Дисертації з теми "Making and Craft"
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Thieman-Dino, Angela. "Making fun: How urban Black girls craft identity." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3273711.
Повний текст джерелаHawson, Thomas. "Contemporary craft in Iceland : communicating culture through making." Thesis, Bucks New University, 2006. http://bucks.collections.crest.ac.uk/9927/.
Повний текст джерелаPaquin, Garth William. "Thinking Through Making." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242781351.
Повний текст джерелаGowlland, Geoffrey Karim. "The making of an exclusive craft : skill, style and personhood in a Chinese craft community." Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612946.
Повний текст джерелаPeach, Andrea. "The making of modern Scottish craft : revival and invention in 1970s Scotland." Thesis, Robert Gordon University, 2017. http://hdl.handle.net/10059/2711.
Повний текст джерелаPeng, Fanke. "Visual Thinking - Beyond Craft Making : Identifying and verifying a visual analysis model (VAM) for craft practice." Thesis, University of Dundee, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521661.
Повний текст джерелаHilligoss, Peter Z. "Modern Craft: Linking Material, Process and Environment." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1244642268.
Повний текст джерелаKärklkäinen, Jimmy. "Creativity and Craft Center : Bringing the Making to the City." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135593.
Повний текст джерелаSchenk, Jan-Christof. "The making of a new South African craft : township craft and development discourse in post-apartheid Cape Town." Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/14635.
Повний текст джерелаThe author discusses postdevelopment theory by exploring unintentional effects of development practices in Cape Town's craft scene. A heterodox research design is adopted, drawing on Pierre Bourdieu's ideas on cultural production, notions of authenticity, representation and the modern/traditional dichotomy as well as thoughts on the making of a New South African identity. This is applied to the dynamics of Cape Town's craft scene in the pursuit of answering four research questions: (i) What role does the township play in the image of post-apartheid South Africa? (ii) How does development discourse contribute to the re-imagining of post-apartheid South Africa through 'township craft'? (iii) Is development discourse conducive to maintaining and creating tensions between centres and peripheries in the New South Africa? (iv) To what extent can a heterodox research design contribute to the postdevelopment debate? Through the socio-semiotic analysis of qualitative data obtained from interviews with fourteen stakeholders in Cape Town's craft scene as well as observations made at sites, where 'township craft' is presented and/or produced, the author is able to give three main insights in relation to the stated questions: (i) The image of the township, represented through cultural commodities, plays a crucial role as a place of creativity and positive change in the making of a post-apartheid identity. (ii) Development discourse manifests itself in the making of a New South African identity through material culture in the form of 'township craft' and its conceptual as well as spatial contexts. (iii) The use of development discourse in the making and marketing of 'township craft' in combination with supposedly 'common knowledge' about the art/craft divide has the potential to create and maintain patterns of inequality between producers and sellers of 'township craft'. A recommendation is made to explore further possibilities of heterodox research designs for studies using a postdevelopment theoretical framework.
Thome, Hannah R. "Ravelry.com: Augmenting Fiber Craft Communities and Social Making with Web 2.0." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524488670252085.
Повний текст джерелаNasseri, Mona. "In the making : an exploration of the inner change of the practitioner." Thesis, University of Dundee, 2013. https://discovery.dundee.ac.uk/en/studentTheses/a43e2b29-7cc0-44dd-a077-83258bdb557b.
Повний текст джерелаLaurenson, Sarah. "Materials, making and meaning : the jewellery craft in Scotland, c. 1780-1914." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25848.
Повний текст джерелаSundström, Elin. "Water Talks : Rewilding craft: restoring relationship through making objects entangled with place." Thesis, Konstfack, Keramik & Glas, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7810.
Повний текст джерелаSmith, Matt. "Making things perfectly queer : art's use of craft to signify LGBT identities." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/24d3ff45-7ca5-40ac-9253-2795ef0edb75.
Повний текст джерелаBray, Derin Tyler. "Urban craft in rural Massachusetts the Weymouth cabinetmaking shop of Abiel White, 1790-1851 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 190 p, 2007. http://proquest.umi.com/pqdlink?did=1232384531&Fmt=7&clientId=79356&RQT=309&VName=PQD.
