Дисертації з теми "Landscape Narratives"
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Skoufias, Emmanouil. "Narratives in landscape photography : the narrative potential of transitional landscapes." Thesis, University of Westminster, 2006. https://westminsterresearch.westminster.ac.uk/item/92756/narratives-in-landscape-photography-the-narrative.
Повний текст джерелаSimonson, Wendeth Ann. "Seeing the landscape, a search for hidden narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ53225.pdf.
Повний текст джерелаNelson, Velvet. "LANDSCAPE AND POSTCOLONIALISM IN BRITISH WEST INDIES TRAVEL NARRATIVES, 1815-1914." Kent State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=kent1144161405.
Повний текст джерелаSibanda, Sabello Malcom. "Scenes of lamentation : a scenographic approach to landscape narratives." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/60205.
Повний текст джерелаMini Dissertation (ML (Prof))--University of Pretoria, 2017.
Architecture
ML (Prof)
Unrestricted
Krehbiel, Beth Ann. "Narratives of Wounded Knee." Kansas State University, 2016. http://hdl.handle.net/2097/32870.
Повний текст джерелаDepartment of Landscape Architecture/Regional and Community Planning
Laurence A. Clement
Research suggests that Native Americans, Chicanos, and African Americans are groups underrepresented in the North American memorial landscape. The fluid nature of a group and individual’s identity (and the memory that shapes it) contributes to the underrepresentation in commemoration and memorials. As communities and the associated identities continue to blend and overlap moments of positive cultural exchange can take place, but at times the outcomes are in the realm of contention and conflict. The collaborative nature of landscape architecture together with the profession’s ability to understand and interpret complex systems and narratives can fully engage and bring form to the morally imaginative, creative act of peacebuilding. The concept of shifting and variant meaning led to this study that considered the question- How might memorials be designed as reconciliatory agents in cultural landscapes with conflicting histories? This study engaged the concept of memory and identity with Oglala Lakota, on the Pine Ridge Reservation, regarding the tragedy of Wounded Knee, through adapted ethnographic approaches in interviewing, site visits, extensive literature review, mapping and design inquiry. The design inquiry responds to social, economic, and ecological narratives to inform the design of the reconciliatory-minded memorial. The initial premise of the project was situated in the understanding that events with contested meaning are difficult to memorialize because there are so many differing voices; irreconcilable in the built form. While that is true in some contexts, initial findings suggests these groups are underrepresented because it is difficult to memorialize that which is a contemporary social justice or inter-demographic issue. In light of this and further research, the author believes that memorials seeking to honor demographics or events that directly affect contemporary groups might be contextually more appropriate, and act as mediators, if they focus forward rather than solely and solemnly reflect the past. Conceptual sketches conclude this study, offering possibilities for design expression, which might be realized with community participation.
Stubbs, Glenn E. "Remembering a Workplace Disaster: Different Landscapes—Different Narratives?" Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1427661080.
Повний текст джерелаRose, Mitch. "Monumental vistas : narratives of heritage and the landscape of the Giza Plateau." Thesis, University of Cambridge, 2003. https://www.repository.cam.ac.uk/handle/1810/272143.
Повний текст джерелаDzegede, Anyeley Yawa 1976. "Historical and cultural narratives in landscape design : design applications for Miami Beach, Florida." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/65721.
Повний текст джерелаIncludes bibliographical references (p. [94]-[97]).
Narrative landscapes are designed environments that use physical elements, spaces and stories to convey messages and make place. Through the use of narrative landscapes, designers can relate the historical and cultural significance of particular places and peoples. The designer must be concerned not only with the contents of the story, but with the role of the readers, the community and in the ideologies and worldviews these narratives imply. The issues involved with creating narrative in the landscape are in the incorporation of the stories and elements of the past and the use of symbolic and didactic media. In our multicultural and highly mediated society, landscape designs for public places should be pluralistic and multi-dimensional. A pluralistic design conveys the stories of personalities, communities, historic events, and places and is made within a community process or with community input. The multidimensional aspect of narrative designs emanates from the blending of abstracted or symbolic forms of communication and didactic forms that carry a series of messages. Narrative landscapes were examined to determine how designed elements and sequencing tell stories in the landscape. The information gathered was used to develop a potential design approach for the Indian Creek Corridor in Miami Beach, Florida.
by Anyeley Yawa Dzegede.
