Дисертації з теми "Italian Authos"
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Redoschi, Marcelo Eduardo. "O autor \"florentino\" da literatura suíça em língua italiana: Francesco Chiesa." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-08072008-193700/.
Повний текст джерелаABSTRACT REDOSCHI, M.E. The \"florentine\" author of Switzerland\'s literature in italian: Francesco Chiesa. 2008. 90 pag. Master\'s Thesis - Faculty of Filosofy, Letters and Human Sciences (FFLCH), Universidade de São Paulo, São Paulo, 2008. Switzerland is a country located at the center of western Europe with four official languages: German, French, Italian and Romansch. The Helvetian Confederation has twenty-six highly autonomous administrative units, called Cantons, formed throughout history. Dante\'s language is present as the mother tongue of the bulk of Canton Ticino\'s population as well in four alpine valleys on the nearby Canton Grisons. There it shares space with Swiss-German and Romansch. The background for the formation of the Italian spoken in the region, which had standardized around tuscan rules from the sixteenth century - thanks to the quality of schools maintained by clerics such as Saint Charles Borromeo - is presented. The most modern grammars and teaching methods available at the time were used. At this crossroads of civilizations, with an inhabited area equivalent to the city of São Paulo and a few nearby suburbs, appeared Francesco Chiesa. He was the first Swiss author to effectively brave the italian book market, thus inscribing his region\'s name forever on the Italian language and literature textbooks. Added to his prolific production in prose and verse, is his longevous biography (1871-1973). Worthy of note are his activities as professor of italian, art history, journalist and supporter of his land\'s lombardic cultural and artistic heritage. In 1925 would be published Tempo di marzo, which would become his best known work abroad. A portrait of agrarian Ticino society at the early nineteen-hundreds, the romance is a lyric transposition of the region\'s historical realities. As the boy Nino moves toward the end of his childhood, we get to experience the geography, customs and traditions of yesteryear Ticino. By virtue of his clear, fluid, almost \"manzonian\" writing, the novel was discussed and taught at Northern Italy schools. It was used as a model in italian composition classes. Finished in 1943, Io e i miei, is a \'modern\' work, within Chiesa\'s style. Released right in the middle of wartime, logistical factors prevented the book from having a much deserved accolade. A sort of hybrid between a short story and a novel, it narrates the internal conflicts of a family of remarried widowers, the daughter Serafina and the son Manlio. In evidence are the father\'s issues. A pessimistic tone, of quiet languishing and resignation, in contrast to the youthfulness and joy of Tempo di marzo strides the narrative. The melancholic account of deserted, decadent villages is compared to extracts of Il fondo del sacco, written third years later by the Grison native Plinio Martini, which had embraced realism themes. Francesco Chiesa was the first and most \"Florentine\" of Italian speaking Swiss authors.
Kubiski, Joyce Marie. "Uomini Illustri : the revival of the author portrait in renaissance Florence /." Thesis, Connect to this title online; UW restricted, 1993. http://hdl.handle.net/1773/6241.
Повний текст джерелаPiroli, Marta. "Finding Voices: Italian American Female Autobiography." Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1145368184.
Повний текст джерелаMorris, Penelope. "Giovanna Zangrandi : a life in fiction." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:94e6a200-531e-431b-9726-487c981383d0.
Повний текст джерелаPapworth, Amelia. "A forgotten bestselling author : Laura Terracina in early modern Naples." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290109.
Повний текст джерелаDi, Carmine Roberta. "Cinematic images, literary spaces : the presence of Africa in Italian cinema and Italophone literature /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120620.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 226-232). Also available for download via the World Wide Web; free to University of Oregon users.
Balletti-Thomas, Joanne. "Women's writing and the "anxiety of authorship" in nineteenth-century Italy : Bruno Sperani and others." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26718.
Повний текст джерелаGreen, Dawn. "Imagining the past [electronic resource] : contemporary Italian women's historical fiction /." Full text available, 2001. http://images.lib.monash.edu.au/ts/theses/greend.pdf.
Повний текст джерелаDiffley, Paul Brian. "Paolo Beni : a biographical and critical study." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:fcd4391e-4bfc-41bb-abbd-37ae4ba33158.
