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Готові списки джерел за темами / Jörg Wickram

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Добірка наукової літератури з теми "Jörg Wickram"

Автор: Grafiati

Опубліковано: 11 березня 2023

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Статті в журналах з теми "Jörg Wickram"

1

Kartschoke, Dieter. "Ritter Galmy vß Schottenland und Jörg Wickram aus Colmar." Daphnis 31, no. 3-4 (November 23, 2002): 469–89. http://dx.doi.org/10.1163/18796583-0310304004.

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Seit Karl Goedeke (1859) und Erich Schmidt (1879) gilt Jörg Wickram als Autor des anonym erschienenen Romans Ritter Galmy. Eine Überprtifung der Indizien und Argumente für diese Zuschreibung läßt erhebliche Zweifel an ihrer Tragfähigkeit aufkommen.

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2

Toepfer, Regina. "Ovid and Homer in ‘German Rhymes’ (Ovid und Homer in ‘teutschen Reymen’)." Daphnis 46, no. 1-2 (March 15, 2018): 85–111. http://dx.doi.org/10.1163/18796583-04601016.

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This contribution examines the relationship between vernacular translations of the sixteenth century and the history of the epic poetry genre in the seventeenth. To this end, it systematically analyses the Early Modern High German translations of Ovid’s Metamorphoses and Homer’s Iliad and Odyssey and identifies the various reasons why translators decided in favour of prose or verse. Of all the protagonists of the German reception of antiquity – including such figures as Jörg Wickram, Simon Schaidenreisser, and Johannes Baptista Rexius – it is the Meistersinger Johannes Spreng of Augsburg who most consistently chose rhyme for his translations of the classical epics into German.

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3

Bloh, Ute von. "Die artistische Überbietung einer brinnenden liebe." Beiträge zur Geschichte der deutschen Sprache und Literatur 141, no. 3 (September 6, 2019): 395–424. http://dx.doi.org/10.1515/bgsl-2019-0024.

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Abstract Isolated, yet at the same time, in an environment that is hostile to them, the four characters Jörg Wickram imagines in his novel ›Gabriotto und Reinhart‹ are alone together, as the two doomed couples are all also bound to each other in friendship. The construction of paradoxes, calculated primarily for effect, appears to be one of the novels controlled narrative devices. Much like the narratological strategies of intensification, exaggeration and repetition, they are controlled artifices designed for impact, and well-thought-out gambits on the part of the author which he uses, above all, to continue and intensify the tradition of medieval storytelling, and less frequently to counterpose an alternative understanding. Time and again the author makes use of the potential of widespread literary concepts to demonstrate that the love described in the novel is unparalleled.

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4

Braun, Manuel. "Raphael Kuch: Intermediales Erzählen im frühneuzeitlichen illustrierten Roman. Zu Struktur und Wirkung der Medienkombination bei Jörg Wickram." Beiträge zur Geschichte der deutschen Sprache und Literatur 140, no. 1 (March 1, 2018): 149–55. http://dx.doi.org/10.1515/bgsl-2018-0012.

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5

Bamberger, Gudrun. "Die Närrin als konstitutiver Störfaktor in Jörg Wickrams Goldtfaden (1557)." Daphnis 48, no. 3 (June 20, 2020): 379–402. http://dx.doi.org/10.1163/18796583-04803003.

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Jörg Wickram’s novel Der Goldtfaden deals with courtly communication in the form of an unusual constellation of its participants. It is a complex system of norms that is binding for all members of the court and becomes problematic if an outsider joins the act. Communication situations are presented in a variety of media, some of which succeed through fortunate coincidence, while others fail due to existing conventions and their disregard. Above all, the figure of the fool plays an essential role, which is constitutive for the entire text.

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6

Classen, Albrecht. "Music as a Universal Bond and Bridge Between the Physical and the Divine: Transcultural and Medieval Perspectives." Rupkatha Journal on Interdisciplinary Studies in Humanities 13, no. 3 (October 8, 2021). http://dx.doi.org/10.21659/rupkatha.v13n3.01.

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This article accepts the challenge to reflect on the cultural history of music as a transcultural and universally human phenomenon, particularly in the medieval context. To what extent has music played the same or at least similar function in endless cultural contexts all over the world from the past to the present? We know for sure that music has always been present at all age groups, in all ethnic groups, among all genders, and throughout time. There have always been local, ethnic types of music (folklore), and universally accepted manifestations of music (esp. classical music). The emphasis here rests, after an extensive study of music in global cultural-historical terms, on comments about music in medieval philosophy, mysticism, and literature because here we discover fundamental notions about music being the medium to connect the individual with the cosmic harmony, hence with the divine. In literary texts, above all, music was identified as the critical expression of identity, love, and religion. Keywords: Transcultural music; classic music; music in cultural-historical terms; The Beatles; Martianus Capella; Boethius; Gottfried von Strassburg; Jörg Wickram; Hermann Hesse

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7

Schmitt, Stefanie. "Maria E. Müller u. Michael Mecklenburg (Hgg.): Vergessene Texte – Verstellte Blicke. Neue Perspektiven der Wickram-Forschung; Cordula Politis: The Individualization of Fortune in the Sixteenth-Century Novels of Jörg Wickram." Beiträge zur Geschichte der deutschen Sprache und Literatur (PBB) 132, no. 2 (January 2010). http://dx.doi.org/10.1515/bgsl.2010.048.

