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Книги з теми "Literary corpora"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Literary corpora.

Автор: Grafiati

Опубліковано: 18 травня 2024

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1

Corpus stylistics and Dickens's fiction. New York: Routledge, 2012.

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2

Rotman, Tamar. Hagiography, Historiography, and Identity in Sixth-Century Gaul. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727730.

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Gregory of Tours, the sixth-century Merovingian bishop, composed extensive historiographical and hagiographical corpora during the twenty years of his episcopacy in Tours. These works serve as important sources for the cultural, social, political and religious history of Merovingian Gaul. This book focuses on Gregory’s hagiographical collections, especially the Glory of the Martyrs, Glory of the Confessors, and Life of the Fathers, which contain accounts of saints and their miracles from across the Mediterranean world. It analyses these accounts from literary and historical perspectives, examining them through the lens of relations between the Merovingians and their Mediterranean counterparts, and contextualizing them within the identity crisis that followed the disintegration of the Roman world. This approach leads to groundbreaking conclusions about Gregory’s hagiographies, which this study argues were designed as an "ecclesiastical history" (of the Merovingian Church) that enabled him to craft a specific Gallo-Christian identity for his audience.

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3

Corporate literacy: Discovering the senses of the organisation. Oxford: Chandos, 2007.

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4

Barbara, Lewandowska-Tomaszczyk, ed. PALC 2001: Practical applications in language corpora. Frankfurt am Main: P. Lang, 2003.

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5

Corporeal words: Mikhail Bakhtin's theology of discourse. Evanston, Ill: Northwestern University Press, 1997.

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6

Drubek-Meyer, Natascha. Gogol's eloquentia corporis: Einverleibung, Identifikation und die Grenzen der Figuration. Bern: Peter Lang International Academic Publishers, 1998.

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7

Drubek-Meyer, Natascha. Gogol's eloquentia corporis: Einverleibung, Identität und die Grenzen der Figuration. München: Otto Sagner, 1998.

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8

Toigo, Jon William. Automated training development systems: A cost-effective strategy for corporate excellence. Englewood Cliffs, N.J: Yourdon Press, 1991.

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9

Flusfeder, David, ed. Lightning Rods. High Wycombe: And Other Stories Publishing, 2012.

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10

The literature of the senses: Body, corporeal perception and aesthetic experience in the work of João Gilberto Noll. Köln: LAP Lambert Academic Publishing, 2009.

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11

Branach-Kallas, Anna. Corporeal itineraries: Body, nation, diaspora in selected Canadian fiction. Toruń: Wydawn. Nauk. Uniwersytetu Mikołaja Kopernika, 2010.

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12

Andriopoulos, Stefan. Possessed: Hypnotic crimes, corporate fiction, and the invention of cinema. Chicago: University of Chicago Press, 2008.

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13

Shut up shut down: Poems. Minneapolis: Coffee House Press, 2004.

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14

Nowak, Mark. Shut up shut down: Poems. Minneapolis: Coffee House Press, 2004.

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15

Black, Edwin. Nazi nexus: America's corporate connections to Hitler's Holocaust. Washington, DC: Dialog Press, 2009.

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16

William, Hoynes, ed. The business of media: Corporate media and the public interest. 2nd ed. Thousand Oaks, Calif: Pine Forge Press, 2006.

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17

Artful Making. Upper Saddle River: Pearson Education, 2007.

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18

1938-, Devin Lee, ed. Artful making: What managers need to know about how artists work. Upper Saddle River, NJ: Financial Times/Prentice Hall, 2003.

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19

Falling sideways: A novel. New York: Bloomsbury USA, 2011.

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20

O'Halloran, Kieran. Posthumanism and Deconstructing Arguments: Corpora and Digitally-Driven Critical Analysis. Taylor & Francis Group, 2017.

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21

O'Halloran, Kieran. Posthumanism and Deconstructing Arguments: Corpora and Digitally-Driven Critical Analysis. Taylor & Francis Group, 2017.

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22

O'Halloran, Kieran. Posthumanism and Deconstructing Arguments: Corpora and Digitally-Driven Critical Analysis. Taylor & Francis Group, 2017.

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23

Corporate Literacy. Elsevier, 2007. http://dx.doi.org/10.1016/c2013-0-16637-8.

