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Дисертації з теми "Jean Jansem"

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Автор: Grafiati

Опубліковано: 22 червня 2024

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1

Ivchenkova, Tatiana. "Visage impossible : l’empreinte des totalitarismes et des terreurs sur l’effacement du visage humain dans la peinture moderne et contemporaine occidentale." Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080026.

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L’objet de cette recherche est d’étudier le phénomène de la disparition du visage humain dans l’art moderne et contemporain occidental, en particulier dans sa dimension politique. L’empreinte des totalitarismes et des terreurs du XXe siècle sur l’effacement du visage a pris une profondeur considérable, ce qu’on découvre dans des œuvres de Kazimir Malevitch, Miklos Bokor, Zoran Music, Safet Zec, Jean Jansem, Mikhaïl Roginsky et Francine Mayran. La face gommée de l’homme opprimé, déshumanisé, privé de personnalité représente le portrait collectif d’une société souffrante. Dans ce travail nous analysons aussi l’opposition que ce phénomène plastique exprime face à l’art officiel des régimes totalitaires, dans lequel la face humaine reste très réaliste. Enfin, nous révélons le rôle du visage effacé dans la construction de la mémoire collective de la société, cette substance fragile qui subit souvent des déformations et connaît des effacements
This research studies the phenomenon of the disappearance of the human face in modern and contemporary Western art, particularly in its political dimension. The footprint of the totalitarianisms and terrors of the 20th century on facial erasure has taken on a considerable depth, which is discovered in works by Kazimir Malevich, Miklos Bokor, Zoran Music, Safet Zec, Jean Jansem, Mikhail Roginsky and Francine Mayran. The gutted face of the oppressed, dehumanized, personality-deprived man represents the collective portrait of a suffering society. In this work we also analyze the opposition that this plastic phenomenon expresses to the official art of totalitarian regimes, in which the human face remains very realistic. Finally, we reveal the role of the erased face in the construction of the collective memory of society, this fragile substance that often undergoes deformations and deletions

2

Jansen, Jean David [Verfasser]. "Zur Behandlung einer gelöschten limited company als Restgesellschaft in der Bundesrepublik Deutschland / Jean David Jansen." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2015. http://d-nb.info/1106339827/34.

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3

Ng, Chi-mei. "Re-reading Jane Eyre and Wide Sargasso Sea." Click to view the E-thesis via HKUTO, 1996. http://sunzi.lib.hku.hk/hkuto/record/B42574493.

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4

Postemsky, Diana. "Through the looking-glass reading and reflecting from Wide Sargasso Sea to Jane Eyre /." Diss., Connect to the thesis, 2003. http://hdl.handle.net/10066/647.

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5

Lorphelin, Elsa. "Intertextualité, interdiscursivité et autorité dans les nouvelles de Jean Rhys, Janet Frame et Anita Desai." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL113.

