a leitura de matérias
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9

Henao, Laura. "Análisis sociológico del perdón: discursos dominantes y alternativos." REVISTA CONTROVERSIA, no. 209 (December 5, 2017): 111–68. http://dx.doi.org/10.54118/controver.vi209.1097.

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Анотація:
¿Qué significa el perdón? ¿Está el perdón en el centro de las narrativas de los sobrevi­vientes del conflicto? ¿Qué tan cerca se encuentran las narrativas de la prensa de las narrativas propias de quienes sufrieron el conflicto armado colombiano? La comparación de los discursos de los medios de comunicación con testimonios de víctimas, sugiere que existe una brecha en las narrativas de ambos al referirse a mecanismos de reparación. El perdón no está en el centro de las narrativas de las comunidades. En ese panorama, se hace necesario un estudio que muestre hasta dónde la narrativa del perdón h
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10

Lucantoni, Davide. "Covid-19 e comunicazione istituzionale e mediatica." PRISMA Economia - Società - Lavoro, no. 1 (August 2021): 43–58. http://dx.doi.org/10.3280/pri2020-001004.

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Анотація:
L'articolo descrive i risultati di un'indagine condotta nell'area medio-adriatica durante la prima ondata della pandemia, sulle condizioni di vita della popolazione nel periodo di quarantena, raccogliendo informazioni sulle aspettative future del campione alla luce delle trasformazioni sociali portate dalla pandemia. Inoltre, viene fornito un quadro interpretativo in merito all'impatto che la compenetrazio-ne tra comunicazione politica e scientifica, all'interno delle dinamiche e dei mec-canismi narrativi dei diversi media, ha avuto sui comportamenti sociali e sulle formazioni identitarie in u
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11

Cascajosa Virino, Concepción, and Juan Pedro Molina Cañabate. "Narrativas expandidas entre la tradición y la innovación: construyendo el universo transmedial de "El Ministerio del Tiempo"." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (January 3, 2017): 120. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271544.

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Анотація:
El texto es una aproximación a la expansión narrativa de la serie de televisión El Ministerio del Tiempo (TVE1: 2015-) durante su segunda temporada. Se trata de un estudio de caso con el que valorar los retos y oportunidades que supone extender el universo narrativo de la ficción televisiva a través de productos orientados al consumo por parte de los fans. En el caso de El Ministerio del Tiempo es un aspecto clave ha sido la variedad de medios utilizados (ficción sonora, webserie, capítulo de realidad virtual, novelización), así con la recurrencia de temas y la estricta cohesión respecto a su
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12

Karbaum Padilla, Gerardo. "Narrativas social media y el prosumidor mediático." Correspondencias & Análisis, no. 8 (November 1, 2018): 219–38. http://dx.doi.org/10.24265/cian.2018.n8.11.

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13

Dornelles, Olivia Maurício, and Fernanda Filgueiras Sauerbronn. "Narrativas: Definição e Aplicações em Contabilidade." Sociedade, Contabilidade e Gestão 14, no. 4 (2020): 19–37. http://dx.doi.org/10.21446/scg_ufrj.v14i4.27082.

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Анотація:
Narrativas são textos que relatam acontecimentos de forma ordenada cronologicamente, com início, meio e fim, de forma que seja percebida a relação de causa e efeito entre os fatos. Diferem-se da descrição, da dedução e da poesia, pois apresentam um problema e sua resolução, e é isso que é narrado. Nas Ciências Sociais, nos anos 1990, houve uma recuperação do estudo das narrativas – narrative turn –, valorizando a maneira pela qual os fatos são contados, para além do conteúdo do que é dito. A presença do pesquisador também passou a ser valorizada, afastando a suposição de impessoalidade. O pres
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14

Snytko, Olena, and Stanislav Hrechka. ""Battle of narratives" in Ukraine's modern media space." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 86–117. http://dx.doi.org/10.17721/apultp.2022.44.86-117.

