Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Linguistic imagination.
Статті в журналах з теми "Linguistic imagination"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 статей у журналах для дослідження на тему "Linguistic imagination".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте статті в журналах для різних дисциплін та оформлюйте правильно вашу бібліографію.
1
Rucińska, Zuzanna, Thomas Fondelli, and Shaun Gallagher. "Embodied Imagination and Metaphor Use in Autism Spectrum Disorder." Healthcare 9, no. 2 (February 13, 2021): 200. http://dx.doi.org/10.3390/healthcare9020200.
Повний текст джерелаАнотація:
This paper discusses different frameworks for understanding imagination and metaphor in the context of research on the imaginative skills of children with autism spectrum disorder (ASD). In contrast to a standard linguistic framework, it advances an embodied and enactive account of imagination and metaphor. The paper describes a case study from a systemic therapeutic session with a child with ASD that makes use of metaphors. It concludes by outlining some theoretical insights into the imaginative skills of children with ASD that follow from taking the embodied-enactive perspective and proposes suggestions for interactive interventions to further enhance imaginative skills and metaphor understanding in children with ASD.
2
Itkonen, Esa. "The Central Role of Imagination in Linguistics, Philosophy and Logic." Public Journal of Semiotics 8, no. 2 (November 24, 2019): 49–74. http://dx.doi.org/10.37693/pjos.2018.8.20257.
Повний текст джерелаАнотація:
Imagination is often accused of being “vulnerable”, or even downright unrealizable as a source of knowledge. I argue that this is mistaken, at least for some kinds of systematic imagination. First, imagination is shown to be key for the notion of entailment, which is central in philosophical and linguistic semantics, and in logic. Further, I show how such a non-psychological notion of imagination vindicates so-called “Objectivism”, attacked in cognitive linguistics. There are indeed limits to imagination, related to contradiction and ontological puzzles, but once handled with care, such limits do not invalidate it either. In sum, despite scepticism about imagination from Aristotle to the present, I show that it is if fact inevitable, intimately linked with normativity and rationality.
3
Tateo, Luca. "Giambattista Vico and the psychological imagination." Culture & Psychology 21, no. 2 (June 2015): 145–61. http://dx.doi.org/10.1177/1354067x15575695.
Повний текст джерелаАнотація:
This special issue originates from an international workshop on “Vico and imagination,” that took place at Aalborg University in 2014, within a research project on Giambattista Vico and the epistemology of psychology. Imagination has inexplicably been relegated to the background in contemporary psychology, despite the fact that imaginative processes are involved in even the most mundane activities. In this editorial, I first present the rationale and the content of the articles and commentaries. Then I outline a brief history of the concept of imagination before Vico, drawing some consequences for contemporary psychology. Finally, I provide the proposal for a new research program on imagination as a higher psychological function that enables us to manipulate complex meanings of both linguistic and iconic forms in the process of experiencing.
4
De Almeida, Nazareno Eduardo. "Semantic Imagination as Condition to our Linguistic Experience." Principia: an international journal of epistemology 21, no. 3 (May 7, 2018): 339–78. http://dx.doi.org/10.5007/1808-1711.2017v21n3p339.
Повний текст джерелаАнотація:
The main purpose of this article is, from a semiotic perspective, arguing for the recognizing of a semantic role of the imagination as a necessary condition to our linguistic experience, regarded as an essential feature of the relations of our thought with the world through signification processes (and the sign systems they perform); processes centered in but not reducible to discourse. The text is divided into three parts. The first part presents the traditional position in philosophy and cognitive sciences that had barred until recent times the possibility to investigate the semantic function performed by imagination, mainly due to the anti-psychologist arguments on which it is based. After that, I situate my perspective inside of the recent research panorama in philosophy and cognitive science. The second part presents the semiotic framework on the relation between thought, language, and world, conceived through the concepts of signification processes and sense-conditions. Within this framework, I introduce the concept of linguistic experience, characterizing semantic imagination as one of its sense-conditions. In the third part, several pieces of evidence for corroborating the semantic function of imagination are discussed. These pieces come from the fields of phenomena denoted as diagrammatic thought and counterfactual thought. Diagrammatic thought, briefly discussed, points out the semantic work of imagination in the semi-discursive sign systems constructed in mathematics, logic, and natural science. After defending a widening of the concept of counterfactual thought, and its intrinsic relation with semantic imagination, the role of semantic imagination is briefly discussed in some types of counterfactual thought found in our conceptions of modal concepts, in thought experiments, in apagogical arguments, and in the creative discursive devices.
5
Anasiudu, Okwudiri. "Nnimmo Bassey’s Aesthetic Imagination and Social Meaning in We Thought It Was Oil but It Was Blood." Journal of Language and Literature 22, no. 1 (March 23, 2022): 150–62. http://dx.doi.org/10.24071/joll.v22i1.3783.
Повний текст джерелаАнотація:
This paper explores Nnimmo Bassey’s poetry collection: We Thought it Was Oil but It Was Blood. It interrogates the aesthetic imagination and language use in the construction of the poem as a text, and the social meaning wrapped in such imagination and language use. This paper draws insight from postcolonial ecocriticism and critical functional linguistics as theoretical frameworks. The methodology this paper adopts is qualitative, descriptive, and critical. The guiding motivation for this research is the dearth of critical study on Bassey’s We Thought it Was Oil but It Was Blood. The research problem and gap this study seeks to bridge is the minimal attention the available scholarship on Bassey's poetry offered to the exploration of aesthetic imagination and social meaning construed through the internal formal structure of the poem, realised through stanzas, and structures and the linguistic configuration such as deixis, metaphorical schemas. The analysis shows that place deixis, pronouns adjective, and metaphors are important linguistic designs Bassey deploys in construing his aesthetic imagination, particularly the social realities of the Niger Delta region such as the contentious issue of environmental justice, ecological despoliation, minority rights, and agitation whenever resource control is mentioned.
6
Soonmi Han. "Study on Examined by Linguistic/Cultural Imagination." Korean Language and Literature ll, no. 147 (December 2007): 79–102. http://dx.doi.org/10.17291/kolali.2007..147.004.
Повний текст джерела
7
Wei, Li, and Zhu Hua. "Imagination as a key factor in LMLS in transnational families." International Journal of the Sociology of Language 2019, no. 255 (January 26, 2019): 73–107. http://dx.doi.org/10.1515/ijsl-2018-2004.