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Couvrant la quasi-totalité du XXe siècle, les écrits de Jean Rhys, Janet Frame et Anita Desai témoignent de la relation de la Caraïbe, de la Nouvelle-Zélande et de l’Inde à l’Empire britannique. Cette thèse s’intéresse en particulier aux nouvelles de trois auteures plus connues en tant que romancières, car, genre marginal et fragmentaire, la nouvelle fait écho à un certain nombre de problématique postcoloniales, modernistes et postmodernes. Il s’agira en l’occurrence de s’attarder sur la question de la voix et du discours, et notamment sur la façon dont l’omniprésence de discours idéologiques, politiques, sociaux, se trouve doublé de la présence d’un réseau intertextuel mis en œuvre par les auteures. La récupération de la voix d’autrui, et en particulier du canon littéraire occidental, dans un contexte où l’autorité féminine et postcoloniale est des plus précaires, pose la question de l’autorité littéraire. On observera que sous la plume de ces auteures, la nouvelle devient plus que jamais un genre hybride, plurivocal, aux contours fuyants, dont le genre est sans cesse requalifié. Loin du monolithisme du roman, la nouvelle apparaît comme un espace de liberté et de création où l’autorité est sans cesse réaffirmée tout autant que diffractée, et où les présences auctoriales tout à la fois s’effacent et se manifestent. Véritables lieux d’une mise en scène de la figure de l’Auteur, la nouvelle et le recueil déjouent les limites du genre, tissant un réseau discursif et intertextuel complexe, où Jean Rhys, Janet Frame et Anita Desai élaborent une esthétique de la voix
The literary production of Jean Rhys, Janet Frame, and Anita Desai, which covers nearly all the twentieth century, testifies to the relationship between the Caribbean, New-Zealand, India and the British Empire. Even though Rhys, Frame and Desai are mostly known as novelists, this thesis dwells on their short stories. As a marginal and fragmentary genre, the short story echoes a variety of issues related to Postcolonialism, Modernism and Postmodernism. My issue is the study of the themes of the voice and of discourse, and especially of the way in which the omnipresence of ideological, political and social discourses is further complexified by the presence of intertextuality. The use of alien voices, borrowed notably from the western literary canon, poses the question of literary authority – especially in a context where postcolonial and feminine authority is so precarious. We shall observe that, in these authors’ short stories, the genre becomes hybrid, plurivocal, harder to define, which entails its requalification. Far from the monolithic nature of the novel, the short story appears as a space of liberty and creation where authority is both tampered with and constantly reaffirmed, and where authorial presences in turn appear and disappear. As places where the figure of the Author is continuously staged, the short story and the collection of short stories redefine the limits of the genre by weaving an intricate discursive and intertextual fabric where Jean Rhys, Janet Frame and Anita Desai work towards the elaboration of an aesthetic of the voice

6

Isaksson, Terese. "Jane, hennes älskade och hans hustru : En läsdidaktisk litteraturanalys av Charlotte Brontës Jane Eyre och Jean Rhys Sargassohavet." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-167360.

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7

Rantonen, Nadja. "Feminist Struggles for Identity in Charlotte Brontë’s Jane Eyre and Jean Rhys’s Wide Sargasso Sea." Thesis, Mittuniversitetet, Avdelningen för humaniora, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-35671.

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8

Grizenko, Marisa Katherine. "Two drunk ladies : the modernist drunk narrative and the female alcoholic in the fiction of Jean Rhys and Jane Bowles." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43579.

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This thesis takes as its starting point the culturally potent figure of the alcoholic modernist, who, heroically facing existential despair, is predominantly gendered as male. Pointing to the absence of the female alcoholic as writer and subject in critical accounts of modernism, I argue that a drunk narrative, written by and about women, exists alongside the prototypical male narrative, and call for a re-examination of the modernist writer‘s relationship to alcohol. Exploring the historical and cultural contexts that have contributed to the gendering of alcoholism and drinking practices in general, as well as the gendering of the modernist artist in particular, I then consider how writers Jean Rhys and Jane Bowles articulate their vision of the drinking woman. Rhys‘s 1939 novel Good Morning, Midnight sees protagonist Sasha Jansen employing the discursive category of female drunk as a tool of resistance in Paris‘ patriarchal and capitalist urban economy. I situate her as tactically capitalizing, in a de Certeauan fashion, on her abjection and visibility. Bowles‘s 1943 novel Two Serious Ladies extends Sasha‘s individual drunkenness to an overarching, abstracted drunkenness that reflects the worldview of the text. I trace how drunkenness functions thematically and linguistically in the two female protagonists‘ existential quests. While identifying existing gaps in the scholarship, I also hope to gesture to rich areas of potential research and model a reading practice that explores female interventions in the male modernist drunk narrative.

9

Kiam, Jane Jean [Verfasser], Axel [Akademischer Betreuer] Schulte, Axel Gutachter] Schulte, and Eva [Gutachter] [Besada-Portas. "Al-Based Mission Planning for High-Altitude Pseudo-Satellites in Time-Varying Environments / Jane Jean Kiam ; Gutachter: Axel Schulte, Eva Besada-Portas ; Akademischer Betreuer: Axel Schulte ; Universität der Bundeswehr München, Fakultät für Luft- und Raumfahrttechnik." Neubiberg : Universitätsbibliothek der Universität der Bundeswehr München, 2019. http://nbn-resolving.de/urn:nbn:de:bvb:706-7008.