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Анотація:
The paper explores strategic communications in Ukraine's media space. Strategic communications as a system of multi-vector interaction with society have proven to be connected with a range of relevant and socially important issues, acting as the most effective technology in building the information defence amid intense hybrid aggression and ensuring the country's cognitive resilience. Typical anti-Ukrainian narratives undermine the main political reference points and affect the society's cognitive stability. The analysis of narrative realizations confirms that anti-Ukrainian narratives belong
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15

Ummah, Athik Hidayatul. "Digital Media and Counter Narrative of Radicalism." Jurnal THEOLOGIA 31, no. 2 (2021): 233–56. http://dx.doi.org/10.21580/teo.2020.31.2.6762.

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This article aims to describe the meaning of narratives are used by digital media or online media to counter the narrative of radicalism. The research method used is discourse analysis to find the meaning in the text. The theoretical framework used is narrative theory to explain process audience can trust about a narrative because of the consistency and truth of narrative or story. Narratives are analyzed using a framework of identity prism theory. The identity prism describes that online media as a brand has a strategy to build and promote it is unique among other brands. The results of the s
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16

De Figueiredo, Camila Augusta Pires. "In the post-TV era: transmedia and fandom in Sherlock, by Moffat and Gatiss." Letras de Hoje 55, no. 1 (2020): 33789. http://dx.doi.org/10.15448/1984-7726.2020.1.33789.

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Serial narratives such as TV series have their own language, genres and narrative tools, according to their media specificities. It is observed that the television of today is going through a process of rapid cultural and technological transformations. Such advances have led to profound changes in the formats of the series, as well as in their modes of production and consumption. As for the production aspects, for example, we observe the creation of new narrative models in which the technological resources are shaped as extensions of the television product, creating a multiplatform or transmed
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17

Lück, Julia, Hartmut Wessler, Antal Wozniak, and Diógenes Lycarião. "Counterbalancing global media frames with nationally colored narratives: A comparative study of news narratives and news framing in the climate change coverage of five countries." Journalism 19, no. 12 (2016): 1635–56. http://dx.doi.org/10.1177/1464884916680372.

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Анотація:
This study disentangles national and transnational influences on international journalism by distinguishing convergent issue framing from nationally specific narrative in news texts. In a comparative quantitative content analysis of the newspaper coverage in five democratic countries (Brazil, Germany, India, South Africa, and United States) during four United Nations climate change conferences from 2010 to 2013, both textual-visual framing and narrative features were studied simultaneously for the first time. The narrative dimension consisted of variables that gauge (1) the degree of narrativi
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18

De Freitas Silveira, Nelson Lilioso, and Magali Menti. "A narrativa compartilhada em jogos de rpg e sua influência na formação do leitor." Revista Eletrônica Científica da UERGS 7, no. 3 (2021): 284–92. http://dx.doi.org/10.21674/2448-0479.73.284-292.

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Анотація:
Resumo
 O presente artigo é resultante de uma pesquisa documental que apresenta o RPG como ferramenta que desperta o interesse em literatura, especificamente a literatura dos cenários onde o jogo se passa, e cujo objetivo foi investigar a influência desse tipo de narrativa na formação do leitor. Discorre sobre o histórico do RPG e sua ascendência na construção literária de um gênero RPGístico, através de uma análise sobre o jogo de interpretação em sua conceituação, elementos e substratos mecânicos, de forma a compreender a importância do lore dentro dos cenários onde ocorre a narrativa.
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19

Cheremisinova, Larisa I. "Narrative Strategy in Afanasy Fet’s Story The Golts Family." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 5–20. http://dx.doi.org/10.17223/23062061/24/1.