Повний текст джерелаClassen, Sigrid Ulrike. "The black madonna figure as a source of female empowerment in the works of four Italian-Canadian authors." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq21732.pdf.
Повний текст джерелаSpanu, Fremder Silvia. "Le répertoire et la dramaturgie de la Comédie-Italienne de Paris durant la seconde moitié du XVIIIe siècle." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040227.
Повний текст джерелаThe second half of the eighteenth century represents a period of research and experimentation in dramatics that manifest themselves, within the theater’s programs of the Comédie-Italienne. These experimentations materialize in approximately sixty unpublished Italian plots, directed by the actors-authors of the Italian company between 1760 and 1779, year of the “suppression” of the Italian genre. Sorting through periodical sources, that include summaries of the evening performances and performances’s telling, and theater’s registers, which give the access to the acting company, this thesis intends to recreate the company’s repertoire of Italian plays. The intention is also to study the dramatic art of this Parisian show during the second half of the eighteenth century. From the 1760s, the experience of the stage, the creative and representative modalities of the commedia dell’arte slide towards closed dramaturgies inside a mixed repertoire French and Italian. It generates “hybrid” phenomena that give the possibility to preserve the Italian dramatic art and the scenic “technique” of the Italian comic actors, within the plays of French playwrights who have written for this theater: J.-F. Cailhava de l’Estandoux et de J.-P. Claris de Florian. This thesis will provide a rereading of the “suppression” of the Italian genre in 1779, in terms of “rebirth”. Then it will analyze the complete impact of the Italian repertoire and the dramatic art inside the productive context and the representative range of the Comédie-Italienne from the outlook of their evolution during the second half of the eighteenth century
La seconda metà del XVIII secolo è un periodo di ricerca e sperimentazione drammatica che sfociano,nell’ambito della programmazione del teatro della Comédie-Italienne di Parigi, nella creazione di unasessantina di canovacci italiani inediti allestiti e rappresentati dagli attori-autori della compagnia italiana delteatro, tra il 1760 e il 1779, anno della « soppressione » del genere italiano. Attraverso lo spoglio delle fontiperiodiche, che contengono i riassunti degli spettacoli e i resoconti delle performance attoriali, le ricerched’archivio effettuate nei registri del teatro, che permettono di accedere agli effettivi delle troupes, la tesipropone la ricostituzione del repertorio italiano e lo studio della drammaturgia di questo teatro parigino dellaseconda metà del Settecento. A partire dal 1760 la pratica scenica, le modalità compositive e rappresentativedella commedia dell’arte migrano verso le forme drammaturgiche ad essa vicine all’interno di un repertoriobilingue, francese e italiano dando luogo a fenomeni di « ibridazione » che permettono la fissazione delladrammaturgia italiana e della pratica teatrale degli attori italiani, nella produzione francese degli autori checompogono per questo teatro : J.-F. Cailhava de l’Estandoux e J.-P. Claris de Florian. Lo studio dell’ampiezzadel repertorio e della drammaturgia italiana, considerati dal punto di vista dell’evoluzione che subiscono inseno al contesto produttivo e all’offerta rappresentativa della Comédie-Italienne, permette di rileggere la« soppressione » del genere italiano avvenuta nel 1779 come « riesistenza » e « perennizzazione » di questogenere
Die zweite Hälfte des 18. Jahrhunderts ist eine von dramaturgischer Forschung und Experimentierfreudigkeitgeprägte Periode, was sich in den Jahren 1760 bis 1779, Jahr der ‚Abschaffung’ des italienischen Genres,innerhalb des Programms des Pariser Theaters Comédie Italienne in der Konzeption von ungefähr 60unveröffentlichten neuen italienischen Kanevas, die von Schauspieler-Autoren der italienischen Truppe desTheaters inszeniert wurden, ausdrückt. Durch die Aufarbeitung publizistischer Quellen, die neben Kritikenund Inhalten dieser Abende auch Theaterregister beinhalten, und somit einen Zugang zum Personalbestandder Truppe eröffnen, wird in der vorliegenden Dissertation eine Rekonstruktion des Repertoires deritalienischen Schauspielerstücke sowie die Untersuchung der Dramaturgie dieser Pariser Vorstellungen derzweiten Hälfte des 18. Jahrhunderts vorgenommen. Ab den 1760er Jahren verlagern sich die Szenenpraxis,die kreativen und repräsentativen Modalitäten der commedia dell’arte hin zu benachbarten Dramaturgieneines gemischten, französisch und italienischen Repertoires hin und machen Platz für hybride Phänomene,was erlaubt, die italienische Dramaturgie und die Bühnenpraxis der italienischen Schauspieler innerhalb derKomödien französischer Dramaturgen, die für dieses Theater schreiben (J.-F. Cailhava de l’Estandoux und J.-P. Claris de Florian), zu einem festen Bestandteil zu machen. Es geht also darum, die „Abschaffung“ desitalienischen Genres 1779 hinsichtlich einer „Reexistenz“ noch einmal zu überdenken, indem man denglobalen Beitrag von „italienischem“ Repertoire und „italienischer“ Dramaturgie aus Sicht ihrer Entwicklungin der zweiten Hälfte des 18. Jahrhunderts im Kontext der Produktion und der Darstellungspalette derComédie Italienne untersucht
Canton, Licia. "The question of identity in Italian-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43473.pdf.
