Дисертації з теми "Mass media and propaganda – France"
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Korniychuk, Tetiana Andriivna, and Тетяна Андріївна Корнійчук. "The problem of the fake information in mass-media." Thesis, National aviation university, 2021. https://er.nau.edu.ua/handle/NAU/50043.
Повний текст джерелаThere are more and more news and new information nowadays. And every one of us faces with the big flow of information. And also in this flow may be hidden the real sense and truth by the fake information. The source of communication are mass-media and the Internet. It is used by informational technologies, peoples conscious and mind, that make people confused and defenseless.
Сьогодні з’являється все більше новин та нової інформації. І кожен із нас стикається з великим потоком інформації. А також у цьому потоці може бути прихований справжній сенс та правда за фейковою інформацією. Джерелом комунікації є засоби масової інформації та Інтернет. Він використовується інформаційними технологіями, свідомістю людей та розумом, що робить людей розгубленими та беззахисними.
Gonzalez, Melissa Joy. "Media Propaganda: A Framing Analysis of Radio Broadcasts from U.S. to Cuba." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4494.
Повний текст джерелаCastro, Daniel A. "Do psychological operations benefit from the use of host nation media?" Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion.exe/07Mar%5FCastro.pdf.
Повний текст джерелаThesis Advisor(s): Jessica Piombo. "March 2007." Includes bibliographical references (p. 111-115). Also available in print.
Deppe, Kendra M. "The media and democracy in Russia." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2005. http://library.nps.navy.mil/uhtbin/hyperion/05Jun%5FDeppe.pdf.
Повний текст джерелаThesis Advisor(s): Anne Clunan, Mikhail Tsypkin. Includes bibliographical references (p. 65-91). Also available online.
Capitani, Alice. "The Propaganda Model in the 21st century: Relevance and Applicability." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Знайти повний текст джерелаPohl, Jill Hannah. "Al Qaeda's Propaganda War: A War for Hearts and Minds." Wright State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=wright1389654137.
Повний текст джерелаRoodt, Jean-Pierre. "Investigating the manufacturing of consent and democratic resistance through legacy and new media, in relation to fracking." Thesis, Nelson Mandela Metropolitan University, 2016. http://hdl.handle.net/10948/3665.
Повний текст джерелаPahlavi, Pierre Cyril Cyrus Teymour. "Mass diplomacy : foreign policy in the global information age." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85196.
Повний текст джерелаFenton, Natalia L. "We Want You: A Rhetorical Analysis of Propaganda from Government Posters to Political Memes." Youngstown State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1403183308.
Повний текст джерелаVukasovich, Christian A. "The Media is the Weapon: The Enduring Power of Balkan War (Mis)Coverage." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339619438.
Повний текст джерелаWolnik, Gordon. "Mittelalter und NS-Propaganda Mittelalterbilder in den Print-, Ton- und Bildmedien des Dritten Reiches /." Münster : Lit, 2004. http://books.google.com/books?id=ZABoAAAAMAAJ.
Повний текст джерелаMunier, Véronique. "Représentation discursive de l'enthousiasme : Révolutions de Paris." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26746.
Повний текст джерелаCavalheiro, Renato de Faria. "Propaganda ideológica em mídia impressa: uma busca pela verdade acerca da possível influência do mangá japonês sobre a juventude brasileira." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-30112009-103605/.
Повний текст джерелаThe manga magazines from Japan, published and popularized in Brazil, are a mass communication media that express in its pages a system of values and a way of life that are considered by scholars of Japanese culture as typical and ideals within their social and cultural framework, and are attracting an increasing number of readers and admirers, uniting people from the most diverse cultural backgrounds that Brazil offers. As a mass communication media, the manga magazines are also tools of propaganda capable of an influence that ranges from the processes of formation of the individuals identities, passes through the configuration of their values systems, affects their perceptions and understanding about the reality of the world in which they live, and comes up to influence the establishment of the ways of life that these individuals have as reals and ideals. Considering this, the present research, at first, gives some answers about the reading of these magazines, showing if they actually exerts some influence on its readers, for after this, check the result of that influence. To this end, this study made use of a quantitative empirical survey that used elements of the Spiral Dynamics Theory and of the Emergent Cyclical Levels of Existence Theory for compare non- readers and reader s of these magazines by the value systems and ideals ways of life that these groups have. The results showed that, as expected, these two groups are different, and that these differences, although they are presented in a manner divergent on what was expected, occurs as a result of the reading of manga magazines.
