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1
Kirillova, Natalia B. "Metamorphoses of Russian Mass Culture." Observatory of Culture 16, no. 5 (December 4, 2019): 536–41. http://dx.doi.org/10.25281/2072-3156-2019-16-5-536-541.
Повний текст джерелаАнотація:
The article is a review of the monograph “Russian Mass Culture: From Baroque to Post-Modernism” by Doctor of Philosophy, Professor of the Russian State University for the Humanities, Academician of the Russian Academy of Natural Sciences I.V. Kondakov. The book, which consists of seven chapters, is devoted to the history of the emergence and development of mass culture in Russia from ancient times to the beginning of the 20th century. Studying its origins dating back to antiquity, the author proves that Russian mass culture received an “impulse of independence” in the 17th century, as the culture was becoming personified, which means a personal principle was coming forward in it. It was during that period, associated with the emergence of Russian Baroque, that two paradigms appeared — Pre-Renaissance and Pre-Enlightenment, which led to the subsequent juxtaposition of “mass” and “elite” cultures in Russia first before Peter the Great and then after his period. The author gives an interesting assessment to the period of the Russian Enlightenment of the 18th century, when there happened a demarcation of the noble culture into liberal-democratic and conservative directions. Moreover, the former contributes to “massification”, and the latter – to “individualization” of Russian culture. The crisis of the classical paradigm in the 19th century, including the “literature-centrism” and “critical-centrism” of Russian culture, ultimately led to the formation of new artistic movements, new genres and styles, that is, to the modernization of Russian culture at the turn of the 19th—20th centuries. In this regard, the Silver Age turned out to be an “exquisite and ephemeral construction of the Russian Renaissance” in paradoxical forms of symbolism and modernism.The review reflected the structural and substantive aspects of I.V. Kondakov’s monograph, the features of his theoretical analysis, the specifics of style and language. The article evaluates the publication, reveals its uniqueness and scientific significance for modern humanitarian science, including history and cultural studies, literary criticism and philosophy, art criticism and aesthetics.
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Jaumann, Herbert. "Wozu hütete Abel seine Schafe, wenn es keine Diebe gab? ‒ Altes und Neues zu Isaac La Peyrère und seiner Präadamiten-These (1655)." Scientia Poetica 23, no. 1 (October 21, 2019): 22–43. http://dx.doi.org/10.1515/scipo-2019-002.
Повний текст джерелаАнотація:
Abstract The two treatises of 1655, entitled Prae-Adamitae and Systema theologicum ex Praeadamitarum hypothesi, are among the principal works of the French Huguenot author Isaac La Peyrere (1596-1676). Peyrere ‘s theses have occupied a key position within the heretical branch of 17th-century Biblical Criticism: God must have created a human race before Adam, the Bible does not tell the history of mankind but of the elect people of Israel only, and the books of the Pentateuch were certainly not written, if at all, by Moses alone. The present contribution offers an outline of the recent La Peyrere Edition of 2019 and considers a few questions for further study. (1) How close are the Preadamites to early modern utopian literature? (2) What are we to make of Adriaan Beverland’s reference to the Praeadamitae in his infamous book on the Peccatum originale of 1678? (3) Taking up Isaac Popkin’s (1987) interesting suggestion, should we not as well consider a “pre-Eveite theory” alongside La Peyrere’s Preadamite hypothesis? This article concludes by addressing (4) another special desideratum: the early reception of La Peyrere and its continuing effects after the first critical responses as early as 1655/56.
3
Chaberski, Mateusz. "Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s The Baroque Cycle." Art History & Criticism 14, no. 1 (December 1, 2018): 110–21. http://dx.doi.org/10.2478/mik-2018-0010.
Повний текст джерелаАнотація:
Summary In recent science-fiction literature, we can witness a proliferation of new counterfactual narratives which take the 17th century as their point of departure. Unlike steampunk narratives, however, their aim is not to criticise the socio-political effects caused by contemporary technological development. Such authors as Neal Stephenson or Ian Tregillis, among others, are interested in revisiting the model of development in Western societies, routing around the logic of progress. Moreover, they demonstrate that modernity is but an effect of manifold contingent and indeterminate encounters of humans and nonhumans and their distinct temporalities. Even the slightest modification of their ways of being could have changed Western societies and cultures. Thus, they necessitate a rather non-anthropocentric model of counterfactuality which is not tantamount to the traditional alternative histories which depart from official narratives of the past. By drawing on contemporary multispecies ethnography, I put forward a new understanding of counter-factuality which aims to reveal multiple entangled human and nonhuman stories already embedded in the seemingly unified history of the West. In this context, the concept of “polyphonic assemblage” (Lowenhaupt-Tsing) is employed to conceptualize the contingent and open-ended encounters of human and nonhuman historical actors which cut across different discourses and practices. I analyse Stephenson’s The Baroque Cycle to show the entangled stories of humans and nonhumans in 17th century sciences, hardly present in traditional historiographies. In particular, Stephenson’s depiction of quicksilver and coffeehouse as nonhuman historical actors is scrutinized to show their vital role in the production of knowledge at the dawn of modernity.
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Panina, Nina L. "Illustrations in Children’s Educational Books in Russia in the Late 17th – Early 19th Centuries." Tekst. Kniga. Knigoizdanie, no. 23 (2020): 82–99. http://dx.doi.org/10.17223/23062061/23/5.
Повний текст джерелаАнотація:
The aim of this article is to analyse the transition period in the history of illustrating children’s educational books on the material of Russian-language publications. It is the period in which the function of an intermedial representation gradually develops from emblematic to encyclopedic and narrative-figurative images. This process is related to the literary history of children’s books and their genre transformations. In the last third of the 18th century, children’s literature in Russia was formed as an independent direction with its special goals, and the basis for further search for specific methods of children’s book design, including educational ones, was laid. In the first quarter of the 19th century, the children’s book had a typical European visual design and continued the trends inherited from the 18th century: translations, borrowings, and revised texts in publications often copied illustrations rather than made new ones. A new stage came at the end of the 1820s, when Russia was actively developing independent children’s literature, and professional authors and criticism appeared. It was the time of the pedagogical experiments of Vasily Zhukovsky. This article does not claim to analyse Zhukovsky’s pedagogical activity comprehensively, but this activity is significant for the subject-matter of the study. In his pedagogy, Zhukovsky went to a new level when searching for intermedial ways of transmission of the universal coherence of phenomena, the systemic representation of knowledge about the world, and the ideas of the world as a system. The search, though much slower, was also observed in contemporary children’s books. The integration of cognitive and didactic functions in the Russian-language children’s book of the 18th century resulted in a mix of different principles of illustration in one publication. These principles are: (1) emblematic: the title, image, and text form a three-part structure; (2) encyclopedic: the sheet contains separate numbered images of the same type of objects excluded from the visual context; (3) narrative: the plot, expressive and figurative, including caricature, illustrations are readily used in an educational book due to their persuasiveness. Each of these principles has its own ways of displaying coherence. An encyclopedic illustration shows an object in a series of similar ones, in an enumeration, shows the structure of the object. An emblem gives its symbolic and allegorical interpretation. A narrative illustration shows its functions and its involvement in causal relations, depicting the environment of events and objects. The children’s book of the studied period tends to integrate all these ways. While the emblem as an independent intermedial genre degrades, certain elements of the emblematic tradition are actively borrowed by new forms of publications. The emblem gives the European book of modern times the most important intermedial tools for displaying universal coherence, the world as a system. The change of the epochs leads to an inevitable blurring of the meaning of the emblematic sign. The transitive nature of the analysed period is expressed in the search for a new intermedial form of coherence, similar to the lost emblematic bimediality of the text and illustration in terms of effectiveness. In the search for such a form, encyclopedic publications that claimed to be all-encompassing use the emblematic and narrative principles of illustration. In turn, the narrative illustration, driven by a similar desire for inclusiveness, consistency, and universality, absorbs the emblematic and encyclopedic principles.
