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Статті в журналах з теми "Le Brésil contemporain":
Saillant, Francine. "Abdias Nascimento." Anthropologie et Sociétés 41, no. 1 (June 21, 2017): 221–37. http://dx.doi.org/10.7202/1040275ar.
Messeder Pereira, Carlos Alberto. "Politique et culture dans le Brésil contemporain." Hermès 8-9, no. 1 (1991): 11. http://dx.doi.org/10.4267/2042/15282.
Gomes, Maria de Fátima Cabral Marque. "Nouvelles configurations de la question sociale dans le Brésil contemporain." Empan 60, no. 4 (2005): 142. http://dx.doi.org/10.3917/empa.060.0142.
Diniz, Dilma Castelo Branco. "A gênese da Poesia Pau-Brasil: um escritor brasileiro na França." O Eixo e a Roda: Revista de Literatura Brasileira 9 (December 31, 2003): 75–83. http://dx.doi.org/10.17851/2358-9787.9.0.75-83.
Fialho, Ana Letícia. "Le Brésil est-il sur la carte internationale de l'art contemporain ?" Sociologie de l'Art OPuS 22, no. 1 (2014): 139. http://dx.doi.org/10.3917/soart.022.0139.
Bisilliat, Jeanne. "La participation des femmes aux politiques publiques. Un exemple contemporain au Brésil." Articles et notes de recherche : Engagements politiques 10, no. 2 (April 12, 2005): 91–111. http://dx.doi.org/10.7202/057937ar.
Goldberg-Salinas, Anette. "Féminisme au Brésil contemporain : entre l'innovation sociale et la pesanteur du politique." Les cahiers du CEDREF, no. 6 (January 1, 1997): 141–68. http://dx.doi.org/10.4000/cedref.1767.
Garcia, Afrânio. "Mobilité Universitaire et Circulation Internationale des Idées. Le Cas du Brésil Contemporain." Revue de Synthèse 132, no. 4 (November 2011): 565–74. http://dx.doi.org/10.1007/s11873-011-0171-2.
Castro Rocha, Daniella de. "Compétences acquises en France et fabrication des élites politiques du Brésil contemporain." Cahiers des Amériques latines, no. 48-49 (January 31, 2005): 91–106. http://dx.doi.org/10.4000/cal.7892.
Le Moine, Roger. "La Nouvelle-France de Jacque-Auguste de Thou." Zone libre, no. 58 (February 28, 2012): 311–36. http://dx.doi.org/10.7202/1008126ar.
Дисертації з теми "Le Brésil contemporain":
Buffo, de Capua Carla Maria. "L'influence des cultures indigènes sur l'art contemporain au Matto Grosso." Montpellier 3, 2001. http://www.theses.fr/2001MON30047.
Goldberg-Salinas, Anette. "Le dire et le faire féministes : une approche socioculturelle du Brésil contemporain." Paris 7, 1991. http://www.theses.fr/1991PA070133.
Rodrigues, de Mello Glaucia Boratto. "Millénarismes brésiliens : contribution à l'étude de l'imaginaire contemporain." Grenoble 2, 1999. http://www.theses.fr/1999GRE29035.
Hugues, Henri. "1914-2014, un siècle d’anthropophagie féminine dans l’art brésilien : pertinence et actualité ?" Thesis, Antilles-Guyane, 2014. http://www.theses.fr/2014AGUY0766/document.
At the beginning of the twentieth century, in Brazil, a radical artistic rupture took place, which marked the beginning of a new era. The resulting modernity differed from its European counterpart by the awareness of geographical, cultural and political distances that alienated Brazil from Europe and more specifically from its former colonial owner, Portugal. Brazilian modernity sought to define its identity through important basic elements that constitute the stuff that the New World is made of: cross-breeding, mythology and post-colonialism. The Brazilian avant-garde emerged around 1928 with the publication of The Anthropophagy Manifesto by Oswald de Andrade (1890-1954), who is thus the founder of the Anthropophagy, that we can define as a backward step into a reinvented form of ″Amerindianness″. The ″bad savage″ voices his criticism against impostures of the world. « Anthropophagy art is not a literary revolution, nor is it a social plea, nor a political pamphlet, nor a religious tract. It is all these things at the same time. Its law is simple: everything that is not me is of interest to me. The law of men is the law of Anthropophagy ». It thus prescribes eating up imported models and digesting them through the process of hybridization in the name of Brazilian identity. By displacing Freudian concepts, «Anthropophagy is the permanent transformation of the Taboo (man-eating) into a Totem (Brazilian identity) ». The permeating influences of psychoanalysis and anthropology need to be put in perspective: the displacement of the anthropophagous taboo remains a symbolic act of transgression, a metaphor, but the anthropophagic reference does not concern the pre-Columbian period, because it is updated. We propose to study this phenomenon through four questions: 1°- What are the relations between Anthropophagy, history, esthetics and ideology? 2°- What is the place of women Brazilian artists in the emergence of this movement, taking into account their decisive presence right from the start? 3°- Taking into account the resurgence of Anthropophagy from the second half of the 20th century onwards, what is the place of women artists in this phenomenon? Are they pursuing the same interests as the founders of the movement?4°- Can we deduce that there exists a specifically female genre within the anthropophagic movement of yesterday and of today? If so, what is its relevance? Where does it stand with respect to the contemporary concepts of post-modernity and globalization in the present-day art world?
