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Статті в журналах з теми "JIO’S"

1

Mukherjee, Rahul. "Jio sparks Disruption 2.0: infrastructural imaginaries and platform ecosystems in ‘Digital India’." Media, Culture & Society 41, no. 2 (December 21, 2018): 175–95. http://dx.doi.org/10.1177/0163443718818383.

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In recent years, Reliance Jio’s offer of 4G services, guaranteeing free voice calls and ‘unlimited’ data streaming, lead to disruption in the Indian telecom market with other cellular operators losing their revenue and customer base. To comprehensively analyze this churn in the Indian telecom industry and its impact on mobile phone customers, the article argues for observing the entanglement of infrastructural and platform-related discourses at three levels of operation: Jio’s strategies to capture the Indian telecom market and the responses by the leading incumbent service provider (Airtel), ordinary citizens’ phone use practices and infrastructural encounters, and the government’s vision for India’s digital future. Connecting pipes to platforms, Jio made infrastructural investments (in spectrum, cell towers, and fiber optics networks) to promote its suite of apps (JioTV, JioChat, and JioMoney). Ordinary citizens relate their access/proximity to telecom infrastructure (cell antennas) to their ability to effectively use apps on their phones. ‘Digital India’ vision purportedly facilitated infrastructural growth to create platforms that would support demonetization and facilitate transparent governance. Through such a three-pronged analysis, I conceptualize ‘infrastructural imaginaries’ that are coproduced by states and citizens, and lie at the intersection of structured state policy/corporate initiatives and lived experiences/affective encounters of ordinary citizens.
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Pandey, Neeraj, and Anish Kumar. "Responding to 4G telecom pricing war: ignore, accommodate or retaliate." Emerald Emerging Markets Case Studies 8, no. 2 (June 26, 2018): 1–23. http://dx.doi.org/10.1108/eemcs-11-2017-0251.

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Subject area Marketing, Pricing, Strategic marketing. Study level/applicability The case is developed for an MBA-level program. Case overview In May 2017, the telecom industry in India witnessed an intense price war over 4G (fourth generation) data prices. Gopal Vittal, CEO of Bharti Airtel was exploring various options on how best to respond to the situation. He had to take a final call regarding Bharti Airtel’s marketing team’s counter move to tackle this price war by Jio – should Bharti Airtel ignore it, accommodate it or retaliate with even lower prices? Bharti Airtel strongly believed that Jio pricing structure had violated “fair pricing” norms, and its pricing was anti-competitive. It had filed a case with the Telecom Regulatory Authority of India (TRAI) and the Competition Commission of India (CCI) to restrain Jio from further giving “free” promotional offers and penalize it for it. Could the legal recourse by Bharti Airtel dampen Jio’s consistent subscriber growth rate? Expected learning outcomes The case provides the students with an insight into how the competition focused on pricing happens in the telecom industry. The pricing war affects the profit margin of all competing companies. It changes the customer reference point for evaluating the competing products and services. The students would also learn practical applications of positive-sum pricing, pricing war, fair pricing and legal aspects of pricing. This case provides the students with an opportunity to understand the pricing war and how to respond to it in a particular situation; understand positive-sum pricing and negative-sum pricing in telecom industry context; understand legal aspects of pricing; and how to leverage data for gaining newer customer insights. Supplementary materials Teaching Notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes. Subject code CSS 8: Marketing.
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Pai, V. S. "Vodafone India Ltd: Managing in a Turbulent Emerging Market." Vision: The Journal of Business Perspective 25, no. 1 (March 2021): 103–17. http://dx.doi.org/10.1177/0972262920984862.

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Along with the global telecom sector, the Indian telecom market has evolved over the past three decades. From the first generation technology in the 1990s, the telecom industry in India offered 4G services in 2012. From microwave technology it has moved into underground fibre optic cables, enhancing the quality and variety of telecom services. Ahead of several emerging markets, subscriber demand in India shifted to data from voice telephony. Subscriber base grew substantially, but average revenue per user (ARPU) has fallen significantly. Intense competition has led to consolidation in the industry. The mobile services faced market disruption from Reliance Jio (R-Jio). The latter launched a strategy of predatory pricing resulting in data wars. R-Jio’s network was based on 4G technology, while other competitors were still offering 2G- and 3G-based services. In comparison to competitors, R-Jio laid more fibre optic cables. Therefore, it could effortlessly upgrade the services offerings to 5G and other future technologies, which competitors could not match so they experienced fall in profits or outright losses. R-Jio also moved into providing fibre-to-the-home technology accompanied with ultra-high-speed internet that could provide a host of entertainment features. As a virtual knee-jerk reaction to the severity of the competitive challenge facing it, Vodafone initiated merger talks with Idea Cellular and soon achieved its culmination. This merger resulted in the largest telecom service company in India. However, Vodafone Idea Ltd.’s balance sheet was over leveraged, rendering it incapable of playing the price cutting game. Besides, it was unclear if it would be able to build the formidable infrastructure required to invest in 5G spectrum, offer superior content as well as smart devices. It soon became obvious that the merger could catapult Vodafone to the pole position in the industry but staying and flourishing there would require it to be more resourceful, imaginative and aggressive. Balesh Sharma, the CEO of Vodafone-Idea Ltd., and his top management team had to respond to the challenges the company was facing and emerge successful.
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White, Clinton E. "Jim’s Sporting Goods: The Move to XBRL Reporting." Issues in Accounting Education 25, no. 3 (August 1, 2010): 425–63. http://dx.doi.org/10.2308/iace.2010.25.3.425.

