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Добірка наукової літератури з теми "Literary trauma theory"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Literary trauma theory"

1

Berger, James, Cathy Caruth, Dominick LaCapra, and Kali Tal. "Trauma and Literary Theory." Contemporary Literature 38, no. 3 (1997): 569. http://dx.doi.org/10.2307/1208980.

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2

Shaker, Mary. "Trauma Theory and Literary Criticism." مجلة کلیة الآداب . حلوان 54, no. 1 (January 1, 2022): 1–26. http://dx.doi.org/10.21608/kgef.2022.266846.

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3

Toremans, Tom. "Trauma: Theory – Reading (and) Literary Theory in the Wake of Trauma." European Journal of English Studies 7, no. 3 (December 2003): 333–51. http://dx.doi.org/10.1076/ejes.7.3.333.27981.

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4

Visser, Irene. "Trauma theory and postcolonial literary studies." Journal of Postcolonial Writing 47, no. 3 (July 2011): 270–82. http://dx.doi.org/10.1080/17449855.2011.569378.

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5

Pederson, Joshua. "Speak, Trauma: Toward a Revised Understanding of Literary Trauma Theory." Narrative 22, no. 3 (2014): 333–53. http://dx.doi.org/10.1353/nar.2014.0018.

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6

Yoo, Hyun-Joo. "Telling Trauma: Studies in Trauma Theories." Institute of British and American Studies 10, no. 1 (June 30, 2022): 59–94. http://dx.doi.org/10.25093/ibas.2022.55.59.

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Анотація:
Most literary trauma scholars have depended exclusively on the psychological theory of trauma, which was developed by Freud, and have interpreted trauma, from a homogenous and one-dimensional perspective, as unrepresentable, inherently pathological, timeless, repetitious, unknowable, and unspeakable. This traditional interpretation has served as a dominant, popular model of trauma. However, expanding beyond traditional, essentialist concepts of identity, experience, and remembering, trauma scholars are producing alternative, pluralistic theories of trauma. Given this, this paper first will introduce the traditional psychological model of trauma. To deepen and enrich the discussion of trauma beyond that of the disease-driven paradigm based on pathological essentialism, it will also introduce more recent, detailed, and sophisticated trauma theories. This study is expected to help us better understand the multifaceted functions and effects of traumatic experiences occurring at both the personal and the societal levels.
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7

Berlant, Lauren. "Trauma i niewymowność." Teksty Drugie 3 (2018): 176–95. http://dx.doi.org/10.18318/td.2018.3.12.

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8

Ogunyemi, Folabomi L. "Trauma and Empowerment in Tina McElroy Ansa’s Ugly Ways." Journal of Black Studies 52, no. 3 (January 11, 2021): 331–52. http://dx.doi.org/10.1177/0021934720986424.

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Анотація:
Ugly Ways (1993) by Tina McElroy Ansa has been overlooked as a significant contribution to African American feminist literary fiction. This paper performs a close reading examining the novel’s thematic intersection of Black feminist theory and trauma theory. Part one of this essay defines Black feminist theory and outlines key concepts of Black feminist thought. Parts two and three focus on the protagonist, Esther “Mudear” Lovejoy, and analyze her “change” through the lenses of Black feminist theory and trauma theory, respectively, highlighting the ways in which Ugly Ways articulates a conception of Black womanhood defined in equal parts by empowerment and psychic pain. Part four argues that Black feminist theory and trauma theory are not just compatible, but consonant. Ultimately, Ugly Ways depicts African American women as complex human subjects and moves beyond conventional historical, literary, and popular representations.
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Bayer, Scott P. "Micah 1–3 and Cultural Trauma Theory: An Exploration." Open Theology 8, no. 1 (January 1, 2022): 492–502. http://dx.doi.org/10.1515/opth-2022-0222.

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Abstract Trauma studies have seen rapid growth in popularity within the past two decades, moving from a psychological phenomenon to a concept utilized by literary critics, sociologists, and now biblical scholars. Yet, most of the work on trauma theory within biblical studies focuses on psychological aspects of trauma instead of sociological or cultural aspects of trauma. Drawing on Jeffery Alexander’s theory of cultural trauma, a cultural trauma reading of Micah 1–3 reveals how Micah 1–3 as a book transforms Micah’s localized psychological trauma to become a national trauma, explaining why scribes preserved Micah 1–3. Like holocaust testimony that became a cultural trauma, Micah’s testimony to his trauma became a trauma for all of Judea. To create a cultural trauma, Micah 1–3 define the trauma as divine punishment through an Assyrian invasion due to a breakdown of social order seen in the corrupt owners, rulers, and religious leaders. This cultural trauma then becomes one of the early texts to shape later biblical writers’ understanding of divine punishment. This article offers a different perspective of trauma theory and shows how cultural trauma theory explains why Micah 1–3 were preserved.
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Pokharel, Badri Prasad. "Trauma, Testimony and Anticipated Peace in Singh’s “The Silence of Violence”." Prithvi Academic Journal 3 (June 21, 2020): 47–53. http://dx.doi.org/10.3126/paj.v3i0.29558.

