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1
Leung, Siu-sun Philip. "Entertainment landscape architecture." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B3821961X.
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2
Leung, Siu-sun Philip, and 梁兆燊. "Entertainment landscape architecture." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B3821961X.
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3
Snead, John Peyton. "Deconstruction in landscape architecture." Thesis, Virginia Tech, 1993. http://hdl.handle.net/10919/40641.
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4
Smit, Fi. "Landscape architecture and gender." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28144.
Повний текст джерелаАнотація:
This Dissertation Project is concerned with the meeting of Gender and Landscape Architectural theory, and aims to populate this (as yet) rare interface that requires urgent attention in discourse and practice. The Study is a research paper supporting the Dissertation Project by locating landscape architecture within the discourse on gender, and draws on Cultural Geography, Sociology, Intersectional, De-colonial and Feminist theory to argue that spatial design and the fields that engage with the production of public open space are key in understanding and addressing gender inequality. This is important because the gendered reproduction of space (and specifically, landscape) has tangible and pervasive effects on the access to, activity in, and safety of our public realm. Landscape positionality, the Nature/Culture dualism, Ecofeminism and Landscape theory are aligned in this Study, that engages with a topic that warrants a great deal of further research and development. The gendered experience, most often taking the form of various manifestations of rape culture, is particularly severe and restrictive in South Africa. Public open space is especially important to the struggle for equality and recognition across the hierarchies of privilege and power that stratify our society. Due to the unique intersections of violent constructions of masculinity, heteronormative and cisnormative socio-cultural codes, patriarchal social order, racial and racialised spatial and economic inequality and rape culture, women and gender minorities' movement, autonomy and potentials are severely limited. These spatial realities and socio-cultural inequalities are experienced every day, and they are gaining increased attention worldwide as social movements that include LGBTQI rights, the #MeToo Campaign, 16Days of Activism Against Gender-based Violence bring the power and privilege of intersecting systems of oppression to light, where they can be understood, undermined, transformed and dismantled. Fear and the socio-cultural reproductions of the spatial exclusions that patriarchy imposes upon those it "others", is studied through the interviewing of participants about their perceptions of safety, access and activity in public open space. The Study also gives attention to the dearth of landscape architectural theory that recognises gender as a fundamental informant in the practice and theory of the landscape architectural profession. Feminist Landscape architectural theorists are few and far between, and the study argues that the last 50 years of development in the field has functioned in service of the dominant socio-cultural paradigms by knowingly or unknowingly excluding the extremely relevant advances in the fields mentioned above. By polarising the understandings of 'sustainability' and 'ecology' away from the deeply interrelated realms of sociology, philosophy, cultural geography and anthropology, the construction of Landscape architecture as a profession loses its ideological soul - humans. Whether we like it or not, we are architects and designers of spatial realities - both tangible and intangible, as landscape is not just physical elements, but also 'paysage'. As architects we design with nature for the sake and benefit of the whole. And that whole includes homo sapiens - our processes are natural processes, our artefacts are no less valid in Nature than the weathering of a mountain into stones and sand. The distinct forms and the experiences curated within landscape architectural artefacts evoke not only emotional response, but have the ability to transcribe attitudes. What then, is gender-conscious landscape architecture? The Enquiry phase answers this question by using Cristophe Girot's Trace Concepts (Landing, Grounding, Finding) to engage with a process. The literature shows that feminist architecture and landscape architecture is not a style, but a kind of activity - deeply dependent on the agenda that the designer must be constantly aware of - dependent on positionality. There are rather "…feminist ways of looking at and making architecture, but these are based on a certain approach, not a 'recipe'. This approach stems initially from an understanding that our surroundings are not neutral, that there is a relationship between the content of architecture and our … social structure. The Enquiry phase recognizes this way of knowing as a complex and reflexive condition that includes consideration of a multitude of factors, to approach a design with a gender-sensitive lens is to include a much wider range of considerations than gender alone. Attention to the cultural reproduction of space by virtue of a sensitivity to proxemics, by embracing subjectivity as a design strategy, by embarking on site analysis that involves much more that one view or the layering activity from one vantage point (thereby avoiding the danger of a single story) characterises the enquiry phase, that was continuously informed by the theoretical underpinnings of the Study which was written simultaneously. Enquiry involves the grounding of the design process in a site, and the Tafelberg road is chosen for its positionality and unique patterns of use. This site is visited periodically, documented, experienced, consulted and slowly revealed to be a landscape physically and ideologically continuous with its various contexts - geomorphic, historic, ecological, hydrological etc.. The Founding phase has no discernable beginning point, as it includes the spatialisation of the conceptual development in both written/drawn and idea/ imagery form. It involves spatial investigations in model-making, revisiting the site to test ideas, spatial imaginings and experiential design that is guided by concepts such as Contextualising, Sequencing, Conceal and Reveal, Pause and Program and Opening.
5
Thwaites, Kevin. "Expressivist landscape architecture : the development of a new conceptual framework for landscape architecture." Thesis, Leeds Beckett University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301040.
Повний текст джерелаАнотація:
Limitations in landscape architecture's intellectual underpinning potentially restrict its capability to make places which are conducive to human fulfilment. This is evident as an aesthetic and technical bias in landscape architecture which overlooks experiential dimensions crucial to the achievemenot f human fiflfilment. In responsea new conceptualf ramework is developed ftom the tenets of expressivism; a broad cultural movement with roots in eighteenth century Romanticism. Expressivist landscape architecture affirms a holistic concept of the human-envirorunenrte lationshipa s a philosophical core for landscapea rchitecturea nd includes a reconceptualisationo f landscapea s expressivel andscapep lace; an experientiale ntity defined in terms of an integration of human psychological and emotional functioning and physical space. Developing from Christopher Alexander's theoretical structures, expressivist landscape architecture is made operational by features which stress the primacy of human expressive activity, design as language and the experience of creative participation in the making of expressive landscape places.