M.C.P.
Millman, Zoe K. "Landscape narratives and the construction of meaning in the contemporary urban canal-scape." Thesis, Birmingham City University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631694.
Повний текст джерелаMoore, Thomas Hugh. "Iron Age societies in the Severn-Cotswolds : developing narratives of social and landscape change." Thesis, Durham University, 2003. http://etheses.dur.ac.uk/3682/.
Повний текст джерелаGannon, Kathryn. "Placing Acadia : narratives of landscape, memory and identity in the work of Antonine Maillet." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430578.
Повний текст джерелаMoore, Tom. "Iron Age societies in the Severn-Cotswolds : developing narratives of social and landscape change /." Oxford : Archaeopress, 2006. http://catalogue.bnf.fr/ark:/12148/cb409465747.
Повний текст джерелаGahan, Deborah. "In Search of a Childhood Landscape : Historical Narratives From a Queensland Kindergarten 1940-1965." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16288/1/Deborah_Gahan_Thesis.pdf.
Повний текст джерелаGahan, Deborah. "In Search of a Childhood Landscape : Historical Narratives From a Queensland Kindergarten 1940-1965." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16288/.
Повний текст джерелаFernandez, Pablo Sebastian Moreira. "Narrativas urbanas de um caminhante." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252028.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo : Perder-se, andar a deriva, vagar sem rumo, lançar-se de encontro à multidão, caminhar pelas ruas sem um traçado pré-determinado, movimentos do corpo que conduzem o olhar ao conhecimento e ao encontro das almas que habitam a cidade. Não uma cidade que se apresenta só em sua materialidade, mas como um lugar interior, imaginado, construído a partir das lembranças de quem a percorreu na infância, cidade que acolhe o acaso e o imprevisível. Assim, a fotografia e a escrita dos contos e dos ensaios desta dissertação são entendidas como modos de linguagem que se encontram e se complementam num diálogo, na intenção de criar narrativas a partir das experiências de quem hoje caminha e vivência as ruas do centro da cidade de Campinas-SP
Abstract : To get lost, to drift loosely, without guidelines, to launch the researcher against the crowd, to walk on the streets without plans, to allow the body to guide the eye in the direction of both knowledge and the souls who live in the city: these are the objectives of this work. The city is not only studied in it¿s materiality, but also as a place within, imagined and build from the memories from someone who knew it from childhood, one city that hosts both chance and the unpredictable. The pictures, the tales and the research itself are kinds of languages that meet and complete each other in dialogue, intending to create stories based on the experience of people who live and walk on the streets of downtown Campinas ¿ SP
Mestrado
Educação, Conhecimento, Linguagem e Arte
Mestre em Educação
McCarthy, Brigid. "Creative writing piece; Reaction time, and critical essay; Wide open roads, landscape, place and belonging in Australian outback narratives." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/5757.
Повний текст джерелаThe creative piece, Reaction Time, tells the story of Joel who is returning to Australia after the death of her mother. Joel and her sister have never been able to reconcile their fierce, academic mother of the past with the trivial, domestic self she became in the years after her sudden retirement to her rural Tasmanian home. Throughout the story Joel finds she is trying to realise the grief of losing of a mother she never completely understood, while also dealing with her feelings of alienation both in her mother’s home in Tasmania, and in Melbourne, where the spectre of old relationships she left behind long ago maintains her sense of unease in a place she once thought of as home.
The essay, Wide Open Roads analyses three novels published toward the end of the twentieth century to examine the way the characters’ relationships to place and landscape are constructed. It argues that the outback, couched in its newfound cultural role as an untouched, pristine pilgrimage point for spiritual journeys, has come to be considered a ‘sacred’ space for all Australians. Using ecocriticism and postcolonial theory as a theoretical framework, the essay discusses how, while late twentieth century outback narratives constructed characters whose desire to traverse the outback, or sense of attachment to it, was deep, the convergent social influences of environmentalism and Indigenous land rights and a growing postcolonial consciousness have propelled writers to depict more problematic and complex relationships with place than were evident in past outback narratives.