Повний текст джерелаАнотація:
AbstractThis article argues that imagination plays a key role in whether and how members of transnational families individually and collectively maintain or relinquish their heritage languages and adopt other languages as part of their multilingual repertoires. Imagination is defined here as the vision of where and what one might be or become at some future point in time. We base our argument on linguistic ethnography over two decades with transnational families of Chinese ethnic origin in the UK. Families that seem to have kept their heritage languages and families that have given them up were invited to talk about where, what and how they would see themselves in ten years’ time, and a selection of them are subsequently interviewed and observed after the ten-year period. Their responses are analysed in terms of their constructed experiences, environments and visions of the future; their perceptions and imaginations of different places and cultures; key moments in re-evaluation, or re-imagining, that led to major behavioural changes; and self-evaluation of their imaginations. Particular attention is given to the dynamics of differences and tensions between the imaginations of individuals of the same families, as well as changes to the imaginations over time. Theoretical and methodological implications of studying imagination as a key factor for language maintenance and language shift, and for bilingualism research generally, are discussed.
8
Cryle, Peter M., and Edouard Morot-Sir. "The Imagination of Reference: Meditating the Linguistic Condition." South Atlantic Review 58, no. 4 (November 1993): 123. http://dx.doi.org/10.2307/3201011.
Повний текст джерела
9
koo Bon-Kwan. "On the properties of linguistic imagination in Korean." Korean Language and Literature ll, no. 146 (September 2007): 55–92. http://dx.doi.org/10.17291/kolali.2007..146.003.
Повний текст джерела
10
Kobzieva, Iuliia, Iia Gordiienko-Mytrofanova, and Serhii Sauta. "PSYCHOLINGUISTIC FEATURES OF IMAGINATION AS A COMPONENT OF LUDIC COMPETENCE." EUREKA: Social and Humanities 2 (March 31, 2020): 15–23. http://dx.doi.org/10.21303/2504-5571.2020.001128.
Повний текст джерелаАнотація:
Ludic competence is an integral part of the professional competence of would-be psychologists; the psycholinguistic features of imagination are in turn an integral component of the ludic competence. We used the method of applied psycholinguistic research in order to define and explain the psycholinguistic features of imagination as a component of the ludic competence. The main stage of the research was a free association test with the stimulus word “imagination”, as the most elaborated technique of semantic analysis. The psycholinguistic features of imagination as a notion that belongs to the inner world and as a component of the ludic competence were reflected in everyday linguistic consciousness as three core (more than 10 %) semantic clusters: (a) associates that reflect psychological processes and states (54.5 %); (b) associates that are connected with creative activity (25.5 %); and (c) associates that describe the outside world (11 %). Imagination was mostly represented by lexemes with abstract semantics. The semantic content of the word “imagination” did not depend on gender identification. Both male and female respondents showed a positive emotional attitude to the stimulus “imagination” and evaluated it as something positive. Our data confirm that the psycholinguistic experiment and the method of free association, in particular, can be extensively applied beyond linguistics and prove to be rather effective.
11
Niyozova, Olmoskhon Erkaboevna. "Phraseologys Formed On The Basis Of A Comparative Model (On The Example Of Uzbek-Korean Phraseologism)." American Journal of Social Science and Education Innovations 03, no. 04 (April 30, 2021): 444–48. http://dx.doi.org/10.37547/tajssei/volume03issue04-70.
Повний текст джерелаАнотація:
A large-scale study of linguistic problems from the point of view of comparative linguistics and linguistic translation poses new common challenges for the science of the 21st century. One such problem is the study of translated texts from an anthropocentric position. Anthropocentric study of translated texts means showing the uniqueness of a particular people. In this article, research work on phraseology, formed on the basis of a comparative model, and, therefore, "similarities" in a particular language and culture, reflect the way of thinking and imagination of this people in the texts of the Uzbek-Korean and Korean-Uzbek translation. Linguistic and cultural comparative study of "phraseology" - one of the most important aspects of the topic.
12
Golaidenko, Larisa Nikolaevna, and Alina Aleksandrovna Rakhimova. "PHILOSOPHICAL TERM “IMAGINATION” IN LINGUO-COGNITIVE AND LINGUISTIC ASPECTS." Philological Sciences. Issues of Theory and Practice, no. 12 (December 2019): 139–45. http://dx.doi.org/10.30853/filnauki.2019.12.28.
Повний текст джерела
13
Fernández de la Torre Madueño, María Dolores. "Imagination and nonliterality : a case study of superhuman entities in religion." Journal of English Studies 1 (May 29, 1999): 69. http://dx.doi.org/10.18172/jes.43.
Повний текст джерелаАнотація:
In the present work we would like to emphasize the aspect of imagination as an element of great relevance in the production of metaphorical processes. With the experientialism upheld by the cognitive approach, people's imaginative ability is established as one of the main arguments to face any lexical analysis from a cognitive perspective. A double focus can be appreciated in the religious vocabulary: On one hand, the experience that the members of a linguistic community live directly and personally and on the other hand, a virtual creation of such an experience, a sort of "imagined experience". In it, imagination would be characterized by the ability to transfer certain conceptualizations and ideas to human domains; conceptualizations and ideas which, from a theological point of view, are neither present nor located in such domains. This focus centers on a series of religious lexemes of a superhuman nature, angel and devil.
14
Abid, Abeer Hussein. "The neology in the Iraqi dialect after the invasion of 2003 and the level of imaginative comprehension." Journal of the College of languages, no. 49 (January 2, 2024): 83–112. http://dx.doi.org/10.36586/jcl.2.2024.0.49.0083.
Повний текст джерелаАнотація:
The article analyzes the neologisms that arose in the Iraqi dialect after the 2003 US-British invasion and the fall of Saddam Hussein's regime, according to the theory I advocate: "The Basic Outline of Reference," a developed theory of Arab legacy and cognitive theory, which came out in 1987 in America, so we have used the terminology of cognitive grammar. In this theory it is stated that the reference is the interaction between four components: perception, imagination, imaginative comprehension and the linguistic sign or symbolization (the neological word in this article), which are closely related, so that none of them can be lacking, because they constitute a holistic whole that belongs to a deeper level. Let us see how the speakers of Iraq, after the invasion of 2003, imagine the world according to their views, that is, their collective imaginative comprehension. This theory is going to be in the future the basis of a modern holistic linguistics which is very different from traditional linguistics. Resumen El articulo analiza los neologismos surgidos en el dialecto iraquí tras la invasión estadounidense-británica de 2003 y la caída del régimen de Saddam Hussein, Desde la perspectiva de “El esquema básico de la referencia”, teoría que aúna el legado de la tradición lingüística árabe y la teoría cognitiva desarrollada a partir de los primeros años 80 en EEUU, por ello que adoptemos la terminología de la gramática cognitiva. En esta teoría se considera que la referencia es la interacción entre cuatro componentes: la percepción, la imaginación, la comprensión imaginativa y el signo lingüístico o simbolización (la palabra neológica en este artículo), que están íntimamente relacionados, de manera que no puede faltar ninguno de ellos, porque constituyen un todo holístico que pertenece a otro nivel más profundo. Vamos a ver como los hablantes de Irak, tras la invasión de 2003, imaginan el mundo según sus puntos de vista, es decir, su comprensión imaginativa colectiva. Esta teoría pretende fundamentar las bases de una lingüística holística diferente de la tradicional lingüística.