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Анотація:
In the modern research on Afanasy Fet, questions of “prosaic” Fet studies remain poorly investigated: the poetics of Fet’s prose, the specifics of its narrative, the genre features of the works, the comparative analysis of Fet’s narrative practice and contemporary writers’ works. Examination of ways of implementing the narrative strategy in the story The Golts Family requires clarification of the genre features of this work since the principles of narration largely depend on the genre. The volume of this text, the coverage of the events depicted in it, the presence of several plot lines, the a
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20

Miranda, Anna Karolyne Souza, and Ana Carolina Costa dos Anjos. "TERRITORIALIZAÇÕES DISCURSIVAS E DISPUTAS NARRATIVAS: Aldeia TabokaGrande e os carnavais de Taquaruçu em pauta." Aturá - Revista Pan-Amazônica de Comunicação 3, no. 2 (2019): 18–38. http://dx.doi.org/10.20873/uft.2526-8031.2019v3n2p18.

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Анотація:
RESUMO
 Seguindo a perspectiva de invenção de tradições de Eric Hobsbawm (2012) que, na contemporaneidade, conta com o discurso midiático como um elemento constitutivo do imaginário social, que produzimos esse artigo. Desse modo, apresentamos e discutimos três narrativas sobre a Aldeia TabokaGrande e eventos carnavalescos, no distrito Taquaruçu, da capital tocantinense, Palmas. As frentes que constroem o território discursivo são as do próprio produtor do evento, criador e idealizador da Aldeia, a dos moradores de Taquaruçu e o discurso midiático. Para tanto, se vale de uma criatividade m
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21

Salzmann-Erikson, Martin, and Duygu Hiçdurmaz. "Use of Social Media Among Individuals Who Suffer From Post-Traumatic Stress." Qualitative Health Research 27, no. 2 (2016): 285–94. http://dx.doi.org/10.1177/1049732315627364.

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Анотація:
Suffering from post-traumatic stress impacts and restricts the life situation of the individual on several levels, not least regarding social difficulties. Social media on the Internet facilitate new possibilities for interaction and communication. Earlier research has demonstrated that people use social media to seek support and to discuss health-related issues. The current study aimed to describe how individuals suffering from post-traumatic stress use social media to convey authentic narratives of their daily lives, including illness, and further, to analyze the content of this media use. T
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22

Лисичкіна, Ірина. "Mass-Media Specificity of Building an Effective Narrative as a Strategic Communication Tool." PSYCHOLINGUISTICS 26, no. 2 (2019): 224–42. http://dx.doi.org/10.31470/2309-1797-2019-26-2-224-242.

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Анотація:
Objective. This research aims at defining the principles of constructing effective narratives with the use of the strategic communication capabilities and the media.
 Materials and Methods. Publications in modern English and Ukrainian mass-media have been analyzed using methods and techniques of discourse analysis, content- and intent-analysis with elements of pragmatic and narrative analysis. The author’s methodology included the following: to identify the author’s intention and motives, the main topoi and points of the narrative focalization, to define hidden beliefs, social and psychol
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23

Fan, Lai-Tze. "Writing while wandering." Convergence: The International Journal of Research into New Media Technologies 23, no. 1 (2017): 5–19. http://dx.doi.org/10.1177/1354856516679635.

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Анотація:
In digital writing, there is a discrepancy between the dynamicism that is associated with born-digital narratives and the rigidly encoded structures of content management that shape digital media technologies. Locative media narratives – site-specific narratives that are designed for accessing digital mobile devices – are therefore interesting because they cannot be written without reference to real space and are subject to the dynamic relationships that device users have with material space. This article reveals the ontological complexities of digital reading and digital writing for the locat
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24

Kusumastuti, Frida, Jeanne Leonardo, and Radityo Widiatmojo. "NARASI TENTANG AUTISM DI FACEBOOK (Studi Autoetnografi pada Status K.W)." Interaksi: Jurnal Ilmu Komunikasi 8, no. 2 (2019): 57. http://dx.doi.org/10.14710/interaksi.8.2.57-67.