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ABSTRACT: This case introduces the alternatives that companies must consider when deciding how to comply with the SEC’s (U.S. Security and Exchange Commission) 2009 mandate to include financial statements in XBRL format when submitting quarterly and annual reports. Jim’s Sporting Goods, an SEC-accelerated filer, is facing compliance with this mandate in about a year and they are investigating their alternatives. Working with Jim’s Sporting Goods’ income statement for 2010, students become actively engaged in each of three alternatives. Students first take on the role of an external tagging agent who must map Jim’s Sporting Goods’ income statement line items to elements in the U.S. GAAP XBRL taxonomy. Students make decisions between competing potential XBRL elements, document their decisions in a spreadsheet, and identify issues to be resolved by Jim’s Sporting Goods’ CFO. Second, students take on the role of an internal accountant who must learn to use an Excel-based software package, Rivet Dragon Tag, to tag Jim’s Sporting Goods’ income statement line items. Third, students register with and become familiar with an online tagging service to tag Jim’s Sporting Goods’ income statement line items. Finally, students evaluate the three alternatives, discuss the advantages and disadvantages of each, and make a recommendation for how to proceed. The case is based on an actual publicly traded company facing the compliance issues presented.
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Ma, Hui-juan. "Exploring the differences between Jin Di’s translation theory and Eugene A. Nida’s translation theory." Babel. Revue internationale de la traduction / International Journal of Translation 53, no. 2 (November 29, 2007): 98–111. http://dx.doi.org/10.1075/babel.53.2.02ma.

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Some translation scholars hold that Jin Di’s theory of equivalent effect and Nida’s theory of dynamic equivalence are essentially same because Jin has basically adopted the definition of Nida’s dynamic equivalence in formulating his own translation theory. However, this paper reveals that there are some fundamental differences between the two theories in three aspects: (1) Nida’s theory is reader-oriented while Jin’s is text-oriented; (2) Nida’s theory is flexible while Jin’s tends to be inflexible; and (3) Jin’s theory is an ideal one in the sense that it cannot be realized in translation practice whereas Nida’s theory is a realistic one. Examples from Jin’s Chinese version of James Joyce’s Ulysses and Bible translations are given to illustrate these differences between Nida’s theory and Jin’s theory. This paper further explores the two major reasons that lead to such discrepancies: (1) the deficiency of Nida’s theory in dealing with transference of aesthetic elements for literary translation; (2) the influence of traditional Chinese translation theories upon Jin’s translation principle. Although Nida’s theory is not restricted to Bible translation, it has some limitations in guiding literary translation because it fails to address the transference of aesthetic elements for literary translation. When Jin translated Joyce’s Ulysses, he had to face the problem of aesthetic transference of literary works. This is the reason why Jin eventually turns to traditional Chinese translation theory and classic literary criticism to seek for support for his translation theory of equivalent effect.
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Sidney, Angela. "It All Begins with a Story: “Skookum Jim’s Frog Helper”." Canadian Theatre Review 73 (December 1992): 4–5. http://dx.doi.org/10.3138/ctr.73.001.

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To start with, they (Skookum Jim’s family) built a little log house there in Dyea. People used to go there a long time ago, before Skagway was a city. They had only one store there. They stayed there all the time, Skookum Jim’s family. But in fall time the ground is getting frozen already. But it’s coast, you know, that different climate.
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Torrance, Ronald. "Kristin Stapleton (2016). Fact in Fiction: 1920s China and Ba Jin’s Family." British Journal of Chinese Studies 8, no. 2 (March 1, 2019): 156–60. http://dx.doi.org/10.51661/bjocs.v8i2.5.

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There are few resources amongst contemporary Chinese literary criticism that manage to weave such insightful literary readings and incisive historical research as Kristin Stapleton’s Fact in Fiction: 1920s China and Ba Jin’s Family. The book accomplishes three feats, as set out by Stapleton in her introductory chapter, simultaneously incorporating a history of twentieth-century Chengdu (and its relevance to the developments in China during this period, more broadly) alongside the author’s biography of Ba Jin’s formative years in the city and the historiographical context of his novel Family. Such an undertaking by a less skilled author would have, perhaps, produced a work which simplifies the rich historical underpinnings of Ba Jin’s Family to supplementary readings of the novel, coupled with incidental evidence of the political and social machinations of the city in which its author grew up. Not so under Stapleton’s careful guidance. By reading the social and economic development of early twentieth-century Chengdu as much as its fictional counterpart in Ba Jin’s Turbulent Stream trilogy, Stapleton provides a perceptive reading of Family which invites the reader to consider how fiction can enrich and enliven our understanding of history.
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Abdullah, Ikhwan, and Amal Prihatono. "Pengaruh Akupunktur Jin’s 3 Needle Dalam Menurunkan Intensitas Nyeri Penderita Nyeri Punggung Bawah Di Balai Kesehatan Tradisional Sehat Harmoni Indonesia Malang." Journal of Islamic Medicine 5, no. 1 (March 31, 2021): 56–63. http://dx.doi.org/10.18860/jim.v5i1.8972.