15
Herriman *, Michael. "Imagination and meta‐linguistic awareness in the development of literacy." Teaching Education 16, no. 1 (March 2005): 81–88. http://dx.doi.org/10.1080/1047621052000341653.
Повний текст джерела
16
Hauck, Jan David, and Guilherme Orlandini Heurich. "Language in the Amerindian imagination: An inquiry into linguistic natures." Language & Communication 63 (November 2018): 1–8. http://dx.doi.org/10.1016/j.langcom.2018.03.005.
Повний текст джерела
17
Sanakulov, Jahongir. "MULTI CULTURE AND LANGUAGE RELATIONS IN THE PROCESS OF GLOBALIZATION." МЕЖДУНАРОДНАЯ НАУЧНАЯ КОНФЕРЕНЦИЯ: "СОВРЕМЕННЫЕ ФИЛОЛОГИЧЕСКИЕ ПАРАДИГМЫ: ВЗАИМОДЕЙСТВИЕ ТРАДИЦИЙ И ИННОВАЦИЙ II" 2, no. 18.03 (April 7, 2022): 280–90. http://dx.doi.org/10.47100/nuu.v2i18.03.76.
Повний текст джерелаАнотація:
The article discusses different approaches to the phenomenon of multiculturalism, as well as the scope of its interaction in linguistic processes. Literary translation analyzes the relationship between language, culture and imagination.
18
LO BIANCO, JOSEPH. "Invented languages and new worlds." English Today 20, no. 2 (March 29, 2004): 8–18. http://dx.doi.org/10.1017/s0266078404002032.
Повний текст джерелаАнотація:
THE LIFE of a language involves relationships between linguistic elements and extra-linguistic contexts. The linguistic elements are varied and multiple, involving both written and spoken symbols and grammars, while the extra-linguistic contexts are the innumerable societies, cultures, and sub-cultures of humankind, including its worlds of reality, imagination, and ideology. This article discusses invented languages, partly in order to explore the motivations and schemes of their inventors and partly to compare languages created for international use (often called international auxiliary languages or IALs) with English, which itself functions as an IAL but is very much an uninvented language.
19
Milne, Joseph. "The Linguistic Imagination: Meister Eckhart's Poetic and Speculative Use of Scripture." Eckhart Review 17, no. 1 (March 27, 2008): 9–17. http://dx.doi.org/10.1179/eck.17.1.1w02846754n6m475.
Повний текст джерела
20
Herman, David. "The Imagination of Reference: Meditating the Linguistic Condition (review)." Philosophy and Literature 18, no. 1 (1994): 167–69. http://dx.doi.org/10.1353/phl.1994.0060.
Повний текст джерела
21
Mamatova, Feruza. "Cross-Cultural Analysis: Representation of Some Aspects of a Parent-Child Relationship (on the Examples of English and Uzbek Proverbs)." SHS Web of Conferences 100 (2021): 02008. http://dx.doi.org/10.1051/shsconf/202110002008.
Повний текст джерелаАнотація:
The research paper deals with the problems of modern linguistics such as linguistic picture of the world which is realized principally by researching culturally marked linguistic phenomenon. A parent-child relationship is mostly studied by sociology, however, the fact that variety of speech in a parent-child relationship which is reflected in a linguistic image of the world makes it an object for linguistics. In addition to this, the study of the reflection of family relationship in the language enables to carry out a cross-cultural analysis by tools of linguoculturology. As data of the research English and Uzbek proverbs were selected from different sources. Analysis of phraseological units of English and Uzbek proverbs related to a parent-child relationship enabled to reveal similarities, differences, unique and specific features of this type of tradition. The periphery of this phenomenon comprises such notions as “parents are irreplaceable people”, “parents’ love” and “child’s behaviour at different ages”, “child associations” and others. Proverbs create a clear imagination of a parent- child relationship that has enough connotations expressed in the language. The analysis of the research may be implemented in cross-cultural studies, translation lessons and can be useful for a further research in this area.
22
Sjöblom, Margareta Kastberg. "Genres et sexes dans quelques langues européennes : Invitation au voyage." Caietele Echinox 42 (June 30, 2022): 363–78. http://dx.doi.org/10.24193/cechinox.2022.42.26.
Повний текст джерелаАнотація:
"The way of considering the masculine and the feminine in the language is closely related to linguistic conventions. The well-normed uses in the different languages have, beyond the purely grammatical aspect, a cognitive influence which contributes to apprehending the feminine and the masculine in a gendered way or not. We propose for this study to rely on different linguistic uses of genders in some European languages belonging to different linguistic groups. These linguistic differences today give rise to debates on the social and cultural level. We will seek here to show that the cultural aspect and the linguistic aspect are not independent of each other, on the contrary, they are strongly linked and interact in the social representation and the masculine/feminine imagination."
23
Kellman, Steven G. "Literary Translingualism: What and Why?" Polylinguality and Transcultural Practices 16, no. 3 (December 15, 2019): 337–46. http://dx.doi.org/10.22363/2618-897x-2019-16-3-337-346.
Повний текст джерелаАнотація:
The article is devoted to a comprehensive understanding of the theory of translingualism. Its author, Professor Steven Kellman, discusses the essence of the term he proposed in the context of world literature, citing numerous examples of translingual imagination. Based on the work of writers such as Joseph Conrad, Vladimir Nabokov and others, Professor Kellman demonstrates how the mechanism of intercultural and translational interaction of linguistic and extralinguistic elements works in each individual case. The theory of translingualism enriched the cycle of the humanities (from linguistics to cultural studies, from literary criticism to philosophy) with a new popular episteme, which the editorial board gladly shares with our readers.
24
Phillips, Elizabeth. "Narrating Catastrophe, Cultivating Hope: Apocalyptic Practices and Theological Virtue." Studies in Christian Ethics 31, no. 1 (November 4, 2017): 17–33. http://dx.doi.org/10.1177/0953946817737504.
