Дисертації з теми "Laura Criticism and interpretation"
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Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.
Повний текст джерелаLauzière, Carole. "Estudio semiológico del personaje "heroico" : La Camisa de Lauro Olmo." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61037.
Повний текст джерелаThe work of Patrice Pavis, Anne Ubersfeld and Keir Elam is examined in the first chapter and particular attention is paid to the interface between signs, communication and characterization on stage. This is the theoretical basis for the consideration in the next chapter of the heroism of the masculine protagonist, widely acknowledged in previous criticism. In the third chapter an innovative interpretation is offered, using the same theoretical base, of the heroism of the female protagonist, which posits a code of behaviour rarely commented upon before.
Mulley, Elizabeth. "Women and children in context : Laura Muntz and representation of maternity." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36781.
Повний текст джерелаCousseau, Salete Nair Carletto. "O particular e o universal em Histórias sem amanhã, de Lara de Lemos." reponame:Repositório Institucional da UCS, 2010. https://repositorio.ucs.br/handle/11338/1016.
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This dissertation analyzes some chronicles from the book Histórias sem Amanhã, from Lara de Lemos, written in the 1950‟s, to be published in Correio do Povo newspaper in Porto Alegre further the chronicles had been published as a novel in 1963. The purpose of this analysis is to evidence the way the author discusses the status of the female condition, expanding her argument to the human condition, social problems and paradoxes from de life in the city, searching to reflect the relationship between particular and universal, once the texts, approaching this daily issues reaching an aesthetic dimension that turns then universal.
Almeida, Carla Cristine Souza de. "O pecado contemporâneo na obra de Nelson Rodrigues: uma análise das peças Álbum de família, Otto Lara Resende ou Bonitinha, mas ordinária e Toda nudez será castigada." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21383.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation analyses if narcissism can be considered a contemporary sin and, therefore, creates a category of behavior. In order to answer central questions: who Nelson Rodrigues was and what the importance of his work is for a declining society, if narcissism can be considered a contemporary sin and if the reading of Rodrigues’ plays reveals us a miserable and misfortune human condition, leading us not to live narcissism as a contemporary sin. The hypothesis is while having clarity of the “life as it is”, of its own tragedy, the reading of Nelson Rodrigues’ plays - Álbum de família; Otto Lara Resende ou Bonitinha, mas ordinária; and Toda nudez será castigada – selected for this study, opens the possibility of leaving the suffering behind, and on that account, living with the courage to have a position free of identifications and thus, living a space of desire. The general objective or the background is to identify if in the subjectivity of the contemporary man, amid his anguishes, his peculiar way of acting and living could become a type of contemporary sin, or: “narcissism updated to the 21st century”. And also think that reading Nelson Rodrigues’ plays, there is a possibility of the man to have a life with less narcissistic identifications, freeing himself from such suffering. Three plays are analyzed and other texts can shed a light on a possible exit from this type of behavior. Nobody is free from narcissism, everybody needs a little bit of it to wake up and look in the mirror every day, not count one day less in one’s life, but: get up, work, live, eat, have fun, love, cry, fight. So, this narcissism makes us live our lives because what makes us dull is its excess, the thing that goes with you, without limits, to an abyss without name nor place
Esta dissertação analisa se o narcisismo pode ser considerado como pecado contemporâneo, e deste modo, cria uma categoria de comportamento a fim de responder a três perguntas centrais: quem foi Nelson Rodrigues e qual a importância de sua obra para uma sociedade em declínio; se o narcisismo pode ser considerado um pecado contemporâneo; e se a leitura das peças rodrigueanas nos revela uma condição humana miserável e desgraçada, isto nos levaria a não habitarmos o narcisismo como pecado contemporâneo. Tendo como hipótese que ao se ter a clareza da “vida como ela é”, de sua própria tragédia, a leitura das peças rodrigueanas – Álbum de família; Otto Lara Resende ou Bonitinha, mas ordinária; e Toda nudez será castigada –, selecionadas para este estudo, abre a possibilidade de saída do sofrimento e, em vista disso, de viver com a coragem para assumir uma posição mais livre das identificações e, por conseguinte, habitar um espaço de desejo. O pano de fundo ou objetivo geral é identificar se na subjetividade do homem contemporâneo, em meio a suas angústias, seu modo peculiar de agir e de viver poderia se tornar uma espécie de pecado contemporâneo, dito de outro modo, um “narcisismo atualizado para o século XXI”. E, assim, pensar se com a leitura da obra de Nelson Rodrigues há uma possibilidade de o indivíduo ter uma vida com menos identificações narcísicas e, assim, libertar-se de tamanho sofrimento. Atravessa-se as três peças de Nelson Rodrigues e outros textos para trazer luz a uma possível saída deste modo de comportamento. Ninguém está livre do narcisismo, todos precisamos de um pouco dele para levantar e se olhar no espelho diariamente, não contar um dia a menos de vida ao acordar, mas, sim, levantar, trabalhar, viver, se alimentar, se divertir, amar, chorar, brigar. Enfim, este narcisismo nos faz viver a vida, pois o que nos embota é o seu excesso, aquilo que vai sem limite com você para um abismo sem nome e sem lugar
Hoyer, Steven. "Intention and interpretation." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.