Повний текст джерелаRuzza, Benedetta <1997>. "An Italian SME entering China auto spare parts market: the Bimecc case." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19882.
Повний текст джерелаBASILE, Giuseppe Domenico. "Scrivere del Mezzogiorno.Processi di auto-orientalism nella Letteratura italiana." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90860.
Повний текст джерелаTedeschi, Antonio. "La letteratura dell'emigrazione italo-canadese di Montréal /." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33317.
Повний текст джерелаPascale, Vincenzo. "Préhistoire de l'écriture plurilingue d'Amelia Rosselli dans les 'Primi scritti' (1952-1963) : une écriture bouleversée." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMC003.
Повний текст джерелаWe would like to show the importance of Amelia Rosselli’s formative and biographical moment that precedes her writing as well as the role of her first multilingual works that represent the prehistory of her Italian trilogy and of other works of her literary maturity. To do so, this thesis studies, in its first two sections, the exile of the Rosselli family, victim of political persecution throughout the fascist ventennio, as well as the poet’s Franco-English-American proto-formation, amongst music, literature and politics. We will draw up a synthesis of the neorealist influence of the poet Rocco Scotellaro and of the ethnologist Ernesto de Martino. In the third section, this study will analyse, in an inter-textual perspective, the Primi Scritti (1952-1963) and will describe the poet’s idiom, characterized by alternation and mixture, of Italian, French, and English, sometimes in the same text. In parallel we will show how Amelia Rosselli’s multilingualism is not limited to a simple triglossie. Her multilingualism includes other languages: Latin, Italian and French from the Middle Ages, Elizabethan English, the spoken language of the illiterate from Basilicata, plus popular forms of speech from the south of Italy and from Rome. We uphold the importance of the anthropological and ethno-musicological studies carried out by Amelia Rosselli from 1952 to 1953. We will also show how the book of investigation Contadini del Sud by the Lucanian Rocco Scotellero was determining for her, as well as other texts, to be able to describe the treasures of her literary prehistory. Throughout the analysis of the texts of the origins we will uncover the birth of Amelia Rosselli’s three poetics: that of space, of the eclipse of oneself, and that of the wound, together to be seen as interdependent, entwined, and that will further develop themselves during the 60’s and the 70’s
Zitelli, Esther Karina Feria. "Algunos tópicos clásicos en la obra castellana de Garcilaso de la Vega." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-23112009-142048/.
Повний текст джерелаOur work has as goal to study some classical topics on the Garcilaso de la Vegas Spanish work, according to the concepts that used to come from the Greco Latin Ancient. In order to do that, we hope to study the topics meaning in the classic literature, the authors that used it and the use Garcilaso gives to it on his work.
Gazzoli, Alessandro. "Auto da fé. Rileggere Giorgio Manganelli." Doctoral thesis, Università degli studi di Trento, 2016. https://hdl.handle.net/11572/368133.