Повний текст джерелаАнотація:
Apocalypticism has been widely denounced as a framework that devalues the world and its history, funding moral dualism. While this is certainly true of many forms of apocalypticism, it is not an accurate understanding of ancient apocalyptic texts. This article establishes a framework of theological virtue ethics drawn particularly from Herbert McCabe, in which human rationality and Christian morality are understood as political, linguistic, narrative, bodily and sacramental. From within this framework, Anathea Portier-Young’s work is considered, relating early Jewish apocalyptic to trauma theory and describing how these texts narrated socio-political catastrophe in order to open up possibilities of resistance and hope. These considerations point us towards a constructive understanding of apocalyptic imagination and praxis within a political, linguistic, narrative, bodily and sacramental framework. Contemporary employments of Afro-pessimism in Black theology, particularly in J. Kameron Carter, then interrogate the proposed apocalyptic imagination, asking whether Christian apocalyptic praxis can cultivate hope in the face of the catastrophe of modern racism.
25
Kumar, Alok, and Minakshi Hooda. "WOMEN FIGURES IN FANTASY ART." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (March 16, 2022): 100–107. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.72.
Повний текст джерелаАнотація:
People say that “Never judge a book by its cover,” but the cover of the book invites us towards it. I remember, during my college years, of going to a bookstore, named” IDEA” in New Delhi, and buying an expensive book named “ENCHANTMENT” stories by Doris Vallejo, Illustrated by Boris Vallejo. The thing, that attracted me, was cover of the book. At that point of time, I was not prepared for reading stories, but I bought this book because of its illustrations, which enchanted me.In Fantasy Art, we see a visual world and feel a World of Imagination which is a representation of reality. In Fantasy art, we can time travel and become anything of our choosing. This is not the world, we know and live in, but a world of our conceived and perceived imagination.In this imaginative world, female figures, plays a key role in provoking our feelings, invite us, for a heroic journey to explore an unknown world.Through this article, I would like to invite you to join me, on a fantastic journey of this female representation in Visual World and become part of this Fantasy Artwork.To build the idea of FANTASY ART from a linguistic understanding following writings lead us on, the Meriam webster dictionary define art as “The conscious use of skill and creative imagination, especially in the production aesthetic objects; also; works to produce”.In Shabdkosh Hindi Dictionary, “The creation of beautiful or significant things”. “The product of human creativity; works of art collectively”.The definition, I listen in my college is “Art Is Representation of Reality”.Regardless of definition, we all know about what art is and what it is not.Dictionary meaning of word fantasy is “Imagination unrestricted by reality” and fantasy art meaning is, an imaginative world, that could be, may it be, would have been, or could never be. In this imaginative art style, the artwork which can be thought provoking, whimsical, challenging, disturbing, unreal, and challenging of notions of rationality.
26
Braga, Corin. "Collective Imaginaries and National Identities: The Encyclopedia of Romanian Imaginaries." Caietele Echinox 41 (December 1, 2021): 116–24. http://dx.doi.org/10.24193/cechinox.2021.41.09.
Повний текст джерелаАнотація:
"This paper presents how The Encyclopaedia of Romanian Imaginaries. Historical Patrimony and Cultural-Linguistic Identities (Polirom Editing House, 2020) reflects the Romanian cultural identity. The five volumes provide a synoptic perspective on the cultural inheritance and spiritual identities of Romania. Guided by the powerful and innovative concept of social and cultural imaginaries, it uses multidisciplinary and interdisciplinary methodologies in order to highlight the main domains of Romanian collective representations. The scientific key concepts, which ensure the originality of the approach, are imagination studies (“recherches sur l’imaginaire”), semantic basins, linguistic fields, image constellations, and fractal identity."
27
Yu, Xintong. "The Analysis of the Soldier from Systemic Functional Linguistic Perspectives." International Journal of Languages, Literature and Linguistics 8, no. 3 (September 2022): 165–69. http://dx.doi.org/10.18178/ijlll.2022.8.3.341.
Повний текст джерелаАнотація:
The Soldier is a sonnet written in 1914 by Rupert Brook, a British war poet. The paper aims at analyzing the poem by applying M.A.K. Halliday’s Systemic Functional Linguistics (SFL) as a theoretical framework. The study mainly adopts a qualitative methodology to analyze the text by text linguistics. However, the quantitative methodology is also used to calculate the proportions of each metafunctional process in this poem. The main findings of this paper are: 1) Topic theme: the themes of the poem are I, dust, England, this heart, et., which show the soldie'’s love and gratefulness for England; 2) The focus of tense: The Soldier starts with a conditional clause and then uses present and past tense to create a context as if he was depicting a real external world instead of an imagination from the inner world. 3) Patterning and re-patterning: The patterning analysis shows the soldier in the poem emphasizes his motivation for sacrificing and spreading the precious things in England who had brought him up. The paper concludes that The Soldier shows a strong sense of patriotism, which might be an approval for the former literary studies of this poem from linguistic aspects.
28
Rosa, Jonathan, and Nelson Flores. "Unsettling race and language: Toward a raciolinguistic perspective." Language in Society 46, no. 5 (September 11, 2017): 621–47. http://dx.doi.org/10.1017/s0047404517000562.
Повний текст джерелаАнотація:
AbstractThis article presents what we term araciolinguistic perspective, which theorizes the historical and contemporary co-naturalization of language and race. Rather than taking for granted existing categories for parsing and classifying race and language, we seek to understand how and why these categories have been co-naturalized, and to imagine their denaturalization as part of a broader structural project of contesting white supremacy. We explore five key components of a raciolinguistic perspective: (i) historical and contemporary colonial co-naturalizations of race and language; (ii) perceptions of racial and linguistic difference; (iii) regimentations of racial and linguistic categories; (iv) racial and linguistic intersections and assemblages; and (v) contestations of racial and linguistic power formations. These foci reflect our investment in developing a careful theorization of various forms of racial and linguistic inequality on the one hand, and our commitment to the imagination and creation of more just societies on the other. (Race, language ideologies, colonialism, governmentality, enregisterment, structural inequality)*
29
Csizmadia, Gabriella Petres. "Black, White, Colourful, Gray: Visual Effects in the Children’s Book Mimi & Liza." Ars Aeterna 13, no. 3 (December 1, 2021): 30–41. http://dx.doi.org/10.2478/aa-2021-0015.