Ellis, Reuben Joseph. "A geography of vertical margins twentieth-century mountaineering narratives and the landscape of neo-imperialism /." Boulder : University of Colorado, 1991. http://books.google.com/books?id=RTFaAAAAMAAJ.
Повний текст джерелаBennison, Sarah. "Who are the children of Pariacaca? : exploring identity through narratives of water and landscape in Huarochirí, Peru." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3268.
Повний текст джерелаFord, Payi-Linda. "Narratives and landscapes their capacity to serve indigenous knowledge interests /." Click here for electronic access to thesis: http://tux.lib.deakin.edu.au/adt-VDU/public/adt-VDU20070614.105953, 2005. http://tux.lib.deakin.edu.au/adt-VDU/public/adt-VDU20070614.105953.
Повний текст джерелаSubmitted to the School of Education of the Faculty of Education, Deakin University. Degree conferred 2006. Includes bibliographical references (leaves 211-225)
Pietilä, Laura. "Contaminated and Scarred: An Exploration in the Landscapes and Narratives of the Anthropocene." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-420076.
Повний текст джерелаTer-Ghazaryan, Diana K. "Re-Imagining Yerevan in the Post-Soviet Era: Urban Symbolism and Narratives of the Nation in the Landscape of Armenia's Capital." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/261.
Повний текст джерелаNäsström, Anna. "Mémoire de licence Quand un paysage naît, un autre meurt : – Une analyse écocritique du roman Naissance d'un pont." Thesis, Högskolan Dalarna, Franska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-21116.
Повний текст джерелаThis essay consists of an ecocritical analysis of the novel Naissance d'un pont, written by Maylis de Kerangal. The essay's overall purpose is to examine how this novel describes the relationship between humans and nature. Above all, we look at the narrative strategies used by the author to convey the image of this relationship and moreover, we discuss the role of the different landscapes figuring in the novel. Finally, the analysis also includes a brief reflection on the novel's potential to influence the reader's attitude towards ecology. The analysis of narrative strategies focuses on the narrator's role, as well as the presence and function of ethical perspectives, symbolic names and figures of speech. These strategies contribute to depicting a variety of ideas concerning human lifestyles, whereas the descriptions of landscapes demonstrate the complex relationship between the human society and the natural and constructed landscapes respectively. Naissance d'un pont seems to promote a more humble attitude to nature than the one dominating in today's society. In order to evaluate the novel's capacity to transmit these values to the reader, it would however be reasonable to take several factors into account, such as the complexity of the language and the story's credibility level.
Thorkelsdóttir, Hrönn. "Disconnected realities within Icelandic agriculture : A field study of farmers' narratives on the changing landscape of domestic agricultural production in Hrunamannahreppur, Southern Iceland." Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-182382.
Повний текст джерелаThomas, Leah. "Literary Landscapes: Mapping Emergent American Identity in Transatlantic Narratives of Women's Travel of the Long Eighteenth Century." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/589.
Повний текст джерелаJarvey, Ali Marie. "On the corner of north and nowhere. A novel ‐ and ‐ Going back to go forward: An invitation to get lost. A critical essay." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1931.
Повний текст джерелаFigueiredo, Luiz Afonso Vaz de. "Cavernas como paisagens racionais e simbólicas: imaginário coletivo, narrativas visuais e representações da paisagem e das práticas espeleológicas." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8135/tde-03012011-110013/.