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8

Nivre, Elisabeth Wåghäll. "Cordula Politis, The Individualization of Fortune in the Sixteenth-Century Novels of Jörg Wickram. The Beginning of the Modern Narrative in German Literature. 2007." Arbitrium 27, no. 2 (January 2009). http://dx.doi.org/10.1515/arbi.2009.058.

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9

Rohr, W. Günther. "Cordula Politis, The Individualization of Fortune in the Sixteenth-Century Novels of Jörg Wickram. The Beginnings of the Modern Narrative in German Literature, with a preface by Ingrid Kasten, The Edwin Mellen Press, Lewiston, Queenston, Lampeter 2007, IV und 274 Seiten." Zeitschrift für deutsche Philologie, no. 1 (April 24, 2009). http://dx.doi.org/10.37307/j.1868-7806.2009.01.14.

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Дисертації з теми "Jörg Wickram"

1

Fouquet, Catherine. "Les romans de Jorg Wickram recherches sur une écriture et ses stratégies." Paris 4, 1999. http://www.theses.fr/1998PA040210.

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La présente étude porte sur les romans en prose de l'écrivain alsacien Jorg Wickram (vers 1505-vers 1562). Toute entière insérée dans l'ère de consolidation de la nouvelle société religieuse protestante, l'œuvre narrative du colmarien rend compte de la confessionnalisation de la littérature autour de 1550. Essentiellement utopiques et didactiques, les romans mettent en œuvre des stratégies de persuasion qui s'exercent avant tout sur deux plans de l'écriture : au niveau du jeu avec la tradition, comprise comme le lieu d'inscription de l'historicité d'un texte, et au niveau de la narration, c'est-à-dire de l'appartenance générique à un groupe de textes. L'étude des stratégies textuelles qui tendent à construire un modèle particulier de lecteur laisse clairement apparaitre l'ancrage humaniste (Erasme) ainsi qu'un luthéranisme modéré de type bucérien, le rêve d'une société marquée par la charité, le respect et l'obéissance, le désir de paix et de concorde. Le choix du roman montre par ailleurs une conscience affirmée des ressources qu'offre le mode narratif : la production romanesque témoigne d'une rencontre inédite entre une forme littéraire et un idéal de société, entre la vocation fondamentale du roman de changer la réalité et le désir de renovatio spiritus qui marqua le première moitié du XVIe siècle.

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2

Behmenburg, Lena. "Philomela : Metamorphosen eines Mythos in der deutschen und französischen Literatur des Mittelalters." Paris 3, 2007. http://www.theses.fr/2007PA030047.

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La thèse comporte trois parties : la première se consacre à des questions théoriques concernant mythe et littérature et présente la démarche méthodologique de l’ouvrage. Un excursus analyse la métaphore du tissu pour désigner le rapport entre mythe et littérature, et une présentation du lai du Laüstic de Marie de France s’interroge sur les mythèmes du rossignol, du langage et du silence et de la communication tissée qui évoquent le mythe de Philomèle. La deuxième partie est composée de quatre chapitres différents qui se penchent chacun sur des réécritures individuelles du mythe de Philomèle afin de dégager leur manière unique de travailler le mythe. Les textes étudiés se situent entre la deuxième moitié du 12e siècle (Marie de France, Chrétien de Troyes, Albrecht von Halberstadt) et 1545 (Georg Wickram) et comprennent des textes allemands et français afin que la métamorphose du mythe puisse être retracée au niveau littéraire, temporel et culturel. La troisième partie de la thèse essaie de filtrer, sur la base des analyses précédentes, les mythèmes qui persistent malgré les changements du mythe de Philomèle pour discerner ainsi ses ‘noyaux narratifs’. Bien que les textes en créent des variantes hétérogènes, nous pouvons constater que quatre motifs différents forment des points fixes dans la construction du mythe et ils seront ainsi présentés et analysés dans des chapitres individuels
The thesis is composed of three parts: the first one reflects theoretical questions concerning the connection between myth and literature. It also exposes the methodological concept of the thesis. An excursus analyses the metaphor of the tissue and reads it as a metaphor for the connection between myth and literature. This part also shows the parallels between the lai of the Laüstic and some of the mythic patterns of the myth of Philomel like the role of the nightingale, the topic of language and silence, or the woven communication. The second part is composed of four subchapters, which point out different texts who are all retelling the myth of Philomel in their own different way. The French and German text versions were written between the second half of the 12th century (by authors like Marie de France, Chrétien de Troyes, Albrecht von Halberstadt) and 1545 (by Georg Wickram). The third part of the thesis tries to show that four different mythic patterns are used by all authors, nevertheless of the many variations their texts show

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3

Alessandrini, J. L. "Jörg Wickram's Rollwagenbüchlein : a study of laughter and narrative." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1443882/.