Повний текст джерелаАнотація:
Abstract The study presents the reader with an intermedial interpretation of the storybook Mimi & Liza written by Katarína Kerekesová – Katarína Moláková – Alexandra Salmela (2013). The storybook follows the story of the friendship of two little girls, Mimi, who sees the world proliferating in mad colours, and the blind Liza, who is immersed in inner seeing. The two girls are presented as each other’s opposites through the semiotics of two counterpointing colour schemes. The analysis is based on Mitchell’s conception of media (Mitchell, 1994), that is, it sets out by acknowledging the intermedial state of the culture of children’s books, and then it follows the unfolding of the visual elements up through the investigation of expressive visual effects created by the text’s rhetoric. The visualization happening with the help of language is the condition of the common worldview of the blind and seeing characters as well as the guiding principle and goal of the volume; therefore besides the visual representation characteristic of children’s books, an emphasized role is given to the validation of the ekphrastic perspective in the analyzed work. The ekphrases of the text are presented as intermedial references (Rajewsky, 2010) based on Irina O. Rajewsky’s interpretation of intermediality. A unique feature of the interpretation is that the ekphrases of the volume read as sort of imaginary/imagination ekphrases which create the special, children’s book version of ekphrasis. It is characteristic for this imagination ekphrases that the order of the imaginary image and its linguistic description create an undecidable symbiosis. These images, however, can also be interpreted as inverted ekphrases, since they function not merely as descriptions of imagination ekphrases, but also as the visual world representations of linguistic imagination. Through several examples the study introduces and analyzes the mechanisms of the visualization happening with the help of language as well as the scenery painted with words.
30
Ismawati, Esti, and Sukasih Ratna Widayanti. "STYLISTICS ANALYSIS ON LITERATURE LEARNING MATERIAL OF BAHASA INDONESIA CURRICULUM 2016 SMA-MA-SMK." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 18, no. 1 (January 1, 2019): 1–14. http://dx.doi.org/10.21009/bahtera.181.01.
Повний текст джерелаАнотація:
ABSTRACT
This study aims to analyze literature learning material Class X SMA-MA-SMK in Curriculum Bahasa Indonesia 2016. The method is descriptive by referring to the stylistics study. The problem is how is the linguistic description of literature learning material above?. The findings can be concluded that the poet uses the single and complex sentences. It also uses the rhetorical sentence, parallelism, repetition, metaphor, and climax in poems. The chosen vocabulary by the author is the common vocabulary which they use in our daily life, however it has special meaning when it is arranged in the form of poetry. The imagination in their poems is very strong. It can be seen through visual, auditory, and tactile.
Keywords: stylistics study, linguistics aspect, literature material, curriculum 2016
31
Iļinska, Larisa, and Oksana Ivanova. "Creation and Extension of Meaning in Professional Communication." Research in Language 18, no. 3 (September 30, 2020): 283–97. http://dx.doi.org/10.18778/1731-7533.18.3.03.
Повний текст джерелаАнотація:
The application of different language resources in professional communication reveals the role of cognition in information processing, the interpretive function of language in knowledge construction, and the interrelation of linguistic and extra-linguistic environments. The aim of the present paper is to examine the development of the language of science and the way it is influenced by history, technology, media, genre, and culture. Integrating cognitive approach and pragmatic analysis, the ways of meaning creation and meaning extension have been studied in the popular science texts. Creative thinking and imagination are considered responsible for innovative, creative and insightful thought in general, and, sometimes, for a much wider range of mental activities.
32
Sottilotta, Elena Emma, and Danila Cannamela. "Six memos for teaching Italian as a foreign language: Creativity, storytelling, and visual imagination in the language classroom." EuroAmerican Journal of Applied Linguistics and Languages 6, no. 1 (August 30, 2019): 37–55. http://dx.doi.org/10.21283/2376905x.10.133.
Повний текст джерелаАнотація:
By combining pedagogical, linguistic, and literary perspectives on creativity, storytelling, and visual imagination with their application in the language classroom, this article proposes storytelling and creative writing techniques in teaching Italian as a foreign language (FL). The main objective of this contribution is to provide some concrete examples on how creative approaches can be incorporated in Italian language courses at different proficiency levels. Therefore, the procedures and the theoretical assumptions of three creative projects involving communicative means such as mimes and gestures, and technological tools such as Twitter and meme generators, will be illustrated in detail and put in relation to linguistic research on creativity.
33
Redondo, José Manuel. "The Celestial Imagination: Proclus the Philosopher on Theurgy." Culture and Cosmos 19, no. 1 and 2 (October 2015): 25–46. http://dx.doi.org/10.46472/cc.01219.0205.
Повний текст джерелаАнотація:
This paper focuses on Proclus’s On the hieratic art of the Greeks – considered as a contemporary philosophical problem – exploring some of its fundamental concepts and images, thus delineating Proclus’s notion of theurgy, which he primarily conceived as divine action manifesting in the union between a god and the theurgist, and only secondarily as a technique. These aesthetic experiments of thought or philosophical performances, by means of which a divine self is created, had deep metaphysical, cosmological, psychological, ethical, linguistic and even political and religious implications for Late Antiquity Platonism, and had a profound impact on the development of Renaissance philosophy and magic. Such practices are meant to be understood in the context of the philosophical paideia of which it represents its final stage and consummation; they are developed by intricate hermeneutics of a poetic theology operated by very sophisticated conceptions of symbol, analogy and the imagination, all of which are at the base of the celestial-terrestrial correspondences used by theurgists in their hymn singing.
34
Kuchkarov, Tukhtamurod Olimovich. "MYTHOLOGICAL TOPICS ABOUT GRIPHONS AND THEIR EPIC INTERPRETATIONS IN UZBEK FOLKLORE." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 12 (December 1, 2021): 56–61. http://dx.doi.org/10.37547/philological-crjps-02-12-12.
Повний текст джерелаАнотація:
Sounds of ancient mythological imagination and archaic picture about the geophones are analyzed in the article which have stored in reflection form in Uzbek folk-lore. It was proved on the basis of comparative analyze of folk-lore, archeological and linguistic materials that the historical-genetic sources of dimorph images are bond up with archaic astrological idols of ancient people in the Central Asia.
35
Akay, O. M. "Generic Correlates as Lakunae Elimination." Bulletin of Kemerovo State University 21, no. 3 (October 5, 2019): 780–87. http://dx.doi.org/10.21603/2078-8975-2019-21-3-780-787.
Повний текст джерелаАнотація:
There is a large scatter of ideas about lacunae in modern linguistics. The lacuna phenomenon can be defined as a sign, a fixing principle of the presence / absence of an object or phenomenon; the phenomenon of absence in discourse, discursive omissions; differences, contradictions in the semantic sphere, revealed in communication, acts of misunderstanding; nonequivalent vocabulary, reality, white spots on the semantic map; zero correlate, dark holes; national specific differences between languages; virtual units, etc. If we assume that the lacuna is not a figment of imagination, but a unit that objectively exists in a language, it becomes obvious that it is impossible to mentally insert an infinite number of alien units into the language system. Thus, it would be wrong to identify the presence of lacunae in a language on this basis. The ideas of multi-level lacunarity are multiplying in works related to translation studies and intercultural communication. Particular attention should be given to grammatical lacunae, manifested in the linguistic gender. Feminine generic correlates of animated masculine names are productively analyzed as intralingual grammatical lacunae. The study of these forms in the paradigm of the theory of lacunarity makes it possible to focus on their pragmatic properties, since the systemic absence of linguistic units helps to clarify their linguistic-pragmatic characteristics. The following methods were used to study generic correlates as lacunae elimination. The method of privative oppositions was employed to study changing / unchangeable lexical units; the modeling method and the psycholinguistic method were used to study fragments of linguistic consciousness in native speakers and to detect the psychological component in the semantics of words. Based on the study of semantic-cognitive characteristics of language lacunae, their fundamental ambiguity and heterogeneity, it seems legitimate to isolate a specific area of the linguistic field called lacunology.