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Dmitriev, Igor. "God-Pantocrator and God-Coordinator: The Status of a Miracle in the Scientific Revolution." Philosophy. Journal of the Higher School of Economics V, no. 4 (December 31, 2021): 116–37. http://dx.doi.org/10.17323/2587-8719-2021-4-116-137.
Повний текст джерелаАнотація:
Scientists and philosophers of the 17th century, with all the novelty of their ideas, at the same time were in no hurry to reject the concept of a miracle, although many of them, such as I. Newton, rejected the understanding of a miracle as a violation of the laws of nature, its “ordinary course”. On the whole, with regard to the Christian concept of the miracle in the natural philosophy of the early modern period, a very uncertain situation developed. On the one hand, in the era of the Scientific Revolution, there was a clear tendency to explain extraordinary phenomena by the action of natural causes, which in theology found its meaningful expression in the Protestant concept of the cessation of miracles (cessatio miraculorum) in post-apostolic times, and in philosophy (more precisely, in the philosophico-theological literature), especially in the teachings of B. Pascal, R. Descartes, B. Spinoza, D. Hume and other authors, in an effort to build a rational theology in which the status of a miracle turned out to be very uncertain. On the other hand, the difficulties that arose in science after I. Newton's discovery of the law of universal gravitation and associated with the problem of actio in distans, forced researchers to resort to theological concepts and images in natural-philosophical reasoning, in particular, to refer to the concept of a miracle. The latter circumstance required the development of a new understanding of miracles, namely the concept of “coincidence miracles”, which made it possible to preserve the apologetic functions of miracles and at the same time to neutralize the philosophical and theological criticism of the concept of miracle by B. Spinoza and D. Hume. My aim in this article is to demonstrate that the relationship between theological and scientific (more precisely, natural-philosophical) problems is by no means reduced to the use of theological concepts in the process of the formation of classical science in the mode of general reasoning by analogy or as general ideological statements. Theological concepts turned out to be included in the natural-philosophical discourse on a par with purely physical arguments, and, on the contrary, theological thought had to somehow react to natural-philosophical discoveries, which ultimately led to a mutual adjustment of both natural-philosophical and theological concepts.
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Khromov, Oleg R. "Russian Engraving of the 17th Century in the Studies of Dmitry Rovinsky." Observatory of Culture 19, no. 5 (November 14, 2022): 492–501. http://dx.doi.org/10.25281/2072-3156-2022-19-5-492-501.
Повний текст джерелаАнотація:
The article is devoted to the works of Dmitry Aleksandrovich Rovinsky (1824—1895), a famous Russian scientist and collector, the founder of Russian engraving studies. There are special articles devoted to him in modern literature, but mostly of a biographical nature. This article explores his methods for studying early Russian engraving of the 17th century. The author shows the directions and approaches to the topic identified and developed by D.A. Rovinsky. Exploring the scientist’s work in the context of the development of art criticism of the 19th century, the article reveals methodological errors in the attribution and identification of iconographic sources of Russian engraving of the 17th century. The article shows the features of D.A. Rovinsky’s approach to specific works, which determined his conclusions and observations in the assessment of Russian engraving of the 17th century, some of them remain relevant today. There are demonstrated the material research characteristics associated with socio-political reasons that determined the direction of censorship in relation to the study of plots and iconographic issues of early Russian engraving. The article shows for the first time the features of studying early Russian engraving of the 17th century as an independent phenomenon, reveals the origins of the formation of modern trends in art criticism (engraving) research, and demonstrates the processes of formation of our ideas about the initial stage of the development of the art of engraving in Russia as a special kind of art and a phenomenon of artistic culture.
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Mishina, L. A. "THE FAMILY PHENOMENON IN SEVENTEENTH-CENTURY AMERICAN LITERAURE." Bulletin of Udmurt University. Series History and Philology 32, no. 2 (April 29, 2022): 355–62. http://dx.doi.org/10.35634/2412-9534-2022-32-2-355-362.
Повний текст джерелаАнотація:
The purpose of this article is to analyze the phenomenon of the New English family of the 17th century, the first century of the existence of American national literature, presented in the works of early American authors - period insufficiently studied in literary criticism. Untranslated or incompletely translated into Russian works of such religious and public figures, writers as Richard Mather (Diary), Inkris Mather (The Life and Death of the Reverend Richard Mather), Edward Johnson (The Miraculous Providence of the Savior of Zion in New England) , Samuel Sewall (Diary), John Cotton (God’s Promise to His Plantation), Cotton Mather (Life of Mr. Johnatan Burr), are introduced into literary criticism. Being one of the key in the early history and literature of the United States, the theme of the family has the following aspects considered within the framework of the article: the move of families to a new continent, settling in a new place, the status of a father, mother, and child. The process of formation and existence in extreme conditions of a Protestant family is analyzed, the role of the family community in the fulfillment of the sacred mission - the creation of the kingdom of Christ on new lands - is determined. The conclusion is made about the uniqueness of the New English family of the 17th century, which combined the features of both the family structure that developed in European society and those born in the process of American experiments. The idea is emphasized that the disclosure of the family theme by early American authors clearly represents the features of American literature of the 17th century in general. The article uses biographical, structural, cultural and historical methods of literary analysis.
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Lambe, Patrick J. "Critics and Skeptics in the Seventeenth-Century Republic of Letters." Harvard Theological Review 81, no. 3 (July 1988): 271–96. http://dx.doi.org/10.1017/s0017816000010105.
Повний текст джерелаАнотація:
The literature on the history of biblical criticism is voluminous, but remarkably consistent in its postulation of the Reformation and the Enlightenment as the two mainsprings of modern biblical criticism. That this history is written almost exclusively by heirs of the liberal Protestant tradition ought to sound a warning bell, especially since the extremely rare dissenting accounts of biblical criticism come from the Roman Catholic camp.
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Galtsin, Dmitrii D. "Froben Prints and Polemics on Religion in Early Modern Eastern Europe." Vestnik of Saint Petersburg University. History 67, no. 2 (2022): 578–98. http://dx.doi.org/10.21638/11701/spbu02.2022.216.
Повний текст джерелаАнотація:
The article explores the Froben prints stored at the Rare Books Department of the Library of the Russian Academy of Science (Biblioteka Akademii Nauk) in Saint Petersburg. For three generations in the 16th century, Basel printers the Frobens influenced European intellectual life like no other publishing establishment, contributing to the spread of early Latin and Greek Christian literature, which determined both the development of theology and the humanities. Some copies of Froben prints are conspicuous for the history of their use which is intrinsically connected with various kinds of religious polemics in 16th and 17th century Eastern Europe. The focus of the article is the copies of Froben’s Opera omnia of St Augustine which underwent censorship in monastic libraries of the Polish-Lithuanian Commonwealth in the 16th and 17th century. The article traces the history of a number of Froben copies which belonged to notable Polish Protestants of the 16th and 17th centuries (Andrzej Trzecieski, Nicholas Radziwill the Black (“Czarny”), Andrzej Dobrzanski). The examination of the connections of Eastern European Protestants, which enabled vigorous exchange of books with Western Europe, bringing, for instance, a book from the library of the great Dutch cartographer Gerhard Mercator to the hands of a provincial Polish pastor, is carried out. Finally, the article addresses the marginalia left by Simeon of Polotsk on one of his books. These marginalia throw some new light on the question of Simeon’s genuine theological views. By examining the history of the copies from the Library of the Russian Academy of Science through the marginalia left in the 16th and 17th centuries by people of various religions, the article assesses Froben copies as a source on confessional and intellectual history of the period.
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Korn, Uwe Maximilian, Dirk Werle, and Katharina Worms. "The carmen heroicum in Early Modernity (Das carmen heroicum in der frühen Neuzeit)." Daphnis 46, no. 1-2 (March 15, 2018): 1–14. http://dx.doi.org/10.1163/18796583-04601014.