Повний текст джерелаDe, Muro Theodore Edward. "Making a case for clay in art education /." Access Digital Full Text version, 1992. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1130215x.
Повний текст джерелаTypescript; issued also on microfilm. Sponsor: David S. Nateman. Dissertation Committee: Judith Burton. Includes bibliographical references (leaves 203-216).
Ekström, Anna. "Instructional work in textile craft : Studies of interaction, embodiment and the making of objects." Doctoral thesis, Stockholms universitet, Institutionen för utbildningsvetenskap med inriktning mot tekniska, estetiska och praktiska kunskapstraditioner, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-69529.
Повний текст джерелаAt the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 2: Submitted. Paper 3: Accepted. Paper 4: Submitted.
Telford, N. J. M. "Making stories : an investigation of personal brand narratives in the Scottish craft microenterprise sector." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21910.
Повний текст джерелаJohns, Melissa. "Tenacious Threads: Crazy Quilts as an Expressive Medium for Making Art." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/94.
Повний текст джерелаMacManus, Sean Christopher. "Architectural Tectonics: A Shift Between the Cultural Tradition of Making to Contemporary Building Processes." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/25235.
Повний текст джерелаMaster of Architecture
Tunick, Joshua Eric. "Craft in Architecture: The Making of a Coffee Mill and a Study of Form Generation." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32833.
Повний текст джерелаMaster of Architecture
Smith, Thomas S. J. "Material geographies of the maker movement : community workshops and the making of sustainability in Edinburgh, Scotland." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/12815.
Повний текст джерелаLetourneau, Jon P. "Incorporating multi-criteria optimization and uncertainty analysis in the model-based systems engineering of an autonomous surface craft." Thesis, Monterey, California : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Sep/09Sep%5FLetourneau.pdf.
Повний текст джерелаThesis Advisor(s): Whitcomb, Clifford ; Papoulias, Fotis. "September 2009." Description based on title screen as viewed on 5 November 2009. Author(s) subject terms: Autonomous, unmanned vehicle, USV, UV sentry, model-based, multi-criteria, model-based decision making, MCDM, unmanned surface vessel, model-based systems engineering, MBSE, uncertainty. Includes bibliographical references (p. 91-92). Also available in print.
Clay, E. S. "A material-led investigation into the creative potential of British 'waste' wools for fine craft felt-making." Thesis, Bath Spa University, 2013. http://researchspace.bathspa.ac.uk/1734/.
Повний текст джерелаSchroder, Megan Janet. "Making futures: The role of agency and possibility thinking in the creative lives of young people." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122966/1/Megan_Schroder_Thesis.pdf.
Повний текст джерелаStevenson, Frances. "Making changes : applying heuristics to a practice-led investigation of creative wellbeing within the context of contemporary craft." Thesis, University of Dundee, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650301.
Повний текст джерелаNanda, Puja 1971. "The culture of building to craft--a regional contemporary aesthetic : material resources, technological innovations and the form making process." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/69409.
Повний текст джерелаIncludes bibliographical references (p. 87-90).
In the non-Western context, there always has been a dilemma between "who we are" and "who we should be" . One could say "between tradition and modernity" . When the alien culture of building was adopted, the ties with the traditional vernacular processes were snapped off without establishing a critical dialogue between the two. The prevalent primitive modes of production were incongruous with the concepts of mechanization . Moreover, the tradition of the craftsman as a master builder was replaced by the differentiation between the architectural practice, the building industry and the exiting crafts. This issue becomes even more complex in the present context, when the architectural practice and the building industry are subject to the global culture of commodification and homogenization . The architectural practices are churning out 'products' that appropriate the local idioms into universal themes without undergoing the 'process' of transformation and metamorphosis into a contemporary vocabulary. The industry, on the other hand, is assuming global references and has a thrust towards universal building materials and systems that ignore the regional resource base. In the kitsch that is generated, the 'regional identity' is lost . Left behind is historical mimicry, thematic interpretations and ethnic nostalgia. One cannot deny that the global culture of integration/homogenization is as much a reality as the local culture of differentiation/uniqueness. Critically looking at this intersection, this thesis states the issue again as: "What kind of a 'culture of building' would generate an 'aesthetic' that draws references from its regional context and is also true to contemporary? There are some alternate practices that sit at the intersection of local and universal aspirations. They achieve a design economy by emphasizing on the larger web of the extended natural patterns of the region . They respect the vernacular aesthetic where the building processes are composed essentially of relationships in time and place. Thus, their culture of building represents a 'process' that integrates the architectural practice with the local crafts and the existing building industry towards an aesthetic that is both regional and contemporary. This thesis represents an effort to formulate an alternative paradigm or a reference language to the current architectural practice in India, that is not subject to the global culture of commodification and homogenization but is rooted in its context. metamorphosis and transformation. This thesis argues that a bias towards the 'process' and not the 'product' has greater potential to render an aesthetic of the place.