Повний текст джерелаChapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.
Anger, Suzy. "Victorian hermeneutics and literary interpretation /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9374.
Повний текст джерелаMeir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.
Повний текст джерелаThe effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
Turner, Seth. "Revelation 11:1-13 : history of interpretation." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:57efe3b3-7c61-412f-9001-5269860a896d.
Повний текст джерелаNicol, George Grey. "Studies in the interpretation of Genesis 26.1-33." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:8fff7ce7-9a50-4011-9f54-5776c84aa36a.
Повний текст джерелаBennett, Richard. "Variations : influence intertextuality, and Milan Kundera, Jean Rhys, and Tom Stoppard." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26254.
Повний текст джерелаChapter two deals with theories of intertextuality, principally those of Julia Kristeva and Michael Riffaterre. As alternatives to theories of influence, neither proves satisfactory. Both founder on the contradictory goal to explain all literature, at the expense of recognizing literary diversity.
Chapter three concerns literary variations. These are texts which are deliberately premised on pre-existing texts. I focus on three examples from this class of literary texts which is not satisfactorily dealt with by any of the theories I consider. I pursue a less wide-ranging approach in order to unearth important features of literary variations.
Kilian, Monica. "The exile's experience : an examination of the poetry of Hilde Domin and Waclaw Iwaniuk." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26855.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Graham, Catherine (Catherine Elizabeth). "Standpoints : the dramaturgy of Margaretta D'Arcy and John Arden." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60621.
Повний текст джерелаPetersen, Jeffrey J. 1981. "Playful Conversations: A Study of Shared Dynamics Between the Plays of Paula Vogel and Sarah Ruhl." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10155.
Повний текст джерелаPulitzer Prize winning playwright Paula Vogel, playwright and educator, has blazed a trail in American theatre, opening new avenues for female playwrights. In 2005 Vogel's student Sarah Ruhl burst onto the scene with her play The Clean House. As one of the most produced playwrights of 2005, Ruhl has been celebrated as the new voice of American theatre. There are similarities, as might be expected between teacher and former student, but some of the similarities suggest something more: a dynamic shared between Vogel's and Ruhl's plays which suggests an ongoing theatrical conversation and may suggest directions for future American drama.
Committee in Charge: Dr. John Schmor, Chair; Dr. Jennifer Schlueter
Murray, Jessica. ""Notes for the Manual Assembly"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157616/.
Повний текст джерелаBailey, Catherine Diana Alison. "Mending the web : a thematic study of Xu Dishan’s fiction." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25343.
Повний текст джерелаArts, Faculty of
Asian Studies, Department of
Graduate
Loevlie, Elisabeth M. "Literary silences : saying the unsayable: an exploration of literary silence in the works of Pascal, Rousseau and Beckett." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365530.
Повний текст джерелаMarais, Susan Jacqueline. "(Re-)inventing our selves/ourselves : identity and community in contemporary South African short fiction cycles." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1016357.
Повний текст джерелаKing, Noel. "Anxieties of commentary : interpretation in recent literary, film and cultural criticism /." Title page, table of contents and abstact only, 1994. http://web4.library.adelaide.edu.au/theses/09PH/09phk532.pdf.