Повний текст джерелаАнотація:
The special issue at hand provides a contribution to the historical exploration of early modern carmina heroica (epic poems) in the German area of the early modern period, especially of the ‘long’ 17th century. To this purpose, perspectives of Latin and German Studies, of researchers with expertise in medieval and modern literary history, are brought together. This introductory article puts the following theses up for discussion: 1) The view that epic poems of the early modern period are a genre with little relevance for the history of literature is wrong and has to be corrected. 2) Accordingly, the view has to be corrected that the history of narrative in the modern era leads teleologically to the modern novel. 3) For the exploration of the history of carmina heroica, the traditions of didactic poems and heroic poems have to be taken into consideration together. 4) Epic poems of the ‘long’ 17th century have a particular tendency to generic hybridization. 5) The genre history of carmina heroica can be reconstructed appropriately only by taking into account the vernacular as well as the Latin tradition.
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Pereira, Elsa. "17th Century Holographs in a Personal Miscellany of D. Francisco Manuel de Melo." Alea: Estudos Neolatinos 24, no. 3 (December 2022): 153–66. http://dx.doi.org/10.1590/1517-106x/202224309.
Повний текст джерелаАнотація:
Abstract Not many documents qualify as material evidence of 17th century holographs in Portugal. However, personal miscellanies can provide valuable insight into textual composition and transmission in the literary scene of the time. One of the examples worth exploring is a miscellaneous volume of papers collected by D. Francisco Manuel de Melo (1608-1666), which includes several manuscripts either written by the owner himself or by the hand of fellow contemporary poets. These are clean copies with few or no layers of revision, but still relevant to a certain kind of genetic criticism without drafts (GRÉSILLON, 1993), focused on the interstices of scribal activity and distributed authorship in the early modern period. The article examines little-explored documentation from the national archive Torre do Tombo, thus broadening the scope of genetic studies into the realm of Portuguese baroque literature.
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Rizal Mahendra, Fahmi. "Amr Ma'ruf wa Nahi Munkar: Gerakan Kadizadeli dan Kritik Sufisme di Kerajaan Ottoman Abad ke-17." Refleksi Jurnal Filsafat dan Pemikiran Islam 22, no. 2 (April 28, 2023): 306–30. http://dx.doi.org/10.14421/ref.v22i2.3950.
Повний текст джерелаАнотація:
This research will explore the Kadizadeli movement in the Ottoman empire in the 17th century. The Kadizadeli movement is a movement led by clerics who were previously Friday preachers at mosques in Istanbul. This movement wanted to purify Islam from the heretical behavior and activities of the Sufis who according to them had demoralized Ottoman society in the 17th century. In Islamic history, for example, there are several figures who also criticized Sufism, Ibn Tayimiyah or Ibn Jauzi. The complex problems of the 17th century have inspired some scholars, especially Kadizadeli, to fix them. Using the jargon, Amr ma'ruf wa nahi munkar, they began to criticize and attack the practices of Sufism in the Ottoman empire. By using historical research and literature this research produced several findings. Historically, this movement was led by three people, namely: Kadizade Mehmed, Ustuvani Mehmed and Vani Mehmed. Initially this movement only conveyed their criticism of Sufism activities through sermons and writings. However, when Ustuvani and Vani led this movement and gained a special relationship with the ottoman rulers, this movement led to radical actions. Apart from criticizing and criticizing, they also attack the infrastructure of Sufism and direct physical attacks on them. Keywords : bidah, kadizadeli, ottoman empire, sufism, ulema
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Stasiuk, Ivan, and Andrii Pavlyshyn. "From the History of the Monument of Ukrainian Wooden Architecture – the Epiphany of the Lord Church in Stanymyr (1689)." Scientific Papers of Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University. Series: History, no. 42 (December 2022): 9–16. http://dx.doi.org/10.31652/2411-2143-2022-42-9-16.
Повний текст джерелаАнотація:
The purpose of the article is to study the history of a valuable monument of Ukrainian wooden architecture of the 17th century – the Epiphany of the Lord Church in Stanymyr village in Lviv region, as well as the introduction of a new source into scientific circulation, which allows you to trace the historical development of the church in detail. The research methodology is based on the principles of objectivity, historicism, systematicity, analytical and synthetic criticism of sources. The method of historical reconstruction contributed to the creation of a coherent picture of the history of the Epiphany of the Lord Church in Stanymyr village from disparate facts. The scientific novelty consists in an attempt to systematize the materials related to the history of the church and introduce a new historical source of the 18th century into scientific circulation, which enriches the research base of the monument, as well as the history of the settlement in which it is located. The document proposed for publication can be used for research on church history, architecture, local history, demographic studies, as well as other topics devoted to the history of society in the early modern period. Conclusions. The Epiphany of the Lord Church in Stanymyr is one of the few preserved wooden churches of Opillia, built in the 17th century. The first Christian church in the village probably existed already in the 15th century, but the first documented mention of the church in Stanymyr dates back to the beginning of the 16th century. The modern monument was built in 1689, but it has not come down to us in its original form, which is particularly confirmed by the visitation of the church in 1763. The published document contains a detailed description of the interior of the church (including icons, liturgical utensils, vestments and books) and its surroundings (fence, bell tower, cemetery), as well as immovable property (parson's house and land). The visitation also includes valuable information about the local parish priest, statistics about the parish's population, its toponymy and anthroponymy.
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Agratina, Elena E. "THE EMERGENCE OF ART CRITICISM IN FRANCE IN THE SECOND HALF OF THE 17TH AND THE FIRST HALF OF THE 18TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2022): 146–64. http://dx.doi.org/10.28995/2073-6401-2022-3-146-164.
Повний текст джерелаАнотація:
The topic of the emergence of art criticism in France in the second half of the 17th and the first half of the 18th century, being rather widely covered in foreign academic literature, is still underdeveloped in Russian art history. Nevertheless, that issue is extremely important for understanding the processes that took place in the French and more widely in the European artistic milieu. The article aims to highlight the process of the criticism formation not only as a literary genre but primarily as a phenomenon of cultural life. Based on original written sources and foreign academic literature, the author traces how the appearance of fine art in the light of publicity was prepared in the Parisian artistic milieu. The author addresses the important questions that arose during the formative and legitimizing phase of criticism, such as its distinction from pre-existing art theory, as well as the distinction between the critic and the theorist or fine art historian. The artwork must now satisfy not only the master and the customer and a small circle of connoisseurs, society also becomes an active participant in artistic life, and the viewer enshrines the right to judge the art. The author shows how criticism is gradually becoming more diverse and polyphonic. Works written on behalf of a wide variety of characters are appearing, writers are adapting various literary genres that already exist: epistolary, diary, plays, poems, dialogues. For many years, criticism becomes an active channel of communication linking all participants in artistic life.
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Do Van, Hieu. "Literature review by Nguyen Van Trung – a course rich in praticality." Journal of Science Social Science 66, no. 1 (February 2021): 63–71. http://dx.doi.org/10.18173/2354-1067.2021-0008.
Повний текст джерелаАнотація:
Literature review by Nguyen Van Trung is a popular literature course in the South in the 60s and 70s of the twentieth century. Born in a particular historical situation, this course met many ups and downs, but the more later, its value is confirmed. Literature review is a course rich in practicality, which is expressed in the compilation with combination of Literary Theory, Literary History and Literary Criticism; expressed in absorption modern Western academic thought in order to solve difficulties of domestic literary criticism research; expressed in the application of foreign literary theory in the study of national literary phenomena.
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Halawi, Wissam H. "Écrire et réécrire l’histoire druze des origines." Asiatische Studien - Études Asiatiques 74, no. 1 (November 18, 2020): 163–93. http://dx.doi.org/10.1515/asia-2020-0017.