by Puja Nanda.
S.M.
Pitman, Sophie. "The making of clothing and the making of London, 1560-1660." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269651.
Повний текст джерелаKenning, Gail Joy Art College of Fine Arts UNSW. "Pattern as process: an aesthetic exploration of the digital possibilities for conventional, physical lace patterns." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/39898.
Повний текст джерелаBatra-Wells, Puja. "Art/Work: Place-Making, Precarity, and the Performance of Artistic Occupational Identities in Columbus, Ohio." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1471460370.
Повний текст джерелаDover, Noam. "EMBRACING THE DIGITAL TO THE HAND MADE : Bridging digital technology with glassblowing moulds crafting methods." Thesis, Konstfack, Keramik & Glas, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5852.
Повний текст джерелаLarsson, Åsa Maria. "Breaking and Making Bodies and Pots : Material and Ritual Practices in Sweden in the Third Millennium BC." Doctoral thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-107370.
Повний текст джерелаTsaknaki, Vasiliki. "Making Preciousness : Interaction Design Through Studio Crafts." Doctoral thesis, KTH, Medieteknik och interaktionsdesign, MID, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-219765.
Повний текст джерелаQC 20171213
Souza, Geruza Valadares. "Oficinas em sa?de mental: uma proposta geneal?gica do fazer artesanal." Universidade Federal Rural do Rio de Janeiro, 2017. https://tede.ufrrj.br/jspui/handle/jspui/2213.
Повний текст джерелаMade available in DSpace on 2018-03-14T14:33:47Z (GMT). No. of bitstreams: 1 2017 - Geruza Valadares Souza.pdf: 1005345 bytes, checksum: 523605753069c0de09582df153affbb0 (MD5) Previous issue date: 2017-07-19
Avec le mouvement de la r?forme des centres psychiatriques de soins psychosociaux qui font la cr?ation d'ateliers importants dispositifs d'accueil des sujets en d?tresse mentale sont cr??s. L'objectif de ce travail est de discuter du fonctionnement de la cr?ation d'ateliers, remettant en question dans quelles conditions les actions constituent ou non un dispositif de promouvoir l'autonomie et l'inclusion sociale dans le domaine de la sant? mentale. Avec la proposition de rechercher des discours / pratiques qui guident une vision de la d?valuation des activit?s manuelles et de domination d'exploitation et la capture subjectivit?s par la production capitaliste imp?ratif, nous adoptons la m?thode g?n?alogique Foucault - qui consiste ? l'analyse historique des connaissances et pratiques - pour enqu?ter sur les conditions de possibilit? qui favorisaient la d?valuation du manuel ? la clinique et la dissociation cons?quente entre cela et faire intellectuel. Notre engagement est de proc?der ? l'analyse du travail comme ontologie, nous trouvons dans les hypoth?ses Arts and Crafts (MAO) ? penser ? d'autres rapports du sujet avec le travail et le faire manuel. Le MAO propose l'appr?ciation du m?tier de fabrication comme une alternative au travail m?canique et st?r?otyp?e de l'?re industrielle qui appauvrit les exp?riences de l'homme dans leurs actions quotidiennes. Nous croyons que la recherche sur les bateaux de fabrication, peut contribuer ? l'analyse de l'utilisation des activit?s manuelles dans la perspective historico-politique de faire manuel comme un dispositif pour favoriser l'autonomie et l'inclusion sociale. Nous comprenons que la recherche sur l'activit? artisanale du travail de conception comme ontologie permettent d'accro?tre la connaissance de la sant? mentale sur la relation de l'homme ? faire aussi bien que contribuer ? une analyse plus puissante sur les faits et gestes des ateliers de cr?ation