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24

Berman, Joshua A. Blending Discordant Laws in Biblical Narrative. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658809.003.0009.

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This chapter highlights a peculiar phenomenon in biblical literature outside of the Pentateuch: a biblical writer will invoke iterations of a given law from two or more of the Pentateuch’s four corpora. Scholars have assumed that this phenomenon was limited to post-exilic literature, and stemmed from the exigencies of exile and return that created an urgent need to create a vehicle that would grant legitimacy to various communities and their legal traditions. However, the broad array of books in which such legal blending is found mandates us to question whether the legal blend is strictly a literary phenomenon of the post-exilic period. Moreover, the phenomenon obliges us to question the long-standing assumption that diverging iterations of the same law in two (or more) of the Torah’s law corpora are inherently mutually exclusive. Sources: Josh 20:1–9; Judg 6:25–31; 1 Sam 15:2, 1 Sam 28:3–25; 2 Kgs 4:1–7; Jer 34:12–17; Neh 5:1–12.

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25

Mahlberg, Michaela. Corpus Stylistics and Dickens's Fiction. Taylor & Francis Group, 2013.

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26

Mahlberg, Michaela. Corpus Stylistics and Dickens's Fiction. Taylor & Francis Group, 2013.

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27

Mahlberg, Michaela. Corpus Stylistics and Dickens's Fiction. Taylor & Francis Group, 2013.

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28

Mahlberg, Michaela. Corpus Stylistics and Dickens's Fiction. Taylor & Francis Group, 2015.

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29

Mahlberg, Michaela. Corpus Stylistics and Dickens's Fiction. Taylor & Francis Group, 2013.

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30

Jennings, Theodore W., and Tat-siong Benny Liew. Narrativizing Empire in the Biblical World. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.44.

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The chapter will highlight the deep ambivalence toward empire to be found within biblical narratives. Through a sampling of different kinds of narrative materials—in terms of major literary corpora (such as the Torah and epistles) and minor narrative forms (such as hymns and parables)—from both the Hebrew Bible and the New Testament, it will argue that empire in biblical narratives may be summarized as a tale of two kinds of empire: one of unjust oppression and one of refuge, justice, and mercy. The chapter ends by suggesting how this biblical tale of ambivalence about empire is still relevant for contemporary thought about our world today

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31

Yin, Zihan, and Elaine Vine. Multifunctionality in English: Corpora, Language and Academic Literacy Pedagogy. Taylor & Francis Group, 2022.

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32

Yin, Zihan, and Elaine Vine. Multifunctionality in English: Corpora, Language and Academic Literacy Pedagogy. Taylor & Francis Group, 2022.

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33

Yin, Zihan, and Elaine Vine. Multifunctionality in English: Corpora, Language and Academic Literacy Pedagogy. Taylor & Francis Group, 2022.

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34

Vine, Elaine W., and Zihan Yin. Multifunctionality in English: Corpora and Language and Academic Literacy Pedagogy. Routledge, 2022.

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35

Stern, Simon. Legal and Literary Fictions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0019.

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The term “legal fiction” is often used for doctrines that make the law’s image of the world seem distorted or bizarre. On this view, corporate personhood and civil death are fictional because of their narrative potential: the outlandish premise might yield some as yet unknown result. However, this narrative potential is an ordinary feature of all legal doctrines. If legal fictions resemble literary fictions, that kinship owes more to the ways in which both fictional modes solicit a particular kind of attention than to a shared ability to spin out narrative arrays. To develop these ideas, this chapter considers the doctrine of copyright misuse, the question of whether steamboats are floating inns, the concept of “unnatural narrative” in literary scholarship, and Marcel Duchamp’s Fountain (1917).

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36

Goldschmidt, Nora, and Barbara Graziosi. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826477.003.0001.

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The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.

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37

Kauhanen-Simanainen, Anne. Corporate Literacy: Discovering the Senses of the Organisation. Chandos Publishing (Oxford) Ltd, 2006.

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38

Kauhanen-Simanainen, Anne. Corporate Literacy: Discovering the Senses of the Organisation. Elsevier Science & Technology, 2007.

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39

Yu, Danni. Cross-Cultural Genre Analysis: Investigating Chinese, Italian and English CSR Reports. Taylor & Francis Group, 2021.