Повний текст джерелаАнотація:
AbstractIn his work ʿUmdat al-ʿārifīn, Šayḫ al-Ašrafānī, a Druze scholar living in Syria in the 11th/17th century, composed a Druze history of origins for the entire community. This universal history portrays Druzism as an inherent part of human history, like the other monotheistic doctrines. The author thus offers a theological account of the birth of Druzism by tracing a linear discourse of world history from Adam to the Druze daʿwa (preaching) in the 5th/11th century. Al-Ašrafānī also attributes an Islamic character to Druzism by drawing on the Druze sacred text as well as exegetical literature from the late 9th/15th century, while highlighting the Islamic nature of Druzism and its pre-eminence. This rewriting of history in the 11th/17th century contributed to the popularization of Druzism, as attested in other texts from the same period. While al-Ašrafānī did not greatly influence his contemporaries, his work was of considerable importance in the Druze communities of Bilād al-Šām afterwards. Indeed, ʿUmdat al-ʿārifīn had such a substantial impact on Druze historiography that it became a historical source for writing and rewriting the Druze history of origins. Despite being quoted extensively by modern Druze historians, it remains unpublished, being kept secret in the community.
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Catană-Spenchiu, Ana, and Constantin Răchită. "The Challenge of Biblical Textual Criticism: The Case of the Dutch Edition of the Septuagint (1709)." Religions 13, no. 8 (August 1, 2022): 708. http://dx.doi.org/10.3390/rel13080708.
Повний текст джерелаАнотація:
An overview of the main European biblical tradition of the Septuagint shows that much work has been carried out in this field of research. Prominent scholars investigated the Old Testament from a thematic diversity point of view, from the history of the text and its contextualization to a variety of translation topics. We investigate, in this article, a lesser-known edition of the Septuagint from the early 18th Century, edited by Lambert Bos and printed in Franeker. Lambert Bos’ biblical philology fits into the patterns of Dutch textual philology, consolidated in the 17th century and built on the solid foundations provided by the grammatical and lexical analysis of ancient texts. A deeper understanding of the issues raised by the texts’ transmission opens a new field of research which admits that a true appreciation of the texts’ content must be preceded by their recovery in as ‘authentic’ a form as possible. The present article aims to restore the image of a Dutch Hellenist of pre-modern philology, and to present important data on his key works, highlighting the defining characteristics of the Franeker edition (1709) of the Septuagint with an analysis from a modern perspective of the principles and methods he followed in the actual practice of biblical textual criticism.
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Alpatov, Sergey V., and Anna V. Archangelskaia. "Polish Literary Legend in the Russian Historical and Cultural Context." Slovene 10, no. 1 (2021): 450–56. http://dx.doi.org/10.31168/2305-6754.2021.10.1.20.
Повний текст джерелаАнотація:
This paper reviews the book Old Russian Translation of Krzysztof Dzierżek's Tale about the Astrologer Mustaeddin and its Later Reworkings (Study and Edition) by Eliza Małek, which is the ninth volume of the Library of 17th–18th Century Russian Translations of Old Polish Literature series. The book is concerned with Polish-Russian literary relations of the Early Modern period.
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Penkova, Yana A. "About the history of indefinite pronouns: Quasi-relative constructions with ni budi and ni jest’ in 17th–18th century Russian language." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 114–37. http://dx.doi.org/10.21638/spbu09.2021.107.
Повний текст джерелаАнотація:
The article deals with quasi-relative constructions with ni budi/ ni jest’ , which were competing in 17th-18th century Russian language and claiming the role of an unspecific indefinite marker. This competition resulted in the victory of the ni budi- construction and grammaticalization of the formant nibud’ in modern Russian. The research was carried out on data taken from the historical module of the Russian National Corpus, as well as from a subcorpus of 18th century texts within the main corpus. Quasi-relative constructions are compared according to the following parameters: frequency, semantic distribution, degree of phraseologization and stylistic features. In the 17th century texts, both constructions show low frequency and occur in a limited range of sources: mainly in documents, as well as in some chronicles and everyday communication. In this period, the grammaticalization process was not complete for both constructions. In 18th century texts, the frequency of quasi-relative constructions with ni budi , unlike ni jest’ , sharply increases. Constructions with ni budi ( nibud’ ) penetrate into various functional domains of literary language, including church literature. Constructions with ni jest’ , on the contrary, were preserved in the 18th century language only as marginal archaisms. The semantics of quasi-relative constructions with ni budi in the period in question differed from nibud’ pronouns in modern Russian. The latter significantly narrowed their semantic scope, having lost the ability to be used as free-choice markers.
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Spiekermann, Björn. "Der Atheismus in Enzyklopädien der Frühen Neuzeit." Daphnis 49, no. 3 (July 14, 2021): 479–524. http://dx.doi.org/10.1163/18796583-12340028.
Повний текст джерелаАнотація:
Abstract This article examines definitions and evaluations of as well as alternative terms for ‘atheism’ in encyclopedias of the early modern period. In a representative overview it will be shown that the early modern discourse about atheism must be interpreted in the light of the history of concepts, of ideas and of knowledge: Not only was the scope of the term ‘atheism’ much broader in the 16th and 17th centuries than it is today, but the sometimes highly ambitious attempts to classify the phenomenon of atheism according to the early modern orders of knowledge remained influential during the 18th and well into the 19th century.
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Hakim, Sudarnoto Abdul. "Islamic literature in modern Indonesia: political disputes among Muslim writers, 1930s-1960s." Indonesian Journal of Islam and Muslim Societies 13, no. 1 (June 5, 2023): 143–67. http://dx.doi.org/10.18326/ijims.v13i1.143-167.
Повний текст джерелаАнотація:
This article examines the evolution of Islamic elements in twentieth-century Indonesian literature. The study employs historical analysis and methods to assess the continuity and change in the expression of Islamic themes in literary works. By examining the verses in literary works and the criticism that surrounds them, the article shows that Islamic literature has transformed significantly over the last decade. The article argues that literary criticism among Muslim writers goes beyond literary critique to encompass an assessment of political ideology. Literary works are viewed as a means to address issues such as communist ideology, as well as a medium of da’wah by Muslim writers or poets. As such, the study finds that both Islamic melodramatic and Islamic romance literature has ideological impulses. Overall, the article highlights the importance of examining the intersection of literature and politics, particularly in the context of Islamic literature in Indonesia. By tracing the evolution of Islamic elements in literary works, the study provides valuable insights into the cultural and political history of Indonesia.
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BANDIER, NORBERT. "Avant-gardes in the First Half of the Twentieth Century: New Perspectives." Contemporary European History 14, no. 3 (August 2005): 391–402. http://dx.doi.org/10.1017/s0960777305002511.
Повний текст джерелаАнотація:
The time has come for researchers into innovative movements in art and literature in the first half of the twentieth century to break free from traditional investigative frameworks. The works reviewed here belong to different disciplines – art history, literary history, literary criticism, history – but all show a shift of perspectives in the history of culture. They point to a reassessment of the theoretical models we use to understand modern art and literature. Those models are – in this case as they relate to the avant-garde – nuanced, refined, developed and sometimes even invalidated. Though some of these works are not wholly devoted to the European avant-gardes, they do deal with the international circulation of modern art in, to or from Europe, studied here in its lesser-known aspects. Moreover, they all to some extent examine the artist’s responsibility to the community, or the state’s responsibility to art. This theme of responsibility runs through all these works, either in its ethical dimension or as an aspect of the social function of art, especially when art has to confront an entertainment culture or is roped in as part of cultural policy.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.
Повний текст джерелаАнотація:
Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.
Повний текст джерелаАнотація:
Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Feuerstein-Herz, Petra. "Konfigurationen einer Bibliothek." Internationales Archiv für Sozialgeschichte der deutschen Literatur 46, no. 1 (June 1, 2021): 170–85. http://dx.doi.org/10.1515/iasl-2021-0010.
Повний текст джерелаАнотація:
Abstract The article traces the idea of provenance and its changing relevance for collecting policies governing the Herzog August Library Wolfenbüttel (HAB) since its foundation as a universal library in the 17th century. Today, systematic provenance research allows librarians and researchers not only to map layers of the collection’s origins but also to reconstruct the broken, intersected structures of a given collection’s historical delivery. It also reveals the value of books as sources for research into reading practices, cultural history, and the multiple transfers of knowledge in early modern times.
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Faid, Muhamad Syazwan, Mohd Saiful Anwar Mohd Nawawi (Corresponding Author), Mohd Hafiz Mohd Saadon, Nazhatulshima Ahmad, and Aizan Ali @ Mat Zin. "Islamic Historical Review on Middle Age Lunar Crescent Visibility Criterion." Journal of Al-Tamaddun 17, no. 1 (June 30, 2022): 109–25. http://dx.doi.org/10.22452/jat.vol17no1.9.