Повний текст джерелаThe aim of this study was to analyze the processes that led to the invention of speleological practices and speleotourist phenomenon, and its international social production and its insertion in the Brazilian context. It is considered that the development of speleology as an activity of multiple meaning, technical, sporting, scientific, entertainment and contact with nature was crucial to the generation of movement and flows of people to areas where there are speleological sites. It is, as a starting point, that is the appropriate basis for the market, to the deployment of tourism in caves. The theoretical and methodological approach multi-referential starts of the concepts of the phenomenology of the imagination of Bachelard and the contributions of geopoetic and of the humanistic and cultural geography, with contributions also from the environmental perception and topophilia (Tuan). It was intended to study the collective imaginary and the symbolic aspects of the relationship of human societies with the caves. It is also to verify the dynamics and determinants of the speleotourist process. The methodological procedures emphasized an analysis of visual narratives and the production of senses from the discursive practices of landscape perception relating to Brazilian caves, tourist visitation and environmental protection, highlighting a case study in the Ribeira Valley (SP). It was performed an extensive documentary analysis, using varied materials collected in libraries, bookstores and in some cases also in electronic media. The images were collected from websites on speleology or related areas, or in websites of authorities or personal blogs and fotologs. There was also a film analysis of 42 film productions. The photogeographical and sociocultural survey of the speleological practices and cavingtourism was produced during the field trips, conducted between 2000-2010 in several places in Brazil, with emphasis on the Upper Ribeira Valley, and also in other countries (Portugal, Cuba), generating a corpus with thousands of photos, plus others photos provided by collaborators. It was used, yet, varied methods of interview, such as recordings of oral and electronic interviews, through the questionnaire, with 21 cavers or speleologists, of which 18 propitiated data about representations of to be a speleologist. The questionnaires on the social representations of the cave were incorporated into the study, using material that was produced under the History of Speleology Section of the Brazilian Speleological Society (SBE), since 1998, involving 461 people. The participants involved are students of basic education or university level, contrasting with urban dwellers of São Paulo or nearby places of speleological sites, such as Iporanga (SP). The outcomes they demonstrated the influences of the imaginary poetic and of the symbolic content from the caves into the development from speleological activity and speleotourist. The karst landscape representations and speleological practices appeared with extreme wealth, both in the testimonials and documents of philosophical, religious, literary and film themes. It is essential to increase the educational processes for the formation of cavers and speleologists, the spread of the speleological practices and the dissemination of caving, approaching rationalities and subjectivities. This allows us to rethink our historical relationship with the underworld, the interactions of caving and tourism along de trajectory of contemporary society.
Goudriaan, Yvonne. "Exploring the relationship between renewable energy development and people-place bonds : Insights from a rural recreation area in southern Sweden." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105415.
Повний текст джерелаErixon, Aalto Hanna. "Projecting Urban Natures : Investigating integrative approaches to urban development and nature conservation." Doctoral thesis, KTH, Kritiska studier i arkitektur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-217153.
Повний текст джерелаQC 20171102
Masterson, Vanessa Anne. "Sense of place and culture in the landscape of home : Understanding social-ecological dynamics on the Wild Coast, South Africa." Doctoral thesis, Stockholms universitet, Stockholm Resilience Centre, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-135280.
Повний текст джерелаAt the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 1: Manuscript. Paper 2: Manuscript. Paper 3: Manuscript. Paper 5: Manuscript.
Nery, Raquel Alexandra da Costa. "Indústrias reinventadas." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/18060.
Повний текст джерелаÉ com um olhar sobre a paisagem industrial de Lisboa que se desenvolve a presente investigação. Suscitada pela problemática da obsolescência e fragmentação dos antigos lugares industriais, desperta-se hoje para a criação urgente de estratégias que preservem e revitalizem a sua memória. Com a chegada de um mundo global e a alteração dos paradigmas urbanos e sociais da cidade, os setores artísticos e culturais ganham um maior destaque na sociedade. Resultante de uma profunda emancipação artística, fudem-se as artes com os lugares e com a comunidade. Reinventam-se novos espaços e suas lógicas, que sugerem por sua vez novas ambiências intrinsecamente ligadas à envolvência e participação do seu público. Pela natureza efémera e informal incutida pelos novos padrões contemporâneos, a utilização dos lugares negligenciados torna-se evidente escolha. A alteridade espacial, a potencial aproximação com a comunidade e libertação das barreiras convencionais são alguns dos motivos que se denotam aliciantes para as práticas artísticas como hoje se manifestam. Seguindo uma lógica de continuidade da pré-existência, a reconstrução de narrativas artísticas será cenário para a reabilitação e regeneração do antigo entreposto vinícola Abel Pereira da Fonseca.
