Дисертації з теми "Jinn – Fiction"
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Fong, Sing-ha, and 方星霞. "Continuity and transcendence of Jing School." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39558228.
Повний текст джерелаYan, Qiting. "Jiang nan xiao zhen : Zhongguo dang dai xiao shuo zhong de kong jian chang jing = Small towns in Jiangnan : geo-cultural setting in contemporary Chinese fiction /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17087661a.pdf.
Повний текст джерелаLü, Yongjia. "Xi Xi xiao shuo zhong de "cheng shi kong jian" = "Urban space" in Xi Xi's novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b2020842xf.pdf.
Повний текст джерелаFong, Sing-ha. "Continuity and transcendence of Jing School a critical study of Wang Zengqi's fiction = Jing pai de cheng chuan yu chao yue - Wang Zengqi xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39558228.
Повний текст джерелаZhang, Yu. "The Female Rewriting of Grand History: The Tanci Fiction Jing zhong zhuan." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13242.
Повний текст джерелаFeng, Xiaoran. "Jin Yong wu xia xiao shuo zhong "wu" yu "xia" de cheng ji yu chuang xin = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722648a.pdf.
Повний текст джерелаJáchim, Jan. "Jiná místa." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2013. http://www.nusl.cz/ntk/nusl-232374.
Повний текст джерелаLuo, Meng. "Chong du "Hai shang hua lie zhuan" : kong jian, xu shi yu xian shi zhu yi /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LUO.
Повний текст джерелаZhao, Xiaohuan. "From Shanhai Jing to Liaozhai Zhiyi : towards a morphology of classical Chinese supernatural fiction." Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/27739.
Повний текст джерелаLu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.
Повний текст джерелаLin, Xiaoru. "Cai xue xiao shuo "Jing hua yuan" = Flowers in the mirror as an erudite fiction /." click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17981992f.pdf.
Повний текст джерела李倩卿 and Sin-hing Sharon Lee. "A study of the fiction of Xiao Qian (1910-1999) with relation to Jing Pai." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31226243.
Повний текст джерелаLam, Bonita Mei-Hua Soohoo. "HONG MAI AND THE "YI JIAN ZHI" (SUNG LITERATURE, CHINA, CHIH-KUAI)." Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/292094.
Повний текст джерелаWong, Chi-hung. "Space in Taiwan urban novels a study of fiction by Huang Fan, Lin Yaode, Zhu Tianwen and Zhu Tianxin = Taiwan du shi xiao shuo de kong jian : Huang Fan, Lin Yaode, Zhu Tianwen, Zhu Tianxin zuo pin yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B35808068.
Повний текст джерелаChan, Chi-wang. "Huang Shizhong's fictional writings and political discourse : the press, fiction and revolution of the late Qing period = Huang Shizhong de xiao shuo yu zheng lun: jian ji Qing mo de bao ye, xiao shuo yu ge ming /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B35877170.
Повний текст джерелаKandaswamy, Balasubramanian. "Planning techniques for agent based 3D animations." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4958/.
Повний текст джерелаLi, Shiwei. "Jin Ping Mei 金瓶梅 au travers de l’étude historique et critique de ses traductions anglaises et françaises". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3051.