Повний текст джерелаSchuller, Michelle. "Soi et les autres : étude des relations familiales dans les écrits privés florentins des XIVe-XVe siècles." Paris 3, 2005. http://www.theses.fr/2005PA030072.
Повний текст джерелаThe XIVth-XVth Florentine family diaries (and among them the Cronica domestica of Donato Velluti), are dedicated to the celebration of the family. However, the author leads a personal discourse : the expression of self appears through his conscious relation with his own writing, and in the autobiografical dimension of the genealogical account. In the history of the family, the glance related to the others, from now on more attentive with individualities, highlights the family structures, especially the dominating place held by the father. The father writer " governs " his family group by his own behaviour and by the writing of his book : in this book, he endeavours not only to educate the souls and to protect the bodies, but also to form citizens, with the purpose of ensuring the continuity of the family, her economic strength and her politic power in the city, transmitting the values of his social class, while expressing his concerns in front of the escape of time and the evolution of the customs and mentalities
Dumont-Lewi, Laetitia. "Portraits de l’histrion en auteur : Dario Fo ou les représentations d’un homme-théâtre." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100114.
Повний текст джерелаDario Fo is a theatre-man whose work ceaselessly redefines the author as an actor and the actor as an author, in a process that claims his dual position on stage and in public life. He thus creates an approach to theatre that, though not radically new, distinguishes itself in the theatrical landscape of his time, by encroaching on other fields of activity and competency, earning him a global recognition as an actor and intellectual. The first part of this study analyzes the creative process and shows how Dario Fo stages himself as an author through writing, acting and directing. The second part considers how the authorial figure is presented to the public : as part of a larger network of references that lends coherence to his work as a whole, in the fixation of this work through publishing, audio and video-recording and archiving, and through the circulation of his productions in Italy and the world, with or without his presence. The third part analyzes the construction of his intellectual authority, his promotion to the status of political spokesman and mentor
Greco, Donatella. "NUOVE ROTTE MIGRATORIE: MOBILITA' E AUTO-PERCEZIONE DI GIOVANI ITALIANI ALL'ESTERO." Doctoral thesis, Università degli studi di Trieste, 2014. http://hdl.handle.net/10077/10081.
Повний текст джерелаAbstract Approcciando il tema delle emigrazioni dei giovani italiani appare importante rintracciare nella storia la dinamica migratoria dei flussi che hanno caratterizzato il passato del nostro Paese. In quest’ottica è stata strutturata l’analisi della storia dell’emigrazione italiana a cui è dedicato il primo capitolo che ha, pertanto, lo scopo di delinearne le principali caratteristiche in termini di cause, destinazioni e impatto sul sistema nazionale dei flussi di emigrazione nel corso dei secoli. Dal momento che il fenomeno ha radici lontane nel tempo, si è proceduto con una disamina delle principali caratteristiche che esso ha assunto nel corso dell’Età medievale, moderna e contemporanea. Su quest’ultima fase, per ragioni di prossimità temporale, ci si è maggiormente soffermati, analizzandone più nel dettaglio le caratteristiche e i flussi che l’hanno caratterizzata. Il secondo capitolo ha lo scopo di fornire un’analisi complessiva della mobilità italiana oggi, utilizzando le fonti di dati ufficiali a disposizione (Dati Aire; iscrizioni e cancellazioni anagrafiche da e per l’estero 2010-2012 Istat, dati provenienti dagli schedari consolari del Ministero degli Affari Esteri). L’intento è quello di restituire un’istantanea delle principali caratteristiche socio-demografiche della porzione di popolazione italiana residente all’estero che le rilevazioni ufficiali sono in grado di raggiungere. Questi due primi capitoli hanno la finalità di ripercorrere il presente e il passato dell’emigrazione italiana, ponendo anche in rilievo quanto il fenomeno dipenda dal contesto sociale e demografico da cui origina. La Seconda Parte si apre con il terzo capitolo, dedicato allo studio dei principali paradigmi che la sociologia delle migrazioni ha messo in campo nel corso degli anni per analizzare il fenomeno migratorio nel suo complesso. Il fine di questo percorso di analisi è quello di fornire un quadro generale sul tema attraverso l’esposizione dei principali paradigmi interpretativi prodotti nel corso degli