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10

Kiam, Jane Jean [Verfasser], Axel Akademischer Betreuer] Schulte, Axel [Gutachter] Schulte, and Eva [Gutachter] [Besada-Portas. "Al-Based Mission Planning for High-Altitude Pseudo-Satellites in Time-Varying Environments / Jane Jean Kiam ; Gutachter: Axel Schulte, Eva Besada-Portas ; Akademischer Betreuer: Axel Schulte ; Universität der Bundeswehr München, Fakultät für Luft- und Raumfahrttechnik." Neubiberg : Universitätsbibliothek der Universität der Bundeswehr München, 2019. http://d-nb.info/1224617231/34.

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11

Kiam, Jane Jean [Verfasser], Axel [Akademischer Betreuer] Schulte, Axel [Gutachter] Schulte, and Eva [Gutachter] Besada-Portas. "Al-Based Mission Planning for High-Altitude Pseudo-Satellites in Time-Varying Environments / Jane Jean Kiam ; Gutachter: Axel Schulte, Eva Besada-Portas ; Akademischer Betreuer: Axel Schulte ; Universität der Bundeswehr München, Fakultät für Luft- und Raumfahrttechnik." Neubiberg : Universitätsbibliothek der Universität der Bundeswehr München, 2019. http://d-nb.info/1224617231/34.

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12

Hayes, Kathy Q. "The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance." Wright State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=wright1216063157.

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13

Lindgren, Johanna. "Women of Substance : The Aspect of Education, Career and Female Identity in Pride and Prejudice and Bridget Jones's Diary." Thesis, Högskolan Dalarna, Engelska, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:du-4646.

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Although two hundred years separate Jane Austen and Helen Fielding and, subsequently, also their portrayals of society, the similarities outweigh the differences. When juxtaposing Pride and Prejudice and Bridget Jones’s Diary in the light of feminism it is evident that both books provide clear examples of the prevailing situation of women in each time and place. The aspects of the study, which are especially important today, show both the development and some degree of stagnation of women’s rights and identities.

14

Borggren, Ellinor. ""Ty den som smittar detta land är du" : Den mytiska argumentationen i Katarina Frostensons K." Thesis, Uppsala universitet, Avdelningen för retorik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-423201.

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I den här uppsatsen har jag undersökt argumentationen i Katarina Frostensons K – en skönlitterär bok som skrevs i en tid (hösten 2017 till våren 2018) då #metoo-rörelsen svepte över världen och 18 kvinnor hade vittnat i DN om övergrepp av en känd kulturprofil med nära band till Svenska Akademien. Flera medier namngav mannen som Jean-Claude Arnault, make till akademiledamoten och poeten Katarina Frostenson. Händelserna ledde till en av de största kriserna i Svenska Akademiens historia och K är Frostensons första och enda offentliga yttrande rörande situationen. Boken utkom i maj 2019 och den här undersökningen väljer att tolka den som ett slags försvar mot det Arnault och hon själv har anklagats för. Då samtida retorisk teori visat på vikten av myter i argumentation (Bengtson 2012), och både juridiska och empiriska aspekter talar emot Frostensons retoriska problem, har underökningen utgått från att argumentationen använder sig av emotionella och suggestiva appeller i form av myter. Med hjälp av Brummets närläsningsmetod (2019) och Lindqvists topikteori (2016) har Frostensons argumen-tation delats in i tre övergripande topiker. Dessa har sedan analyserats och identifierat ett antal myter som Frostenson använder sig av för att stärka sin argumentation. En myt som analyseras mer djupgående är exempelvis den antika myten om megäror och kvinnor som hämndlystna monster, vilken Frostenson applicerar på kvinnorna som vittnat i DN. En annan myt handlar om kollektivets behov av syndabockar och att Arnault fått den rollen. En tredje myt hävdar att svenskar är främlingsfientliga eftersom Arnault får ta skulden på grund av sin franska och judiska härkomst. En fjärde myt argumenterar för att åtrå legitimerar våld, vilket hon försöker stärka genom den bibliska berättelsen om kung David och Batseba. Utöver Bengtsons tolkning av Barthes mytteori (2012) som utgångspunkt har undersökningen bland annat tagit avstamp i kommunikationsprofessorn McFarlands teori om kopplingen mellan myten och det heliga (1989), genusforskaren Tassis teorier om kvinnor och hämnd (2011) samt Richard Kearneys tolkning av René Girards offermekanismer (1995). Vidare har analysen satts i relation till relevant tidigare forskning och kopplats till både historiska och samtida händelser och kontexter. Jag hävdar att min undersökning visar hur viktigt det är att söka efter mer än bara logiska premisser i argumentation. Frostenson har i princip uteslutande myter som bas i sin argumentation, och de är inte alltid helt uppenbara – dolda i suggestiva termer och ett symboliskt språk. Ett av den här uppsatsens syften var att försöka visa hur en mytisk argumentationsanalys kan gå till i praktiken, för att utöka kunskapen kring hur vi kan förstå argumentation i känslomässiga kontexter, så som i debatter om sexuella övergrepp, men också rent generellt. Resultatet som framkommit i undersökningen, det vill säga den mängd myter som identifierats och analyserats, bör inspirera till vidare forskning i ämnet. Jag menar att det finns ett uppdämt behov av just sådana här argumentationsanalyser och att retorikvetenskapen har en viktig roll i detta.Sökord: Katarina Frostenson, K, Jean-Claude Arnault, #metoo, Svenska Akademien, myter, mytisk argumentation, Roland Barthes, Erik Bengtson, Janne Lindqvist, topiker, litteratur, retorik, poesi, poet, skönlitteratur.