Com o movimento da Reforma Psiqui?trica s?o criados os Centros de Aten??o Psicossociais que tomam as oficinas de cria??o como importantes dispositivos de acolhimento dos sujeitos em sofrimento mental. O objetivo deste trabalho ? problematizar o funcionamento das oficinas cria??o, questionando em que condi??es os fazeres constituem ou n?o um dispositivo de promo??o de autonomia e inclus?o social no campo da Sa?de Mental. Com a proposta de pesquisar os discursos/pr?ticas que norteiam uma vis?o de desvaloriza??o das atividades manuais e que operam a domina??o e captura de subjetividades, atrav?s do imperativo capitalista de produ??o, adotamos a metodologia geneal?gica de Foucault ? que consiste na an?lise hist?rica de saberes e pr?ticas ? para investigar as condi??es de possibilidades que promoveram a desvaloriza??o do fazer manual na cl?nica e a consequente dissocia??o entre este e o fazer intelectual. Nossa aposta consiste em realizar a an?lise do trabalho como ontologia, encontramos no Movimento de Artes e Of?cios (MAO) pressupostos para pensar outras rela??es do sujeito com o trabalho e o fazer manual. O MAO prop?e a valoriza??o do fazer artesanal como alternativa ao trabalho mec?nico e estereotipado da ?poca industrial que empobrecia as experi?ncias do homem em suas a??es cotidianas. Acreditamos que a pesquisa sobre o fazer artesanal, possa contribuir para a an?lise do uso das atividades manuais sob a perspectiva hist?rico-pol?tica do fazer manual, como dispositivo que promova a autonomia e inclus?o social. Entendemos que a pesquisa sobre a atividade artesanal a partir da concep??o do trabalho como ontologia, permita ampliar os conhecimentos da Sa?de Mental sobre a rela??o do sujeito com o fazer, assim como contribuir para an?lises mais potentes acerca do fazeres nas oficinas de cria??o.
Råhlander, Moa. "How Beads come Together : Late Iron Age glass beads as past possessions and present sources." Thesis, Stockholms universitet, Institutionen för arkeologi och antikens kultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-185146.
Повний текст джерелаCutting, Nicola. "Children's tool making : from innovation to manufacture." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/3969/.
Повний текст джерелаRobinson, Elizabeth. "Women and needlework in Britain, 1920-1970." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/47fc4d88-eea0-e510-6d8f-0bfcc950f7cc/7/.
Повний текст джерелаBunnell, Katie. "Re:presenting making : the integration of new technology into ceramic designer-maker practice." Thesis, Robert Gordon University, 1998. http://hdl.handle.net/10059/1556.
Повний текст джерелаDesmarais, Sarah. "Affective materials : a processual, relational, and material ethnography of creative making in community and primary care groups." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/12308/.
Повний текст джерелаStenger, Rebecca, Tom Thomaes, and Marius Westphal. "CRAFTS: A Compass to Refine and Align Factory Performance towards Sustainability." Thesis, Blekinge Tekniska Högskola, Institutionen för strategisk hållbar utveckling, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-14437.
Повний текст джерелаCharlier, Fabrice. "Technologie des tuiliers gallo-romains (Gaules et Germanies) : analyse comparative et régressive des structures de production des matériaux de construction en terre cuite de l'époque contemporaine à l'Antiquité." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1006.
Повний текст джерелаThis research concerns the techniques of tile and brick-making in Roman time in the provinces ofGaul and Germania. We have only access to these techniques through archaeology. First, there arethe movable vestiges: the objects (tiles and bricks), then there are the real estate vestiges: the tilemakingsites which are regularly uncovered. Only the structures of production are examined here,but it is often made reference to materials. The study is led according to two guidelines. One is horizontal: the “chaîne opératoire”, the other is vertical: Time, from present to past. The structures of production are treated according to the orderof the making process: quarrying, preparing clay, shaping, drying, and firing. Inside each of thesefive phases are successively studied structures of contemporary time (craft production), modern,medieval and finally Gallo-Roman. This regressive approach allows us to bring to light thecontinuities and the breaks in the techniques used and thus, to better characterize and understandthe most ancient of them, the Gallo-Roman tile-makers one. The functioning of the most recentstructures of production sheds light on that of the Roman ones. Punctual comparisons are only usedto try and explain some original characteristics of the Gallo-Roman structures. The most innovativeresults were obtained in the study of the structures used in the phases of shaping, drying and firing
Brown, Emilie Sayward. "Bounded Surface." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1331.