Повний текст джерелаJin Ping Mei 金瓶梅, one of the greatest masterpieces of the vernacular Chinese fiction, faced controversy ever since it appeared at the end of the 16th century. Scholars like Feng Menglong馮夢龍 (1574-1646) recognized the novel to be exceptional early on, placing it amongst the Si da qishu 四大奇書 (Four Masterworks of the Ming Novel). However, there still is a halo of unresolved mysteries around Jin Ping Mei, despite the fact that it has been the focal point of numerous studies. Some questions remain unsolved, such as the identity of its author, the authenticity of its editions, or its possible interpretations. Despite the bad reputation that the novel still suffers from in mainland China, its raised the interest from French and English sinologists as soon as 1816. Ever since, the novel has been the subject of partial translations and adaptations highly perfectible. Starting with an analysis of the sources and a synthesis of current hypothesis about the book and its interpretations, our thesis will then focus on all the adaptations and translations of the novel in English and in French, to ultimately confront the two best integral translations available to that day, namely André Lévy’s (1985) and David Tod Roy’s (1993 to 2013). This confrontation will allow us to distinguish the interpretations that translators had of the novel, and to expose the strategies they resorted to. A crucial part of our work will be to underline the interpretative positions of both translators, and the interpretative potential that results from their choices. Our goal is not to judge of the value of said translations, but rather to offer a better understanding of the depth of Jin Ping Mei
自十六世紀末問世以來，《金瓶梅》一直都是一部有爭議的作品。作為一部中國古代通俗長篇小說的著作，以及被馮夢龍稱為“四大奇書”之一，《金瓶梅》至今為止仍存在許多未解之謎。雖然對作品的相關研究日漸增多，但是關於作者的身份、版本以及對作品的闡釋等問題尚未達成共識。直至今日，《金瓶梅》在中國仍臭名昭著，但是這並不妨礙它在國外的流傳。早至1816 年，這部作品便引起了法國第一位漢學家的注意。兩個世紀以來，在法國紛紛出現了各種選段翻譯、改寫以及問題種種的不完整的法譯本。同樣，《金瓶梅》在英美國家的傳播之路也是漫長而艱難。該論文首先對《金瓶梅》的文學特色以及作品闡釋的問題進行相關探討，然後對《金瓶梅》所有翻譯和改寫的法譯本和英譯本進行研究，特別是對該作品的兩個完整的法譯本(André Lévy 雷威安 1985 年譯成)和英譯本(David TodRoy 苪效衛 1993 年至2013 年五卷本) 進行對比研究。通過對這些譯本的研究，我們能深入地了解譯者對作品的闡釋，他們採用的翻譯策略，以及他們譯本的優劣性。該論文的研究重點是譯者對作品闡釋的主體性，以及他們的翻譯策略給譯本讀者對原著理解帶來的影響。我們的研究並不是為了對譯本進行質量的評估，而是通過對譯本的研究來讓我們對《金瓶梅》這一複雜而極具爭議的作品有更深層的了解。
馮筱然. "金庸武俠小說中《武》與《俠》的承繼與創新 = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/205.
Повний текст джерелаNg, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.
Повний текст джерела劉天枝. "論金庸武俠小說的絕境書寫 :以"射鵰"三部曲為例 = Research on the desperation narrative of Jin Yong's Martial Arts novels : taking the Condor Trilogy for instance". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3954251.
Повний текст джерелаYen-JungChen and 陳彥蓉. "A Study of Jin-Lan Lin\'s Fiction." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/cj8c3d.
Повний текст джерелаChen, Yin-Jen. "Roaming nüxia: female knights-errant in Jin Yong’s fiction." Thesis, 2017. https://dspace.library.uvic.ca//handle/1828/8857.
Повний текст джерелаGraduate
Lin, Wen-Fang, and 林溫芳. "The Study of Classical Chinese Fiction in Liao, Jing, and Yuan Dynasties." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/zk2cua.
Повний текст джерела中國文化大學
中國文學系
103
Abstract This thesis aims at casting a new light on the classical Chinese fiction in Liao, Jing, and Yuan Dynasties. Through the acts of reading, criticising and reflecting on the thirty-eight fiction works in Liao, Jing, and Yuan Dynasties, this thesis re-examines the types of the fiction, explores its features, investigates the religious thought of the times, and analyzes the evolution of the story plots and writing techniques. With this multiple-perspective approach, the thesis gives not only a comprehensive understanding and subtle insight into the classical Chinese fiction in Liao, Jing, and Yuan Dynasties, but also makes up for a lack of research on the subject all through the ages. The thesis is divided into seven chapters. Chapter 1 outlines the aims and purposes of the research. Chapter 2 reviews the literature relating to the research subject. Chapter 3 discusses the types of fiction in Liao, Jing, and Yuan Dynasties. Chapter 4 investigates the features of the fiction and its characteristics of the times. Chapter 5 explores the concept and belief reflected in the fiction. Chapter 6 analyzes the relation between the fiction and other genres. Chapter 7 presents the conclusions. With its rich content, the classical Chinese fiction in Liao, Jing, and Yuan Dynasties has substantial historical value, which is a valuable source of the study of literature, folk culture and art history. In addition, the story themes and forms of the classical Chinese fiction in Liao, Jing, and Yuan Dynasties inherits the past, ushers in the future and makes a breakthrough in the history of Chinese fiction.