David, Maurício Dias. "Dynamique et permanence des exclusions sociales au Brésil : l'économie des pauvretés, des inégalités et de l'accumulation des richesses dans le Brésil contemporain." Paris 13, 2001. http://www.theses.fr/2001PA131011.
Penjon, Jacqueline. "Nature et culture dans le roman brésilien contemporain : lexique de la faune et de la flore." Paris 4, 1994. http://www.theses.fr/1994PA040003.
The purpose of this thesis is to study the adaptation of a language transplanted in another nature, another climate. It is therefore made up of an introductory chapter explaining the criteria used for selecting the vocabulary and the authors (twentieth century), based on the results of a former study about the romantic period. The first section focuses on structuring the vocabulary in accordance with categories (approximations, regionalisms, multiple designations). The object of the second section is to study the vocabulary as different sets: European learned words, neologisms, African words, Tupi words, double designations (European and Tupi, European and African, etc. ). The third section is intended to examine the lexicon as a tool for the civilizations to construct their vision of the world. Volumes II and III present as fauna and flora dictionaries, the detailed lexical study what permitted the first volume synthesis, and suggest French translations (West Indies Guiana, French-speaking Africa)
Corneloup, Bernard. "Génération MPB : filiations, dialogues et ruptures : Mouvements musicaux et dynamique socioculturelle dans le Brésil contemporain." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20087/document.
In 1958, a new musical genre appears in Brazil: the Bossa nova, which looks like a revolution in the traditional musical landscape. Twenty years later, 1978 is the year of political openness, Chico Buarque, poet musician who dominated the decade through his songs as well as his resistance against the millitary dictatorship, launches an album on which he records some songs that were censored until then. This event puts an end to a period of great artistic creativity, punctuated with social and cultural changes, statements of intents, ruptures, standpoints on the political or cultural life of the country, which often are one. These twenty years witnessed the appearance of the most striking figures of Brazil’s 20th century music scene, and of the acronym whereby the urban song gained respectability: MPB, initials of Música Popular Brasileira. Rooted in tradition though defending itself from it, exchanging with outside influences which it influences as well, distancing itself till the rupture of the movements of which it was the closest, today this generation seems to us much more united and limited in time than it thought it was. That’s why the time has come, with historical perspective, to look at the musical production of that period with fresh eyes, in order to define the characteristics that unite and distinguish it at the same time
1958, nasce no Brasil un gênero musical novo, a Bossa Nova, que se anuncia comme uma revolução na paisagem musical. Vinte anos depois, 1978, é o ano da "Abertura" política, Chico Buarque, poeta músico que dominou a década tanto pelas suas canções como pela sua atitude de resistência contra a ditadura, lança um disco no qual ele grava músicas até então proibidas pela censura. Esse acontecimento conclui um período de intensa criatividade artística, acompanhada por grandes mudanças sociais e culturais, declarações de intenções e rupturas, tomadas de posição em relação com a vida política ou cultural do país, que muitas vezes faz uma só. Esses vinte anos viram emergir as figuras mais marcantes da canção brasileira do século XX, concomitantemente à sigla pela qual a canção urbana moderna foi consagrada : MPB, iniciais de Música Popular Brasileira. Ancorando-se na tradição sem reivindicá-lo, dialogando com as influências externas que ela influencia por sua vez, demarcando-se até à ruptura dos movimentos que lhe eram próximos, essa geração nos aparece hoje muito mais unida e circunscrita no tempo do que ela o percebia. Por essa razão, o tempo veio, com o recuo histórico, de questionar com um olhar novo a produção musical daquela época, para definir as características que a unificam e distinguem ao mesmo tempo
De, Souza Sabadini Mauricio. "Le capital fictif et ses effets sur la macroéconomie et sur le monde du travail au Brésil." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2008. http://tel.archives-ouvertes.fr/tel-00354467.