6
Kersey, David Nathaniel. "Improving landscape architectural problem solving : integrating giscience and technology educational objectives in landscape architecture curricula." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/1078.
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Thomas, Valerie. "Designing landscapes for grieving children at elementary schools." Thesis, Kansas State University, 2013. http://hdl.handle.net/2097/15662.
Повний текст джерелаАнотація:
Master of Landscape ArchitectureDepartment of Landscape Architecture/Regional Planning
Anne Beamish
Death and loss are natural processes of life, but even so, that does not make them any easier to cope with. For children who may not understand loss, adjusting to life after it can become a nearly impossible feat. Children’s reactions to loss and the grief often include anger, anxiety, confusion, fear, sadness, shock, guilt, and regret (Murthy & Smith, 2005). Nature and art have been used as healing methods in the past, but rarely in schools. Because children spend much of their day at school, outdoor landscapes could be designed to that help alleviate children’s grief and commemorate their memories. This master’s project proposes a set of guidelines and a palette of elements that can be used to create landscapes for grieving in elementary schools. To define these guidelines I combined stages of grieving from two different psychological models with design elements that could help children at each stage of their grief. These guidelines and elements were then tested by applying them at three different elementary schools in Manhattan, Kansas: Marlatt Elementary, Northview Elementary, and Theodore Roosevelt Elementary. The designs at the three elementary schools help illustrate the flexibility of the guidelines and palette of design elements. Not only can the selected elements vary, but the sites can range in size and location. The palette of elements will enable schools to implement landscapes for grieving in a range of places and conditions.
8
Koliji, Hooman. "Drawing as Landscape Architectural Scholarship." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/33077.
Повний текст джерелаАнотація:
Considering the vital role that drawing plays in conceiving buildings and landscapes, the question of â knowledgeâ in relation to visual representations becomes a matter of importance. The conventional view of drawing considers it a passive and neutral means to communicate mental concepts in visual form. The present study, however, views drawing as an essential vehicle that both enlists our critical reasoning
faculties, as well as engages our senses and imagination in an integrated way to generate new knowledge.
As a means to acquire architectural/landscape knowledge, drawing becomes an essential vehicle for scholarship in the field. Depending on the circumstances, drawing can capture or cast (or both). When the drawing is a recipient of the external world, it captures or catches the qualities of an actual place. When the drawing is of a space that perhaps will exist, it can bring out or cast ideas, thoughts, or sensations to an external world and eventually to that envisioned space.
After a discussion of the commonalities of drawing in architecture and landscape architecture, the present study concentrates on areas that distinguish landscape drawing from architectural drawing. In the end, the personal experiences of the author, in which the drawing served both as capturing and casting
mechanism, is briefly depicted.
Master of Landscape Architecture
9
阮繼增 and Gi-tsun Jimmy Yuen. "Between architecture, landscape, and interior." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31980909.
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10
Walker, Jason Brian. "Landscape Architecture and Sustainable Development." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/32409.
Повний текст джерелаАнотація:
The purpose of this thesis is to examine the role of sustainable development in Landscape Architecture. From reviewing the literature, a position is developed. The position is that Sustainable Development is an important issue for landscape architects and that there are reasons landscape architects have had limited success in sustainable development. The method of the thesis is derived from assessing a problem of sustainable development and landscape architecture and developing a solution to this problem. The solution is a procedure, not a tool, that landscape architects can use to learn about Sustainable Development and how it applies to landscape architecture. This thesis culminates in the development and application of a Sustainable Development Framework for Landscape Architects. The Framework is a procedure for landscape architects to become informed about sustainable development and how it applies to landscape architecture. For this thesis, the application was applied to the build out of an existing community, Top of the World. The implications of applying this framework are then discussed.Master of Landscape Architecture
11
Richter, Sarah Karin. "Grounding Architecture: Reading the Landscape." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/49021.
Повний текст джерелаАнотація:
Ground, construction, light and weather: all of these elements when compounded create architecture. What is the built? What is the unbuilt? How can we merge the two? How can we architect a future where buildings are so contextually true to their site that the boundary of what was traditionally exterior and interior are one in the same? A building must be rooted in the site, it must be of the ground. It has to be grounded.
The roots of the building must dig deep into the meaning of what the site is, what it was, and what it wants to be. Through careful discernment of these varied layers of ground are, we can begin to understand the levels and layers that take place within a structure.
This thesis strives to ground architecture. The library at Rock Creek Park is nestled into the site, it is of the site, and honest to the site. A building that seems to grow out of Rock Creek Park as it exists in a city, a building that pulls the park into the city, and the city into the park. It is a glimpse of what potential the futures can hold if we, as designers, decide to collaborate, to treat each discipline as a layer of groundwork. A groundwork and foundation that must be laid first and then consciously called to mind to create a strong foundation for the design. This common thread must be kept taut throughout the design process.
The scene of this thesis is set at the corner of P St. and 23rd St. NW in Washington, DC at the berm of Rock Creek Park; at the brink of City and Nature.Master of Architecture
12
Yuen, Gi-tsun Jimmy. "Between architecture, landscape, and interior." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2595183x.
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13
Havens, William. "Landscape Architecture-Back in Business." College of Agriculture, University of Arizona (Tucson, AZ), 1991. http://hdl.handle.net/10150/295724.
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14
Neille, Stephen Robert, and s. neille@curtin edu au. "SPEED_SPACE Architecture, Landscape and Perceptual Horizons." RMIT University. Architecture & Design, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090219.142507.