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Latar Belakang Nyeri punggung bawah (Low Back Pain/ LBP) merupakan masalah kesehatan dunia dan menyebabkan pembatasan aktivitas serta ketidakhadiran kerja. Akupunktur Jin’s 3 needle digunakan untuk mengatasi LBP telah menjadi perhatian dunia. Sekitar 291 penyakit yang diteliti, LBP merupakan penyumbang terbesar kecacatan global dan sekitar 80% pekerja di Dunia pernah mengalami LBP. Setiap tahun di Indonesia 14-45% orang dewasa menderita LBP. Kasus baru LBP di Malang pada tahun 2012 terdapat 330 orang (18,7%), tahun 2013 terdapat 408 orang (20,9%). Tujuan penelitian menganalisis pengaruh akupunktur Jin’s 3 needle terhadap penurunan intensitas LBP di Balai Kesehatan Tradisional Sehat Harmoni Indonesia Malang. Metode Penelitian pre-eksperimental design dengan jenis pretest-posttest design. Populasi semua penderita LBP yang berkunjung ke Balai Kesehatan Tradisional Sehat Harmoni Indonesia Malang, sampel 15 orang, teknik total sampling, instrumen menggunakan lembar observasi skala nyeri Bourbanis, jarum akupunktur, analisis data paired sample t test menggunakan SPSS v.21. Hasil penelitian sebelum diberikan terapi akupunktur Jin’s 3 Needle diketahui intensitas nyeri dari 15 penderita nyeri punggung bawah meliputi 4 orang nyeri ringan (27%), 8 orang nyeri sedang (53%), 3 orang nyeri berat (20%), setelah diberikan terapi selama 2 bulan, frekuensi 3 kali seminggu diketahui terdapat penurunan intensitas nyeri penderita LBP meliputi tidak nyeri sebanyak 2 orang (13%), nyeri ringan sebanyak 9 orang (60%), nyeri sedang sebanyak 4 orang (27%). Hasil uji Paired t test diperoleh p=0.00 α 0.05. Kesimpulan Terapi akupunktur Jin’s 3 Needle dapat menurunkan intensitas nyeri LBP. Terapi akupunktur dapat digunakan sebagai metode alternatif non farmakologi untuk mengurangi keluhan LBPKata kunci : Akupuntur, Jin’s 3 needle, Intensitas Nyeri, Nyeri Punggung
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Pióro, Tadeusz. "From Blueblood to Trueblood: Ngugi wa Thiongo’s and Ralph Ellison’s Rewritings of Conrad’s "Lord Jim"." Tekstualia 2, no. 41 (April 1, 2015): 183–96. http://dx.doi.org/10.5604/01.3001.0013.4477.

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Postcolonial re-writings of Joseph Conrad’s works rarely make use of Lord Jim, Ngugi wa Thiongo’s A Grain of Wheat being one of the few exceptions. It is also a rare example of a re-writing in which evident intertextual connections ( in this case to Under Western Eyes and Heart of Darkness, as well as The Tempest) conceal other, more deeply embedded ones (Lord Jim). Ngugi’s version of Lord Jim has at its center John Thompson, the British antagonist of all the Gikuyu characters in the novel, and a parodic embodiment of Lord Jim’s dreams of power and glory. The most salient difference between Thompson and Jim lies in the way in which they perceive their own status within the British colonial enterprise. The Oxonian Thompson is fully conscious of the ideological implications of his occupation, while uneducated Jim can barely see the surface of his. Thompson’s state-sanctioned escape from Kenya on the day of its regaining independence, read as a parody of Jim’s escape from the Patna, opens the fi eld for an incisive ideological critique of the colonial contexts of Jim’s tragedy. Ralph Ellison’s rewriting of Lord Jim is limited to the Trueblood episode of Invisible Man and focuses on the main character’s breaking of the incest taboo, which may be compared to Jim’s abandoning ship. Trueblood’s attempt to „move without moving” echoes Jim’s account of his purportedly unconscious jump from the Patna. While Jim, as well as Marlow, present these events and those that occur later, in Patusan, as versions of the Greek tragic paradigm of human transgression and divine retribution, Ellison brings Trueblood’s transgression down to a more quotidian level, substituting a family tragedy in which the gods do not intervene for the pathos with which Conrad endows Jim. Norton in this version of Conrad’s novel serves a similar purpose – he is the parodic, downsized equivalent of Brierly, the captain who commits suicide after realizing that if he had found himself in Jim’s position on the Patna he would have done the same thing. Compared with the reality of a black sharecropper’s life in Alabama, Jim’s obsession with valor and honor, as well as his lust for adventure, are simply infantile, and the imperialist underpinnings of his transgression make it a parody of taboo-breaking. Ellison’s „signifying” on Lord Jim, as far as I know, has not been hitherto noticed by critics.
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Qi, Mo, and Zhang Yingfang. "The Way Of Narrative On The Novel Qinqiang." Lingua Cultura 5, no. 1 (May 31, 2011): 73. http://dx.doi.org/10.21512/lc.v5i1.377.

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Jiapingao’s novel QINQIANG is paid attention to by some experts recently because of the way of narrative. It is made up by 3 parts: primitive and life-streaming composition;the way of separated-perspective, the moving perspective,imagism;the development of narrative perspective. All these make Jia’s novel more perfect and unique. The way to study the novel is to use narrative theories, cultural analysis and close reading. In a word,Jia’s ways of narrretive in his novel QINQIANG has been in a new highland in China.
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Дисертації з теми "JIO’S"

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Zajac, Richard. "From Rainman to Rainmaker: A Presentation of Jim’s Journey and Rapidly Advancing Technologies: Integrating Proven Behavioral Therapies with Emergent Measurement and Testing Advances Will Result in Transformational Progress in Autistic Individuals." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1344.