Повний текст джерелаHSIAO, CHING-SONG GENE. "SEMIOTIC INTERPRETATION OF CHINESE POETRY: TU MU'S POETRY AS EXAMPLE (CRITICISM)." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Повний текст джерелаWetzel, Rebecca L. "ADAPTATION AND INTERPRETATION: A STUDY OF THEATRICAL BANDE DESSINEE." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1563987098560659.
Повний текст джерелаGreenlee, Christine Lund Koch. "The Constantian orations : a contextual analysis of self-presentation in Libanius' 'Orr.' 59, 11, 61 and 31." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/15923.
Повний текст джерелаPhillips, Malcolm. "Experiment and representation : the domestic surreal in contemporary British and American poetry." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14707.
Повний текст джерелаPryor, Caitlin. "Vanishing Act." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc801936/.
Повний текст джерелаIngham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Scowcroft, Ann. "Escaping the hegemony of the written word : Canadian women writers and the dislocation of narrative." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61803.
Повний текст джерелаLéger, Ariane. "Le maître à écrire selon Valéry, Pessoa et Jaccottet /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115622.
Повний текст джерелаFor Valery, the desire to make Mallarme his master is best explained by his search for mastery. Even if he is eager to understand what makes Mallarme an exceptional creator, Valery's quest is hindered by Mallarme's refusal to explain his poetic. This resistance seems to encourage Valery to make the creative act a major concern of his work.
By coming up with a "non-existent coterie" made up of imaginary writers, and by recognizing one of them as his own master, Pessoa hopes to fill the gaps in his literary filiation. In the concert of voices that compose his work, it is yet the master himself which undermines the very legitimacy of the master, and that is why Pessoa finally gets rid of his invention.
Finally, Jaccottet creates his masters for the learning they could provide to him: in Jaccottet's unique story, the character of the master fails, allowing the poet to take his distance from assumptions related with the romantic vision of creation; then, a "good master" whose agony is described by poems becomes a model whose wisdom is inseparable from a kind of ignorance.
The presence of the master generates a story elaborated from the writings of these writers: the development of their poetic requires not only the creation of a master figure, but also its removal. Ultimately, the maitre a ecrire is not only one who induces writing in a unique way, but also the one which should be written in order to succeed.
Davies-Browne, Bankole P. "The significance of parallels between the 'Testament of Solomon' and Jewish literature of late antiquity (between the closing centuries BCE and the Talmudic era) and the New Testament." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/2685.
Повний текст джерелаTilbury, Simon John. "The dancer walking the ruins : Laura Riding and dialectical thought." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290212.
Повний текст джерелаHoedekie, Nelson G. U. (Nelson Gustaaf Urbain). "Naar analogie van schaduwen aan de wand : een wijsgerige interpretatie van 'de schaduw als kunstwerk' aan de hand van Plato's grotvergelijking." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53511.
Повний текст джерелаENGLISH ABSTRACT: In this thesis, 'shadow' is investigated as an object of thought and (analogically connected to this) of perception. This dialectical process is structured through means of a series of experiments and Plato's allegory of the cave, which is interpreted as a process directed towards selfconciousness. This process is further explained through thinkers such as, Blumenberg, Heidegger, Levinas en Voegelin. The purpose of this study is to break with the self-evident way in which 'shadow' is 'normally' treated and to bring back about a sense of astonishment for it.
AFRIKAANSE OPSOMMING: In hierdie tesis word die 'skaduwee' as waarnemingsobjek en (analogies verwant daaraan) as denkobjek ondersoek. Hierdie dialektiese proses word gestruktureerd met behulp van 'n aantal eksperimente en Plato se grotgelykenis, wat geinterpreteer word as programmaties van die proses van selfbewuswording. Hierdie proses word verder toegelig aan die hand van denkers soos Blumenberg, Heidegger, Levinas en Voegelin. Die doel van die ondersoek is om die vanselfsprekendheid waarmee daar met die fenomeen van die skaduwee omgegaan word te deurbreek en weer verwondering daarvoor op te roep.
NEDERLANDSTALIGE SAMENVATTING: In deze thesis wordt de 'schaduw' als waarnemingsobject en (analogisch verwant daaraan) als denkobject onderzocht. Dit dialectische proces wordt gestructureerd met behulp van een aantal experimenten en Plato's grotvergelijking, die geïnterpreteerd worden als een proces gericht op zeltbewustwording. Dit proces wordt verder toegelicht aan de hand van denkers zoals, Blumenberg, Heidegger, Levinas en Voegelin. Het doel van het onderzoek is om de vanzelfsprekendheid waarmee met het fenomeen van de 'schaduw' omgegaan wordt, te doorbreken en er opnieuw verwondering voor op te roepen.