Повний текст джерелаАнотація:
Middle Age lunar crescent visibility criterion is criterion that was produced during 8th until 17th century. This includes al-Khawarizmi lunar crescent visibility criterion in 8th century until al-Lathiqi lunar crescent visibility criterion in 17th century. Numbers of review on mathematics and astronomy during the Middle Age, however the number of review that specifically written for Middle Age lunar crescent visibility criterion limited, with majority of review is written to study the historical of Middle Age science, astronomy, mathematics and geography as a whole, and not converge on lunar crescent visibility criterion. . Therefore, this article aimed to provide a review on Middle Age lunar crescent visibility criterion. The review is conducted using literature analysis, snowball literature search and specific inclusion and exclusion criteria. The review is performed based on 13 works on lunar crescent visibility criterion that pass the selection criteria. The review found out that most of the lunar crescent visibility criterion is based on al-Khawarizmi arc of separation and solar longitude, lunar crescent visibility criterion, with exception on Ibn Tariq, Ibn Qurra and Ibnu Yunus lunar crescent visibility criterion that adopt angular distance or elongation. The review suggest that a new outlook on Middle Age lunar crescent visibility criterion study can be done, by conducting an assessment on new data of moonsighting, and comparing with modern lunar crescent visibility criterion research.
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Frolova, M. V. "Indonesian Yusuf and Zulaikha: Short Story “The Apple and the Knife” by Intan Paramaditha (2008)." Orientalistica 3, no. 1 (March 29, 2020): 247–62. http://dx.doi.org/10.31696/2618-7043-2020-3-1-247-262.
Повний текст джерелаАнотація:
The short story “Apple and Knife” (2008) by Indonesian writer Intan Paramaditha (born in 1979) is analysed within the comparative-typological framework of the Biblical and Quranic narrative about Yusuf and Zulaikha. The continuity of the motif transposition is traced from the literatures of the Middle East to that of the peoples of Nusantara who embraced Islam later. The intermediary was the Javanese Serat Yusup, which dates back to the 17th century. The literary skills and methods by Intan Paramaditha’s find their place somewhere in between the feminist literary criticism and horror stories. The deconstruction of some elements of the traditional narrative about Yusuf (e.g. the episode with the noble Egyptian women) makes the popular story to sound more meaningful to the readers of the modern Indonesian literature. In its turn, it sheds some light on the political and social developments of the “re-Islamized” island state of Indonesia.The author declares that there is no conflict of interest.
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Baldanmaksarova, Elizaveta E. "Image of the Jungar Galdan-Boshoktu-Khan in the Novel “An Eagle Soaring in the Sky” by Mongolian Writer B. Dogmid." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 4 (2023): 660–72. http://dx.doi.org/10.21638/spbu13.2023.403.
Повний текст джерелаАнотація:
The article, based on the historical novel "An Eagle Soaring in the Sky" (2021) by the modern Mongolian writer Balzhirin Dogmid (1945), examines the life and work of the Oirat-Mongolian Galdan-Boshoktu-khan (1644-1697), a major political figure of the 17th century, the ruler of Dzungar Khanate. The modern need to realize, to better comprehend the scale of the political and international events of the 17th century in Central and East Asia, which are based on the relationship between Dzungaria, Qing China, Tibet and disparate Mongolian principalities, which led to total dependence on the Manchu Qing dynasty, excites many creative minds in Mongolia today . B. Dogmid, referring in his novel to one of the brightest charismatic rulers of Mongolia in the second half of the 17th century, tells about the main directions of the “Mongolian policy” of Galdan Boshoktu Khan, focusing on the personal human qualities of his hero. The desire of Galdan-Boshoktu to unite the Mongols under the auspices of the Oirats was based on the policy of the Oirat aristocrats, pursued by them since the fall of the Yuan Empire (1368) and the formation of the Oirat Union (Durvan Oirat, XV-XVI centuries). Interest in history, which rapidly increased by the nineties of the XX century in Mongolian society, is not weakening even today. Moreover, the nature of this interest is changing, and the genre of the historical novel itself, which tells about one of the difficult periods of Mongolian history, about the life and work of an outstanding personality like Galdan-Boshoktu-Khan in evolutionary formation, in dynamics, in situations, as a rule, confusing and conflict relations with others (with Southern Mongolia, Eastern Turkestan, Qing China, Tibet, Russia) also change accordingly.
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Galimullina, Alfiya F., and Ramil Kh Sharyafetdinov. "Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism." RUDN Journal of Studies in Literature and Journalism 27, no. 1 (April 1, 2022): 19–29. http://dx.doi.org/10.22363/2312-9220-2022-27-1-19-29.
Повний текст джерелаАнотація:
The article examines the appeal of Tatar writers to the work of F.M. Dostoevsky, the dialogue with the writer in their works. It also analyzes the translation of the novel Crime and Punishment into the Tatar language. The study of dialogical relations of Tatar writers with the work of F.M. Dostoevsky by modern Kazan literary critics helps to identify the complex and multidimensional history of interaction of Tatar writers of the twentieth century with Russian classics. Having studied the scientific works of V.R. Amineva, L.K. Bayramova, D.R. Moskaleva, K.S. Minnibaev, E.G. Nigmatullina, Yu.G. Nigmatullina, M.M. Khabutdinova, Z.Z. Shagiakhmetov, as well as the translation of the novel Crime and Punishment by R. Dautov, it was concluded that in the works of G. Iskhaki, F. Amirkhan, G. Ibragimov, A. Gilyazov, an appeal to the artistic and philosophical heritage of F.M. Dostoevsky was manifested in the creative and original understanding of the moral and philosophical ideas and deep psychologism of the Russian classic, the desire to reveal the phenomena of modern Tatar reality more fully through the prism of his ideas.
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Galimullina, Alfiya F., and Ramil Kh Sharyafetdinov. "Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism." RUDN Journal of Studies in Literature and Journalism 27, no. 1 (April 1, 2022): 19–29. http://dx.doi.org/10.22363/2312-9220-2022-27-1-19-29.
Повний текст джерелаАнотація:
The article examines the appeal of Tatar writers to the work of F.M. Dostoevsky, the dialogue with the writer in their works. It also analyzes the translation of the novel Crime and Punishment into the Tatar language. The study of dialogical relations of Tatar writers with the work of F.M. Dostoevsky by modern Kazan literary critics helps to identify the complex and multidimensional history of interaction of Tatar writers of the twentieth century with Russian classics. Having studied the scientific works of V.R. Amineva, L.K. Bayramova, D.R. Moskaleva, K.S. Minnibaev, E.G. Nigmatullina, Yu.G. Nigmatullina, M.M. Khabutdinova, Z.Z. Shagiakhmetov, as well as the translation of the novel Crime and Punishment by R. Dautov, it was concluded that in the works of G. Iskhaki, F. Amirkhan, G. Ibragimov, A. Gilyazov, an appeal to the artistic and philosophical heritage of F.M. Dostoevsky was manifested in the creative and original understanding of the moral and philosophical ideas and deep psychologism of the Russian classic, the desire to reveal the phenomena of modern Tatar reality more fully through the prism of his ideas.
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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827//5c643a8525e4b.