anni. Ciò che si desidera porre in rilievo definendo quelli che sono i principali fattori che portano i soggetti a compiere la scelta di emigrare, è la complessità del fenomeno e quanto questo incida nel complesso della vita del soggetto. Il quarto capitolo ha invece lo scopo di realizzare un’analisi diacronica del concetto di identità così come viene approcciata nell’ambito della sociologia. L’analisi di tre tra i principali approcci sociologici al tema (il funzionalismo, l’interazionismo simbolico e la fenomenologia sociale), verrà utilizzata come strumento di comprensione degli elementi che, nella contemporaneità, risultano più o meno adatti per condurre una lettura calata nel contesto della post-modernità. L’analisi giunge dunque ad una riflessione alla luce delle nuove necessità messe in campo della società liquida e multiculturale che innalza il grado di incertezza e pone il soggetto davanti ad una serie sempre più ampia di scelte e opzioni. A questo proposito, attraverso le posizioni di Baumann, Beck e Hall che ben sintetizzano il contesto fluido e incerto nel quale gli individui sono inseriti, vengono delineati i presupposti sociali nel quale le emigrazioni dei giovani italiani oggi prendono forma e, di conseguenza, vengono gettate le basi per l’interpretazione delle loro testimonianze a riguardo. In un contesto in cui la vita è essa stessa “creatrice di differenze” (Maalouf 2009), ciò che accomuna gli esseri umani è, infine, la loro diversità. L’analisi così impostata consente di comprendere come si sviluppa l’auto percezione degli intervistati a fronte anche dell’esperienza migratoria in corso. Essa appare funzionale a comprendere la necessaria evoluzione del concetto a fronte delle esperienze di plurilocalismo (Albera, Audenino e Corti citati in Luconi 2011) e di mobilità vissute oggigiorno dai giovani emigranti italiani. Stabiliti nella Prima e nella Seconda parte i principi teorici, il lavoro si chiude con una Terza Parte che comprende il capitolo conclusivo contenente l’analisi della metodologia della ricerca utilizzata per la conduzione della rilevazione. A partire dai presupposti legati alla scelta del metodo, viene presentata la traccia utilizzata per le interviste semi-strutturate, condotte tra novembre 2012 e ottobre 2013. Dal momento che lo scopo del questionario è quello di riprodurre le biografie in transizione dei soggetti intercettati, ponendo l’accento sull’evoluzione del percorso migratorio che ne deriva, ampio spazio viene dato all’analisi delle testimonianze emerse dal racconto dei soggetti intercettati dalla ricerca. Essa, ponendo in rilievo la storia e le motivazioni legate dell’evento migratorio così come vengono raccontate e percepite dal soggetto, ha come finalità quella di rendere evidenti alcune delle caratteristiche legate all’emigrazione dei giovani dall’Italia. Analizzare i perché e i per come alla base di questa scelta pone in evidenza come, nell’attuale contesto economico e sociale, l’emigrazione non sia esclusivamente supportata dalla ricerca di migliori condizioni economiche ma come essa sia anche l’esempio e la testimonianza della nascita di una nuova mentalità appartenente ad una élite globale (Bauman 2006) per cui la mobilità è prima di tutto un valore.
XXVI Ciclo
1983
MEZZETTI, GIULIA. "Religiosità e processi di auto-identificazione tra giovani musulmani in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/74758.
Повний текст джерелаIn Western countries, the religiosity and self-identification of youths with a Muslim background is shaped by a double dynamic: on one hand, they face negative discourses that cast Islam as “Different” and “Other”; on the other, their religion undergoes a process of deculturation (Roy 2004) - that is, the disconnection between culture and Islam in contexts of emigration. On the basis of a qualitative study (60 in-depth interviews and participant observation) carried out in two Italian cities (Milan and Turin), this thesis investigates how Italian descendants of Muslim migrants articulate and live their religious belonging, by analysing the “everyday lived religion” (Ammerman 2007) of youths acting as volunteers or staff members in the Italian branch of Islamic Relief (the largest Sunni international humanitarian NGOs) and of youths who are not active or involved in any religious or ethnic/national organisation. Hence, the study examines how feelings of religiosity and resources mobilized for identity-building differ between “hyper-visible” young Muslims - i.e. publicly active, vocal and devout (Jeldtoft 2013) - and “non-visible” ones - who have less of an obvious group bound. The study develops a typology of different forms of “religious reflexivity” and explores forms of visible and invisible religiosity.