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40

Cross-Cultural Genre Analysis: Investigating Chinese, Italian and English CSR Reports. Taylor & Francis Group, 2021.

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41

Yu, Danni. Cross-Cultural Genre Analysis: Investigating Chinese, Italian and English CSR Reports. Routledge, 2021.

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42

Posthumanism and Deconstructing Arguments. Taylor & Francis Group, 2017.

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43

Dean, Andrew. Metafiction and the Postwar Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871408.001.0001.

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This book examines the origins, poetics, and capacities of self-reflexive fiction across the globe after World War II. Focusing on three authors’ careers—J. M. Coetzee, Janet Frame, and Philip Roth—it seeks to circumvent the large-scale theoretical paradigms (such as ‘postmodernism’) that have long been deployed to describe this writing. The book does so by developing new terms for discussing the intimacies of metafictional writing, derived from the writing of Miguel de Cervantes and J. L. Borges. The ‘self of writing’ refers to the figure of the author that a writer may imagine exists independently from discourse. The ‘public author as signature’ represents the public understandings of an author that emerge from biography and the author’s corpus itself. The book shows how these figures of authorship are handled by authors, as they draw on the materials offered by their own corpora and communities of readers. Sometimes, this book shows, authors invent distinctively literary ways of adjudicating enduring political debates: the responsibility of a novelist to the political aspirations of a community, the ability of the novel to pursue justice on behalf of others, and the public good that literature serves. Yet this is not a story of unmitigated success: the book also demonstrates how metafiction can be used as a way to close down interpretive schemes and to avoid contributing to public value. Through a close focus on literary environments, the book ultimately gives a finer-grained account of the history of postwar metafiction, and offers new ways of theorizing the relationship between fiction, life-writing, and literary institutions.

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44

Leonardi, Simona, Carla Bazzanella, and Eva-Maria Thüne. Gender, Language and New Literacy: A Multilingual Analysis. Bloomsbury Publishing Plc, 2009.

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45

Neuwirth, Angelika. The Qur'an and Late Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199928958.001.0001.

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Анотація:

The Qurʾan and Late Antiquity: A Shared Heritage, the culminating summary of the work of the most prominent German scholar of the Qurʾan, provides an original introduction to the Qurʾan against the background of the plural religious and literary cultures of Late Antiquity. In order to bridge the polarity between understandings of the Qurʾan in the Islamic world and the West, the work offers a critical introduction to the study of the Qurʾan within Western scholarship, before employing a range of philological and historical methods to present a critical image of the history of the text’s emergence, redaction, and earliest “setting in life” within the community. Setting out and upholding a chronological understanding of the stages of the “proclamation” represented by the final, canonized text, Neuwirth sets forth an original philologically and historically informed reading of the text. This entails a detailed description of the stages of “communal formation” detectable behind the canonized text, as well as an exploration of the emergence of patterns of communal liturgy and ritual-textual practices reflected in the literary forms of the suras. The process of the text’s historical emergence is set carefully against the background of the other scriptural traditions into which it inscribes itself, and the relationships between the Koran and the text corpora of the Old and New Testaments, as well as to ancient Arabic poetry, are given detailed and original treatment. No work of this kind exists now in English: both thoroughly and critically aware of the body of Western research on the Koran, and based on a thorough and historically informed literary reading of the Koranic text.

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46

Jefferson's Body: A Corporeal Biography. University of Virginia Press, 2017.

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47

Kauhanen-Simanainen, Anne. Corporate Literacy: Discovering the Senses of the Organisation (Chandos Knowledge Management). Chandos Publishing (Oxford) Ltd, 2006.

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48

(Editor), Eva-maria Thune, Simona Leonardi (Editor), and Carla Bazzanella (Editor), eds. Gender, Language And New Literacy (Research in Corpus and Discourse). Continuum International Publishing Group, 2006.

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49

Corporeal inscriptions: Representations of the body in cultural and literary texts and practices. Toruń: Wydawn. Uniwesytetu Mikołaja Korpenika, 2005.

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50

Corporeal inscriptions: Representations of the body in cultural and literary texts and practices. Torun: Wydawnictwo Uniwersytetu Mikolaja Kopernika, 2005.

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