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The autism treatment status quo was reviewed and accompanied by a narrative contextualizing past and present progress with my younger brother Jim’s journey with the condition, sharing proposed next steps for bettering the current state of affairs in the space. The impetus for this piece was to share in the lessons of Jim’s life thus far and the revelations of those who have supported him, as well as to determine ways to create more impactful, lasting change in the limited window of early intervention therapy whilst empowering individuals on the spectrum to optimize for their skills and talents rather than just simply mitigating the downsides of autism spectrum disorder. Feedback as to how to improve the prevailing course of treatment: (education and therapy) was solicited by leading experts in the fields of Applied Behavior Analysis (ABA), Electroencephalography (EEG), and autism more generally in the context of politics, insurability, and savant syndrome and splinter skills. The advice of the various vertical experts were synthesized and distilled into a new proposed course of treatment which were submitted to all respective experts for further feedback and review prior to publication. It was discovered that there is significant feedback to suggest that the prevailing wisdom that splinter skills and savant syndrome are found in a small minority of individuals with autism spectrum disorder may not be true and that further research is warranted that would implement the new proposed course of treatment and attempt to unlock the talents and gifts of these individuals consistent with the success we encountered raising Jim. While our methods were resource-intensive and conducted manually with many hours of intensive in-home therapy, there is significant feedback to suggest that a technology-driven approach to reforming autism treatment would achieve same or greater results with far fewer resources in the near and long term. By unlocking the greatest minds of our society (the majority of savants have historically been autistic) to take on the greatest challenges of our time, we can rapidly accelerate the progress of humanity and exponentially better the trajectory of society’s future at the global scale.
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Hsiao, Yu-Ching, and 蕭玉清. "A Study of Zhang Jie’s novels." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/92238234231800609024.

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Hsieh, Ya-Ju, and 謝雅如. "Study of Fu-Ming Jia’s Educational Ethics." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/96166143896013039460.

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Анотація:
碩士
國立中興大學
教師專業發展研究所
98
This study aims to delve into the educational ethics advocated by Fuming Jia by means of the method of educational hermeneutics, as the origin of thoughts as well as the interpretation and evaluation of connotation were corroborated through interviews. The objectives of the research are fourfold: (1) Analysis on the origin of thoughts of Jia’s educational ethics; (2) Inquiry into the connotation of Jia’s educational ethics; (3) Elaboration on the significance of Jia’s educational ethics; and (4) Evaluation of the advantages and disadvantages of Jia’s educational ethics. This essay further summarized the research findings prior to offering advice and suggestion available for subsequent researches. Thoughts and philosophies of Confucius, Plato, Aristotle, and Pei-Lin Tien have great influence on Jia’s thoughts of educational ethics. As she was enlightened in the early stage of the Republic of China when the effects of westernization influenced China in the respects of industry, technology, academics and culture, she perceived the issues of ethical and moral corruption arising from westernization that further inspired her introspection over the spirit of the traditional Chinese culture. This study investigated six aspects in the connotation of Jia’s thoughts of educational ethics: (1) Origin and meaning of ethics; (2) Substantial aspect of moral education; (3) Moral educator’s capacity and disposition; (4) Precedents of moral education in Taiwan; (5) Implementation plan of moral education; and (6) Practice of moral education. Aimed at the key points of each chapter and taking the perspectives of educational ethic, this research interpreted the significance of ethic and moral education. Finally, the researcher of this study came up with the conclusion according to purpose and further offered suggestions as reference for future directions in education based on the status quo of Taiwan’s education.
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LO, YIN-WEI, and 羅尹蔚. "A Research into Xie Jin’s Life and Painting." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/6r6g59.

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Анотація:
碩士
國立臺北藝術大學
美術史研究所
97
Xie Jin was a painter in the late Uan and early Ming dynasties. He was good at poetry and prose; he left following generations “Lan Ting Ji”, and “Yun Yang Zao Xing Tu” was his representative painting. He inherited the style of famous painters in the Uan dynasty, such as Wang Meng, Zhao Uan, Huang Gong Wang, etc. He painted at a fast speed; his landscape had an overlapping effect, which was particular and didn’t correspond to the usual structure of mountains. His contemporaries called his landscape “Lan Man Die Shan”. Compared with other painters of his time, Xie Jin didn’t have brilliant achievements in painting. In the past articles and books, there were only a few records about Xie Jin; the contents were divergent and controversial. For example, there were different records about his zihao, his ancestors’ birthplace , and the number of “Lan Ting Ji” volumes. Because his painting skills were not outstanding, up to now there has been no thesis about him; only several introductive articles mention his style and have a brief description of his life. The research about Xie Jin leaves much to be desired; it is essential to study historical records thoroughly and indicate the mistakes among them. Xie Jin lived from the Uan dynasty to the Ming dynasty. Thus, research about him helps us know how a Uan scholar painter faced the establishment of a new dynasty, and how he made a choice between being a government official and being seclusive. His works recorded the interaction among the painters in the early Ming dynasty. From his extant works, we learn how the style of Uan painters Wang Meng, Zhao Uan and Hung Gong Wang was inherited. Comparing the differences in records, we know how Xie Jin was viewed, and what style he set up. This thesis is meant to make clear the historical records about Xie Jin, explain the controversy and mistakes in them, and find out more detailed data, trying to trace Xie Jin’s background. It is meant to discuss Xie Jin’s paintings and records, studying the purpose and other people’s evaluation of his paintings. It is meant to study Xie Jin and his friends’ interaction, seeking government office and establishing houses, to infer the possible condition of scholars’ life in the early Ming dynasty. It is meant to discuss the multiple functions of studio colophons during this era, researching Xie Jin’s diplomacy by which he sought his government office. Also, it is meant to discuss how the scholar group “Xi Zhuang Ya Ji” sought their government office by helping one another, and how they rose, came to power, and fell in the Yong Le period.
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Jui-Fang, Yang, and 楊芮芳. "A Research of Yuan-Jia’s poetry and Ode." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/32594807604257664059.