Повний текст джерелаАнотація:
The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora tradition, likely using the Satyricon edition published in 1601 (reprinted in 1608). Such a mixture of source texts proves the translator’s total lack of philological accuracy. In addition, he made several translation errors. However, surprisingly enough, the Italian translation underpins an excellent work of textual criticism on Petronius’ text. The suggested explanation is that the translator or a later reviser emendated the translation following a highly specialised commentary. Some translation errors, in fact, can be explained only as critical indications that have been completely misunderstood. The papers concludes putting in relation the success of the Satyricon among 17th-century popular readers with its reception as a subversive parody of the Greek novel and its traditional values.I have a PhD in Italian Studies (2006) from the Università RomaTre of Rome. Currently, I am a Marie Curie Research Fellow at the EHESS in Paris. My recent research interests are focused on the Early Modern Period; more specifically, on the translation and receptions of Classics and the circulation of heterodox texts. I am working at the research project Popular readers and clandestine literature: the case of an early modern translation of Petronius’ Satyricon into Italian (17th C.) funded by Marie Skłodowska-Curie Actions, and, more broadly, I am exploring the 17th-c. success of the Satyricon and its reception as a novel and as a satire.Affiliation: Post-doctoral Research Fellow at the Centre des Recherches Historiques of the EHESS in Paris (research group: Grihl – Groupe de Recherches Interdisciplinaires sur l’Histoire du Littéraire ).Relevant publications:‘La retorica dell’esperimento: per una rilettura delle Esperienze intorno alla generazione degl’insetti di Francesco Redi (1668)’, Italian Studies (2017), 72, 1, 41-56.Bartolomeo Beverini (1629-1686) e una versione inedita della Metafisica di Aristotele’, in L. Bianchi, J. Kraye and S. Gilson (eds), Vernacular Aristotelianism in Italy from the Fourteenth to Seventeenth Century, London, The Warburg Institute, 2016, 183-208.‘Freedom and censorship: Petronius’ Satyricon in seventeenth-century Italy’, Classical Receptions Journal (2014), 6. 1, 104-130.‘Con oscurità mutando in nomi: Napoli epicurea nei Successi di Eumolpione (1678)’, California Italian Studies (2012), 3. 1, https://escholarship.org/uc/item/2tr7x1nd.
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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827/5c643a8525e4b.
Повний текст джерелаАнотація:
The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora tradition, likely using the Satyricon edition published in 1601 (reprinted in 1608). Such a mixture of source texts proves the translator’s total lack of philological accuracy. In addition, he made several translation errors. However, surprisingly enough, the Italian translation underpins an excellent work of textual criticism on Petronius’ text. The suggested explanation is that the translator or a later reviser emendated the translation following a highly specialised commentary. Some translation errors, in fact, can be explained only as critical indications that have been completely misunderstood. The papers concludes putting in relation the success of the Satyricon among 17th-century popular readers with its reception as a subversive parody of the Greek novel and its traditional values.I have a PhD in Italian Studies (2006) from the Università RomaTre of Rome. Currently, I am a Marie Curie Research Fellow at the EHESS in Paris. My recent research interests are focused on the Early Modern Period; more specifically, on the translation and receptions of Classics and the circulation of heterodox texts. I am working at the research project Popular readers and clandestine literature: the case of an early modern translation of Petronius’ Satyricon into Italian (17th C.) funded by Marie Skłodowska-Curie Actions, and, more broadly, I am exploring the 17th-c. success of the Satyricon and its reception as a novel and as a satire.Affiliation: Post-doctoral Research Fellow at the Centre des Recherches Historiques of the EHESS in Paris (research group: Grihl – Groupe de Recherches Interdisciplinaires sur l’Histoire du Littéraire ).Relevant publications:‘La retorica dell’esperimento: per una rilettura delle Esperienze intorno alla generazione degl’insetti di Francesco Redi (1668)’, Italian Studies (2017), 72, 1, 41-56.Bartolomeo Beverini (1629-1686) e una versione inedita della Metafisica di Aristotele’, in L. Bianchi, J. Kraye and S. Gilson (eds), Vernacular Aristotelianism in Italy from the Fourteenth to Seventeenth Century, London, The Warburg Institute, 2016, 183-208.‘Freedom and censorship: Petronius’ Satyricon in seventeenth-century Italy’, Classical Receptions Journal (2014), 6. 1, 104-130.‘Con oscurità mutando in nomi: Napoli epicurea nei Successi di Eumolpione (1678)’, California Italian Studies (2012), 3. 1, https://escholarship.org/uc/item/2tr7x1nd.
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ALEKSEEV, S. V. "«THE TALE OF THE KHOLOP WAR»: LITERARY HISTORY AND THE PROBLEM OF HISTORICAL BASIS." JOURNAL OF PUBLIC AND MUNICIPAL ADMINISTRATION 12, no. 2 (2023): 152–58. http://dx.doi.org/10.22394/2225-8272-2023-12-2-152-158.
Повний текст джерелаАнотація:
The purpose of the article is to restore the literary history and to determine the historical basis of the so-called «The Tale of the Kholop War». This plot of Russian historical literature of the late Middle Ages and Early Modern times has been pre-served in various similar, but textually not directly related versions of the 16th-17th centuries. The earliest among them is the story of the German diplomat Siegmund Herberstein; he presented it with reference to the Novgorod Chronicle. The oldest Russian versions known to science, however, date back to the end of the 17th century. These are «The Tale of Vyatka citizens» and «Historical and Ancient Description» by T. Kamenevich-Rvovsky. The article discusses possible literary sources of the Russian plot dating back to antiquity and proposes a reconstruction of the content of the original text known to Herberstein. As a result, the author comes to the conclusion that the origin of «The Tale» is linked to how the Nov-gorod elites feel after the loss of Novgorod's independence in the 15th century. At the same time, the plot of «The Tale» can also be based on elements of an oral tradition dating back to the times of the formation of the Old Russian state.
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Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.
Повний текст джерелаАнотація:
Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusian literature during Soviet period are examined particularly, especially the literature about Second World War. The national aspects of literary comprehension of the experience of German-fascist occupation in Belarusian literature during Soviet period are revealed. The important characteristic of the modern Belarusian literature after the Chernobyl disaster that has started in 1986, is emphasized upon.
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Jenkins, E. R. "English South African children’s literature and the environment." Literator 25, no. 3 (July 31, 2004): 107–24. http://dx.doi.org/10.4102/lit.v25i3.266.
Повний текст джерелаАнотація:
Historical studies of nature conservation and literary criticism of fiction concerned with the natural environment provide some pointers for the study of South African children’s literature in English. This kind of literature, in turn, has a contribution to make to studies of South African social history and literature. There are English-language stories, poems and picture books for children which reflect human interaction with nature in South Africa since early in the nineteenth century: from hunting, through domestication of the wilds, the development of scientific agriculture, and the changing roles of nature reserves, to modern ecological concern for the entire environment. Until late in the twentieth century the literature usually endorsed the assumption held by whites that they had exclusive ownership of the land and wildlife. In recent years English-language children’s writers and translators of indigenous folktales for children have begun to explore traditional beliefs about and practices in conservation.
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Zhou, Ziyan. "Respect, Symbiosis, and Pluralism: Ideas of Ethics in Paradise Lost and Klara and The Sun." Advances in Education, Humanities and Social Science Research 11, no. 1 (July 19, 2024): 203. http://dx.doi.org/10.56028/aehssr.11.1.203.2024.
Повний текст джерелаАнотація:
Literary ethics criticism regards literature as the specific ethical expression of human society at a particular stage of history, regarding literature as “the art of Ethics”. Ethical Literary Criticism takes it as its duty to explain the ethical function of literature, aiming at explaining the ethical phenomena in literature and making value judgments on them. In his Paradise Lost, which is regarded as “a monument in the history of European literature”, Milton explores ethical issues and considers the boundaries between good and evil in the classic Genesis stories of Satan's failure to rebel and Adam and Eve's expulsion from Paradise after stealing the forbidden fruit. As the edifying significance of literature gradually diminishes, the ethical thoughts embodied in literary works change with the times and break through the limitations of the times at intervals; in contemporary times, Kazuo Ishiguro, a Japanese writer with a “dual identity”, observes and participates in the life of Josie's family from the perspective of the AI in his novel Klara and The Sun, recounting insights into love and humanity and reflecting abundant ethical reflections on identity and moral goodness and evil, which shares some similarities with Paradise Lost written in the 17th century. Therefore, the thesis focuses on the three dimensions of self-internal, self and other, and self and morality attempting to show the ethical reflections on self-identity cognition, the relationship between man and other, the boundary between good and evil, and rationality and irrationality in Paradise Lost and Klara and The Sun, in order to reveal ethical changes of the times and explore the ethical ideals shared by Milton and Kazuo Ishiguro.