36
V, Kavitha. "The Agam People as shown in Kurunththokai." International Research Journal of Tamil 4, S-13 (November 21, 2022): 268–73. http://dx.doi.org/10.34256/irjt224s1339.
Повний текст джерелаАнотація:
The Sangam literature, which is rich in literature and is ancient, is imaginative and has a linguistic personality. In the Sangam literature, the short songs which received the epithet "Good" are rich in concept and imagination. In this article, the life of the Agam men of the Sangam age referred to in these verses has been explained in this article from an aesthetic point of view. The feeling of love is essential to Agam’s life, and the way in which this feeling manifests itself in both the man and the woman is enjoyable. The man and woman's love for each other, their ability to express it, and their separation are all expressed in conjunction with nature. A number of short poems that reveal the lives of the people of the Sangam age who lived in harmony with nature through their statements are illustrated, and the concept and scenes in those songs are explained.
37
Poudel, Kamal Kumar, Kushmila Acharya, and Netra Prasad Sharma. "Linguistic Aesthetics in the Market: Evidence from Oral Business Nepali." Advances in Social Sciences Research Journal 8, no. 2 (February 8, 2021): 65–76. http://dx.doi.org/10.14738/assrj.82.9674.
Повний текст джерелаАнотація:
Communication in business is usually supposed to be precisely and directly targeted at the message. The present study was instigated to answer whether, as generally assumed, communication in business excludes the artistic or poetic use of language meant for entertainment. Using observation, recording and field notes as the study techniques, a corpus of 24000 words was collected in Nepali from the major open market sites and business hubs located within Nepal. The corpus was then translated into English. As a delimitation of the study, the aesthetic aspect of language use and usage was particularly focused and analyzed. The exploration suggests that the users of oral business Nepali (OBN) commonly entertain themselves and others side by side as they speak while conducting business transactions. They commonly achieve this end by creating art and imagination, expressing and creating humor, and making associations. A future direction would be to extend the study in terms of its scope and methodology.
38
Pesina, Svetlana A., Lyalya G. Yusupova, Lyubov V. Pavlova, Aleksandra A. Osipova, and Elena N. Derevskova. "Cognitive linguistic aspects of the most important functions of language." LAPLAGE EM REVISTA 7, Extra-A (April 28, 2021): 148–54. http://dx.doi.org/10.24115/s2446-622020217extra-a787p.148-154.
Повний текст джерелаАнотація:
A figurative fantasy function presented in the article is meant to provide a link between language and imagination by sparing consciousness copresence. The article reflects the scholars’ controversy concerning the determination of a key function of language. A communicative function of language is replaced by an adaptive one with ever increasing frequency, and language capacity is considered as a biological property of a living organism. The adaptive function of language implies the modification of the behavior of communicants such that the reality provides them with the best conditions for interaction. A communicant modifies their speech behavior, enhancing their general adaptational capacity in the surrounding. Thus, linguistic signs perform the function of orienting toward a more effective type of interpersonal interaction. The method of analytical reconstruction made it possible to obtain a systematic understanding of verbal and cogitative processes and conceptualization of semantic experience through the prism of understanding the functions of language.
39
Ryoo, Gi Taek. "Radical Ecopoetics: The Apocalyptic Vision of Jorie Graham’s Sea Change." Text Matters: A Journal of Literature, Theory and Culture, no. 13 (November 27, 2023): 92–108. http://dx.doi.org/10.18778/2083-2931.13.05.
Повний текст джерелаАнотація:
Jorie Graham’s Sea Change (2008) addresses the environmental crisis engendered by climate change, sending us a dire warning of the end of humanity by featuring an apocalyptic world. Sea Change gives a poetic voice to the dynamics of climate change by embodying the catastrophe in linguistic forms and thus enabling us to experience the ecological crisis. For Graham, poetic imagination is an act of physical or bodily engagement as it brings together linguistic and emotional factors into an embodied performance. This paper explores the affective dimension of Graham’s experimental poetry to demonstrate how her radical ecopoetics allows us to (re)engage with the material world, and how it changes our perceptual and sensorial registers to awaken our sense of interconnectedness with nonhuman others.
40
Manoli, Ion. "Neology in the Coserian Linguistic-Philosophical Vision." Intertext, no. 1(59) (July 2022): 9–14. http://dx.doi.org/10.54481/intertext.2022.1.01.
Повний текст джерелаАнотація:
Eugeniu Coșeriu (1921-2002) was one of the most influential linguists of the twentieth century. On the occasion of his hundredth anniversary, different events have been held throughout the year of 2021. These included international fora, national and international symposia, hybrid-held lectures with online and offline attendance, just to name a few. Over the years, the “Intertext” journal of the Institute of Philological and Intercultural Research (ICFI) ULIM has published several materials dedicated to this far-reaching contemporary linguist. This article is also intended as a text to pay homage to the illustrious linguist. It deals with the subject so close to Coșeriu, namely that of lexical flexibility. In our case it is about the French lexicon that manifests itself through neologisms, formulas, new constructions, recently created in scientific centers, laboratories, technological centers (néologismes de langue). We pay special attention, however, to neologisms with a stylistic character and function (néologismes de la parole), which attract our attention both by their extraordinary form (forme à rebours) and by their strictly individual character. These units have their author and strict context: they belong as a creative act to writers and poets, journalists and screenwriters and are closely related to individual creativity and the character of the imagination of each subject. E. Coșeriu's linguistic vision in terms of lexical creativity, lexical and semantic neology helps us fully and objectively to decode the linguistic nature of the phenomenon.
41
Billi, Noelia. "Imaginar, escribir. La imaginación lingüística en J. Joyce y P. Celan, a través de Nietzsche." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 19 (March 30, 2012): 249. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201319586.