Повний текст джерелаАнотація:
Developing a new spatial model for generating poetic intelligence in response to the already constructed and degrading landscape. The thesis has a simple inquiry: what innovative architectural spatial models can be developed within, or in response to, the townships and degraded land located along the Perth-Kalgoorlie water pipeline in Western Australia, to help instigate a new poetic intelligence when considering architectural making that has a direct relationship with the landscape that it exists within? The thesis begins and ends with a triad relationship between human perception, architectural idea making, and landscape: it begins with observation, engagement and recording and ends with a generative proposition. The thesis articulates how the complexities of a defined site can be recorded and modelled to bind disparate elements into being and therefore model more accurately the wholeness of perception that often drives architectural thinking. Commencing with the lens provided by the Perth-Kalgoorlie water pipeline, the thesis examines a domain in which architecture, landscape, and human action combine to activate our poetic intelligence. The thesis shows that we feel what we think we see, the visible power of man in nature and, the relentlessness of a middle distance that has been constructed around us. Through critical reflection a tremoring occurs, causing powerful new imaginings. The research attempts to visualise the new landscape and show that we help to degrade what we treasure. This moment or realisation can be framed as an aesthetic moment that causes us to think again. The research, formulated as a progressive, heightening of experience, leads the observer from Rambler's Gallery through commonplace territory pointing out observations along the way and then ultimately winds these commonplace observations together to construct a new presentation of the commonplace. The final exhibition announces a new spatial model for generating poetic intelligence in response to the already developed and degrading landscape. The exhibition creates a Speed_Space that posits and tests the essential theme of the research; it is an act of invention that creates new knowledge (the poetic intelligence). The common link between architecture and landscape in this thesis is that both are understood to have been significantly constructed by the human subject and, that this constructed landscape is a finite system and is all that we have. This thesis, through the evidence embodied in SPEED_SPACE offers a mechanism to demonstrate what gaining architectural experience is like; uncoiling into the world, observing, weakening, moving at the limit and then coiling up moments of experience, knowledge and perception to create a force of the imagination that generates new poetic intelligence as a result being in 'that' world. The new spatial model shows architectural experience, in response to the already constructed and degrading landscape, to be more like a self-made constellation acting as a force of imagination rather than a sequence of facts collected together.
15
Hildner, Ann E. "Engaging landscapes with words : the use of language as a design tool in landscape architecture and architecture education." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/845971.
Повний текст джерелаАнотація:
The objective of the above project is to present a tool that can be used by educators in landscape architecture and architecture to affect how students, as designers, gather and manipulate poetic and descriptive material used in designing landscapes and places. The design tool, a set of skill sheets, each of which uses language, literature, and metaphorical thinking as primary components, is designed to exercise a way of seeing and thinking about landscapes that provides access to potential design material. The ultimate intended effect of the use of this tool is to enhance the descriptive significance of student work. Within the context of this project, descriptive significance is defined as work that is 1) original, i.e., an expression of individual insight as a result of the process of engaging one's critical faculties of observation, perception, thought, and imagination; 2) context-related, i.e., related to the specifics of place including thenatural, physical/environmental, cultural, and historic context; 3) environmentally sound, i.e., respecting sensitive natural and environmental interrelationships; 4) wellcrafted i.e., attentive to the inherent. qualities of the design materials used; and work that 5) contributes to an understanding of the specifics of place, i.e., reveals something significant about a particular landscape or place.Department of Landscape Architecture
16
Wu, Jiahua. "Landscape morphology : a comparative study of landscape aesthetics." Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/1851/.
Повний текст джерелаАнотація:
This research is about landscape aesthetics. Aesthetics is not purely Platonic but a result of human communication with nature which relates to landscape experience and, in turn, reflects and guides the way people appreciate, paint and design. This is an issue of art philosophy and design methodology. To link theory with practice, the relationship between landscape - both painted and designed - and aesthetic thinking is the most important topic discussed throughout the writing. To achieve a relatively complete understanding of landscape aesthetics, the discussion develops with reference to the historical, cultural, philosophical and technical contexts of both the East and the West. Some key issues such as Romanticism of the English School and Tao in Chinese landscape have been chosen as the central objects of attention in the study. The manner of discussion, reason and analysis is one of comparison. Taking into account the roles of philosophy in art and environmental design, 'Landscape Morphology', a systematic study of the language system of landscape art, design and education, is of high value in the area of environmental development, which substantially links the theory with environmental art and design, and foreshadows the future of landscape aesthetic research.
17
Conable, Rebecca Agnes. "Baywalk developing landscape memory." FIU Digital Commons, 2004. http://digitalcommons.fiu.edu/etd/2418.
Повний текст джерелаАнотація:
The primary purpose of this thesis was to investigate the narrative potential in the contours of a site, specifically, in contours shaped by dredge and fill. Contours provide a record of weather, growth and erosion as well as the processes of dredge and fill. In South Florida, our modification of both the coastline and inland swamps document the history of our occupation of the land. The record or memory of this change is often apparent only as an absence. This thesis design exposes the landscape narrative of dredge and fill in Miami's Biscayne Bay through the design of two areas of Baywalk Park along the eastern edge of downtown Miami from Margaret Pace Park to the mouth of the Miami River. The design reveals the historic sequence of dredge and fill on the site.
18
Surla, Sean O'Dell. "Park Park Fabric Landscape: Landscape Systems Give Form to Architecture." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/32078.
Повний текст джерелаАнотація:
Today, throughout the world, we are in the midst of a man-made environmental crisis. We must change how we consume and affect natural resources on the planet if we are to retain its richness of landscapes and biodiversity. It is our job as landscape architects to lead the way in changing the human relationship to natural resource consumption and building.