Papatheodorou, Fotini. "Broadcasting and politics in Greece, 1936-1987." Thesis, Queen Mary, University of London, 1991. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28955.
Повний текст джерелаWinterstein, David P. "Language and media in the promotion of the Breton cultural identity in the European Union /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6170.
Повний текст джерелаRyan, Kathleen M. ""When flags flew high" : propaganda, memory, and oral history for World War II female veterans /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/8332.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 377-400). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
Silovský, Michal. "Informatizace, media a rozvoj společnosti." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-15604.
Повний текст джерелаTrent, Caroline Jamie Grinfeld Michael Jonathan. "Culture of sex sexual linguistics and discourse of Cosmopolitan editions in the United States, France and India /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/5373.
Повний текст джерелаLapeyre, Jason. "Mickey Mouse and the Nazis the use of animated cartoons as propaganda during World War II /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0019/MQ59182.pdf.
Повний текст джерелаSèbe, Berny. "Celebrating British and French imperialism : the making of colonial heroes acting in Africa, 1870-1939." Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670137.
Повний текст джерелаСмілянський, А. В. "Дослідження рівня довіри суспільства до ЗМІ". Thesis, Сумський державний університет, 2017. http://essuir.sumdu.edu.ua/handle/123456789/64967.
Повний текст джерелаSilva, Paulo Sérgio da. "Agenda-setting e a eleição presidencial de 2002 no Brasil." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/8/8131/tde-27062007-144540/.
Повний текст джерелаWhile the international studies have shown a great concern with the study of the candidate\'s capacity to influence the formation of the mass media agenda during the electoral campaign period, in Brazil, the candidate\'s agenda has not been included in the academic studies of media and elections. In this study, my objective was to evaluate the candidates importance for the formation of the TV news coverage agenda on the presidential election in 2002, as well as the relevance of the PT for the elaboration of the advertising his candidate, Luiz Inácio Lula da Silva, in that same election. The data showed that both Lula and Serra succeeded in transferring to their electoral coverings of the \"Jornal Nacional\" and \"Jornal da Record\" the themes and issues discussed in their TV ads. The data also showed that the PT had success in transmitting to Lula\'s TV ads the salient themes presented by the party\'s program. The evidence I provided allowed me to conclude that the candidates influenced the new\'s agenda and that the PT, in particular, also fulfilled the function of agenda setting, by effectively influencing the content of its candidate\'s campaign on TV.
Askin, Berrin. "The Role Of The Global Media In World Politics: A Case Of Iraq War Of 2003." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/2/12607152/index.pdf.
Повний текст джерелаSamerdyke, Olivia Kathleen. "Information vs. Propaganda:An Analysis of the Washington Post's Reporting of the Islamic State." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1459512198.
Повний текст джерелаKelvin, William. "A Mixed-Methods Content Analysis Case Study of Frames and Ideologies in Mainstream Environmental News." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1574180978267725.
Повний текст джерелаYu, Hongmei. "The politics of images : Chinese cinema in the context of globalization /." Thesis, Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/8304.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 306-318). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
Jacoway, Paul R. "Are Documentaries Journalism? The Gap Between a Shared Truth and Verification." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1406801661.