Повний текст джерелаАнотація:
A partir del abordaje nietzscheano del lenguaje –que lo arranca de la habitual reducción a instrumento de la conciencia, propia de la modernidad y lo postula como constitutivo de la subjetividad–, se reflexiona acerca de la imaginación lingüística en tanto potencia de insurrección. Operando desde adentro de las lenguas dominantes, ciertos usos literarios evidencian una diversidad de estrategias de resistencia a los intentos de aniquilación de la otredad, característico de las lenguas hegemónicas. Las escrituras de J. Joyce y P. Celan son estudiadas como ejercicios de la imaginación lingüística que, echando mano a recursos diferentes (la proliferación de lo extraño, la sustracción y el silencio), muestran la radical importancia política y ética de la resistencia a través de la escritura. Taking as a starting point the Nietzschean approach to language –one which gets language out of its ordinary, and typically modern, reduction to conscience’s instrument and postulates it as a constituent of Subjectiviy–, this paper examines the Linguistic Imagination as Insurrection Power. Running from the inside of Dominant Languages, certain literary uses make clear a variety of Resistance Strategies to Otherness Annihilation attempts, characteristic feature of hegemonic languages. J. Joyce and P. Celan “Writings” are studied as Linguistic Imagination exercises which, resorting to different resources (proliferation of the Strange, Subtraction and Silence), show the Political as well as Ethical significance of resisting through Writing.
42
Chien, Jui-Pi. "The dual essence of pleasure: Willing, imagining and planning the Saussurean sublime and beautiful in surviving daunting nature and culture." Sign Systems Studies 46, no. 1 (May 7, 2018): 44–63. http://dx.doi.org/10.12697/sss.2018.46.1.02.
Повний текст джерелаАнотація:
This study seeks to update and expand the models of mind and consciousness that Ferdinand de Saussure conceived for the appreciation of linguistic signs. As a response to his theorization of the dual essence of language (a mixture of sounds and concepts), this study proposes a theorization of pleasure and understanding (a blending of different perspectives) deriving from our engagement with daunting situations in nature and culture. To begin with, the author discusses current neuroimaging findings that reveal how we may gain from low-arousal emotions. Certain benefits have been recognized that increase the pleasure and delight we may obtain through conscientious mental work rather than via instincts and preferences. Thus, in this context, the Saussurean network of differences is seen to be capable of generating motivated neural links that function to adjust our viewpoints. Further, in light of Adolphe Pictet’s mingling of philosophical aesthetics and linguistics, this study corrects a misapplication of another Saussurean model (a conjunction of our perceptions of time and space, synchrony and diachrony) in appreciating the Kantian notions of imagination and the sublime. Instead of judging this model as a revelation of one single ideal viewpoint, Pictet’s approach invites us to appreciate it as the functioning of a rigorous yet practical mind that is capable of devising multiple and useful perspectives. Notions of the sublime, the ugly and the beautiful are therefore equated as legitimate viewpoints that we should draw on so as to survive dealing with daunting situations in nature and culture. Finally, this study unifies and fortifies the Saussurean models through aligning them with a phenomenological approach to our memories, sensations and perceptions. Such integration empowers our imagination and confidence while we are widening our horizons to invent larger contexts for our objects of inquiry. All in all, the author cherishes the Saussurean models as a combination of the linguistic, the aesthetic and the moral laws that altogether sharpen our way of devising rationales that may boost the wellbeing of the community.
43
Jailani, M. Syahran, Wulansari Vitaloka, and Supriadi Supriadi. "The Evolution Of Children's Creativity In The Age Of The Millennium." El-Ghiroh 20, no. 02 (September 23, 2022): 161–79. http://dx.doi.org/10.37092/el-ghiroh.v20i02.430.
Повний текст джерелаАнотація:
This paper will examine the evolution of children's creativity in the new millennium. The world of children is full of surprises, and the world of play is abundant with the sparks of a child's imagination in expressions that are so genuine, spontaneous, and astonishing. Children's imagination develops concurrently with their cognitive and linguistic abilities. And serve as a method for children to comprehend the reality of their existence and their surroundings. This study employs a descriptive qualitative methodology, which, in addition to utilizing available literature, makes observations on the research object. Creativity is the capacity to conceive of things in novel and uncommon ways and to generate original solutions to children's issues. Children who are creative are insatiably inquisitive, have many interests, and are enthusiastic about their hobbies and activities. The answer to a child's curiosity is creativity. Today's children have an abundance of potential due to their creativity.
44
Wasilewska, Anna. "Motyw zwierzęcy w twórczości językowej dzieci." Problemy Wczesnej Edukacji 32, no. 1 (March 31, 2016): 48–58. http://dx.doi.org/10.5604/01.3001.0008.5634.
Повний текст джерелаАнотація:
The subject of my research is the texts of children, which are a form of expressing imagination, so that it is possible to find in them references to real experiences and to images of the subconscious. For the isolation of creative strategies and describing the content of the images created by children I use a cognitive-linguistic perspective, and I refer to concepts of psychoanalysis. An animal theme is used by child authors the same way as in a fairy tale – as an allegory of social situations or as a vivid symbol of ambivalent feelings and difficult experiences, just as it is in fairy tales. An analysis of the linguistic creativity of children discovers a process of crystallisation of meanings in the mind, and ways of expressing them.
45
Bücking, Sebastian. "Narration Without Narrating." Zeitschrift für Literaturwissenschaft und Linguistik 52, no. 1 (February 28, 2022): 35–64. http://dx.doi.org/10.1007/s41244-022-00246-2.
Повний текст джерелаАнотація:
AbstractThis paper addresses the question of how to account for the distinction between narrator-creating and narrator-neutral narration from a linguistic perspective. I first take issue with the approach by Eckardt (2015), according to which narrator-neutral narration is due to a lack of knowledge about the narrating situation; specifically, I raise an existence problem, an anthropomorphism problem, and a tense problem. Second, combining ideas of the Institutional Theory of Fiction as described by Walton (1990) and Köppe/Stühring (2011) and formal tools of Attitude Description Theory as developed by Maier (2017), I propose an imagination-based alternative account of narrator-neutrality. According to this, the distinction between narrator-creating and narrator-neutral narration is captured by optional existential binding of a narrating situation and a narrator in an imagination component of an interpreter’s mental state. Particular attention is paid to the semantics of the German preterit in fictional narratives. On the one hand, I confirm the famous hypothesis by Hamburger (31977) and her successors in German linguistics that the preterit licenses an atemporal reading and thus an interpretation that eliminates the grammatical need for a narrating situation within the fiction. On the other hand, I reject the prevailing assumption that the preterit in its atemporal reading marks the fiction as such. In lieu thereof, the preterit is argued to instruct interpreters to imagine the story from the perspective of a distant observer.
46
Constable, Paul A., Melanie Ring, Sebastian B. Gaigg, and Dermot M. Bowler. "Problem-solving styles in autism spectrum disorder and the development of higher cognitive functions." Autism 22, no. 5 (May 8, 2017): 597–608. http://dx.doi.org/10.1177/1362361317691044.