My thesis asks the question, how can an understanding of landscape as a system give form to architecture? In natural systems nothing is wasted, everything is interconnected and self-sufficient at the same time. How can we model our buildings -- our built landscapes -- after nature? Three natural systems are key components to modeling nature: water, vegetation and energy.
The landscapes that we have constructed for cars exemplify the problems we have ecologically. Cars produce greenhouse gases creating global warming. Highways and parking lots denude the vegetative habitat and lead to excessive water runoff polluting the watersheds. Solving the car problem goes a long way to setting an example for ultimately resolving ecological development issues. Cars are both the epitome of freedom and environmental degradation. Joni Mitchell put it eloquently with "they paved paradise put up a parking lot." My studio project is a mixed use parking facility fabricating the natural systems of water, energy and vegetation in order to mitigate environmental problems as well as resolve the practical necessity of where to put cars in crowded urban centers. Park Park puts the paradise back into the pavement.Master of Landscape Architecture
19
Parker, Cola Godden. "Building with landscape." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/69321.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994.Includes bibliographical references (p. 137-139).
All buildings have a relationship with their immediate site and their larger landscape: some buildings simply occupy their site while other buildings define and intensify their landscape. The relationship between building and landscape is important, understandable, and describable. Through analysis of selected buildings and their landscapes and through development of site specific designs, this thesis will develop a methodology that demonstrates that a good building comes from building WITH the landscape, not just ON the landscape.
by Cola Godden Parker.
M.Arch.
20
Macdonald, Harold Bane. "Landscape furniture house." Thesis, Massachusetts Institute of Technology, 1988. http://hdl.handle.net/1721.1/75995.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1988.A house. over there on the cliff. it is very large. the owner must have a lot of cash. right on top of the cliff over the reservoir. seagulls come from the rockport ocean to drink fresh water and sit in the sun. the house does not loom large in their minds. it is irrelevant. the way literature is irrelevant to architecture. the gulls are thinking about fish. even when they fly. twirling gliders. make my day. curving perfect while i swerve ascending. i am free when i ski. but fish are in the quarry. by the cliff. where men look under the curving roof up into the sky.
by Harold Bane Macdonald.
M.Arch.
21
Daley, Mark (Mark S. ). "Landscape boogie-woogie." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/79023.
Повний текст джерелаАнотація:
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1991.Odd-number pages numbered; even number pages blank. Pages 170 and 171 blank.
Includes bibliographical references.
The intent of this work was to explore an additive working method as a way to generate building form. It was initiated without any preconceived ideas about the project's final outcome. Instead, it focused on observations, associations, and attitudes of existing experiences and information. Working from the position that "one perception must immediately and directly lead to a further perception," a decisions were made. The design of an elementary school was the vehicle for the process.
by Mark Daley.
M.S.
22
Turpin, Anthony Joel. "An ambiguity of landscape and architecture." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/21724.
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23
Thompson, Ian H. "Sources of values in landscape architecture." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311145.
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24
Eaton, Marcella. "Philosophy and design in landscape architecture." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/32101.
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25
Van, der Merwe Maryke. "Discovering intent : the celebration of historical intent through the re-ordening of the landscape." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/78706.
Повний текст джерелаАнотація:
This dissertation focuses on how both the tangible, as well as the intangible heritage layering of Irene Dairy Farm
can be exposed. First, the intangible heritage significance is identified and subsequently reintroduced to the site in
the form of the vision and intent of the farm at its genesis. The farm will be reactivated as a productive landscape
whilst acting as a didactic model through the public exhibition of innovative food production methods and the
effect this has on the culinary experience of the user. The celebration of the heritage significance lies within the
reintroduction of innovation through twenty-first century food cultivation methods and the integration thereof
into new infrastructure, thereby reactivating the historic intent of the farm as a productive model and didactic
establishment.
Secondly, the tangible heritage significance was identified as being embedded within the landscape and is
expressed as ruins consisting of low walls, storm water channels, forest remnants, tree boulevard remains and
historic movement routes. The tectonic approach to the tangible heritage elements of the site links back to the
conceptual approach of exposing the functionality and dismembering the structures in order to remember. The
historic structures will thus be treated as fragmented limbs to be dismembered in order to reveal the skeleton and
function through the subtle intersections of new material and infrastructure.
The investigation aims to: Address the loss of heritage significance of the farm on a master plan and detail level;
allow the opportunity for skills development in the formal agricultural sector through the introduction of the
didactic program; and acknowledge the prospect of sustainable food cultivation methods which is a global and
local issue.Mini Dissertation (ML (Prof))--University of Pretoria, 2016.
Architecture
ML (Prof)
Unrestricted
26
Johnson, Daniel B. (Daniel Bryant). "Building, landscape and section." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/67406.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibliographical references (p. 96-97).
All buildings have in their section a relationship to the landscape on which they are sited. Therefore we as inhabitants of these buildings may or may not have a relationship with the landscape. It is the supposition of this thesis that the relationship is important, understandable, and assimilable. Selected buildings and their landscapes were examined to reveal some of these relationships. A notebook where observations, processes, thoughts and works were recorded, was used as a method of inquiry. Finally a design which draws on the assimilated knowledge of the building/landscape relationship is put forward.
by Daniel B. Johnson.
M.Arch.
27
Huang, Zhaoheng. "Landscape plants in architectural design." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/845986.