ABSTRACT: It’s with a look at the industrial landscape of Lisbon that the present research is developed. Raised by the problem of the obsolescence and fragmentation of the old industrial places, it is awakened today for the urgent creation of strategies which preserve and revitalize its memory. With the arrival of a global world and the changing urban and social paradigms of the city, the artistic and cultural sectors gain a greater prominence in society. Resulting from a profound artistic emancipation, the arts are merged with the places and its community. They reinvent new spaces and structures, which in turn suggest new ambiences intrinsically linked to the involvement and participation of its public. By the ephemeral and informal nature settled through the new contemporary standards, the use of neglected places becomes an obvious choice. The spatial alterity, the potential approach to the community and the released from the conventional bounds are some of the reasons that are known as appealing to artistic practices as they are today. Following a logic of continuity of pre-existence, the construction of scenographic and artistic narratives will be the setting for the rehabilitation and regeneration of the former Abel Pereira da Fonseca warehouse.
N/A
Soffer, Jessica E. "Narrative Landscape: Sculpting Form through Memory." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306499756.
Повний текст джерелаHeban, Thomas Edward. "Representations of Scale and Time: Reinterpreting Cinematic Conventions in Digital Animation to Create a Purposeful Visual Language." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430399136.
Повний текст джерелаRoberts, Hayden. "Portraits and Landscapes in Family Narrative." TopSCHOLAR®, 1998. http://digitalcommons.wku.edu/theses/330.
Повний текст джерелаMaeda, Tamaki. "Tomioka Tessai's narrative landscape : rethinking Sino-Japanese traditions /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6235.
Повний текст джерелаCHACEL, Marcela Costa Da Cunha. "Narrativas transmidiáticas como ferramentas Publicitárias." Universidade Federal de Pernambuco, 2013. https://repositorio.ufpe.br/handle/123456789/15771.
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CNPq
O cenário contemporâneo, convergente, tecnológico, de multiplataformas midiáticas e pluralismo de linguagens, reconfigurou paradigmas anteriores, potencializou outros, além de trazer algumas mudanças, em especial, no que diz respeito ao volume de informação, acarretando numa crise da atenção. Acrescenta-se aí o fato de que os consumidores, antes vistos como sujeitos passivos, nessa conjuntura, assumem um novo comportamento cada vez mais participativo. Diante disso, a publicidade tem encontrado significante dificuldade para atingir tais consumidores, os quais não dão tanta credibilidade aos discursos publicitários tradicionais como outrora. Por essa razão, a publicidade tem fugido da abordagem imperativa e se redesenhado de modo tal que a marca e os produtos assumem um papel secundário, buscando, no entretenimento e em fenômenos próprios do cenário atual, novas estratégias para atingir os consumidores. Dentre essas estratégias está a utilização de narrativas, sobretudo, no que se refere ao desenvolvimento de mundos ficcionais para construir a mensagem publicitária. Neste sentido, este trabalho aponta para uma nova tendência para a publicidade: as narrativas transmidiáticas (histórias contadas através de distintas plataformas de mídia com cada uma contribuindo de forma nova e pertinente para o todo), entendendo tais narrativas, suas características e estrutura e analisando como podem se configurar como ferramentas publicitárias.
The current landscape, convergent, technological, of multiple media platforms and pluralism of languages, improved old paradigms, developed others, and also, brought some changes, in particular, as regards the amount of information, causing the attention crises. Added to this is the fact that consumers, once seen as passives subjects, in this context, assume a new behavior increasingly participatory. In this circumstance, advertising has encountered significant difficulty in achieving these consumers who do not give much credibility to the speeches of traditional advertising as before. Because of that, advertising has fled the imperative approach and redesigned itself such that brand and product play a secondary role, looking for, into the entertainment and into the current landscape, new strategies to reach consumers. Among those strategies is the use os storytelling, especially, as regards the development of fiction worlds to construct the advertising message. In this sense, this work points to a new trend for advertising: transmedia storytelling (narratives told across different media platforms which each one contribute in a new and valuable way to the whole), understanding those narratives, its characteristics and structure, also analyzing how it can be configured as advertising tools.