Повний текст джерелаGonçalves, Lunara David. "A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove." Universidade Federal de Viçosa, 2014. http://locus.ufv.br/handle/123456789/4884.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Women still hold the majority in the pursuit of the aesthetic ideal. The imposition of standards of beauty is a social problem in which maximizes the prejudice and discrimination of those who do not fit these parameters. The standards of beauty and fashion are often unreal, because they suggest a beauty that women are unable to achieve naturally. The standards are unreal because they are created or modified by technologies, computer graphics programs, etcetera. In the same way that discourses are situated and constructed socio-historically, the standards of beauty are as well, so time has a great influence in changing these patterns. Therefore, because there is no concept of absolute and universal beauty, it submits to the current culture and society. The "different body", the one that does not fit into the imposed standards, is rarely portrayed in advertising. Hence, the company Unilever, which owns the Dove brand, used the "different body" as a marketing strategy in one of its advertising campaigns. Therefore, this paper seeks to examine: how the "different body" was portrayed in such campaign, as it used ordinary women, and also featured narratives of these models. Understanding that advertising as a powerful mass media can promote models of identification and behavior, and may strengthen or break stereotypes, this work seeks to analyze: how "different body" was portrayed in such publicity, both in verbal and imagistic mode; which potentially ideological meanings articulated from the discourses; and if the discourses reinforce or negate the current aesthetic standards. Our analytical work is grounded in two theories: Textual analysis for social research by Norman Fairclough (2003) and the Visual Grammar by Kress and van Leeuwen (1996), which assisted in textual and multimodal analysis, respectively. We emphasize that the purpose of this paper is a critical analysis that aims to encourage reading and critical interpretation of discourses, especially from the media, since the discourses are invested with ideologies. We concluded in the advertisements analyzed, the images and narratives were used as strategies to sell their products, and the debate initially proposed by Dove had the intention to break stereotypes, yet in fact did not succeed in the end. The "different body" was portrayed as the imperfect body, as inverse to the ideal body.
A imposição de padrões de beleza é um problema social que potencializa o preconceito e a discriminação daqueles que não se enquadram nesses parâmetros. Os padrões de moda e beleza vigentes são muitas vezes irreais, pois propõem uma beleza que as mulheres não conseguem atingir naturalmente, pois são criados ou modificados por tecnologias, programas de computação gráfica, etc. Da mesma maneira que os discursos são situados e construídos sócio-historicamente, os padrões de beleza também o são. Dessa forma, tempo e época exercem grande influência na mudança desses padrões. Portanto, não existe conceito de beleza absoluto e universal, pois submete-se à cultura e à sociedade envolvida. O corpo diferente , aquele que foge dos padrões impostos, raramente é retratado no cenário publicitário. Por isso, a empresa de cosméticos e de produtos de higiene pessoal Unilever, detentora da marca Dove, utilizou tal tipo de corpo como estratégia em uma de suas campanhas publicitárias. A campanha intitulada Dove Real Beleza iniciou-se em 2004, não somente em mídias virtuais, mas também impressa (revistas semanais). Entendendo que a publicidade é uma mídia de massa poderosa capaz de promover modelos de identificação e de comportamento, que pode reforçar ou quebrar estereótipos, esse trabalho busca analisar: como o corpo diferente foi retratado na referida publicidade, tanto no modo verbal quanto imagético e quais os sentidos potencialmente ideológicos são articulados nos discursos, e se esses reforçam ou refutam os padrões estéticos vigentes. Nesse intento, nosso trabalho de análise é pautado nas teorias: Análise de Discurso Textualmente Orientada de Norman Fairclough (2003) e na Gramática do Design Visual de Kress e van Leeuwen (2006 [1996]), que auxiliaram na análise textual e multimodal, respectivamente. A proposta deste trabalho é incentivar a leitura e interpretação crítica dos discursos, principalmente os midiáticos, já que estes são altamente ideológicos. Percebeu-se que o debate inicialmente proposto pela Dove para quebra de estereótipos de fato não ocorre, pois há discursos normatizadores que determinam que os sujeitos precisam cuidar de si, cuidar do corpo, para se encaixarem nos padrões. O corpo diferente foi retratado ainda como antônimo ao corpo ideal.
Hamstra, Eric J. "Information operations in Iraq the Mufsiddoon versus the U.S. and Coalition forces /." Quantico, VA : Marine Corps Command and Staff College, 2008. http://handle.dtic.mil/100.2/ADA491182.
Повний текст джерелаAtkins, Michael. "Reflections of Revolution: Le Figaro, Le Monde, and Public Opinion in France during the Algerian Conflict (1954-1962)." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3360/.
Повний текст джерелаГанжа, Я. Л. "Тематичне впорядкування друкованого видання як фактор інформаційної пропаганди (на прикладі газети «Новороссия»)". Thesis, Сумський державний університет, 2018. http://essuir.sumdu.edu.ua/handle/123456789/67140.
Повний текст джерелаAngelo, Ariane d'. "Discrète ténacité : l'entreprise de communication politique des gouvernements ouest-allemands à l'étranger à l'exemple de la France (1958-1969)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040177.