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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (May 13, 2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.
Повний текст джерелаАнотація:
John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-class authors Brendan Behan (2002) and Pat Barker (2005), and the first book to investigate twentieth-century Irish literature and culture using critical race theories, Race in Modern Irish Literature and Culture (2009). His most recent book, Archipelagic Modernism: Literature in the Irish and British Isles, 1890-1970 (2014), explores new ways of understanding the relationship between literature, place and environment in 20th-century Irish and British writing. He was editor of the international peer-reviewed journal, Irish University Review, from 2010 to 2016.
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Baldanmaksarova, Elizaveta E. "The Early Stage of Buryat-Mongol Literature." Studia Litterarum 6, no. 1 (2021): 320–37. http://dx.doi.org/10.22455/2500-4247-2021-6-1-320-337.
Повний текст джерелаАнотація:
The article examines the genesis of Buryat literature, which is key to the modern literary studies of Buryatia. Its aim is to recreate the history of Buryat literature and place it in the cultural and philosophical context of the history of Mongolian ethnos. It is well known that the genesis of Buryat literature owes to the literary work as well as to the theoretical and literary research of the first Buryat scholars and writers from among the Buddhist clergy. The search, introduction, and study of literary works written by Buryat authors in the 18 th — early 20 th centuries is one of the relevant research tasks that opens new perspectives for modern Buryat literary criticism and for humanities in general. The emergence and development of Buryat literature is closely connected with the spread of Buddhist culture, the Buddhist vision of the world, therefore it should be studied in the context of Buddhist aesthetic thought. The article pays special attention to the literary history of Mongolians that, since the 13 th century, has been developing in the context of multilateral literary ties and contacts. It examines the following typical genres: travelogue, hagiographic, hymn poetry, subhashita, and poem.
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RADOMAN, Aleksandar. "In memoriam: Milorad Stojović (1927–2015)." Lingua Montenegrina 15, no. 1 (June 1, 2015): 449–57. https://doi.org/10.46584/lm.v15i1.454.
Повний текст джерелаАнотація:
In Montenegrin literary historiography, Milorad Stojović is recognized as the best and most dedicated connoisseur and researcher of literary works of Marko Miljanov Popović, while his essays and studies on the literature of the twentieth century are viewed as an unpublished History of Montenegrin Literature of the Twentieth Century. There are almost no significant Montenegrin writers of the epoch, whose work he did not analyze. In addition, Stojović has established the necessary criteria for the evaluation of literary works, brought the spirit of objective and restrained approach to the text in the literary criticism, and raised awareness about the centuries-long continuity and the definition of the canon of Montenegrin literature. This is how he earned a special place in the circle of the pioneers of modern literary Montenegristics.
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Ballone, Angela. "Foreign law without borders in the early vast America." Tijdschrift voor Rechtsgeschiedenis / Revue d'histoire du droit / The Legal History Review 89, no. 1-2 (June 15, 2021): 212–41. http://dx.doi.org/10.1163/15718190-12340007.
Повний текст джерелаАнотація:
Summary This work addresses the circulation of legal literature from the Hispanic world into the British Atlantic during the 18th century and within the broader context of the Americas. It wants to break free from the dichotomy between British and Hispanic Atlantic by looking at the early Americas as a space where legal literature moved across borders. The case study analyzed in this work is that of the 17th century Spanish jurist Juan de Solórzano Pereira and its circulation in the British Atlantic. By analyzing the writings of a number of legal practitioners from the British Atlantic (such as James Otis, James Abercromby, and Adam Smith), I discuss the extent to which their knowledge of Solórzano’s work showed a transnational approach when discussing the relationship between the thirteen American colonies and their British mother-country. This study calls scholars’ attention to a number of networks of circulation for legal literature that possibly had more influence than has usually been acknowledged on the legal history of the United States of America. Ultimately, the article shows that much is left to discover about the practical, generative, aspects of legal history in an early modern scenario where Europe and the Americas need to be seen in more nuanced and balanced ways.
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Macfarlane, Kirsten. "Gospel Harmonies and the Genres of Biblical Scholarship in Early Modern Europe." Renaissance Quarterly 76, no. 3 (2023): 1027–67. http://dx.doi.org/10.1017/rqx.2023.408.
Повний текст джерелаАнотація:
Early modern Gospel harmonies have received little attention and are mostly studied as poor precursors to modern synoptic criticism. This article reassesses the harmony's significance by reconstructing its development ca. 1500–1700, reaching two conclusions. First, it argues that Gospel harmonies acted as a touchstone for critical intellectual developments such as the rise of scientific chronology. Second, it argues that the harmony's transformation over this period, influenced by multiple overlapping disciplines, resulted in it becoming one of the most creative scholarly genres by the late seventeenth century. This interdisciplinarity was simultaneously the prime attraction of the harmony and the reason for its eighteenth-century decline.
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Melnikova, Sofya V. "Orthodox Spiritual Literature in the Concept of Siberian Regional Literature of the 17th – the Early 20th Century and in the Retrospective Bibliography." Studia Litterarum 8, no. 4 (2023): 202–21. http://dx.doi.org/10.22455/2500-4247-2023-8-4-202-221.
Повний текст джерелаАнотація:
The article raises the question of understanding the place and significance of Orthodox spiritual literature in the history of Siberian literature. In fact, it is solved with regard to the literature of the 17th — first half of the 18th century, as well as Old Believers’ books, which have a rich tradition of study in Siberian medievistics. In the concept of further literary development of Siberia, the second half of the 18th — early 20th century, the development of which was started by the regionalists N.M. Yadrintsev and G.N. Potanin and continued by Soviet literary scholars, the presence of the Orthodox Church in the region was not considered as a significant factor of literary influence. Since the 1990s, a new view of the role of Christian tradition in the development of Russian literature has been formed, and filling the gaps in its study has become an urgent research task. The article presents the results achieved in this field by modern Siberian historical science and bibliography. These studies, in turn, create a basis for the philological study of Siberian spiritual literature in its continuous historical development from the Middle Ages to our time and in dialogue with secular literature.
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Shcherbakova, Anna E. "Russian Magazine Illustration of the First Third of the 19th Century in the Works of D. A. Rovinsky." Университетский научный журнал, no. 79 (April 24, 2024): 72–82. http://dx.doi.org/10.25807/22225064_2024_79_72.
Повний текст джерелаАнотація:
Dmitry Aleksandrovich Rovinsky is familiar to every researcher of printed graphics. His scientifi c heritage forms the basis of classical literature on the history of Russian engraving. Nevertheless, the full potential of the researcher’s works has not yet been exhausted. In modern art criticism, new research topics are emerging, allowing us to look at D. A. Rovinsky’s works from new points of view. This article is devoted to the work of the scientist in the fi eld of Russian magazine pictures of the fi rst third of the 19th century. The problems of scientifi c development of this material are identifi ed. The directions of research and scientifi c approaches used by D. A. Rovinsky are analysed. The results of the work of the engraving expert and its value for modern art history are determined.
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Cadieu, Morgane. "Afterword: The Littoral Museum of the Twenty-First Century." Comparative Literature 73, no. 2 (June 1, 2021): 237–54. http://dx.doi.org/10.1215/00104124-8874117.
Повний текст джерелаАнотація:
Abstract The museum, the mausoleum, and the memorial are key concepts for theorizing beaches and ports in twenty-first-century literature and cinema. On the littoral, these constructions suggest the very opposite of a sealed off monumentality to become living museums of women’s labor in modern and contemporary France (Sciamma, Varda), bodily mausolea of migration on the Senegalese shoreline (Diop), and shapeshifting war memorials in Atlantic and Pacific tidelands (Darrieussecq, Rolin, Virilio). Examples of anamorphic seascapes, especially in photography, underscore the reversibility of sand and cement in Japan (Narahashi, Ono), as well as the dereliction of Cuban beach architecture and American industrial harbors (Morales, Sekula). In art as in criticism, the waterfront stages gender and class crossings (Dumont) and tangles fields. The afterword thereby weaves the major threads of the special issue: textures, labor, and ruins; social mobility and migration; marine life, geological time, and the history of sensation.