MEZZETTI, GIULIA. "Religiosità e processi di auto-identificazione tra giovani musulmani in Italia." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/74758.
Повний текст джерелаIn Western countries, the religiosity and self-identification of youths with a Muslim background is shaped by a double dynamic: on one hand, they face negative discourses that cast Islam as “Different” and “Other”; on the other, their religion undergoes a process of deculturation (Roy 2004) - that is, the disconnection between culture and Islam in contexts of emigration. On the basis of a qualitative study (60 in-depth interviews and participant observation) carried out in two Italian cities (Milan and Turin), this thesis investigates how Italian descendants of Muslim migrants articulate and live their religious belonging, by analysing the “everyday lived religion” (Ammerman 2007) of youths acting as volunteers or staff members in the Italian branch of Islamic Relief (the largest Sunni international humanitarian NGOs) and of youths who are not active or involved in any religious or ethnic/national organisation. Hence, the study examines how feelings of religiosity and resources mobilized for identity-building differ between “hyper-visible” young Muslims - i.e. publicly active, vocal and devout (Jeldtoft 2013) - and “non-visible” ones - who have less of an obvious group bound. The study develops a typology of different forms of “religious reflexivity” and explores forms of visible and invisible religiosity.
Gazzoli, Alessandro. "Auto da fé. Rileggere Giorgio Manganelli." Doctoral thesis, University of Trento, 2016. http://eprints-phd.biblio.unitn.it/1838/1/Tesi_dottorato_Alessandro_Gazzoli_-_Auto_da_f%C3%A9.pdf.
Повний текст джерелаHugot, Laurent. "Recherches sur le sacrifice en Etrurie : VIIième siècle-Iier siècle avant J.C." Nantes, 2003. http://www.theses.fr/2003NANT3031.
Повний текст джерелаA long investigation allowed us to collect a voluminous corpus of iconographical, archaeological and literary sources dealing with sacrifices in Etruria. We showed that, at the beginning,"religiosity" seemed to be exclusively turned towards the cult of Deceased and Ancestors. It founds and assures the power of the Great Princes. The rites observed consist principally in libations of blood and/or wine, and probably offerings. In the 6th century B. C. , when the Great Princes disappeared, we can clearly see the emergence of sanctuaries at the entries of necropolis. The other sanctuaries, who existed before out of the zones of necropolis but which were less developed, seemed to catch the attention of Etruscan builders. We showed that the sacrificial sites should have several forms, but they had obligatorily to be built according to formal constraints. Thus the rites would be done. From the Greeks, the Etruscan adopted two systems of communication less mastered before: writing, and images painted, engraved or molded on varied supports. Typological and thematic analysis of those representations allowed us to follow the emergence and the evolution of altars forms and there disappearance across the centuries. If the altar had a central position in the cult, the notion of "sacrificial site" is fundamental to understand the functioning of sacrifices in Etruria. The analyses of these sacrificial sites show the originality of Etruscan sacrifices compared with Greek or Roman sacrifices
McVittie, Marina P. de. "Eris the impulse at the root of mimesis /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8308.
Повний текст джерелаCornez, Élodie. "Les langues du théâtre italien contemporain." Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30003.