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Анотація:
The narrative of a mother who is directly involved in living with a child with an autistic child's lifetime is worth noting because it can complement the narrative of the Professionals (doctors, psychiatrists, psychologists, educators). Especially if the narrative is done openly on social media such as Facebook. Social Media gives the opportunity of public voices that were originally being repossessed by large narratives. Thus the purpose of this research is to interpret the narrative of the subject about autism based on daily experience (everyday life). Narrative is the way someone tells his
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25

Choironi, M. Alvin Nur. "Religion and Narration of Covid-19 on Social Media: A Study on Dapur Narasi Social Movement." DINIKA : Academic Journal of Islamic Studies 6, no. 2 (2021): 213–34. http://dx.doi.org/10.22515/dinika.v6i2.4093.

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Анотація:
This article aims to analyze the social movements carried out by Dapur Narasi in fighting against misleading religious information about Covid -19. Data were collected from various online media, especially the Dapur Narasimedia, social media, and personal interviews. The finding indicates that at the beginning of the emergence of COVID- 19 in Indonesia, there were many false religious narratives, both from online media and the Islamic preachers. This article shows that the identity paradigm also creates a counter-narrative movement initiated by Dapur Narasi is carried out not only by its own m
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26

Do Vale, Simone. "O IMPÉRIO CONTRA-ATACA: narrativas políticas, alegorias midiáticas & ativismo." Revista Observatório 2, no. 3 (2016): 199. http://dx.doi.org/10.20873/uft.2447-4266.2016v2n3p199.

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Анотація:
No início dos anos 2010, uma onda de manifestações sociais irrompeu em diferentes países. Por meio do uso de performances alinhadas com os gêneros virais das mídias sociais, essas manifestações consolidaram a estética Carnavalesca que caracteriza as narrativas políticas produzidas e distribuídas em rede por ativistas. Assim, este artigo reflete sobre o fenômeno das mobilizações globais a partir de seis vídeos que apresentam performances ativistas inspiradas no universo de Guerras nas Estrelas. Produzidos em mobilizações distintas entre os anos de 2010 e 2014, os vídeos foram coletados manualme
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27

Erickson, Sarah, Sonya Dal Cin, and Hannah Byl. "An Experimental Examination of Binge Watching and Narrative Engagement." Social Sciences 8, no. 1 (2019): 19. http://dx.doi.org/10.3390/socsci8010019.

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Анотація:
Increasingly, audiences are engaging with media narratives through the practice of binge watching. The effects of binge watching are largely unknown, although early research suggests binge watching may be motivated by a need for escape and could be associated with some qualities of addiction. In this study, we ask whether the practice of binge watching impacts audience engagement with a media narrative. Using an experimental approach, we manipulate the format of exposure to media narratives (binge or nonbinge) and test the effect of this manipulation on audience engagement, specifically paraso
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28

Grishakova, Marina, and Siim Sorokin. "Notes on narrative, cognition, and cultural evolution." Sign Systems Studies 44, no. 4 (2016): 542–61. http://dx.doi.org/10.12697/sss.2016.44.4.04.

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Анотація:
Drawing on non-Darwinian cultural-evolutionary approaches, the paper develops a broad, non-representational perspective on narrative, necessary to account for the narrative “ubiquity” hypothesis. It considers narrativity as a feature of intelligent behaviour and as a formative principle of symbolic representation (“narrative proclivity”). The narrative representation retains a relationship with the “primary” pre-symbolic narrativity of the basic orientational-interpretive (semiotic) behaviour affected by perceptually salient objects and “fits” in natural environments. The paper distinguishes b
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29

Bates, Adam, Trish Hobman, and Beth T. Bell. "“Let Me Do What I Please With It . . . Don’t Decide My Identity For Me”: LGBTQ+ Youth Experiences of Social Media in Narrative Identity Development." Journal of Adolescent Research 35, no. 1 (2019): 51–83. http://dx.doi.org/10.1177/0743558419884700.

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Анотація:
Social media provides Lesbian Gay Bisexual Transgender Queer Plus (LGBTQ+) youth with daily access to a broader sociocultural dialogue that may shape narrative identity development. Through in-depth narrative interviews, this study sought to understand the lived experiences of 11 LGBTQ+ undergraduates ( age range = 19-23) building narrative identities in the cultural context of social media and the role of social media within this process. Interviews were analyzed using an interpretative, individual analysis of personal stories. These experiences were then compared and contrasted through thema
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30

Nadeem, Nahla. "Personal Experience Narrative Structure in “Al-ikhlas” Hadith." English Language and Literature Studies 12, no. 1 (2021): 12. http://dx.doi.org/10.5539/ells.v12n1p12.