Повний текст джерелаАнотація:
This creative project has explored the design methods to integrate landscape planting materials and architectural elements. A demonstrative architectural design is proposed to apply these research methods. This report comprises two major sections: one is the description of landscape materials and their characteristics; the other is an architectural design to demonstrate the usage of these landscape materials. The first section of this report has emphasized on an inventory of landscape materials with the descriptions of their individual functions and characteristics in architectural design as well as the samples of those landscape elements in spatial organization. About 40 most popular plant materials were collected and their growing patterns and spatial geometries were integrated in various building typology. The case study has demonstrated the practical application of those landscape materials. The cultural and aesthetic values of plant materials were evaluated according to the cultural and historical background of selected prominent landscape designs. In the second section, a creative architectural design was developed based on a proposed Tree Museum located in Muncie, Indiana. The objective of this design was to apply the design principals developed in previous research, and to demonstrate how the landscape materials could be properly integrated with architectural design. As a trial approach, the tree museum has presented a unique perspective of architectural design in which the organizations of both building structures and plant elements are highly implemented.Department of Architecture
28
Haddad, Ma'in Kamal. "Jerash : the landscape, urban space, and architecture." FIU Digital Commons, 1995. https://digitalcommons.fiu.edu/etd/3969.
Повний текст джерелаАнотація:
The peculiarities of Roman architecture, town planning, and landscape architecture are visible in many of the empire's remaining cities. However, evaluation of the landscapes; and analysis of the urban fabric, spatial compositions, and the concepts and characteristics of its open spaces are missing for Jerash (Gerasa in antiquity) in Jordan. Those missing elements will be discussed in this work, as an example of an urban arrangement that survived through different civilizations in history.
To address the characteristics of the exterior spaces in Jerash, a study of the major concepts of planning in Classical Antiquity will be conducted, followed by a comparative analysis of the quality of space and architectural composition in Jerash. Through intensive investigation of data available for the area under study, the historical method used in this paper illustrates the uniqueness of the site's urban morphology and architectural disposition.
An analysis will be performed to compare the design composition of the landscape, urban fabric, and open space of Jerash as a provincial Roman city with its existing excavated remains. Such an analysis will provide new information about the role these factors and their relationships played in determining the design layout of the city. Information, such as the relationship between void and solid, space shaping, the ground and ceiling, the composition of city elements, the ancient landscapes, and the relationship between the land and architecture, will be acquired.
A computer simulation for a portion of the city will be developed to enable researchers, students and citizens interested in Jordan's past to visualize more clearly what the city looked like in its prime. Such a simulation could result in the revival of the old city of Jerash and help promote its tourism.
29
Koo, Siu-fung. "Vitalization of Bowen Road landscape design for a scenic path." Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25950952.
Повний текст джерелаАнотація:
Thesis (M.L.A.)--University of Hong Kong, 1997.Includes special study report entitled: Aesthetics of paving for areas intended primarily for pedestrian use in Hong Kong. Includes bibliographical references.
30
Linton, Cynthia Mayhew. "Claiming the urban industrial landscape." Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/79962.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.Includes bibliographical references (p. 108-109).
This thesis presents a propositIOn about a prevalent urban condition, that of marginal, left over, or disused space. It contends that these spaces, generally viewed as negative attributes by their communities have inherent value, and that appropriate and limited interventions will allow for new appreciation and greater use of these underutilized urban resources. The site explored in the thesis is an area along the Cambridge and Somerville border between Union Square and the McGrath highway. It supports a variety of light industrial uses that first located there because of proximity to the railroad line. The current actiVities that surround this open area of disused rail sidings are scrap yards, auto parts stores, and warehouses. The open character of the site and the location between residential areas of Cambridge and Somerville give it value. Because of its openness and nearness to dense residential areas it has value as a place from which to view the life of the city, to understand the history of the industrial worker in Somerville, and the growth of the city. It is a gathering place for young people, who are drawn to these sites partly because of their "unstructured" nature. The program chosen to activate this site is one which brings together a shop or production facility for bicycle frames with complementary uses, including an instruction area for bike repair, meeting rooms for bicycle groups, and a retail store. Additionally, there is an outdoor component to the program that consists of ramps and other architectural features where bicycle riding can take place unimpeded by automobile traffic. In giving this program architectural form, the layering, the additive quality of the surrounding buildings, and the "randomness" of the total environment are accommodated, and its vitality reinforced. The contention of the thesis is that this new set of uses is sensitive to the site, its natural characteristics, its architectural character and its community's needs. Understanding the landscape and the essential quality of a place is a crucial step in determining appropriate design solutions.
by Cynthia Mayhew Linton.
M.Arch.
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Teas, Wendy Ann. "Landscape viewing in metropolitan Boston." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/70179.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.Includes bibliographical references (p. 63-66).
This thesis recognizes the importance of landscape viewing, especially as a solitary act of contemplation. It suggests the creation of a place from which to gaze upon a vast landscape. It postulates that an observation structure can act as a border between the natural world and the constructed world in order to accentuate their differences and to acknowledge the importance of each. In addition, this thesis shows why Route One next to the Lynn Woods Reservation in Metropolitan Boston is an excellent place for a landscape viewing structure. The resulting design is an observation wall located between Route 1 and the Lynn Woods Reservation in Saugus. It is composed of two parts. The primary structure of the composition is two tall, tapering concrete walls that rise from beneath the ground. The walls curve through the landscape, disappearing and reappearing. Their character is a complement to the contours of the land. The secondary structure is a light wood and steel frame construction. This system supports the act of solitary landscape viewing by providing individual viewing lookouts in conjunction with a gallery space, a small library, and a small kitchen. The design is organized as a series of episodes along a continuous ramp. The interplay of the two construction systems is meant to evoke combined feelings of transience and persistence as well as the contrast that exists between the two types of landscape on either side of the walls.
by Wendy Ann Teas.