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hsiang, Li-hsiu, and 李秀香. "Research of feministic consciousness in Ba-Jin’s Fiction." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/36128956250078069807.

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Wang, Miao-hua, and 王妙花. "A Study on Jan Ji’s “Prison Diary”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/27058606117447060365.

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Анотація:
碩士
國立臺南大學
國語文學系碩士班
100
During Japanese ruled period, the colonizing government set up the goal of development as “Agricultural Taiwan, Industrial Japan”. The main aim of measures to rule Taiwan was to develop economy. In order to achieve its capitalism, they cruelly exploited and extorted Taiwanese. The peasants bore heavy taxes; they worked hard for adequate clothing and food. In addition to natural and man-made calamities, they were miserable to confront Japan’s ruling. Jan Ji turned into a professional revolutionist from a public school instructor; he acted on the hugest peasant movement and impelled the history. Jan Ji petitioned and voiced for peasants. He failed to get rid of the oppression of Japanese government and was arrested for the “212 incident”. He was sentenced to imprison for a year. In prison, he kept the diary in Japanese. Through being sought during Japanese ruled period and the white terror, it was miraculously kept. It includes the life in prison, the letters between family and friends, and notes taken while reading. The purpose of this study is to analyze the detail of Jan Ji’s “Prison Diary”. Through Jan Ji’s “Prison Diary”, it is hoped to make up the history gap and restore the truth of peasant movement. According to the experience and observation of the prisoner, out of the law, the actual operation in prison during Japanese ruled period and the effect on prisoners are observed. Through the letters between Jan Ji and his family as well as peasants, his comradeship and sense of justice are understood. Through the description of people and things in the diary, its text connotation is analyzed.
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CHEN, I.-FENG, and 陳儀鳳. "The Research on Xin Qi Ji’s Rural Lyrics." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/9fm898.

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Анотація:
碩士
明道大學
國學研究所
105
Xin Qiji is a patriotic lyricist with a great talent on writing and Military exploits in the history of Classical Chinese literature. He wrote more than six hundreds of lyric poems that was named Jia Xuan Ci in the South Song Dynasty. The quality and quantity of his lyric poetry and his heroically tragic type of writing style which was combined with variety of topics, has made him become one of most discussed lyricist and poet. The words full of depression and grief, the dream of ideal homeland, the patriotic image and the negative attitude toward contemporary government at that time, can be found in the theme of the Jia Xuan Ci's content, which deeply influenced the Chinese people. When they faced the ups and downs of their life , they would be encouraged by Jia Xuan Ci's content. What we called Nong Tsung Ci is Xin Qiji's "Rural Lyric", included in the Jia Xuan Ci. It is another type of his writing style. It was written during the nearly 20 years of Xin Qiji's return to Jiangxi province, the place where he grew up. That’s when he quitted his official work. After the 1980s, the rural lyric of Xin Qiji was much concerned with more and more people. For example, Long Yusheng, Ji Xu, Gu Zhijing and other scholars continued to explore Xin Qiji’s rural Lyric style, writing methods and aesthetic values in different rural areas. From the research results of relevant monographs, theses and journals, it is known that the common evaluation of Rural Lyric" is groundbreaking in the history of literature and can also sufficient to reflect the spirit of the times and personal emotion. On the basis of this research, I gain much enlightenment on the study of Xin Qiji's “Rural Lyric”. However, in many studies of “Rural Lyric”, there are still some undeveloped analysis, such as: the confirmation of the number of “Rural Lyric’s chapter”, the definition, the background of the creation of “Rural Lyric”, the meaning behind “Rural Lyric” in the most of the research of Xin Qiji. This study choose the significance of “Rural Lyric” in the history of Chinese poetry, and the artistic perspective of “Rural Lyric” as themes that were analyzed. It was expected that the true emotion and spirit of “Rural Lyric” in this study can be clarified and resolved by the the proposed questions, thinking process, and exploration. Therefore, the research method of the study is mainly based on "text", aiming to take a in-depth analysis “Rural Lyric”. The author adopting Xin Qiji's and his friends’ poetry, articles and lyric to put on display the advanced meaning from different view of points. In the first chapter, it describes the research motivation, reviewing the research results of previous scholars, and briefly reviewed the research process, methods and purpose. It explores the origin and development of “Rural Lyric” and observes the inheritance of the poems of Su Shi and Xin Qiji in the second chapter. In the third chapter, it aimed to explore the background of Xin Qiji’s life experiences and thought about the meaning of his “Rural Lyric” in the history of Lyric poetry. The fourth chapter is to discuss the spirit of “Rural Lyric” and supplemented by its content as an example to illustrate. In the fifth chapter, it discussed the using of artistic technique of “Rural Lyric”. Finally, the reseacher of this study summarized the previous researches and the key points of this study. to present the results of the individual observation, for other researchers and their future study.
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Hu, Min-Hsiung, and 胡閔雄. "The Research Of ‘HE,SHAO-JI’s Handwriting Diary’." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/cpy4z8.