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Using personal experience narrative in different forms of teaching and preaching is so common that it is unsurprising that it has been the object of scholarly attention and research. The present study aims to apply Labov’s model of narrative structure to the personal experience narratives (PENs) in the sincerity hadith. Sincerity—“Alikhlas”—is defined as being deeply devoted to Allah by heart and actions. According to Islamic teachings, a sincere person not only has a deep fear of Allah, but his intentions in all actions are mainly to please Hi
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31

Haase, Fee-Alexandra. "“Presentation” and “representation” of contents as principles of media convergence: A model of rhetorical narrativity of interactive multimedia design in mass communication with a case study of the digital edition of the New York Times." Semiotica 2019, no. 226 (2019): 89–106. http://dx.doi.org/10.1515/sem-2017-0048.

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AbstractThis article presents a model and a case study of the narrative structures that are present in the interactive media design of multimedia applications in the mass media. As basic categories for the history and structure of media, we employ the model of the modes of the physical, analog, and digital presentation/representation. In this case study of the online edition of the New York Times, we have the case of a newspaper that in the digital edition employs multi-media applications. Contrasting the traditional concept of “narrativity” with the current status quo of the digital media out
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32

Collins, Catherine. "Environmental Narratives and Media Conventions: Strategic Frames and Value-Based Argument." Media International Australia 127, no. 1 (2008): 127–37. http://dx.doi.org/10.1177/1329878x0812700116.

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Our understanding of environmental issues and our contribution to environmental degradation are shaped by the way our stories are framed, the value hierarchies they advance and a familiarity with the chosen narratives that are so conventionalised that this may deter recognition of how narrative choices limit our interpretive process. Textual arguments and image choices within these narratives have the potential to expand or restrict the audience's commitment to and participation in the belief or action sought by the message. In this article, I am interested in televised documentaries that argu
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33

Suswanta, Suswanta, Danang Kurniawan, Achmad Nurmandi, and Salahudin Salahudin. "Analysis of the Consistency Policy Indonesia's Capital Relocation in the Pandemic Era." Jurnal Studi Sosial dan Politik 5, no. 1 (2021): 35–48. http://dx.doi.org/10.19109/jssp.v5i1.7865.

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This study aims to look at the narrative of public policies related to the relocation of the Indonesian capital in the era of the Covid Pandemic 19. The narrative is seen through the development of opinions of government policy actors, political parties, and society. This study uses a Q-DAS (Qualitative Data Analysis Software) approach; besides the data in this study are media and social media data. The media have an essential role to play in shaping public narratives related to policymaking. The role of public narratives can create collective awareness in providing information about actor cho
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34

Mattos, Cristine Fickelscherer. "Narrativa seriada e comunicação: meios, modos e tempos." Texto Livre: Linguagem e Tecnologia 11, no. 3 (2018): 268–80. http://dx.doi.org/10.17851/1983-3652.11.3.268-280.

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RESUMO: O trabalho observa as características comunicativas da narrativa seriada do ponto de vista dos estudos contemporâneos de narratologia, em diversos tempos, modos e meios. Emprega o conceito de narrativa transmidiática para examinar a diversificada dinâmica de produção e recepção do gênero serial de forma contrastiva e diacrônica, e pondera acerca de seus efeitos sobre os seus elementos narrativos. Observa como inovações tecnológicas suscitam novos modos de narrativa seriada, que acionam novas referencialidades, através da complexa triangulação que envolve produção, recepção e meio de tr
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35

Santosa, Hedi Pudjo, Primada Qurrota Ayun, and Triyono Lukmantoro. "MISOGYNISTIC IN DIGITAL MEDIA : HATE SPEECH NARRATIVES TOWARDS BEAUTY INFLUENCERS." Interaksi: Jurnal Ilmu Komunikasi 11, no. 2 (2022): 166–74. http://dx.doi.org/10.14710/interaksi.11.2.166-174.