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Анотація:
In the twenty-first century the trauma theory has become an important way to understand a wide variety of contemporary events of exhausting wars and conflicts which have battered the contemporary societies. In the most general sense, it is used to examine the ways in which past painful experiences are processed with the help of literary texts. It further attempts to analyze different ways by which traumatic occurrences are demonstrated, processed, exposed, and expressed throughout a variety of literary and historical texts as a form of testimony. Subsequently, the authors as well as the victims might attempt to negotiate and resolve their own personal traumas with the help of their writings and sometimes with the help of fictional characters in their literary texts as they serve to record and pronounce cultural traumas. In Padhmavati Singh’s “The Silence of Violence” which was written on the pretext of ten years violent conflict that took the lives of thousands of innocent people, one can find the characters and situation inextricably affected by trauma and she or he finds it hugely manipulated to bring out the post-conflict Nepali society apart from anticipating impatiently for long lasting peace and solidarity.
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Дисертації з теми "Literary trauma theory"

1

Kenny, Laura Jean. ""Something's happening here! Something's awry!": A creative and critical exploration of 'awryness' in contemporary Australian attachment trauma fiction." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/210856/1/Laura_Kenny_Thesis.pdf.

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Анотація:
This practice-led thesis explores how an examination of ‘awryness’—conceptualised as an emotional response to environmental stimuli which is characterised by feelings of disorientation and uncertainty—might generate new ways of thinking about the writing, reading, and interpretation of contemporary Australian attachment trauma fiction. In fiction, awryness occurs when the reader encounters something that is unexpected or difficult to categorise. Writing the novel, On Either Side, alongside textual analysis of three novels, reveals just some of the ways that awryness might be induced or evoked in order to represent the effects of attachment trauma on a character.
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2

Heady, Chene R. "Outlines and apologias literary authority, intertextual trauma, and the structure of Victorian and Edwardian sage /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1083779224.

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Thesis (Ph. D.)--Ohio State University, 2004.
Title from first page of PDF file. Document formatted into pages; contains vi, 454 p. Includes abstract and vita. Advisor: David Riede, Dept. of English. Includes bibliographical references (p. 420-454).
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3

Jeo, Noella. "Perry Smith and Josef Kavalier : historical and literary victimized victimizers /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd938.D4.

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4

Murphy, Robin Marie Merrick. "Post-9/11 Rhetorical Theory and Composition Pedagogy: Fostering Trauma Rhetorics as Civic Space." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1180024360.

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5

Briney, Carol E. "My Journey with Prisoners: Perceptions, Observations and Opinions." Kent State University Liberal Studies Essays / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1373151648.

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6

Lyne, Sandra Anne. "Madame Butterfly and men of empire: stereotyping and trauma in 20th century novels." Thesis, 2017. http://hdl.handle.net/2440/111433.