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碩士
國立臺南大學
國語文學系中國文學碩士在職專班
105
HE,SHAO-JI is a important calligrapher in the late Qing dynasty, his calligraphy was inherited from YEN,CHEN-CHING’s calligraphy style,and the northern tablet styles. When teaching in the academy in his later years, he imitated lots of steles of Han dynasty to combine different chinese calligraphy fonts together as one criteria to reach the higher ground. In many earlier studies, the main research texts of HE,SHAO-JI was focus on his collection of poems , collection of essays ,and the preface and postscript of rubbing editions. His diaries and manuscripts was rarely used,so this thesis took ‘HE,SHAO-JI’s Handwriting Diary’ as a key to approach some subjects from another angle. There are six chapters. The first chapter: The introduction, contained motivation and the scope of research, Based on the predecessor's research achievement, and refered to this handwriting diary. Described HE,SHAO-JI’s daily life condition .The second chapter talked about of HE,SHAO-JI’s family background and his whole life story.And his father’s calligraphy style had powerful influence on him. The third chapter explained the diary literature’s origin and development. Elaborated the diary type and the characteristic in Qing Dynasty. And analysed the diary’s writing characteristics.The fourth chapter analysed the ‘HE,SHAO-JI’s Handwriting Diary’, to explore When he was hired for a post in government, what was his duty and officium? Through the diary’s record,we also can get some information about the interactions between HE,SHAO-JI and his friends. The fifth chapter focus on the analysis of the diary’s calligraphy style And the calligraphy in everyday Life among Late Qing literati.
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CIOU, CHENG-YI, and 邱丞逸. "Analyzing the rhetorical categories of Qiao Ji’s Mengfu Sanqu." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/rh4msq.

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Анотація:
碩士
東吳大學
中國文學系
106
Abstract Analyzing the rhetorical categories of Qiao Ji’s Mengfu Sanqu (Mengfu’s Song Poems), this study aims primarily to examine Qiao’s literary style with rhetorical theories. It consists of five chapters: Chapter One, “The Style of Qiao Ji’s Work”; Chapter Two, “The Categories of Qiao Ji’s Sanqu”; Chapter Three, “Analysis of Description”; Chapter Four, “Analysis of Metaphor”; Chapter Five, “Analysis of Metonymy”. The study begins with Introduction and Chapter One, which classifies the content of Qiao’s songs into seven categories: ‘biographical accounts’, ‘songs to beauty’, ‘hermetic sentiment’, ‘lyrical expressions’, ‘lovesickness and separation’, ‘landscapes and sceneries’, and ‘banquets and outings’. Observing Qiao’s composing style, it discovers that apart from their stylistic differences, his sanqu and santao (song suite) also differ in their focus, but have nevertheless shared some similarities. Chapter Three, Four, and Five are rhetorical analyses of Qiao’s songs. Many researches have discoursed on Qiao’s songs with the rhetorical concepts such as antithesis and allusion, which mostly serve to polish certain parts of the song. To analyze Qiao’s style, however, this study instead stresses on his composing process, habits, and song structure, which are the cornerstone of writing. Its comprehensive analysis therefore inevitably points to the three main rhetorical concepts in writing: description, metaphor, and metonymy. ‘Description’ refers to an instinctive, sensory writing; ‘metaphor’ is a one-step embellishment of direct descriptions, an elementary union of imagination and concrete details; ‘metonymy’ is an extension and carrying forward of one’s imagination. The specification is followed by the analyses of Mengfu Sanqu based on the three rhetorical concepts. Since rhetoric varies with personal habits, the study takes the rhetorical works of Dong Ji-tang and Huang Qing-xuan as its primary framework for definitions and principles, and incorporates the rhetorical views of past researchers to establish a most balanced set of definitions and principles for the rhetorical concepts without contradicting their attributes and properties. After analyzing Mengfu Sanqu, it then categorizes the rhetorical phenomena in Qiao’s songs, illustrating their composing characteristics, and elaborating on how his embellishments and natural expressions reveal the distinction between ‘vulgarity’ and ’elegance’. The analyses are arranged according to the author’s choice. It begins with an analysis of description, which explores Qiao’s views of people and things and the materials he uses through a preliminary analysis of the songs’ content based on the attributes of the rhetorical concept. One finds from his tendency the factor of ‘vulgarity’ besides style. It is followed by an analysis of metaphor, which examines Qiao’s habitual thinking behind his views of people and things, the rhetorical characteristics manifested by his associations of people and things with his past experiences, his composing style, and the ‘refining’ traces of his embellishments. The final analysis is that of metonymy, which inspects the unique rhetorical phenomena created by his rich imagination and natural embellishments, and discusses his style based on the phenomena, with a highlight on his ‘refining’ process. Apart from the initial categorization, this study surveys the range of Qiao’s songs, analyzing their details with the three primary rhetorical concepts to obtain a general understanding of why his style is hardly imitable, and how he has been regarded as a poet of the ‘refinement’ period. More importantly, to approach Qiao’s creativity and avoid misunderstanding, it emphasizes the connection between textual discoveries and social background. Combining Qiao’s biographical materials in its analyses, it hopes to make a meaningful contribution to the research of Qiao Ji’s work.
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Книги з теми "JIO’S"

1

Berry, Michael. Jia Zhangke on Jia Zhangke. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022732.