Повний текст джерелаThis dissertation explores the specific way in which West German governments have developed strategies in international public relations and it discusses more particularly their implementation in France between 1958 and 1969. A cornerstone of this study is the creation by the Federal Republic of Germany of an official information doctrine that was intended to reflect the democratic orthodoxy of the newly created state. Its analysis not only reveals the many continuities between the Weimar Republic and post-war West Germany, but it also points out the permanence of political staff and institutional structures. The rise of international public relations as an essential tool in the country’s foreign policy is first examined in the light of Chancellor Konrad Adenauer’s efforts to make the FRG regain international leeway in its early first few years. Secondly, this study demonstrates that the Soviets’ Berlin ultimatum in November 1958 led the West German Parliament to agree with the reinforcement of the country’s international public relations policy. Competition with the German Democratic Republic as well as the West German governments’ need to stay well away from propaganda are the two criteria which inform the analysis of the action carried out in France by West German diplomatic services in cooperation with the Federal Press and Information Office. Whereas West Germany’s official attitude overseas has frequently been described as “non-assertive”, this dissertation contends that it should more justly be reassessed as a form of relentless, albeit it carefully discreet, action. The way it operated went against the official claim that West Germany was doing away with its past
Sun, Jiangeng. "Un journalisme d’immersion limité et contraint : étude de la pratique des correspondants français en Chine." Thesis, Rennes 1, 2015. http://www.theses.fr/2015REN1G020.
Повний текст джерелаIn a context of globalisation, cultural exchanges foster and increase a mutual understanding between peoples and cultures, all around the world. Foreign correspondents are key players in the transnational process of cultural mediation. Indeed, their journalistic work helps a national audience to achieve a better understanding of the culture in which these correspondents are immersed, and thereby contributes to cultural understanding between their home country and the host country. Our research focuses on the journalistic practices of French correspondents in China, and highlights the logics of work and the control devices that influence, directly or indirectly, the production of information and, generally speaking, the journalistic practice of foreign correspondents. Based on our field studies and theoretical approaches, our analysis aims at demonstrating that French journalists in China constitute a social microcosm, relatively closed on itself and isolated from the Chinese society. They are often professionals both highly qualified and very experienced. However, they can never really have recourse to the method of "immersion journalism" despite long periods of presence in China. Lots of French journalists cannot directly communicate with the Chinese population, because of their insufficient knowledge of the everyday language. Then their working conditions often face constraints of the Chinese's regulation policy towards foreign journalists. Finally, their limited access to information sources also has a major impact on the process of information production in China
Mills, Pamela J. "Double vision : the dual roles of women on the homefront during World War II through the lens of government documentary films." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/834129.
Повний текст джерелаDepartment of History
Chehilita, Émilie. "La critique de la « société du Spectacle » à l’essai sur les scènes théâtrales de Berlin, Londres et Paris dans les années 2000 : spectacle dans le spectacle, la société spectaculaire et marchande au prisme du spectacle vivant." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100076.
Повний текст джерелаThis thesis tackles the critic of the “Society of the Spectacle” (concept brought by the Guy Debord’s eponymous essay) performed in experimental theater works and the performance scenes during the 2000s in Berlin, London and Paris. The studied theater pieces borrow cultural references to the mass media, often considered as machines to alienate the public. The corpus includes authors as well as stage directors and collectives: Martin Crimp, David Alaya, Joël Jouanneau, Falk Richter, René Pollesch, Tom Khünel, Katie Mitchell, the Collective MxM (Cyril Teste), Forced Entertainment (Tim Etchells), Gob Squad and Superamas.The multidisciplinary approach deals with both the dramaturgy aspects and the sociological patterns of representation. One the one hand, this work studies the network structure in which the artists meet each others and collaborate. On the other hand, we investigate the various stage elements, among which cameras and screens take an major part, as well as the actors’ corporeality as well as the spectators’ ways of perception, among others, by the mean of a survey. By trans-contextualizing their sources, the artists create a gap and increase the distance with them using several techniques: literal incorporation, quotation, parody and pastiche, but also irony and cool fun tone.The critical dimension of these works is not straight forward, and often not even claimed. Far from rejecting it as a whole, the authors and actors are fond of the mass media culture’s objects. In order to set in motion their critical function, they place themselves at the heart of the “Society of the Spectacle” and the Zeitgeist. Thus, such a critic has moved from an external point of view to an internal one. Their approach, mixing seriousness and fun, indicates a will not to separate themselves from the spectators to whom they want to set on equal footing in order to make the dialogue and sometimes the interaction possible
Laroche, Loïc. "Le Monde et les États-Unis de 1944 à nos jours." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H023/document.