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Анотація:
While most research has rightfully focused on sexism and racism in 'Madame Butterfly' texts (Marchetti 1993; van Rij 2001; Morris 2002; Koshy 2004; Prasso 2005; Park 2010), this thesis argues that stereotypical protagonists and narrative themes from Puccini's fin de siècle opera, Madama Butterfly, reappeared after wars in Korea and Vietnam and in the first years of the new millennium as prototypes for two traumatic, sub-textual 'ghosts' suppressed in public discourses: an 'unmanly', psychologically-wounded Western subject-as-perpetrator, and a scarred Asian woman, the civilian victim of Western atomic and incendiary weapons, an almost un-representable figure. This thesis draws on a variety of fields, including literary trauma theory (Mandel 2006; Weaver 2010; Visser 2011; Balaev 2015), military masculinity studies and social psychology. It examines, in close readings within cultural, historical contexts, the synergies between trauma and moral (thèmis) conflict represented in a selection of twentieth century 'Madame Butterfly' narratives, primarily by ex-military writers, at three significant moments in history: firstly, 1880-1912; secondly, post-WWII from 1950-1980, including the Korean War (1950-1953) and the Vietnam Conflict; and, thirdly, from the 1990s to the early 2000s, the turn of the new millennium. 'Moral conflict' in this thesis refers to Shay's definition of thèmis as 'just order' or 'what is right' (Achilles in Vietnam 5) and to the idea that a disjuncture between thémis and experience can cause psychological damage (Shay Odysseus in America 33). Examples of novels representing this disjuncture include Fifth Daughter by Hal Gurney (1957), Jere Peacock's Valhalla (1961), James Webb's The Emperor's General (1999), and Anthony Swofford's Exit A (2007). The examination of twentieth-century reconstructions of Madama Butterfly's gendered and racist stereotypes in these novels has found evidence supporting Gilman's notion (in Difference and Pathology: Stereotypes of Sexuality, Race and Madness) that stereotyping reveals much about the fears and anxieties of those producing the stereotypes, that 'pathology' in human cognition stems from 'disorder and loss of control, the giving over of the self to the forces that lie beyond the self' (Gilman 24), to trauma. This thesis examines the notion that Madame Butterfly stereotypes and themes allowed veterans 'to write about the war' for an uncomprehending public, as did Salinger in Catcher in the Rye. Along the way, the thesis also attempts to understand why Western men should have maintained such an emotional attachment to a quaint fin de siècle literary figure for an entire century.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2017.
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Книги з теми "Literary trauma theory"

1

Contemporary approaches in literary trauma theory. New York: Palgrave Macmillan, 2014.

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2

Balaev, Michelle, ed. Contemporary Approaches in Literary Trauma Theory. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941.

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The trauma of gender: A feminist theory of the English novel. Berkeley: University of California Press, 2001.

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4

Aberbach, David. Surviving trauma: Loss, literature and psychoanalysis. New Haven: Yale University Press, 1989.

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5

Gil, Milagros Mata. Los signos de la trama: Ensayos sobre la escritura. Caracas: Ediciones La Casa de Bello, 1995.

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6

Balaev, M. Contemporary Approaches in Literary Trauma Theory. Palgrave Macmillan, 2014.

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7

Balaev, M. Contemporary Approaches in Literary Trauma Theory. Palgrave Macmillan, 2014.

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8

Future of Trauma Theory: Contemporary Literary Criticism. Taylor & Francis Group, 2013.

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9

Buelens, Gert, Robert Eaglestone, and Samuel Durrant. Future of Trauma Theory: Contemporary Literary and Cultural Criticism. Taylor & Francis Group, 2013.

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10

Buelens, Gert, Robert Eaglestone, and Samuel Durrant. Future of Trauma Theory: Contemporary Literary and Cultural Criticism. Taylor & Francis Group, 2013.

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Частини книг з теми "Literary trauma theory"

1

Balaev, Michelle. "Literary Trauma Theory Reconsidered." In Contemporary Approaches in Literary Trauma Theory, 1–14. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_1.

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2

Balaev, Michelle. "Trauma Studies." In A Companion to Literary Theory, 360–71. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch29.

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3

Martin, Mathew R. "Psychoanalysis and Trauma Theory 1." In Psychoanalysis and Literary Theory, 209–22. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003219347-11.

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4

van der Wiel, Reina C. "Symbolization, Thinking and Working-Through: British Object Relations Theory." In Literary Aesthetics of Trauma, 48–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137311016_3.

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5

Visser, Irene. "Trauma and Power in Postcolonial Literary Studies." In Contemporary Approaches in Literary Trauma Theory, 106–29. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_5.

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Stampfl, Barry. "Parsing the Unspeakable in the Context of Trauma." In Contemporary Approaches in Literary Trauma Theory, 15–41. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_2.

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7

Rapaport, Herman. "Secondary Thinking and Trauma: Dostoevsky’s Notes from Underground." In Contemporary Approaches in Literary Trauma Theory, 42–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_3.

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8

Forter, Greg. "Colonial Trauma, Utopian Carnality, Modernist Form: Toni Morrison’s Beloved and Arundhati Roy’s The God of Small Things." In Contemporary Approaches in Literary Trauma Theory, 70–105. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_4.

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Vickroy, Laurie. "Voices of Survivors in Contemporary Fiction." In Contemporary Approaches in Literary Trauma Theory, 130–51. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_6.

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Arthur, Paul. "Memory and Commemoration in the Digital Present." In Contemporary Approaches in Literary Trauma Theory, 152–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137365941_7.

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