Dzieran, Laura Dorothee Verfasser], Wolfgang [Akademischer Betreuer] [Rabbel, and Stéphane [Gutachter] Garambois. "Seismoelectric signals from earthquakes: detection, analysis and interpretation / Laura Dorothee Dzieran ; Gutachter: Stéphane Garambois ; Betreuer: Wolfgang Rabbel." Kiel : Universitätsbibliothek Kiel, 2020. http://nbn-resolving.de/urn:nbn:de:gbv:8-mods-2020-00203-5.
Повний текст джерелаDzieran, Laura Dorothee [Verfasser], Wolfgang [Akademischer Betreuer] Rabbel, and Stéphane [Gutachter] Garambois. "Seismoelectric signals from earthquakes: detection, analysis and interpretation / Laura Dorothee Dzieran ; Gutachter: Stéphane Garambois ; Betreuer: Wolfgang Rabbel." Kiel : Universitätsbibliothek Kiel, 2020. http://d-nb.info/1212853822/34.
Повний текст джерелаFisher, Susan Rosa. "A genre for our times: the Menippean satires of Russell Hoban and Murakami Haruki." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25047.pdf.
Повний текст джерелаVrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.
Повний текст джерелаSelby, Don. "Bridging the gap? : a critical reading of Bhabha, Said and Spivak's postcolonial positions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43947.pdf.
Повний текст джерелаOcaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
Повний текст джерелаBourgon, Julie. "Création, éthique et vérité : Broch et Blanchot ; suivi de, En trompe-l'oeil." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37193.pdf.
Повний текст джерелаLanthier, Lalita Bharvani. "Two outsiders in Indo-English literature : Ruth Prawer Jhabvala and Salman Rushdie." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56664.
Повний текст джерелаMiller, Dane Eric. "Micah and its literary environment: Rhetorical critical case studies." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185441.
Повний текст джерелаSuzuki-Martinez, Sharon S. 1963. "Tribal Selves: Subversive Identity in Asian American and Native American Literature." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/565575.
Повний текст джерелаWalton, Jennifer Lee. "POLITICAL REELISM: A RHETORICAL CRITICISM OF REFLECTION AND INTERPRETATION IN POLITICAL FILMS." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143492027.
Повний текст джерелаLevitan, Linda. "The sense of place in Sophocles : a study in the landscape of experience." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63835.
Повний текст джерелаCohen, Andrew Benjamin. "Milton and superfluity." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:f5af5679-609a-4d12-b8cb-498e6735252f.
Повний текст джерелаLee-Perriard, Marta. "Border subjects : a textual dialogue between Assia Djebar and Helene Cixous." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:f7c122f0-aade-453f-af1b-d4b7a10d0a93.
Повний текст джерелаMcKenna, Brian Martin. "Gender representation, sexuality and politics in the writings of Patrick Hamilton." Thesis, University of Oxford, 1991. http://ora.ox.ac.uk/objects/uuid:5d6338e3-f253-42d1-8cf6-4fd21d0514b5.
Повний текст джерелаTrott, Nicola. "Wordsworth's revisionary reading." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:4244f68a-8026-4918-bb0b-cf2db3eb4940.
Повний текст джерелаGoodacre, Mark S. "Goulder and the Gospels : an examination of a new paradigm." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:c6d77093-7bac-4475-b0f4-105e75a79511.
Повний текст джерелаWhicker, Jules. "Fiction, deceit and morality in the plays of Juan Ruiz de Alarcón, 1580-1639." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:50276c64-555f-4584-9956-74a0ef3407b0.
Повний текст джерелаHarvey, David I. H. "The later music of Elliott Carter : a study in music theory and analysis." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:c47d92da-277e-4850-9e3b-e5e0cd93308f.
Повний текст джерелаWaters, Julia. "Marguerite Duras and Alain Robbe-Grillet : a 'reading in pairs'." Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:0279583e-3d7b-43ad-b6ad-c5c38cb8b0f2.
Повний текст джерела