Повний текст джерелаKnutes, Helen. "Gestaltandets pedagogik : Om att skapa konsthantverk." Doctoral thesis, Stockholms universitet, Pedagogiska institutionen, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-26822.
Повний текст джерелаNivrén, Linnéa. "Fertile Wear : Underwear in relation to manufacturing toxicity, the ecosphere and our reproductive zones." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105578.
Повний текст джерелаBiscaia, Julliana. "Comunicação, consumo e representações do fazer artesanal e artístico: as narrativas dos artesãos no blog Elo7." Associação Escola Superior de Propaganda e Marketing, 2016. http://tede2.espm.br/handle/tede/79.
Повний текст джерелаArt and crafts are contemporary mediated logic of production in blogs such as Elo7 (found in crafts ecommerce offered by Elo7), which brings us with testimonials of craftsmen/women, regarding representation in craft making. According to these craftsmen/women, crafts is a way of making art. The main purpose of this research is to analyze the testimonials found in this blog, conceiving them as publicity texts, since they value the craft activity, approaching it to art. We start from Carrascoza s (2004) strategies to analyze publicity texts concept. We also lay our verification of these texts in the French Discourse Analysis
A arte e o artesanato são lógicas de produção mediatizadas na contemporaneidade em blogs como o Elo7 (presente no site de comercialização de produtos artesanais Elo7), que nos traz depoimentos de artesãos, com representações em relação ao fazer artesanal. Na visão desses criadores, o artesanato é uma forma de fazer artístico. Temos como objetivo analisar os depoimentos presentes nesse blog, concebendo-os como textos publicitários, uma vez que valorizam a atividade artesanal, aproximando a da arte. Partimos da conceituação de Carrascoza (2004) para a análise das estratégias do texto publicitário. Nos ancoramos também na Análise de Discurso de Linha Francesa para empreender nossa verificação.
Crippa, Benedetta. "World of Desire." Thesis, Konstfack, Grafisk design & illustration, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5855.
Повний текст джерелаMcGrath, Shane Michael. "Making as a tool of self-examination and search for meaning : sifting through remaining residue as the tide of faith ebbs away : an exegesis presented with exhibition as fulfilment of the requirements for thesis Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2010. http://hdl.handle.net/10179/1311.
Повний текст джерелаDanese, Marie Louise. "Interviews with four contemporary women craft makers about the personal meaning of craft making." Thesis, 2006. http://spectrum.library.concordia.ca/8957/1/MR14346.pdf.
Повний текст джерелаMorris, Kathleen. "Emerging Views on Making: Fibre Graduates Reflect on their Practice." Thesis, 2013. http://hdl.handle.net/1807/42635.
Повний текст джерелаTorrez, Joseph B. "Light-weight materials selection for High-Speed Naval Craft." Thesis, 2007. http://hdl.handle.net/10945/3002.
Повний текст джерелаA decision analysis study was conducted on the process of materials selection for high-speed naval craft using the Modified Digital Logic (MDL) method. The purpose is to show how this method along with Ashby's material selection process can be integrated to provide a comprehensive tool designed specifically for light-weight material optimization. Using Ashby's Material Selection Charts and the MDL method, a step by step material selection process is outlined. Furthermore, a comparison of the materials based on equivalent plate uni-axial ideal elastic compressive stress was completed using the American Bureau of Shipbuilding (ABS) Guide for Building and Classing High-Speed Naval Craft and then an evaluation was done to optimize material selection depending on the designer's preference for weight and cost, The potential materials for evaluation were selected using Naval Sea Systems Command (NAVSEA) references for the most current materials in use, or being evaluated, for light weight naval construction. The results demonstrate the feasibility of using the MDL method to select one or more materials based on desired mechanical and structural characteristics. The study also introduces the potential use of non-traditional materials in Naval Architecture, such as Ultra High-Performance Concrete Composite (UHP2C) DUCTAL.
Contract number: N62271-97-G-0026.
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