Pietrantoni, Nicole Susonne. "Encountering landscape: printmaking & placemaking." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/572.
Повний текст джерелаComninos, Alexia. "Incisions / Insertions: re-inscribing narrative into a city landscape." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22983.
Повний текст джерелаCameron, Hannah M. "Contesting the Commemorative Narrative: Planning for Richmond’s Cultural Landscape." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5480.
Повний текст джерелаBergman, Malin. "Residual Care - Stories from an Extractive Landscape." Thesis, KTH, Arkitektur, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-276795.
Повний текст джерелаPhillion, JoAnn. "Narrative inquiry in a multicultural landscape, multicultural teaching and learning." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0004/NQ41272.pdf.
Повний текст джерелаFord, Linda Mae, and linda ford@deakin edu au. "Narratives and Landscapes: Their Capacity to Serve Indigenous Knowledge Interests." Deakin University. School of Education, 2005. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070614.105953.
Повний текст джерелаSanders, Jeffrey R. "Sacral landscapes : narratives of the megalith in north western Europe." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/2671.
Повний текст джерелаGarman, Keli L. "The Art of Designing a Meaningful Landscape through Storytelling." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32181.
Повний текст джерелаMaster of Landscape Architecture
Finnegan, Jordana T. "Rewriting colonial histories race, gender, and landscape in new Western narrative /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190516.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 303-333). Also available for download via the World Wide Web; free to University of Oregon users.
Stewart, Kirsty. "Nature and narratives : landscapes, plants and animals in Palaiologan vernacular literature." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2c1ad3f2-6ca1-4a5b-b682-fbb0bfc58fd2.
Повний текст джерелаVolante, Margaret Ann. "Biographical landscapes : nurses' and health visitors' narratives of learning and professional practice." Thesis, University of East London, 2005. http://roar.uel.ac.uk/1266/.
Повний текст джерелаKnapp, Riamsara Kuyakanon. "Environmental modernity in Bhutan : entangled landscapes, Buddhist narratives and inhabiting the land." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709242.
Повний текст джерелаZhao, Yanji. "The Journey from Chinese Landscape Paintings to Architecture." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491318233161403.
Повний текст джерелаHaybittle, Sarah. "Correspondence, trace and the landscape of narrative : a visual, verbal and literary dialectic." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/1a2dce72-a10a-402c-8e5e-55ead371f0dc.
Повний текст джерелаDellenbaugh, Mary Hartshorn. "Landscape changes in East Berlin after 1989." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2014. http://dx.doi.org/10.18452/16993.
Повний текст джерелаThis dissertation describes a range of connected changes that took place in the eastern half of Berlin after the fall of the Berlin Wall. The three articles tell the story of immediate changes to discourses about built spaces and built space forms (article 1), symbolic appropriations in the negotiations surrounding the creation of a new unified Berliner inner-city (article 2), and the effect of the changes in discursive and symbolic restructurings in the subsequent development of two Berlin districts with different built space types (article 3). Under the framework of grounded theory, this project operationalized several semiotic analysis techniques for the study of the cultural landscape and combined these with discourse analysis and demographic data to derive the results presented in the three articles described above. The project was guided by five hypotheses: H1: Semiotics is an effective analytical method for the analysis of cultural landscapes. H2: The symbolic landscape of East Berlin after 1990 was dominated by a western cultural mythos which pervaded the symbolic capital and architectural style of the new/old capital city. H3: The changes to the symbolic landscape of East Berlin after 1990 reflected a very specific and narrow pre-WWI historical narrative. H4: This discursive transference had tangible material effects on the material and demographic development of the Eastern districts. H5: The stigmatization of Berlin-Marzahn directly after German reunification was primarily due to this discursive transference. All five hypotheses could be successfully tested and validated from the empirical research. The mix of methods presented in this project proved well-suited to the structural analysis of cultural landscapes. Both it and the theory developed, namely that the narrative of the dominant power, economic, political, or colonial, can be “read” by examining the symbols embedded in the cultural landscape, would benefit from further research in other contexts.