Повний текст джерелаThe newspaper «Le Monde» gives testimony, and is almost an actor, of the French Republic and its relations to foreign partners, the most important and influential of which is the United States of America. On one hand we will look into the image given by this country throughout « Le Monde »’s articles. We will consider how the United States are being covered, the way they relate to the rest of the world, the way their economy is valued, their level of development, the description of their society and their people, the image given by their democracy and their power. On the other hand we will watch the acquaintances between the United States and « Le Monde »’s editorial staff in a broad way, that is journalists and directors, from its foundation along the seventy following years and the various US administrations, which will show how the successive directors of the newspaper and the main journalists have had a genuine knowledge and esteem for this country. We will also learn the way America is covered through the designing of the newspaper. We will see how the editorial staff and the american authorities intermate, the way the latter greet and convey informations in an attempt to influence, openly or not, «Le Monde»’s protagonists ans beyond this, how the directors of the newspaper are inspired by the United States and the american press. Last but not least, we will look into the editorial line «Le Monde» choses to refer to the United States. Three major periods will emerge, the first one of which corresponds to Hubert Beuve-Méry’s management with a longlasting concern ever since for financial and editorial independance. His successors will try to keep on with his heritage while America is dividing the editorial staff. After the fall of the Berlin wall the new generation will modify the vision « Le Monde » had of America whereas the digital technologies start revolutionizing the media
Martin, Valérie. "La télévision, média de masse ou média individuel ? De la télévision traditionnelle à la e-télévision." Thesis, Paris 9, 2015. http://www.theses.fr/2015PA090071.
Повний текст джерелаTraditional TV, "Voice of France" is a mass medium. With a home ownership rate of over 98%, a viewing rate of l more than 3.50 hours, advertising revenue of over 4 billion euros , and “contenus Rendez-vous” bringing in record audiences, television rules over the living room, bringing the family together up into the 1980s. It is, however, controlled by the ruling political powers.Under the presidency of François Mitterrand, television was liberalized with the appearance of new private and commercial channels, financed by audiences and advertising, while the public sector continued to be funded by a license fee. In the 90s, the arrival of cable and satellite, followed by TNT in 2005, allowed the amazing increase of a number of new channels and TV services (« subscriptions to cable, satellite and finally Canal + in 1984 )But this evolution continues with the arrival of digital TV, revolutionizing the industry. It increases the number of channels exponentially, expands the production of content generated by consumers, and promotes interactivity through social networks. Technological advances are changing consumer habits with regard to the small screen, especially for young people. The computer, tablet, smartphone and the connected TV let you watch "television as I want, where I want, when I want”. Traditional TV, once considered as a mass media, is now a media that is individualized and that adapts to the tastes and desires of each viewer.The current financial system in France is literally exploding to deal with the internationalization of audiovisual content and players, with most of the content produced in North America.. Obsolete regulations can no longer keep pace with consumer demand in Europe and France. Faced with global supply and new viewing habits (delinearised viewing: replayand video on demand), television still continues to unite the public around major news events (sporting events, political events, the evening news …). The important, rapid changes now occurring in TV content and distribution lead to considerable uncertainty with regard to the future of traditional television, and unless it can adapt, it could more or less disappear in the long term
DONALD, RALPH R. "HOLLYWOOD AND WORLD WAR II: ENLISTING FEATURE FILMS AS PROPAGANDA." 1987. https://scholarworks.umass.edu/dissertations/AAI8727038.
Повний текст джерелаClifton, David J. G. "Weapons of mass destruction, terrorism and regime change : political linguistics and the 2003 invasion of Iraq /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR38997.
Повний текст джерелаTypescript. Includes bibliographical references (leaves 330-353). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:NR38997
Ionita, Casiana Elena. "The Educated Spectator: Cinema and Pedagogy in France, 1909-1930." Thesis, 2013. https://doi.org/10.7916/D8HQ3ZXR.