Huang, Mei-Ling, and 黃美玲. "Research on the Diet Writing of Jin Yong’s Chivalric Fiction Novels." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/60874684701433702772.
Повний текст джерела國立屏東教育大學
中國語文學系碩士班
102
Jin Yong's chivalric fiction novels are able to stand up to the changes of the times, with the love from readers and the research from academic field. The reason is that the content addressed not only on the topics of chivalry, swords, gratitude and revenge; but more focus on the topic of Chinese inherent culture, savoir-faire of life, the way to get along with friends, the look of love and so on. The diet writing in the novels describes the overview of life in ancient world and this description throughout the storyline. By diet writing, the readers may understand that if you want to observe a person, you can view his or her diet except for words or things he/she says or does, which will provide the deeper understanding. In this study, we take Jin-Yong's novels as research object, and the ranges are the following fifteen works: Book and Sword、 Sword Stained with Royal Blood、 The Legend of the Condor Heroes、 The Return of the Condor Heroes、 Flying Fox of Snowy Mountain、 Blade-dance of the Two Lovers、 Swordswoman Riding West on White Horse、 Other Tales of the Flying Fox、 The Heaven Sword and Dragon Saber、 A Deadly Secret、Demi-Gods and Semi-Devils、 Ode to Gallantry、 Sword of the Yue Maiden、 The Smiling, Proud Wanderer， and The Deer and the Cauldron， total in thirty-six volume. We select the version that published by Taiwan Yuan-Liou Publishing Corporation in 1986, which gains most reader’s favorite. In this study, we will discuss the writing journey of Jin-Yong and have the brief introduction about his chivalric fiction novels at the beginning. Then we make excerpt from the content of novels about the diet writing paragraph and make the classification. Finally, we aim to discuss the application of a variety of classification of diet writing within this study, and to divide into three sections: the analysis of food ingredients within the content of the novels, the art of writing about diet, and the topics of diet writing respectively. To sum up the above research of this study, we have the conclusion that the diet writing in Jin-Yong's chivalric fiction novels is indeed necessary. The part of diet writing in novels may be removed and the story may still be continued, but the content must be so pale and lackluster. At the end, the content of the story will only be endless subject matters such as: practice the martial arts, revenge, treasure hunting, and hegemony seeking. This kind of story is isolated from normal life and there is the big difference between the real lives, which is difficult to resonate with readers. Since the chivalric fiction novels and the diet writing are two across fields, and the research about this topic is relatively minority, the reference is insufficient; that is the inadequacy of this study.
Lee, Hui-shan, and 李蕙珊. "The Study of Life Writing in Animals of Supernatural Fiction in Wei-Jin." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/89206825031708702187.
Повний текст джерелаLai, Yu-Chai, and 賴玉釵. "Readers' aesthetic experience in reading Jing Yong's swordplay fictions: A reception-theory approach." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/59523373338713941078.
Повний текст джерелаLai, Yi-Chun, and 賴怡君. "A Research on the Interaction Tale ofSupernatural Fictions in Wei-Jin Dynasties." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/5c4mkt.
Повний текст джерелаChen, Meng-Chung, and 陳孟君. "“ Luo Jin ” and “ Whirl Lan ” Image of Shi Shuqing’s Fiction ── ” Walking Through Luo Jin ” and” The Dust Before the Wind ” for the Horizon." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/13272814582267995342.