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Jia Zhangke on Jia Zhangke is an extended dialogue between film scholar Michael Berry and the internationally acclaimed Chinese filmmaker. Drawing from extensive interviews and public talks, this volume offers a portrait of Jia’s life, art, and approach to filmmaking. Jia and Berry’s conversations range from Jia’s childhood and formative years to extensive discussions of his major narrative films, including the classics Xiao Wu, Platform, The World, Still Life, and A Touch of Sin. Jia gives a firsthand account of his influences, analyzes the Chinese film industry, and offers his thoughts on subjects such as film music, working with actors, cinematography, and screenwriting. From industry and economics to art and politics, Jia Zhangke on Jia Zhangke represents the single most comprehensive document of the director’s candid thoughts on the art and challenges of filmmaking.
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Fay, Jennifer. Still Life. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696771.003.0005.

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China’s Three Gorges Dam is the largest hydroelectric megadam in world history and the subject of Jia Zhangke’s digital film Still Life (2006), Liu Xiaodong’s oil paintings, and Yang Yi’s digital photographs. Built in part to address the problems of global warming, the dam has had a number of surprising effects on the environment and has led to massive displacement of people to make way for the water. Jia populates his film with migrant workers, refugees, tourists, visitors, and even aliens from outer space, none of whom are at home in this world. Jia captures the city at the moment of its undoing, a place that is changing, he remarks, too fast for film. Reading Jia’s film together with Liu and Yang’s artwork and through the genre of still life painting, the chapter argues that Jia’s film envisions a kind of minimal hospitality that emerges when the world is past.
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Schultz, Corey Kai Nelson. Moving Figures. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474421614.001.0001.

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This book examines how the films of the Chinese Sixth Generation filmmaker Jia Zhangke evoke the affective “felt” experience of China’s contemporary social and economic transformations, by examining the class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in the films. Each chapter analyzes a figure’s socio-historical context, its filmic representation, and its recurring cinematic tropes in order to understand how they create what Raymond Williams calls “structures of feeling” – feelings that concretize around particular times, places, generations, and classes that are captured and evoked in art – and charts how this felt experience has changed over the past forty years of China’s economic reforms. The book argues that that Jia’s cinema should be understood not just as narratives that represent Chinese social change, but also as an effort to engage the audience’s emotional responses during this period of China’s massive and fast-paced transformation.
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4

Morosanu, Gabriela Adina. La dynamique hydro-sédimentaire du bassin de la rivière Jiu : approche systémique et multi-échelle. Editura Universitara, 2021. http://dx.doi.org/10.5682/9786062812034.

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The present book, titled “The Hydro-sedimentary dynamics of the Jiu River Watershed. A systemic and multi-scale approach” sets about to investigate the dynamics of liquid and solid flows in a challenging watershed represented by the Jiu River Basin. The Jiu River (with a length of 339 km) is one of the main tributaries of the Danube in its Romanian sector, and its watershed stretches over an area of 10,080 km2, in SW Romania. Jiu River Basin is defined by complex geographical features, determined by a variety of natural and socio-economic factors. From an economic standpoint, the element that makes Jiu’s watershed stand out among other comparable rivers is the presence and exploitation of coal in its upper sector (bituminous coal) and middle sector (lignite), as these activities have left their mark on the quality of the water and the quantity and origins of fine sediments. In this study, we relied upon the existence of coal resources in order to investigate the hydro-sedimentary dynamics in the Jiu River Basin and identify the fine sediment sources, by performing an analysis of coal particles found in the fine sediments, which was carried out through different laboratory methods.
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5

Stevenson, Robert Louis. Treasure Island. Edited by Peter Hunt. Oxford University Press, 2011. http://dx.doi.org/10.1093/owc/9780199560356.001.0001.

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There were only seven out of the twenty-six on whom we knew we could rely; and out of those seven one was a boy.’ When a mysterious seafarer puts up at the Admiral Benbow, young Jim Hawkins is haunted by his frightening tales; the sailor’s sudden death is the beginning of one of the most exciting adventure stories in literature. The discovery of a treasure map sets Jim and his companions in search of buried gold, and they are soon on board the Hispaniola with a crew of buccaneers recruited by the one-legged sea cook known as Long John Silver. As they near their destination, and the lure of Captain Flint’s treasure grows ever stronger, Jim’s courage and wits are tested to the full. Stevenson reinvented the genre with Treasure Island, a boys’ story that appeals as much to adults as to children, and whose moral ambiguities turned the Victorian universe on its head. This edition celebrates the ultimate book of pirates and high adventure, and also examines how its tale of greed, murder, treachery, and evil has acquired its classic status.
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6

Dierenfield, Bruce J., and David A. Gerber. Disability Rights and Religious Liberty in Education. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043208.001.0001.