Повний текст джерелаAlikina, Valeriia. "Vztahy USA-Rusko a masmédia: reprezentace Vladimira Putina v amerických médiích." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-384924.
Повний текст джерела"Press coverage of the enlargement of the European Union and public opinion in the United Kingdom and France: a cross-national comparative study of the first- and second-level agenda-setting and priming effects." Thesis, 2007. http://hdl.handle.net/2152/3033.
Повний текст джерелаDursun, Oya. "Press coverage of the enlargement of the European Union and public opinion in the United Kingdom and France : a cross-national comparative study of the first- and second-level agenda-setting and priming effects." 2007. http://hdl.handle.net/2152/13203.
Повний текст джерелаŠevců, Josef. "Obraz masových médií v dystopických filmech natočených od 70.v let 20. století." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-333461.
Повний текст джерелаSabolová, Veronika. "Proměna mediálního obrazu války v Iráku ("druhé války v Zálivu") v českém tisku v letech 2003-2008." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304830.
Повний текст джерелаLouw, Ivonne Petronella. "The international flow of news regarding the 2003 Irag War : a comparative analysis." Diss., 2009. http://hdl.handle.net/10500/2973.
Повний текст джерелаCommunication Science
M. A. (Internal Communication)
Dhawraj, Ronesh. "A conceptual framework for digital political communication to promote party-political issue ownership via an urban electioneering platform." Thesis, 2019. http://hdl.handle.net/10500/26232.
Повний текст джерелаThis Grounded Theory study focused on understanding how South Africa’s two numerically-dominant political parties, the African National Congress (ANC) and Democratic Alliance (DA), used micro-blogging site, Twitter, as part of their electioneering arsenal in the 2016 municipal elections to promote party-political digital issue ownership within an urban context. Using each party’s 2016 election manifesto and corpus of tweets, this three-phased study found that while both the ANC and DA used Twitter as a digital political communication platform to communicate their election campaigns, the DA notably leveraged the social networking site for intense ‘focused’ messaging of its negative campaign against the ANC while simultaneously promoting positive electoral messages around its own ‘core’ issues and metro mayoral candidates. ‘Battleground’ metros were identified by the DA in Ekurhuleni, Johannesburg, Tshwane and Nelson Mandela Bay, leading to an emphasised urban campaign here to either activate the party’s own support base and/ or to suppress the ANC’s turnout in these highly-contested areas. Additionally, it was found that both the ANC and DA used Twitter for explicit and implicit partypolitical issue ownership claiming in the 2016 municipal elections. Lastly, this study also culminated in the proposal of three but interconnected different elements of a conceptual framework for digital political communication that political parties could use to promote digital party-political issue ownership within a pronounced urban electioneering setting. These elements – ‘coordinating and managing how an election is tweeted’, 'focus' messaging the election’ and ‘audience-segmenting as a message-tailoring strategy’ – when used in unison can help political parties communicate better and ultimately more effectively in a highly mediatised technological media landscape
Hierdie Gegronde Teorie Studie fokus op die verduideliking hoe Suid-Afrika se twee numeriese dominante politieke partye, die African National Congress (ANC) en Demokratiese Alliansie (DA), van die mikro-blog platform, Twitter, gebruik gemaak het tydens hulle verkiessingsstrategie in die 2016 munisipale verkiessings om die party politieke digitale kwessie rondom eienaarskap binne ‘n stedelike verband te bevorder. Deur elke party se 2016 verkiessings manifesto en arsenaal van twiets te gebruik, het hierdie drie-fase studie bevind dat beide die ANC en DA, Twitter gebruik het as ‘n digitale politieke kommunikasie platform. Die DA het egter die sosiale media netwerk kenmerkend gebruik vir ‘n intense gefokusde negatiewe veldtog teen die ANC terwyl hulle terselfdertyd ‘n positiewe verkiessings boodskap rondom die party se eie kernkwessies en metro burgermeesters kandidate gesentreer het. ‘Oorlogsgebied’ metros is deur die DA in Ekurhuleni, Johannesburg, Tshwane en Nelson Mandela Bay geidentifiseer wat ‘n defnitiewe stedelike veldtog tot gevolg gehad het om die party se eie ondersteuningsbasis te bevorder en/of die ANC se ondersteuning in hierdie hoogs betwiste areas te onderdruk. Daar was ook bevind dat beide die ANC en DA van Twitter gebruik gemaak het vir eksplisiete en implisiete party politieke kwessies rondom eiernaarskap tydens die 2016 munisipale verkiessings. Hierdie studie kan saamgevat word in drie onderskeie maar verwante elemente om ‘n raamwerk te vorm van die digitale politieke kommunikasie wat politieke partye kan gebruik om digitale party politieke kwessies binne ‘n stedelike verkiessings omgewing te bevorder. Wanneer hierdie elemente – ‘koordinering en bestuur van hoe twiets tydens ‘n verkiesing gebruik word’, ‘’die focus van die boodksap tydens die verkiessing’ and ‘die gehoorsegmentasie can ‘n boodskap strategie’ – in ‘n eenheid gebruik word kan dit politieke partye help om beter en meer effektief te kommunikeer binne ‘n baie kompiterende en tegnologiese medialandskap.