Повний текст джерелаАнотація:
The Vygotsky Blocks Test assesses problem-solving styles within a theoretical framework for the development of higher mental processes devised by Vygotsky. Because both the theory and the associated test situate cognitive development within the child’s social and linguistic context, they address conceptual issues around the developmental relation between language and thought that are pertinent to development in autism. Our aim was to document the performance of adults with autism spectrum disorder on the Vygotsky Blocks Test, and our results showed that they made more errors than the typically developing participants and that these errors correlated with performance IQ. The autism spectrum disorder group also required more cues than the typically developing group to discern the conceptual structure of the blocks, a pattern that correlated with Autism Diagnostic Observational Schedule–Communication and Imagination/Creativity sub-scales. When asked to categorize the blocks in new ways, the autism spectrum disorder participants developed fewer principles on which to base new categorizations, which in contrast to the typically developing group correlated with verbal IQ and with the Imagination/Creativity sub-scale of the ADOS. These results are in line with a number of existing findings in the autism spectrum disorder literature and confirm that conceptualization in autism spectrum disorder seems to rely more on non-verbal and less on imaginative processes than in typically developing individuals. The findings represent first steps to the possibility of outlining a testable account of psychological development in autism spectrum disorder that integrates verbal, non-verbal and social factors into the transition from elementary to higher level processes.
47
TÉLLEZ-MEDINA, Dario Iker. "Fractal geometry: A consolidated tool for imagination." Vitae 20, no. 3 (December 17, 2013): 159–60. http://dx.doi.org/10.17533/udea.vitae.17991.
Повний текст джерелаАнотація:
Since the very first attempts performed by the human brain for acquiring information about the surrounding world, priority is usually given to the information received by visual channels, i.e. by the eyes. It is interesting the proportion of human cerebral cortex destined for processing the stimuli captured by the photo-sensors contained in the retina, ranging 55%. According to several authors (1-4), the human learning process involves the association of each stimulus received by the different transduction assemblies composing the five senses to an image or, even, to a specific intricate memory. This has derived in formulating research works about how the brain develops the processes of creation and imagination. Therefore, the complexity of the well-known capacity of children for drawing in the mind (or in a piece of paper) a picture of an imaginary creature, and defining how it smells, hears, tastes, and touches, is astonishing. Having fun making an imaginary creature does not necessarily imply an easy task for the human brain, especially if the thinker of such an imaginary creature goes deeper into deciding if the creature becomes an opponent or a friend. In turn, the learning process may result affected when the visual channels do not work properly. Some studies have shown that lack of visual experience delays the physiological development of cognitive, social and linguistic skills in blind children. Although this might signify a serious disadvantage for an adequate brain development, there exist reports indicating that cerebral processing of shapes, spatial perception and imagery occurs in the same way and in the same highly-specialised visual areas, despite the sensory channels through which the information is acquired, in both blind and non-blind individuals. Furthermore, it is possible to mention many examples of blind persons noticing some aspects that the non-blind ones do not recognise.
48
Diallo, Souleymane. "The Dynamic Dialectic and the Eclectic Plaintive Rhythm in Bembeya Jazz’s, Black Beats Music." International Journal of Linguistics, Literature and Translation 4, no. 2 (February 27, 2021): 50–57. http://dx.doi.org/10.32996/ijllt.2021.4.2.7.
Повний текст джерелаАнотація:
The foremost line of the post-independent music evolves especially, from a simple to a more compound whole within the understanding of convention of representation and the association of experience become structural materials. Thereby, the basic component of conventional imagery, and the colonialist dynamic straightforward influences frame a new idiosyncratic type that evaluates the establishment of realty, memory and symbol. Correspondingly, through the foundation of intellectual and artistic image, the commensurate imagination of the musical nationalism schedule moves afar unconscious and insensate sensitivity. Indeed, the cultural and artistic body of the Bembeya Jazz and the Black Beats Band deconstruct the colonialist conventional perception of productivity; then, through extensive collective relation with their time and space, their nationalistic music exhibits boundaries of cross-examination regarding the realm of recombination, reconciliation and re-appropriation. Within the respect of material imagination and objective reality, verbal text, and contemporary Western musical instruments become the developing artistic cosmos within a new social and linguistic narrative is structured. Hence, the commitment of this article stands as a diagnostic process within we try to grasp the rapport of the indigenous value of imagination and the transcontinental stylistic effects inside the historio-context of redefining the self, sociolinguistic reflectivity, and perceptive sensibility in post-independent era.
49
King-Farlow, John, and Niall Shanks. "Theodicy: Two Moral Extremes." Scottish Journal of Theology 41, no. 2 (May 1988): 153–76. http://dx.doi.org/10.1017/s003693060004076x.
Повний текст джерелаАнотація:
Shake the leaky buckets of human meditation on theodicy. Out fall problems of moral perception, of linguistic and logical subtlety, of imagination in metaphysical work and biblical interpretation, of so much more. … They are disparately connected things which can suggest a Tower of Babel at least as much as any Tree of Good and Evil. But then such a picture is what one might fairly expect from a central mystery of theology, from something one can make (in this life, at least) only limited progress towards understanding.
50
Darginavičienė, Irena, and Jelena Suchanova. "LINGUISTIC ASPECTS AS CREATIVITY EXPRESSION IN COMPUTER-MEDIATED BUSINESS COMMUNICATION." Creativity Studies 13, no. 2 (May 14, 2020): 325–35. http://dx.doi.org/10.3846/cs.2020.12503.
Повний текст джерелаАнотація:
Business communication online has developed over time due to the constant change of modern communication technologies. Researchers affirm that digital technologies have both positive and negative impact on business communication. Creativity in business communication turns to be crucial in the realization of business opportunities. However, it is linked not only to imagination or original ideas. It also means innovation and innovativeness, the use of innovative digital technologies that help to fuel great ideas, enhance critical thinking, open new ways to business ambitions. The study is devoted to the analysis of linguistic aspects in computer-mediated business communication. Two types of digital business discourse – e-mail and websites of insurance companies – are analyzed with the focus on their linguistic features. From the linguistic point of view computer-mediated business communication differs from conventional business communication and the use of lexicon (e.g. special formal and standard vocabulary) is critical in making this communication successful. Grammatical features of business language are also of great relevance. Stylistic features employed in business communication are also crucial since they help to provide emphasis, achieve clarity and freshness of expression. Linguistic elements of computer-mediated communication in e-mails and analysed websites do not always coincide. The analysis has shown that websites tend to be less formal and compared to e-mails are more exposed to creative linguistic expressions.