M.Arch.
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Miller, Christopher Lee. "Architecture and Hospitality." Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/103820.
Повний текст джерелаАнотація:
Architecture and hospitality go hand in hand. This thesis is a study of an architecture of hospitality that is informed by both site, culture, and climate conditions as well as cultural changes in the hospitality industry under the new conditions brought on by the Covid-19 pandemic.Master of Architecture
The term "hospitality" usually is considering a place to sleep, eat, or enjoy oneself (Disney), but architects look at the term differently. We want to make something that is inviting and pleasing for the users. This thesis looks at what makes something hospitable.
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Kong, Tak-chun Andy, and 江德進. "Cultural landscape architecture Fanling Wai (Walled village)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31980806.
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Albans, Alex J. "Site seeing : interpreting site in landscape architecture." Thesis, Birmingham City University, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695363.
Повний текст джерелаАнотація:
In landscape architecture, sites are commonly portrayed as being the inspiration behind practitioners’ ideas; lending a sense of legitimacy to projects seeking to connect people and place, and strengthening local identity by ‘coming from the site’. In landscape design theory, a site’s history, genius loci (spirit of place) and its physical and cultural contexts are considered to be highly significant shapers of material form in contemporary landscape architecture. Furthermore, professional practice renders the site survey as an exercise in data-gathering and/or as searching for the site’s ‘je ne sais quoi’. Students are encouraged to conduct these investigations neutrally and objectively before any analysis or interpretation. Such conceptions appear to rob novice designers of the confidence in their own decisions because they presume the site must ‘tell’ them what to do. Primarily benefiting students and early-career practitioners, the thesis challenges established ways of understanding and working with sites, as revealed through the embedded knowledge and expertise of experienced designers. It is an investigation into the circumstances and motivations that shape how landscape architects interpret sites and make design decisions, applicable to education and career-development. A pilot study of 109 award-winning landscape schemes and twenty four in-depth interviews demonstrates how sites are interpreted in light of a complex web of factors and ideas, and not simply ‘known’ through surveys or consulting the genius loci. It shows that the ideas, experience and knowledge brought to each landscape project are key to a landscape architect’s creativity. The study also reveals that sites are interpreted collaboratively, and that stakeholders have very different ideas about sites, all of which can impact working relationships and design decisions. Communication and listening are found to be key factors in professional practice. This research acknowledges the professional importance of the genius loci but reframes it as a name for the process of interpretation and decision-making undertaken by practitioners, based on their skills, knowledge and experience.
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Wong, Ming Fai. "Enterprise architecture landscape in Singapore Government agencies." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/83810.
Повний текст джерелаАнотація:
Thesis (S.M. in Engineering and Management)--Massachusetts Institute of Technology, Engineering Systems Division, 2013.Cataloged from PDF version of thesis.
Includes bibliographical references (pages 56-57).
This paper reports results of a study done to understand the Enterprise Architecture (EA) landscape in Singapore Government Agencies, to gather some best practices in doing EA in these agencies, and to postulate how the Singapore Government might get more value out of EA. Firstly, this paper reviews the EA field on why EA is important and what are some key challenges EA practitioners face. Secondly, this paper reviews and analyzes data from a EA survey of 18 Singapore Government Agencies. The analysis is done by comparing against data from a similar survey collected from over 100 organizations worldwide. In addition, the analysis also draws upon EA research done by MIT's Center for Information System Research. Thirdly, this paper reviews best practices and a case study collected from a subset of the studied Singapore Government Agencies. This paper concludes by rounding up the key findings and hypothesizing that there is a need for stronger inhouse design/architecting capabilities within the Singapore Government.
by Ming Fai Wong.
S.M.in Engineering and Management
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Kulkarni, Nitin Y. "Application of expert systems in landscape architecture." Thesis, Virginia Tech, 1989. http://hdl.handle.net/10919/43899.
Повний текст джерелаАнотація:
Application of artificial intelligence (Al) has been a topic of interest among researchers for the past decade or more. Years of research in the commercial application of Al, availability of hardware support for Al application and affordability of software and hardware has generated a lot of interest in this field and brought this technology within the reach of micro-computer based users. The commercial impact of AI is due to expert systems (ESs). ES technology is a collection of methods and techniques for constructing human-machine systems with specialized problem solving expertise.
This project explores the application of ESs in landscape architecture by developing a prototype ES and testing implications of its use with designers while working on a hypothetical problem in a studio environment. The development process helps identify the typical difficulties of such an application, to uncover technical problems, and to identify areas needing further research.
The project aims at building an ES that provides very limited preliminary data and design guidelines to initialize the design process and keeps track of the most fundamental issues necessary for planning, thus acting as an expert and assistant simultaneously. The idea is to explore the possibility of applying ESs to facilitate the design process so that designers may concentrate on other important aspects of design which include intuitive judgement about qualitative aspects.
Master of Landscape Architecture
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Lidy, Christopher James. "A Study of Landscape Architecture Design Methods." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/31461.
Повний текст джерелаАнотація:
How do different methods employed by landscape architects impact the design outcome? This paper identifies and defines design methods in landscape architecture that may be classified as part of four internal and external connections and structures categories. Methods are further examined through two design exercises. In the first design exercise, the identified methods are individually applied to the same simple design which is used as a control. The only variable changed is the method used to design. The resulting designs are shown and analyzed. In the second design exercise, three different methods are applied to a complex design. Similar to the first design exercise, all variables are held constant except for the design methods. The resulting design outcomes are shown and analyzed. One conclusion from this work recommends landscape architecture designers use at least one method in each of four categories: 1) Modeling Systems, 2) Interrelationship and Dependencies, 3) Incorporation and Adadaption, and 4) Structure Problems in order to explore complex design issues more thoroughly.Master of Landscape Architecture
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Essig, Brian F. "Constructing the western landscape national park architecture." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8328.