Inkcazo-bungcali yesisifundo ibigxile ekuqondeni ukuba uMzantsi Africa lo unamaqela amakhulu amabini ezopolitiko, ukutsho, iAfrican National Congress (ANC) kunye ne Democratic Alliance (DA), la maqela asebenzise iwebhusayithi encinane uTwitter, njengenxalenye yezixhobo zonxibelelwano kunyulo loo masipala ngo-2016. Bekwenza oku ngelikhuthaza amaqela ezopolitiko nebango lawo kwimiba yezinto abathi bazithethe kwisithuba sedijithali,kumxholo wendawo zase dolophini. Esi sifundo sisebenzisa imanifesto kunye nothotho lwe tweets zeqela ngalinye, nesenziwe ngokwezigaba ezithathu, sifumanise ukuba nangona iANC kunye ne DA zisebenzise uTwitter njenge qonga lonxibelelwano lwezopolitiko zedijithali (ngokolwimi lwasemzini) ukunxibelelana namaphulo onyulo, iDA izibonakalise amandla kwindawo yokuncokola kwiqonga uTwitter,ngokuthi imiyalezo yayo igxile kwaye itsole. Miyalezo leyo ithe yagxila ngokungafanelekanga kumkhankaso weANC. Ngaxeshanye, imiyalezo yayo yona iDA ibeyeyakhayo, kwaye incedisana nephulo layo kwimiba ephambili kunye nabagqatswa bosodolophu bo masipala abambaxa. Oomasipala abambaxa abathi babenongquzulwano bachongwe yiDA Ekurhuleni, eRhawutini, eTshwane nase Bhayi. Lonto ibangele ukuba bagxininise ekukhokeleni iphulo ledolophu ukuze bavuselele inkxaso ye DA apho okanye bacinezele ukuvela kwe-ANC kwezi ndawo kuphikiswana kakhulu ngazo. Ukongeza, kufumaniseke ukuba iANC kunye neDA zisebenzise uTwitter ngokwendlela ecacileyo nengathanga ngqo kwimeko yobunini bemicimbi yepolitiki ukuze bafumane ibango kunyulo loomasipala lwango 2016. Okokugqibela, esisifundo sigqibele kwisindululo sezinto ezintathu azahlukeneyo kodwa ezidityaniswe yinkqubosikhokelo eqingqiweyo kunxibelelwano lwezopolitiko zedijithali. Ezi zinto zizinto ezisenakho ukusetyenziswa ngamaqela ezopolitiko ukukhuthaza ubunini bemicimbi yezopolitiko ngaphakathi kulungiselelo lonyulo lwedolophu olubhengeziweyo. Ezi zinto- 'ukulungelelanisa nokulawula indlela unyulo luthunyelwe ngayo kusetyeziswa uTwitter', 'kugxilwe' kwimiyalezo yonyulo kunye nokuhlukaniswa kwabaphulaphuli okanye ababukeli njengecebo lokulungisa umyalezo '- xa zisetyenziswa ngazwinye zinokuwanceda amaqela ezopolitiko anxibelelane ngcono kwaye ekugqibeleni ngokuyimpumelelo kakhulu kuxhamlo olunamandla kakhulu kubume beendaba kumhlaba wetekhnoloji (ngokolwimi lwesiNgesi).
Communication Science
D. Litt. et Phil. (Communication)