Повний текст джерелаThis doctoral dissertation deals with the use of dialectal languages in the contemporary Italian theater. Indeed, these languages remain an important source of inspiration in the most innovating creations of the last thirty years, in spite of the paramount place the Italian language has come to have in the whole national territory since the Italian Unification. This study deals with the values and with what is at stake in these dialectal languages in today's theater which is, most of the time, created by actors-authors: therefore, the relationship between the artist, who is both creator and performer, and dramatic language, relies on a way of tackling the linguistic element that is fundamentally precognitive and corporal as well.After having cleared up the linguistic dynamics in the Italian theater since the Unification ; the study focuses on the work of five contemporary actors-authors: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) and Enzo Moscato. Studying the work of these artists, as well as a specific play, intends to draw up a cartography of the contemporary Italian theater that is inspired by dialect languages to create its own dramatic language. The study aims to lay emphasis on the convergence lines of creations which deals with three key notions, at the core of the study: time, territory and identity. These three notions will be progressively redefined and precised by working on the idea of limit and boundary
Questo lavoro di ricerca si interroga sull’uso delle lingue dialettali nel teatro italiano contemporaneo. Infatti, esse restano un’importante fonte d’ispirazione nelle creazioni più innovative degli ultimi trent’anni, nonostante l’affermarsi dell’italiano sull’intero territorio nazionale a partire dall’Unità. Questo studio si interroga sui valori e sul peso di queste lingue dialettali nel teatro odierno che, in larga parte, viene realizzato da attori-autori: perciò, la relazione che si stabilisce tra l’artista, insieme creatore ed interprete, e la lingua teatrale è fondata su un approccio fondamentalmente pre-cognitivo, e perfino corporeo, dell’elemento linguistico.Dopo aver chiarito, in un primo momento, le dinamiche linguistiche in atto nel teatro italiano sin dall’Unità, questo studio si accentra intorno alla pratica di cinque attori-autori contemporanei: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) e Enzo Moscato. L’analisi del percorso di ognuno di questi artisti, nonché di una loro opera in particolare, mira a stabilire una cartografia del teatro italiano contemporaneo che attinge dai dialetti la materia della propria lingua teatrale. Si tratta di evidenziare le linee di fuga di creazioni che interrogano tre nozioni-chiave al cuore dell’analisi: il tempo, il territorio e l’identità, nozioni affinate e progressivamente ridefinite da una costante riflessione sul concetto di limite e di confine
Felder, Sabine. "Spätbarocke Altarreliefs : Die Bildwerke in Filippo Juvarras Superga bei Turin /." Emsdetten : Edition Imorde, 2002. http://catalogue.bnf.fr/ark:/12148/cb392202138.
Повний текст джерелаClaasen, Sigrid Ulrike. "The black madonna figure as a source of female empowerment in the works of four Italian-Canadian authors (Nina Ricci, Frank G. Paci, Vittorio Rossi, Marco Micone)." Mémoire, Université de Sherbrooke, 1997. http://savoirs.usherbrooke.ca/handle/11143/2001.
Повний текст джерелаVespignani, Cesare. "El discurso de la guerra y la formación del estado : tratados políticos y noticias de soldados en España e Italia en los siglos XVI y XVII /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3095282.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 211-226). Also available for download via the World Wide Web; free to University of Oregon users.
Weigel, Thomas. "Die Reliefsäulen des hauptaltarciboriums von San Marco in Venedig : Studien zu einer Spätantiken Werkgruppe /." Münster : Rhema, 1997. http://catalogue.bnf.fr/ark:/12148/cb370385008.
Повний текст джерелаBibliogr. p. 309-361. Index.
Dore, Giulia. "Plagiarism as an axiom of legal similarity: a critical and interdisciplinary study of the Italian author's right and the UK copyright systems on the moral right of attribution." Doctoral thesis, University of Trento, 2015. http://eprints-phd.biblio.unitn.it/1437/1/A.A._2013-2014_PhD_thesis_Dore_Giulia_Plagiarism_as_an_axiom_of_legal_similarity.pdf.
Повний текст джерелаDiadamo, Fiona. "Nino Ricci's Lives of the saints : le ambiguità dell'immigrato." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79932.
Повний текст джерелаNino Ricci's first book Lives of the Saints begins from the perspective of Vittorio as an adult, but the narrative that the reader follows is developed from his perspective as a child focusing on his ethnic roots. The narrative structure is two-fold: it is a combination of the objectivity of a child's innocent observations with a child's sense of wonder and magic and a strong influence from the adult narrator's voice.
This thesis will examine the narrative approach, the rhetorical devices and the use of myth that Ricci harnesses in his novel in order to show how his work is marked with ambiguity and paradox which points to the psychological condition of immigrants in Canada. The discussion will also focus on some of the literary models that influenced Ricci's narrative, such as Alice Munro, Carlo Levi and Corrado Alvaro.