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Huge numbers of social media users in Indonesia creates a phenomenon of beauty influencers. Selebgram or Instagram celebrities, starts to become a trend when artists wearing veils become a fashion icon for certain groups of communities. The influencers try to expose new identities which were considered old fashioned. However, this beauty influencer phenomenon also initiates hate speech trends. Nature of social media allows people to comment, spread information, and give opinions freely and anonymously, and even create the tendency to write misogynistic narratives. This research is a descriptiv
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36

Ramírez Amador, Sergio Carlos. "Los medios, el espectador y la narración: Poderes sutiles." Sincronía XXV, no. 80 (2021): 197–224. http://dx.doi.org/10.32870/sincronia.axxv.n80.10b21.

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Since the proliferation of the mass media, society has experienced drastical changes, one of them in regards of power. In this essay I analize the power relationships between the mass media and their spectators, as well as their mechanisms and consecuences. I sustain that this mechanism is the narrative understood as a way of deliberately choosing information with the purpose to provide aesthetic feelings to the events on the world. This manipulation of reality generates a power relation as far as the citizen lacks alternative ways of knowing complex social realities, generating an information
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37

Ramírez Amador, Sergio Carlos. "Los medios, el espectador y la narración: Poderes sutiles." Sincronía XXV, no. 80 (2021): 605–21. http://dx.doi.org/10.32870/sincronia.axxv.n80.27b21.

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Анотація:
Since the proliferation of the mass media, society has experienced drastical changes, one of them in regards of power. In this essay I analize the power relationships between the mass media and their spectators, as well as their mechanisms and consecuences. I sustain that this mechanism is the narrative understood as a way of deliberately choosing information with the purpose to provide aesthetic feelings to the events on the world. This manipulation of reality generates a power relation as far as the citizen lacks alternative ways of knowing complex social realities, generating an information
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38

Lino, Mirko. "Spatial Storytelling in the Transmedial Storyworld of The Walking Dead Franchises." Tekstualia 3, no. 58 (2019): 35–54. http://dx.doi.org/10.5604/01.3001.0013.6422.

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Zombies are conceivable as cultural artefact that follow and embody the evolution of media narratives. They have migrated from the margins of a media system (the niche of the horror cinema genre) to the center of media convergence practices, which could be summarized in the crossmedia dissemination of its key features and the construction of a transmedia storytelling for its fi ctions. Crossmedia dissemination and transmedia storytelling seem to have become two of the most dominant logical elements of contemporary entertainment; they indicate the power of the narrative to spill over the media
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39

Rocha, Raquel Barbosa, Marina Patrício de Arruda, and Izabel Cristina Feijó de Andrade. "FORMAÇÃO DE PROFESSORES EM SERVIÇO: narrativas de produção de si e do mundo." Cadernos de Pesquisa 25, no. 1 (2018): 95. http://dx.doi.org/10.18764/2178-2229.v25n1p95-108.

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Esse artigo teve por objetivo compreender a formação em serviço e a perspectiva epistemológica da implicação do professor na construção de si e do mundo. A pesquisa foi realizada com 14 professores do Ensino Fundamental II e Ensino Médio por meio de uma entrevista semiestruturada. Após a entrevista, foram selecionados 04 professores para a entrevista narrativa contando suas experiências profissionais e pessoais. Como procedimento, as análises das narrativas seguiram as orientações da Análise Textual Discursiva. Esperamos que esta pesquisa possa contribuir com a proposta de formação de professo
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40

Aryal, Saroj Kumar, and Simant Shankar Bharti. "Changing the media landscape in India under the Modi government: a case study based on the Narrative Policy Framework." Studia z Polityki Publicznej 9, no. 3(35) (2022): 47–64. http://dx.doi.org/10.33119/kszpp/2022.3.3.