Повний текст джерелаАнотація:
Thesis (M.Arch.) -- University of Maryland, College Park, 2008.Thesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Kong, Tak-chun Andy. "Cultural landscape architecture Fanling Wai (Walled village)." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25951038.
Повний текст джерела
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Tolsma, Jacquis R. "Mtoni Palace : nurturing identity through landscape architecture." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45304.
Повний текст джерелаАнотація:
Zanzibar has become a well-known tourist destination with its
spices, friendly people, beaches and year-round warm climate.
The tourism industry has become one of the main economic
sectors of the island and provides income to people from all
economic backgrounds.
Zanzibar’s World Heritage Site, Stone Town, is known for its
small alleyways and plazas. Tourists often get lost in this maze
of alleys. This public open space acts as a place to exchange
ideas, as well as cultural and religious practices. It contributed
to the amalgamation of a cosmopolitan people into the Swahili
culture.
Economic growth over the past 30 years has brought about
rapid urban sprawl with a lack of well-designed public open
spaces. The lack of public open space, as well as the negative
impact of tourism on the local culture, is busy eroding the
Zanzibari culture.
This research investigates how landscape architecture can
nurture identity and aims to showcase the ability of landscape
architecture to act as a catalyst towards nurturing identity
through a well designed public open space.
Mtoni Palace is a national monument of Zanzibar and a site of
high heritage significance. Today, the Palace lies in ruins and
the aim of this study is to provide a new vision for Mtoni Palace.Dissertation (ML(Prof))--University of Pretoria, 2014.
Architecture
ML(Prof)
Unrestricted
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Rice, Tanya. "Landscape Architecture Education: A Study of Patterns." DigitalCommons@USU, 2017. https://digitalcommons.usu.edu/etd/6887.
Повний текст джерелаАнотація:
This research is focused on analyzing landscape architecture education of accredited bachelor programs in the U.S. The primary intent was to obtain a comprehensive understanding of the current state of landscape architecture education and the direction in which it is heading. This was conducted through an evaluation of each landscape architecture program’s course offerings. The objectives were to explore the degree of coherence and dispersion of course requirements among programs, compare similarities and differences and identify current patterns, trends, strengths and emphases of the programs. Then design course descriptions were analyzed for identification of word families and cluster networks to determine the possible connections to other content areas. The benefit of this research is in providing a valuable benchmark and reference for which landscape architecture programs can use in revising and building curricula.
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Jensen, Susan. "Contextualism and the popular landscape : towards defining the genius loci of Indiana." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/543770.
Повний текст джерелаАнотація:
There is an increasing awareness among landscape architects and other designers that although it is axiomatic that environmental concerns play a major role in design, it is also necessary to identify and address the issues of place that form a vital part of the well-being of the whole person. One major issue is that of genius loci. the spirit of place. The object of this project is to describe some of the elements that go to make up the spirit of place that is unique to Indiana. "The stage we're at in Indiana, I don't think we have a real 'Indiana' landscape that has sifted out, I think we're still stretching our wings and discovering what we have here." (Eric Ernstberger, Indiana Landscape Architect.)The project consists of four sections:1. Investigation into the history of and writings on contextualism and regionalism both in general and in relation to the Midwest of the USA in particular.2. A. Preference survey of Indiana residents taken from an opportunity sample of 180 residents in three areas of the State, administered by interview. B.Interviews with two practising Indiana Landscape Architects, expressing their thoughts on designing for Indiana.3. Visual catalog of artworks, photographs and excerpts from the writings of Christian Norburg-Schulz on Genius Loci and Rachel Peden on Indiana.4. Color slide presentation to class of students on the above.Department of Landscape Architecture
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SCHAPKER, ALLISON. "WASTELAND: DESIGNING THE UNSETTLED LANDSCAPE OF WASTE." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053546215.
Повний текст джерела
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So, Hang-yan Ada. "A temporary landscape recipe to reclaim Hong Kong's lost landscape opportunities /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38293262.
Повний текст джерелаАнотація:
Thesis (M. L. A.)--University of Hong Kong, 2007.Title proper from title frame. Includes special report study entitled: From components of temporary structures to integration of vegetation. Also available in printed format.
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Powers, Matthew Neal. "Factors in Choosing Landscape Architecture as a Major: A National Student Survey." Thesis, [Blacksburg, Va. : University Libraries, Virginia Polytechnic Institute and State University, 2000. http://scholar.lib.vt.edu/theses/available/etd-05162000-10330027.
Повний текст джерела
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Kruger, Aimee Leah. "Ruin[ed] edge[iness] ruined landscape: Inverting and resurfacing the buried ruin with the scarred landscape." Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28079.
Повний текст джерелаАнотація:
This dissertation focuses on the Voortrekker road strip between Salt River Circle and the Black river. It is bounded by the railway lines on the western side, and the Black River and M5 elevated freeway bridge on the eastern side of the strip. The Voortrekker road bridge over the railway line creates a blatant disconnected neighbourly association. The area is currently in a state of decay, plagued by abandoned buildings and crime. Within this focus area I have highlighted 3 key sites of interest, both for their location adjacent to defining natural and man made boundary elements, as well as their state of neglect and ruin or being underutilized. The urban strategy of this project will attempt to uplift and transform this abandoned area by stitching together the two edges of the strip with a pedestrian orientated, contrasting intervention, that inverts the existing ruin, creating a series of relief spaces within this harsh environment. The architectural intervention would address each ruin by inverting them into public space with individual responses and programs, incorporating predominantly a mixed use transport orientated development with housing and rentable spaces above and retail/ market on ground floor. All the sites will use the same technological and structural approach of a light adaptive socially performing structural frame that connects this disconnected, scarred context. The buried, dark and grungy social & material context is thus resurfaced through this light, uplifting, vertical transition. This architectural transition also carefully uses structure and tactility, with walls that grow out of the existing ruined landscape and protect the site. The social user then inhabits this structure and controls or changes their own space to suit their needs within this new vertical spatial framework.