15

Bandeira, de Melo Carolina. "Légitimation, application et formation : les missions scientifiques françaises au Brésil dans le domaine de la psychologie (1908-1947)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0139.

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Cette recherche porte sur les missions de Français dans le domaine de la psychologie au Brésil entre 1908 et 1947. L'étude a permis l'établissement d'une chronologie séparant ces missions en trois moments. On assiste d'abord à la légitimation de la discipline en tant que discours scientifique issu de recherches expérimentales et capable de réintégrer les faits jugés avérés dans le domaine de l'intelligible, grâce aux cours de Georges Dumas (qui s'y rend la première fois en 1908), et de Pierre Janet (qui y séjourna en 1922 et en 1933). Puis on identifie l'application de la psychologie au projet de développement du Brésil, tout spécialement avec l'application de tests d'intelligence dans l'organisation de l'éducation de masse et dans l'industrie - technique apportées par Henri Piéron (en 1923, 1926 et 1947), Théodore Simon (en 1929) et Henri Wallon (en 1935). Enfin, la formation en psychologie se met en place dans les nouvelles universités du pays avec les missions de Jean Maugié qui va enseigner à l'Université de Sâo Paulo de 1935 à 1944, et d'André Ombredane qui restera à l'Université du Brésil (à Rio de Janeiro), de 1939 à 1945. Il est aussi montré dans la thèse que les relations scientifiques ont été le résultat d'une volonté réciproque et qu'elles ont largement dépassé la sphère académique. Le Brésil acquiert un support pour son entreprise de modernisation ainsi qu'un allié qui va lui ouvrir les portes de l'Europe et l'aider à améliorer son image à l'étranger, alors que la France, en retour, envoie chez son partenaire ses chercheurs les plus prestigieux, afin d'étendre son influence scientifique, culturelle, économique et diplomatique
This research focuses on the French missions in Brazil in the field of psychology from 1908 to 1947. The study allowed the establishment of a timeline that separates these missions into three distinct periods. First, the study tackles the legitimacy of the discipline as a scientific discourse originated from experimental researches capable of incorporating facts deemed proven in the realm of the intelligible, using the lessons gleaned from the lectures of Georges Dumas (who went there the first time in 1908) and Pierre Janet (who went there in 1922 and in 1933). Then it identifies the application of psychology in Brazil's development project, most especially in the administration of intelligence tests in the structure of public educational System and in the industry, techniques elucidated in the lectures of Henri Piéron (in 1923, 1926 and 1947), Theodore Simon (1929) and Henri Wallon (in 1935). Finally, this research discusses how psychology training firmly took its roots in higher education in the new universities of the country with the mission of Jean Maugüé who taught at the University of São Paulo from 1935 to 1944, and André Ombredane who stayed at the University of Brazil (in Rio de Janeiro) from 1939 to 1945. This thesis also shows that scientific relationships are the result of a murual will and that they have far exceeded the academic sphere. Brazil has acquired support for its modernization and a partner to open Europe's doors and to help the country improve its image abroad, whereas France, in turn, sends to its partner its associate its most prestigious researchers, in order to expand its scientific, cultural, economie and diplomatie influences