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After the emergence of "new media," propaganda and so-called "alternative facts" are some of the main tools that have been used by governments, individuals, or interest groups to recalibrate the narration of certain information. By using the basic storytelling methods, the Narrative Policy Framework (NPF) allows policymakers to use the media to spread the newer dynamics of narration. Since 2014, after the Bharatiya Janata Party (BJP) came to power, the government has constantly been using narration through the state-funded media that have changed the overall media landscape in the country. Thu
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41

Ortuño Mengual, Pedro, and Virginia Villaplana Ruiz. "Activismo Transmedia. Narrativas de participación para el cambio social. Entre la comunicación creativa y el media art." Obra digital, no. 12 (February 28, 2017): 123–44. http://dx.doi.org/10.25029/od.2017.123.12.

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El artículo propone una revisión de prácticas activistas mediáticas, origen de las formas participativas de la narrativa transmedia, en relación al lugar y la acción política. La implantación de las redes digitales ha permitido el desarrollo de una cultura red. Se analizan prácticas artísticas de colectivos activistas y las nuevas propuestas desarrolladas con dispositivos móviles vía GPS y webdoc. En este sentido, se proponen tres líneas discursivas sobre el activismo transmedia: las aperturas narrativas del territorio y la ciudadanía, las políticas de acción y representación colectiva, y fina
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42

Sari, Ratu Arti Wulan, and Ahmad Jamaludin. "Counter Narrative Sexual Violence in Alternative Media Mubadalah.id." Alfuad: Jurnal Sosial Keagamaan 6, no. 2 (2022): 63. http://dx.doi.org/10.31958/jsk.v6i2.7361.

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The media has a strategic role in providing an understanding and description of something through the narratives it creates, including the narrative about sexual violence. The issue of sexual violence has become a sensitive issue so the media should not only provide information to catch up with the number of readers, but the media in the narrative must take sides with victims of sexual violence as a form of protection. The purpose of this study is to find out how the narrative of sexual violence is packaged by the alternative media Mubdalam. id. This research is qualitative research using Sara
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43

Volchik, V. V., E. V. Fursa, and A. I. Maskaev. "Prospects of development of the Russian innovative system through the prism of qualitative methods." Russian Journal of Economics and Law 15, no. 4 (2021): 541–660. http://dx.doi.org/10.21202/2782-2923.2021.4.641-660.

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Objective: to examine the influence of positive and critical narratives in the media, illustrating the problems and strengths of the Russian innovation system development, on the formation of public opinion.Methods: the methodology of narrative analysis of economics and original institutionalism is used in relation to the national innovation system.Results: with the help of narrative analysis, we analyzed 43 media outlets from Internet sources selected in accordance with the Medialogiya rating “Federal Mass Media: 2020” for the period from 01.01.2010 to 01.07.2021. A range of significant issue
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44

Speidel, Klaus. "What narrative is." Frontiers of Narrative Studies 4, s1 (2018): s76—s104. http://dx.doi.org/10.1515/fns-2018-0033.

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AbstractUnacknowledged by its practitioners, narratology has often been revisionary rather than descriptive when categorizing narratives. This is because definitions, expert judgment and personal intuition, traditionally the main tools for categorization, are vulnerable to media blindness and to being theory loaded. I argue that to avoid revisionary accounts of ordinary everyday practices such as narrative or gameplay of which non-experts have a firm understanding, expert categorizations have to be tested against folk intuitions as they become apparent in ordinary language. Pictorial narrative
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45

Rembowska-Płuciennik, Magdalena. "Second-person narration as a joint action." Language and Literature: International Journal of Stylistics 27, no. 3 (2018): 159–75. http://dx.doi.org/10.1177/0963947018788519.