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Frontiero, Wendy Ellen, and Margaret Emily Wohl. "Thresholds : landscape, city, and building edges." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/73752.
Повний текст джерелаАнотація:
Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (p. 157-159).
This thesis is a study of edges: the three-dimensional transitions between one kind of place or activity and another. We consider several scales of architecture where these transitions occur in an urban context, using the cities of Bath (England), Beijing (China), and Santa Monica (California) as the basis of discussion. Both verbal and graphic documentation describe our perceptions of the character of edges in those cities, as observed in the patterns of individual pieces and their inter-relationships. From these case studies, we derive generalizations for making edges clear, stimulating, and adaptable. Chapter One, the introduction, states our objectives and our criteria for selecting the study cities and areas of focus within them. It also describes our working method. Chapter Two considers landscape edges: the relatively Ratural spaces found both around the city, at the outer limits of development, and within the city, in the form of parks and public gardens. Chapter Three describes relationships at the city scale between one group of buildings and the next. It includes connections across streets and across urban places. Chapter Four looks at the area where outside space interfaces with the building interior. Fronts, backs, off-street courts. and top building edges are considered. Chapter Five summarizes and assimilates generalities derived from the study, and suggests what might be done next.
by Wendy Ellen Frontiero and Margaret Emily Wohl.
M.Arch.
48
Buelow, Deborah Ann. "Peripheral memory : New York's forgotten landscape." Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/59106.
Повний текст джерелаАнотація:
Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2010."June 2010." Cataloged from PDF version of thesis.
Includes bibliographical references (p. 141-149).
Hart Island, New York City's largest public burial ground, reveals an alternate history of the city through the lens of the interment of the abject. Historically, the state has provided for remains not otherwise cared for through what are commonly referred to as "potter's fields" - municipally owned burial grounds for the poor, the friendless, the alien, and the unknown. The location and lack of iconography act to erase the memories of so-called abject members of society rather than preserve them. New York City houses the country's largest of these municipal burial grounds on Hart Island, remotely situated away from the city. The management of these burials is left to the Department of Correction, which daily ships inmates from nearby Riker's Island to bury unknown members of society. Although since 1869 approximately three quarters of a million bodies have been interred there through the penal system, many of New York's inhabitants are not aware of its existence. A major contributing factor to the absence of public knowledge is the lack of information either about the phenomenon of the potter's field or about Hart Island itself. Reference to Hart Island today is limited to on-line curiosity blogs and op-ed columns in the daily newspapers, but even then references are infrequent. Yet the area of the island is equivalent to fifty New York City blocks - a large swath of land to be ignored in a dense urban context. This thesis addresses the landscape of Hart Island, which acts as a depository for identity shaped through memory. Urban landscapes reveal social and cultural biases in their physical characteristics. Identity is made evident through, or paradoxically denied by, these terrains. Hart Island exemplifies one such landscape of negated identity. By looking at the history of Hart Island and its physical relationship to the constructed city, this thesis uncovers socioeconomic disparities that manifest themselves even in death.
by Deborah Ann Buelow.
S.M.
49
Shin, Taeseop, and Stephan Hernandez. "Making kin : landscape, material and senses." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/129849.
Повний текст джерелаАнотація:
Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, February, 2020Cataloged from student-submitted thesis.
Includes bibliographical references (page 219).
This project proposes a series of architecture and landscape interventions in the Demilitarized Zone between North and South Koreas. The Korean war divided Korea into North and South. It divided their territories, and in doing so it also divided many of its families. During the seventy years since the war, the number of survivors of these family separations has gradually decreased through natural mortality, with only about 16 percent of those aged 80 or younger remaining as witnesses. In the next decade the memories of family ties across the DMZ may be lost forever. Very recently, in April 2019, the governments of North and South Korea and the U.S. have agreed to implement a new protocol that aims to ease the tension by requiring both countries to destroy all military outposts across the DMZ, and finally allowing the public to visit several places within the DMZ for the first time. The project started with collecting memories of some of the survivors of the war, traveling west to east across the DMZ. Interviews were conducted with members of families separated by the DMZ, and collecting material samples along the DMZ based on their memories. This preliminary research revealed that the landscapes of the DMZ were still triggering memories of their pre-war lives, over 70 years ago. Geography, materials, and other experiential elements figured strongly in the survivors' narratives. This project proposes architectural design for four different sites along the DMZ that are intended to foster new, non-familial kinship across the DMZ and based on our survivors' memories related to the landscape, material and sensory experience.
by Taeseop Shin [and] Stephan Hernandez.
M. Arch.
M.Arch. Massachusetts Institute of Technology, Department of Architecture
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von, Wiedersperg Carolina Sophie. "Kyoto art in nature habitat /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/von_wiedersperg/von_WiederspergC0509.pdf.
Повний текст джерелаАнотація:
The purpose of this thesis is to find architectural solutions which apply the theoretical findings centered around the biophilia hypothesis. The principles resulting from this investigation should help architecture to soften the separated conditions of the natural and the man-made environment. The application of these principles will then result in the design development of an Art in Nature Habitat in Kyoto, Japan.