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The phenomenon of laughter in early modern narrative texts is central to literary and cultural history. Particularly rich sources of laughter are early modern collections of German secular short prose narrative, known as ‘Schwanksammlungen’ (1555-1565) that were read for entertainment and pleasure. Such comic (anecdotal) tales, narrated in ways that appear to reproduce the language used by ordinary people, offer literary historians a deeper insight into contemporary understanding and appreciation of laughter in literature. This thesis offers a fresh reading of the motif of laughter in Jörg Wickram’s Rollwagenbüchlein (1555), which may be regarded as the epitome of this type of literature. This study considers laughter as an important key for interpreting the Rollwagenbüchlein, and explores what a close reading of scenes featuring laughter can tell us about Wickram’s narrative technique in his collection. It principally investigates to what extent the inclusion of explicit references to laughter adds to the Rollwagenbüchlein in ways that exceed comic functionality, on the basis of which a more nuanced reading of the text as a whole may be undertaken. It examines the extent to which this collection evinces a broader thematic interest in laughter and related phenomena – which provides further insight into early modern cultures of laughter. The main contention of this thesis is that Wickram capitalises on the social and emotional significance of laughter in order to flesh out his portrayal of everyday life, thereby also illuminating ideas about laughter that are irreducible to norms. Laughter is read as a revealing expression of urban mores and mentalities in mid-sixteenth-century Germany. Such a reading allows us to trace how burgher attitudes to laughter helped to shape German early modern conceptions of society, psychology, and life in general. This study falls into two parts, the first of which tackles the Rollwagenbüchlein’s portrayal of laughter’s social significance (chapters two ‘laughter and social processes’ and three ‘laughter and religious practice’), and the second - its emotional-psychological dimension (chapters four ‘laughter and emotionality’ and five ‘laughter and rationality’).

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4

Winst, Silke. ""Weibischer" Liebeskranker und siegreicher Ritter : zur Männlichkeitskonzeption in Jörg Wickrams Ritter Galmy (1539)." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2006/1057/.

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Книги з теми "Jörg Wickram"

1

Scherer, Wilhelm. Die Anfänge des Deutschen Prosaromans und Jörg Wickram Von Colmar: Eine Kritik. de Gruyter GmbH, Walter, 2018.

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2

Kuch, Raphael. Intermediales Erzählen Im Frühneuzeitlichen Illustrierten Roman: Zu Struktur und Wirkung der Medienkombination Bei Jörg Wickram. de Gruyter GmbH, Walter, 2014.

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3

Intermediales Erzählen Im Frühneuzeitlichen Illustrierten Roman: Zu Struktur und Wirkung der Medienkombination Bei Jörg Wickram. de Gruyter GmbH, Walter, 2014.

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4

Kuch, Raphael. Intermediales Erzählen Im Frühneuzeitlichen Illustrierten Roman: Zu Struktur und Wirkung der Medienkombination Bei Jörg Wickram. de Gruyter GmbH, Walter, 2014.

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5

Jörg Wickrams Romane. De Gruyter, Inc., 2019.

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Частини книг з теми "Jörg Wickram"

1

Diller, Axel. "Wickram, Jörg." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19607-1.

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Stoll, Christoph. "Wickram, Jörg: Das Rollwagenbuechlin." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19611-1.

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3

KLL. "Wickram, Jörg: Der Goldfaden." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19612-1.

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4

Gollnik, Rüdiger. "Wickram, Jörg: Der trew Eckart." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19608-1.

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5

Stoll, Christoph. "Wickram, Jörg: Das Narren Giessen." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19609-1.

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6

Hildebrand, Alexander. "Wickram, Jörg: Der Jungen Knaben Spiegel." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19610-1.

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7

Eming, Jutta, and Elke Koch. "Geschlechterkommunikation und Gefühlsausdruck in Romanen Jörg Wickrams (16. Jahrhundert)." In Querelles: Jahrbuch für Frauenforschung 2002, 203–21. Stuttgart: J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02869-3_12.

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8

Bamberger, Gudrun. "Mündliche Erzählung und schriftliche Aushandlung der Antike für Kinder in Jörg Wickrams Nachbarn-Roman." In Von Mund- und Handwerk, 99–112. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-65017-2_6.

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9

"Perspektiven intermedialen Erzählens bei Jörg Wickram." In Intermediales Erzählen im frühneuzeitlichen illustrierten Roman, 277–82. De Gruyter (A), 2014. http://dx.doi.org/10.1515/9783110344967.277.

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10

Mecklenburg, Michael. "„Dann es ist nit der gelerten bůch“: Wissen, Buch und Erfahrung bei Jörg Wickram." In Buchkultur und Wissensvermittlung in Mittelalter und Früher Neuzeit, edited by Andreas Gardt, Mireille Schnyder, and Jürgen Wolf. Berlin, Boston: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110268799.245.

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