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In 1988, Sandi and Larry Zobrest became agents in the struggle for disability rights when they sued a suburban Tucson, Arizona, school district to obtain public funding for the signed language interpreter their deaf son Jim needed in high school. Such funding would have been unproblematic under the Education for All Handicapped Children Act (later retitled the Individuals with Disabilities Education Act) if Jim went to a public high school, but they were intent on his attending a Roman Catholic school. The law was unclear on the legality of public money assisting students with disabilities to attend religiously affiliated schools, but it had long been a general principle of interpretation of the Establishment Clause of the First Amendment in the U.S. Supreme Court that governments must be cautious about dispensing public resources to religious institutions. Their successful lawsuit represents a classic American clash of rights. This history of the Zobrests’ lawsuit begins well before they went to court. The narrative extends back to Jim’s birth in 1974, a pediatrician’s diagnosis of deafness, and the efforts of his parents, who are not deaf, to seek resources for their son’s education prior to high school. It analyzes their desire to mainstream Jim for preparation for life in the hearing world, not in the Deaf community, and the succession of choices they made to that end.
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Частини книг з теми "JIO’S"

1

Conrad, Diane. "Jim’s Reprimand." In Athabasca’s Going Unmanned, 118–21. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-774-5_23.

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2

Conrad, Diane. "Jim’s Accusation." In Athabasca’s Going Unmanned, 145–52. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-774-5_30.

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3

Conrad, Diane. "Jim’s Warning." In Athabasca’s Going Unmanned, 39–43. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-774-5_9.

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4

Nasso, Mauro Di, Isaac Goldbring, and Martino Lupini. "Jin’s Sumset Theorem." In Nonstandard Methods in Ramsey Theory and Combinatorial Number Theory, 133–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17956-4_12.

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5

Joyce, Stanislaus. "‘Jim’s Character is Unsettled’." In James Joyce, 20–21. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09422-6_10.

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6

Paris, Bernard J. "Marlow Becomes Jim’s Ally." In Conrad's Charlie Marlow, 100–110. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403983374_8.

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7

Schaurek, Eileen Joyce. "Pappy Never Spoke of Jim’s Books." In James Joyce, 60–69. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09422-6_21.

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8

Stapleton, Kristin. "Ba Jin’s fiction and The Family." In Routledge Handbook of Modern Chinese Literature, 48–58. London; New York, NY: Routledge, 2018.| Includes bibliographical references and index.: Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-5.

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9

Chai, David. "Ruan Ji’s “On Comprehending the Zhuangzi”." In Dao Companions to Chinese Philosophy, 209–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49228-1_11.

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10

Xu, Zhichang. "Exploring Functional Variations of Cultural Semiotics in Ha Jin’s Facing Shadows." In Functional Variations in English, 83–97. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52225-4_6.

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Тези доповідей конференцій з теми "JIO’S"

1

Ibrahim, Seif, Cyrus Harrison, and Matthew Larsen. "JIT’s Complicated: A Comprehensive System For Derived Field Generation." In ISAV'20: ISAV'20 In Situ Infrastructures for Enabling Extreme-Scale Analysis and Visualization. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3426462.3426467.

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2

Shengzhang, Zhang, and Tian Shiyu. "On the Image of “Educated Youth” in Ba Jin’s Novels." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.304.

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3

He, Baohua. "Lu Ji’s Inheritance and Change of Confucian Ideas in Wen Fu." In Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.244.

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4

Lu, Baotong, Stephen J. Hudak, and Carl F. Popelar. "Role of Crack Closure in Crack-Size-Dependent Corrosion-Fatigue Crack Growth of X65 Steel Exposed to Sour Brine Environment." In ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-77002.

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Corrosion-fatigue in sour brine (SB) environments is a significant design consideration in deepwater floating production systems. Extensive testing over the past 20 years has shown that sour brine environments can reduce the fatigue life of line pipe steels by factors of 10× to 50× compared to fatigue lives measured in laboratory air; moreover, the extent of material degradation depends on a multitude of loading, environmental, and materials variables. Thus, in 2010 Southwest Research Institute (SwRI) embarked on an industry-supported Joint Industry Project (JIP) to develop a quantitative model to predict the effects of these variables on corrosion-fatigue crack growth rate (CFCGR) in offshore structure steels exposed to sour brine environments. Phase 1 of this JIP had successfully developed and validated such a model in the intermediate fatigue crack growth rate regime — i.e., with CFCGRs between 10−4 ∼ 10−2 mm/cycle. However, the Phase 1 model gave overly conservative CFCGRs at rates in the low growth rate regime below 1 × 10−4 mm/cycle, corresponding to S-N corrosion-fatigue lives in the high-cycle fatigue regime. It was hypothesized that these conservative predictions might result from the fact that the model did not consider effects of crack closure that could significantly reduce the effective crack-driving force in this low growth rate regime, a process that might also give rise to crack-size effects. Thus, the primary objective of the current study was to assess whether or not crack closure is responsible for the conservativism in the Phase 1 CFCGR model, as well as to explore related crack-size effects that in theory would not be predictable with conventional linear elastic fracture mechanics. Both of these possible effects are explored here using critical CFCGR experiments on X65 steel in sour brine under loading conditions for which the nominally applied mechanical driving force (ΔK), as well as the stress ratio (Rσ) and loading frequency were held constant, while crack closure measurements were made as the crack grew from 2 mm to about 10 mm. The crack closure measurements were made using elastic compliance measurements made with a specially designed, high-sensitivity clip gage. Results indicate that a crack-size dependence of CFCGR did occur and could be correlated using a crack-closure-corrected effective stress intensity factor (ΔKeff). These results have provided a foundation for extending the JIP’s Phase 1 CFCGR model into the low growth rate regime in the ongoing Phase 2 of the JIP.
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