Повний текст джерела中興大學
台灣文學研究所
99
The thesis is the first and second of " Taiwan Trilogy " , which is by Shi Shuqing’s historical novel into the twenty-first century, for the study of the text. " Walking through Luo Jin " is written in place images of Luo Jin／Lukang ; " The Dust Before the Wind " is written in place images of Whirl Lan／Hualien. Chapter II to IV re-examine disappearance and reappearance of the landscape in Luo Jin and Whirl Lan by the memory of " history ", the imaginary reality of " space ", and the metaphor of " body ", to imagine and memory the place. In Chapter II the place is an address to call memory, respectively by Luo Jin／Lukang during Qing Dynasty and Whirl Lan／Hualien in Japanese occupying period. Luo Jin where the birthplace of Shi Shuqing is , and the second for the short new dwelling place ─ Hualien, recovery and exhibit Shi Shuqing’s Taiwan colonial historical memory. Chapter III reappears the image of Taiwan''s mobile and remaining diverse ethnic groups from the landscape and the anti-landscape in the novel " real space " and " imaginative place " under two different regimes of Qing Dynasty and Japanese rule. Chapte IV uses the body as the space to observe a small description of rewriting a large history by Shiu Ching, the edge figure of society in " Walking through Luo Jin ", and the description of the Japanese woman , Yokoyama Yueji , to" marry " Taiwan''s aborigine in " The Dust Before the Wind ", subverts the discourse of colonial hegemony. The body image of fictional characters in Luo Jin／Whirl Lan transfers the core of the thesis ── Taiwan ancestors'' identity was established. Chapter V is the change and adjustment of local identity, and the reversal from the center to the edge . The " cross-border " escape shapes " cross-border the " sense of place. While looking for their homeland, the sense of place is the attribution of people''s emotion. Finally, Chapter VI summarizes the memory, imagination and identity of Shi Shuqing’s "Taiwan Trilogy" , to create and turn the center and the edge of Taiwan "local image" with her aggressive ambition.
Chen, Shih Yun, and 陳世昀. "Destiny Narration in the Zhiguai Fictions of Wei, Jin and Northern and Southern Dynasties." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/x3q79z.
Повний текст джерела""Saad Bee Hahoozhood Jini" (It Began Harmoniously with Language It Is Said): Navajo Women's Literature Analysis, Personal Short Fiction, and an Introduction to an Oral Narrative." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14443.
Повний текст джерелаDissertation/Thesis
Ph.D. English 2011
Lou, Wen-Heng, and 婁文衡. "Scent Narrative in Ming-Qing Fictions: A Discussion Based on the Description of Aroma and Odour in Jin Ping Mei and The Story of the Stone." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/qfhz95.
Повний текст джерела國立政治大學
中國文學系
107
The special status of novels in Ming and Qing dynasties is that the authors extended the caring vision from the family and the country to the tiny individuals under a relatively conservative ideological environment to build a rich social life and imagination world.In the process of character behavior, the movement and static of sense organ' and the rationality of sense organ logic are the key for the author to make the character come to life. Odor, as the experience object of human senses, appeared repeatedly in novels of Ming and Qing dynasties, which showed the unique narrative function and radiates multiple levels of meaning. Studying the information conveyed by odor writing is helpful to broaden the practical significance and annotation dimension of novels. The paper enters the novels of Ming and Qing dynasties from the perspective of sensory experience and material culture, and focuses on aroma and odor to discuss the odor writing in the Jin Ping Mei and The Story of the Stone. From the perspectives of perception, discourse and symbol, the paper investigates the representation and semantic function of odor, and pays special attention to the relationship between odor and many topics in the novels, such as characters, space, identity, class, gender, culture, life and death, as well as the foundation of the novel keynote and the presentation of the theme. In addition, through the organization of perfume satchel, the paper pays attention to the reflection of real fragrance culture and fragrance economy between the performance and circulation of novel materials, and uses the concept of “sympathetic magic” proposed by Frazer to investigate the writing of body meaning in the smells of objects.
Cheng, Wan-hsuan. "Flowers in the mirror : an exploration into the 19th century Chinese psyche regarding women in power through the novel Jinghua yuan." Master's thesis, 2007. http://hdl.handle.net/1885/147112.
Повний текст джерела