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This article represents an attempt to free narratological typologies from the constraints of first- and third-person dualities. It argues that a new collaborative and multiagent model of second-person narratives is needed, and draws on the concept of enactment to help explain the specificity of second-person narration. The growing popularity of second-person narration in contemporary print literature is linked to the rapid development of multimedial storytelling strategies and new technological environments. The new status of second-person narration in print literature is connected with the in
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46

Ökmen, Yunus Emre. "New Media Narratives and Visualization as an Alternative to Traditional Media: Youtuber Barış Özcan Sample." International Visual Culture Review 1 (February 6, 2019): 17–22. http://dx.doi.org/10.37467/gka-visualrev.v1.1751.

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The traditional storytelling has begun to disappear, as the modern culture seizes every aspect of life (Ramsden and Hollingsworth, 2017: 14). The narrators began to take the place of digital media such as photography, cinema, television and internet. At the same time, basic cultural periods in communication can be handled in five different ways. These; Oral culture, written culture, printed culture, electric and electronic culture were finally added to these cultures or periods Digital culture, different media tools were introduced in the forms of communication between people and people (Baldi
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47

Kohn, Ayelet, and Rachel Weissbrod. "Remediation and hypermediacy: Ezekiel’s World as a case in point." Visual Communication 19, no. 2 (2018): 199–229. http://dx.doi.org/10.1177/1470357218785931.

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This article deals with Kovner’s graphic narrative Ezekiel’s World (2015) as a case of remediation and hypermediacy. The term ‘remediation’ refers to adaptations which involve the transformation of the original work into another medium. While some adaptations strive to eliminate the marks of the previous medium, others highlight the interplay between different media, resulting in ‘hypermediacy’. The latter approach characterizes Ezekiel’s World due to its unique blend of artistic materials adapted from different media. The author, Michael Kovner, uses his paintings to depict the story of Ezeki
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48

Dewi, Ratna Sari. "The Influence of Diary on the Students' Narrative Writing Skills Quasi-Experimental Study at UIN Syarif Hidayatullah, Jakarta." Jurnal Pendidikan dan Pengajaran 53, no. 1 (2020): 66. http://dx.doi.org/10.23887/jpp.v53i1.24892.

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This study aims to determine the effect of the diary media on the ability to write narratives for Semester III students. The sample in this study was the 60th semester students of the Department of English Language Education at the Syarif Hidayatullah State Islamic University in Jakarta totalling 60 students. Sampling using a multistage random sampling technique. The method used is an experimental method, with non-equivalent experimental design. Data collection was performed using a narrative writing test and analysed using the t test. The results showed that the diary media had a significant
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49

Mora Fernández, Jorge Ignacio. "Elementos Narrativos que Sirven para Generar Convergencias e Inteligibilidad en Narrativas Transmediáticas o Narrativas Interactivas Lineales." Revista ICONO14 Revista científica de Comunicación y Tecnologías emergentes 15, no. 1 (2017): 186–210. http://dx.doi.org/10.7195/ri14.v15i1.1032.

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El término transmedia fue acuñado por Marsha Kinder (1991) para referirse a la intertextualidad entre películas, series de televisión de dibujos y los juguetes para niños y jóvenes preadolescentes. En dicha publicación participaba Henry Jenkins, quien posteriormente profundizó en el término de transmedia en Media Convergence (2006) y posteriormente en narrativa transmedia. La presente investigación analiza el uso de los elementos narrativos y de las características de los medios de comunicación utilizados para generar narrativas transmedia para poder utilizarlas en productos comunicativos inde
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50

Rud, Daria. "Memory construction of the local space: analysis of mnemonic online messages on Shabolovka district (Moscow)." Inter 11, no. 18 (2019): 34–54. http://dx.doi.org/10.19181/inter.2019.18.3.

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The article is devoted to narrative recollections, published in social media. The author analyzed messages about the district Shabolovskaya / Tulskaya (in Moscow) in 2018. Analysis was performed using concepts of memory scale and mnemonic media. The concept of scale, usually used in a topographical sense, is modifed and applied to the temporal depth. Mnemonic media allows tracing memories with different criteria of memory validity and have a variety of functions: identity, imagination, knowledge transfer. Topics of Great Purge and avant-garde are isolated subjects of narratives, not intersectin
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