16

Deng, Chiou-rung, and 鄧秋蓉. "The Politics of Rewriting Jane Eyre: "Race," Gender, and (Anti-)imperialism in Jean Rhys's Wide Sargasso Sea." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/34440769443272250454.

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碩士
國立臺灣大學
外國語文學系研究所
87
The aim of the thesis is to focus on the critique of imperialism that Jean Rhys's Wide Sargasso Sea offers and also to point out its inadequacy as an anti-imperialist novel. Wide Sargasso Sea is Jean Rhys's attempt to rewrite Charlotte Bronte's Jane Eyre, to furnish the madwoman, Bertha, with a voice to speak out her side of story, which probes into imperialism and colonization in Jamaica. On the other hand, the inadequacy of the novel is manifested when the blacks are depicted. The thesis contains five chapters. The first chapter briefly indicates the intersection of "race," gender, and imperialism in which Wide Sargasso Sea engages. The second chapter focuses on the significance of rewriting as a strategy for feminist and post-colonial writers. Jean Rhys's rewriting attests to the limitation of white feminism and the complicity with imperialism in Jane Eyre, in which Bertha is relegated to the position of the racial as well sexual Other. Chapter Three explores the ambivalence explicit in the Creole identity and implicit in Jean Rhys's depiction about black characters. Antoinette, the Creole woman, experiences a positioning of "in-between" and a lack of cultural belonging. Though Antoinette finally chooses to embrace her West Indian identity, such identification is questionable on the ground that the attitudes toward blacks and the emancipation of slaves are ambiguous. Chapter Four discusses how imperialism, represented by Rochester, is put into question and how Rochester strives to negate the contaminating others in order to maintain the superiority of Englishness. Chapter Five, recapitulates the major argument of the thesis and examines the limitation of the thesis. Having the colonized other speak out the other side of Rochester's story in Jane Eyre, Wide Sargasso Sea does forcefully criticize imperialism. However, there is still room for reflection on the implicit racism in Jean Rhys's portrayal of blacks. Given that the speaking subject in Wide Sargasso Sea is still a white, an ex-slave owner, it is significant to revision another side of the story, that is, black people's side.

17

Chen, Tseng-wen, and 陳曾文. "The Descent of Rochester in Jean Rhys’s Wide Sargasso Sea and His Ascent in Charlotte Brontë's Jane Eyre." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/57259670263253661455.

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碩士
大葉大學
應用外語研究所
98
ABSTRACT This study, grounded on the presumption that Rhys’s Wide Sargasso Sea is the “post-dated prequel” to Brontë’s Jane Eyre, explores how the positive force succeeds in guiding Mr. Rochester toward redemption in Jane Eyre and how the negative one on the other hand pulls his counterpart downward in Wide Sargasso Sea; it also examines how their different destinies are geared to their character development. Rhys's re-visionary novel Wide Sargasso Sea fills the blanks of Mr. Rochester’s unknown life in the West Indies in his youth. This study tries to trace the mental development of the unloved and suppressed second son in his earlier formative years, his life in his twenties and in his late thirties back in his family estates. While in Rhys’s novel the nameless Rochester is degraded from an innocent youth to a brutal devil after his journey on the West Indies islands of hybridized cultures; the more mature Rochester at the end of Jane Eyre is vouchsafed a blissful matrimony, which can be interpreted as signifying that he is redeemed from his destruction by God. The values of the Victorian gentry’s family and the rigid social conventions and systems supposedly contribute to shaping Rochester’s patterns of thinking and behavior and in turn influencing his attitudes and choices when it comes to coping with predicaments in an alien cultural context. Exploring the whole life course of Rochester helps to discover that the deeply hidden sense of vulnerability and helplessness lurks beneath the proud appearance. We can also observe that the root of negative worldview has usually been implanted since childhood. Incessant endeavor and passage of years cannot easily change an individual’s life unless his habitual thoughts and behaviors can change. When an individual is willing to learn to love, to share and to forgive, his true self can thus be restored.