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Naito, Satoko. "Anxieties of Authorship, Critique of Readership: Mishima Yukio’s Modern Noh Play Genji kuyō." Japanese Language and Literature 55, no. 2 (September 27, 2021): 407–46. http://dx.doi.org/10.5195/jll.2021.186.
Повний текст джерелаАнотація:
Mishima Yukio's dramatic suicide half a century ago ensured that his name would forever be associated with a certain fanatic imperialism, and largely fulfilled his own wish that he would die as a military man. And yet, he was until the end foremost a literary artist, concerned with the critical reception of his written works and preoccupied with his lasting reputation as an author. This paper examines Mishima’s portrayal of the celebrity writer, as well as the potentials and limitations of literature as presented in his oft-neglected modern noh play Genji kuyō (Devotional offering for Genji, 1962). It positions the play within the long history of prayers for Genji monogatari (The Tale of Genji, ca. 1008) that began in the twelfth century in response to the perceived ambiguous morality of the author Murasaki Shikibu (d. ca. 1014). Mishima's Genji kuyō provides a pointed criticism of readers, as well as anxieties regarding a writer's life and literary recognition. Though Mishima himself famously disowned it after its initial publication, Genji kuyō offers critical insights regarding the writing and reading of literature.
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Chandler, James. "Hourly Gratification: The Poetics of Patience in an Age of Speed." Social Research: An International Quarterly 90, no. 3 (September 2023): 565–90. http://dx.doi.org/10.1353/sor.2023.a907791.
Повний текст джерелаАнотація:
Abstract: The first serious and sustained literary response to cultural acceleration in modern society comes not from Benjamin or Simmel, as some have suggested, nor the work of Baudelaire and Flaubert, but the poetic experiments of Wordsworth. At the turn of the nineteenth-century Wordsworth confronted an impatient mediascape, inhabited by readers requiring "outrageous stimulation" that the "rapid communication of intelligence hourly gratifies." He published poetry that programmatically tried the patience of his readers and changed the course of literary history. He also evolved a theory of patience, passion, and poetic genius that shaped literature and criticism through the twentieth century, but had its opponents early and late, from Percy Shelley to Raymond Williams.
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Gurianova, Natalya S. "Eschatology and Religiosity of the People in Russia in the 17th Century." Vestnik NSU. Series: History, Philology 20, no. 8 (October 28, 2021): 23–33. http://dx.doi.org/10.25205/1818-7919-2021-20-8-23-33.
Повний текст джерелаАнотація:
The article studies the religiosity of Russian population in the 17th century in order to find out the type of this state of public mind. Special attention is drawn to the acuteness of eschatological expectations in society, which intensified during periods of crises. After the Time of Troubles (Smuta), the Church, trying to bring society out of the spiritual crisis, had been exploiting the “end of the world” topic through publishing relevant texts. This trend was especially noticeable during the time of Patriarch Joseph. The decision of the Moscow Printing House (Pechatnyi Dvor) to extend the amount of eschatological publications was determined not only by the direction of church policy, but also by the request in society, the desire of the population to get a more complete picture of the Christian teaching about the ultimate destinies of the world and man, since the spiritual crisis had presupposed an increase of apocalyptic moods. This desire indicates that the population was characterized by the religiosity of the medieval type. The article scrutinizes in particular the 2nd half of the 17th century, which modern researchers rightly designate as the early Modern era. In a society with such a keen perception of the time, the church reform, initiated in the middle of the century by Patriarch Nikon, was naturally not supported by a part of the population. In the interpretation of the defenders of the Old Belief, the actions of the reformers turned into clear signs of the advent of the kingdom of Antichrist, as it was prophesied in Christian teaching. It was not some peculiarity of the worldview of the opponents of church reform, their behavior adjusted the religiosity of the epoch. To justify these thoughts the position of Patriarch Nikon could be mentioned. Nikon found himself in a situation of disapproval and, arguing to be wrongfully convicted and misunderstood, he also used the eschatological doctrine. Based on the analysis of such facts, the article concludes that the 2nd half of the 17th century was characterized by religiosity of the medieval type.
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Zaki, Vevian. "The “Egyptian Vulgate” in Europe: An Investigation into the Version that Shaped European Scholarship on the Arabic Bible." Collectanea Christiana Orientalia 18 (July 21, 2021): 237–59. http://dx.doi.org/10.21071/cco.v18i0.1198.
Повний текст джерелаАнотація:
This paper explores part of the history of those Arabic Bible manuscripts that traveled to Europe in the early modern period, focusing on Arabic manuscripts of the Pauline Epistles. These manuscripts played an important role in European scholarship about the Arabic Bible, Arabic teaching and learning in Europe, and textual criticism. When one looks at early European scholarship on the Pauline Epistles in Arabic in the 16th and 17th centuries, it is very noticeable that, by and large, it restricted itself to an examination of a single version. In this paper, I reconstruct the history of the three earliest manuscripts of this version to be studied in European scholarship: MS Vatican, Biblioteca Apostolica Vaticana, Ar. 23; MS Leiden, Universitaire Bibliotheken Leiden, Or. 217; and MS Leiden, Universitaire Bibliotheken Leiden, Acad. 2. By tracing the history, I analyze the impact of this version, and it becomes clear how this version became, for a while, a standard version, what we might call the “Vulgate” of the Arabic Bible in Europe.
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Zaki, Vevian. "The “Egyptian Vulgate” in Europe: An Investigation into the Version that Shaped European Scholarship on the Arabic Bible." Collectanea Christiana Orientalia 18 (July 21, 2021): 237–59. http://dx.doi.org/10.21071/cco.v18i.14418.
Повний текст джерелаАнотація:
This paper explores part of the history of those Arabic Bible manuscripts that traveled to Europe in the early modern period, focusing on Arabic manuscripts of the Pauline Epistles. These manuscripts played an important role in European scholarship about the Arabic Bible, Arabic teaching and learning in Europe, and textual criticism. When one looks at early European scholarship on the Pauline Epistles in Arabic in the 16th and 17th centuries, it is very noticeable that, by and large, it restricted itself to an examination of a single version. In this paper, I reconstruct the history of the three earliest manuscripts of this version to be studied in European scholarship: MS Vatican, Biblioteca Apostolica Vaticana, Ar. 23; MS Leiden, Universitaire Bibliotheken Leiden, Or. 217; and MS Leiden, Universitaire Bibliotheken Leiden, Acad. 2. By tracing the history, I analyze the impact of this version, and it becomes clear how this version became, for a while, a standard version, what we might call the “Vulgate” of the Arabic Bible in Europe.
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Po-Yu, Rick Wei. "“She is a Jade”:." Crossings: A Journal of English Studies 9 (August 1, 2018): 122–31. http://dx.doi.org/10.59817/cjes.v9i.112.
Повний текст джерелаАнотація:
This essay aims to study the images of a modern Faro lady in Georgette Heyer’s historical romance Faro’s Daughter. It is divided into three parts. The first part examines Faro ladies in the history and literature of Georgian England, and it compares Heyer’s heroine Deborah Grantham to them. The second talks about how Deborah embodies female virtues that are not appreciated by eighteenth-century gender law but are celebrated by feminist thinking such as Mary Wollstonecraft’s. The third shows that Deborah in Heyer’s work reflects the first-wave feminist thinking but does not follow all the trends of criticism and literary taste. The study juxtaposes Heyer’s heroine with one of the notorious Georgian female gamer Lady Albinia Hobart and argues that Deborah is a reformed Faro lady. The study also examines Deborah in Faro’s Daughter as a combination and rejection of eighteenth- and twentieth-century feminists such as Mary Wollstonecraft and Simone de Beauvoir, showing that Heyer finds her own path of feminist criticism. If historical romance is a sub-genre that revises history, Heyer’s heroine, as the essay tries to point out, represents a revision of feminist discourse.