Cassilde, Stéphanie. "Choix rationnel, langage et représentations des inégalités et des discriminations. Une étude des déclarations de couleurs de peau dans le Brésil contemporain." Phd thesis, Université d'Auvergne - Clermont-Ferrand I, 2012. http://tel.archives-ouvertes.fr/tel-00713948.
Cassilde, Stéphanie. "Choix rationnel, langage et représentations des inégalités et des discrimations : une étude des déclarations de couleurs de peau dans le Brésil contemporain." Clermont-Ferrand 1, 2010. http://www.theses.fr/2010CLF10330.
In Brazil skin colour declarations are influenced by individuals’ socio-economic characteristics. To analyze this phenomenon I conducted a nine-months field research (2006-2007) in two enterprises located in São Paulo city. I link Economics and Sociology to identify the motivations and the mechanisms of skin colour declarations. The Brazilian skin colour mosaic is here taken as a whole. I underline the fluidity of the definitions of categories and of categorization processes. The cor [colour] becomes a concept per se and I describe a relation of chromatic dependency. I explain some elements which are linked to declarations and which are usually implicit. Then I built a chromatic mobility model to explain the construction of these declarations. I underline that the consistency of skin colour declarations given different classifications hides a modification of skin colour categories’ definitions through a change in the effective distribution of individual’s socio-economic variables. Then I study the possibility to have a racial calculus equation to instrument the variable “skin colour” in econometrical applications in the case of an endogeneity problem. Finally I question what is analyzed with inequality and discrimination measurements, because the interaction between rational choices (declarations) and language (basis of the declarations) underlines the representational aspect of these measures rather than a pure link with individual physical materiality
Книги з теми "Le Brésil contemporain":
Denis, Rolland, Marie-José Ferreira dos Santos, and Simele Rodrigues. Le Brésil, territoire d'histoire: Historiographie du Brésil contemporain. Paris: L'Harmattan, 2013.
Enders, Armelle. Histoire du Brésil contemporain: XIXe-XXe siècles. Bruxelles: Editions Complexe, 1997.
Mantes-la-Jolie (France). Musée de l'Hôtel-Dieu., ed. Amalgames brésiliens: 18 artistes contemporains du Brésil. Paris: Somogy, 2005.
Parker, Richard G. Bodies, pleasures, and passions: Sexual culture in contemporary Brazil. Boston: Beacon Press, 1991.
Parker, Richard G. Bodies, pleasures, and passions: Sexual culture in contemporary Brazil. 2nd ed. Nashville: Vanderbilt University Press, 2009.
Parker, Richard G. Bodies, Pleasures, and Passions: Sexual Culture in Contemporary Brazil. Beacon Press, 1993.
Частини книг з теми "Le Brésil contemporain":
Bueno, Maria Lúcia. "La condition d’artiste contemporain au Brésil." In Art et société. OpenEdition Press, 2016. http://dx.doi.org/10.4000/books.oep.1441.
Mattos, Hebe. "Terras de quilombo : citoyenneté, mémoire de la captivité et identité noire dans le Brésil contemporain." In Brésil quatre siècles d'esclavage, 331. Editions Karthala, 2012. http://dx.doi.org/10.3917/kart.hebra.2012.01.0331.
Cunha Carnier, Carolina. "Slam Resistência : reconfiguration du politique par la poésie dans le brésil contemporain." In Débordements, 103–17. Presses Universitaires de Bordeaux, 2021. http://dx.doi.org/10.4000/books.pub.51159.
Abreu, Kil. "Dramaturgies contemporaines au Brésil." In Théâtres brésiliens, 183–201. Presses universitaires de Provence, 2015. http://dx.doi.org/10.4000/books.pup.29415.
Piovezani, Carlos. "La malédiction des populistes : discours sur la parole populaire au Brésil." In The New Challenges of Populist Discourses in Romance Speaking Countries, 39–53. Stockholm University Press, 2023. http://dx.doi.org/10.16993/bcj.c.
Dumora, Catherine. "La sociologie environnementale au Brésil : dimension diachronique et contemporaine, et les espaces de sa construction." In Manuel de sociologie de l’environnement, 361–70. Les Presses de l’Université de Laval, 2012. http://dx.doi.org/10.1515/9782763795553-030.
Trindade Conilh de Beyssac, Marie Louise, and Maria Inácia D’Avila Neto. "Mobilisation en ligne pour la conservation de la biodiversité au Brésil : expressions contemporaines d’une épistémologie du Sud." In À chacun son développement durable?, 105–22. Les Presses de l’Université de Laval, 2017. http://dx.doi.org/10.1515/9782763723297-009.
Тези доповідей конференцій з теми "Le Brésil contemporain":
Lima, Sued, and Taís de Oliveira. "Transition médiatique sur les corps et pratiques homosexuels : de la censure à la présence obligatoire." In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8423.