18

Whittemore, Sarah. "The importance of being English: anxiety of Englishness in Charlotte Bronte's Jane Eyre and Jean Rhys's Wide Sargasso Sea." Thesis, 2008. http://hdl.handle.net/1961/4381.

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19

Radia, Pavlina. ""Nomadic" modernisms, modernist "nomadisms" : (Dis)figuring exile in selected works of Djuna Barnes, Jean Rhys, Jane Bowles, and Eva Hoffman." 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94543&T=F.

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20

Fonseca, Ana Bárbara da Cunha 1990. "De uma paleta sem tinta se fez luz e espaço." Master's thesis, 2015. http://hdl.handle.net/10451/15920.

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The project in development here consists on an investigation through the art field boundaries, more precisely, in painting and sculpture. It is born as a reflection of the technological society that the artist wants to represent and is based on three formal characteristics: geometry, colour and dimension (bidimensionality/ tridimensionality). The conjugation of these three elements, not only leads to various theoretical contexts, which are absolutely needed to understand the primary aim of this thesis, but serves the purpose of showing this thread’s timeliness when compared to the contemporary art panorama. The practical research bases itself on a simple work method, described along the dissertation precisely through the order in which the chapters appear. Reality is decoded through a bi-dimensional exercise that turns later into a three-dimensional reality. That reality creates an immersive space where the presence of the spectator seems to relate again everything to an experience where image takes place, bi-dimensionality again

21

Batista, Juliana Vaz de Figueiredo Moreno 1986. "Na vertigem do tempo : a imagem como atualização do passado." Master's thesis, 2015. http://hdl.handle.net/10451/20356.

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Possui um DVD com video que apenas poderá ser consultado na Biblioteca da FBAUL, com cota CDA 177
This dissertation intends to analyze and understand the icons. Some of these icons are shape by scientific and technological cultures and others by its religious tradition and its spiritual meaning. Exploring the meaning of the sacred and profane terms or simply observing the difference between them, we will make an analysis of the meaning and justification of the social values that interacts daily with these objects. The work starts from biblical-theological grounds and continues to identify and explore the links and philosophical interpretations that demonstrate the relationship between sacred and profane in the course of human history, reaching the industrial age. In the context of the new century, a time of significant and anthropological transformations of material objects and culture expressing the social life style, this work will help to visualize several new links material or imaterial between humans and its objects. With the consolidation of design, in the last thirty years, and the contributions of other subjects such as semiotics and sociology, it is real challenge to question these matters with a more eclectic perspective, comparing spiritual and technological, sacred and profane. We conclude stressing the importance of the new paradigms and cultural changes, as well as the developing of a new dialogue between faith and technology, and new ways to expose and to communicate spiritual experiences, allowing the gathering between sacred and profane realities. The main purpose of this thesis is to highlight the paradigms that emerge from the new ways of exposing these reference objects, with a professional approach, in a museum or in the spiritual dimension of a sacred space. In particular, the context to analyze these objects will be, preferentially, exhibitions in spaces located between "art" and "architecture" and positioned between "spiritual" and "functional." We will try to identify a new exhibition identity that could be defined and implemented by architecture or design. Bearing this in mind we will show a new proposal for a conceptual exhibition, in a post-industrial era, in the context of the designer Paulo Parra collection, located in the St. Vincent´s Church, in Évora (Portugal), that promoted the memory of the "Icons of Design". The exhibition was a retrospective of times, issues and protagonists of modern industrial design, from the beginning to the present days; from here we will try to understand and illustrate the actuality and importance of the relationship between these realities