Pagani, Valentina <1986>. "Attività e metodologie applicate nei processi auto-valutativi degli studenti : uno studio nel contesto universitario italiano e spagnolo." Doctoral thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/17803.
Повний текст джерелаComberiati, Daniele. "Ecrire dans la langue de l'autre: la littérature des immigrés en Italie, 1989-2007." Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210477.
Повний текст джерелаENGLISH: On this work we want to give a definition about “Italian Migrant Literature”. There is a difference between writers came in Italy before or after the migration’s fluxes on the 80’s. With this social and cultural changes, Italy became immigration country. First, migrant writers used a standard language, to have a big public and to talk about migration. Last works are more interesting because they use a plurilingualism that can show the relationship between oral and write. Finally, Postcolonial Italian writers and Second Generation writers make a connection with the literary situation in the other countries (France, Germany, Britain, United States).
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Lecomte, Mia. "Voix poétiques des Italiens d'ailleurs. La poésie italophone (1960-2016)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA114.
Повний текст джерелаThe mass planetary migrations set into motion by the historical and political transformations of the last years of the 20th century are disrupting current national status quos, while populations are undergoing a re-mixture of identities and languages that has produced hybrid cultures and, from the strictly literary point of view, a challenge to the legitimacy of national canons. The pluri-language transnational literatures are drawing an ever-wider map of a new literary universe made up of ubiquitous, unclassifiable writers whose production in prose and poetry escapes genre definitions, emphasizing the linguistic dynamics inherent to these writings in transit. How does Italy fit into this new pluri-language literary scenario? With what results and prospects? After a first introductory chapter, in which a general framework of Italian-language transnational literature is presented from its official beginnings at the start of the Nineties until today, my research focuses specifically on poetic Italophony. Locating its birth back in the early Sixties – the decade when the first « compelled » migrations to Italy began –, transnational Italian-language production is for the first time analyzed through a chronologically ordered panorama of poetic voices, against which the most representatives ones are silhouetted. Stress is laid on the literariness of the texts, and Italian contemporary poetry is always present, in perspective, to trace the relationship that is being created over time between the different expressions of poetic writing « in Italian »
Alga, Maria Livia. "Ethnographie terrona de sujets excentriques : pratiques, narrations et représentations pour contrer le racisme et l’homophobie en Italie." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080151.
Повний текст джерелаThis thesis explores the current reconfiguration of feminism in Italy, particularly the practices and self-representations of women who struggle against racism and homophobia from a postcolonial standpoint and with a freely interpreted sense of sexual difference. These women create spaces of resistance that allow the emergence of new political positionalities, which go beyond western categories of ‘lesbian’, ‘feminist’ and ‘migrant’ by re-signifying them in novel ways. These “eccentric subjects” (de Lauretis 1999) work on the separatisms inside social movements, confounding their ideological polarizations by living difference as instances of vital conflict. They thus open up forms of participation based on the need for transversality. The analysis of the activists’ bodily itineraries and of the movements’ practices and cartographies shows that two main elements of connection exist between these women, who are characterized by multiplicity: on the one hand, their genealogies and origins; on the other, the dimensions of visibility, invisibility and representation.This terrona ethnography draws on a post-exotic anthropological tradition predicated on the researcher’s auto-ethnographic implication, and on a revision of the relation between research participants and the notion of the field. The thesis connects experiences in Paris, Palermo (southern Italy) and Verona (northeast Italy), problematizing forms of cultural competition and the representation of (different parts of) Italy from a postcolonial perspective
Alga, Maria Livia. "Ethnographie terrona de sujets excentriques : pratiques, narrations et représentations pour contrer le racisme et l’homophobie en Italie." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080151.
Повний текст джерелаThis thesis explores the current reconfiguration of feminism in Italy, particularly the practices and self-representations of women who struggle against racism and homophobia from a postcolonial standpoint and with a freely interpreted sense of sexual difference. These women create spaces of resistance that allow the emergence of new political positionalities, which go beyond western categories of ‘lesbian’, ‘feminist’ and ‘migrant’ by re-signifying them in novel ways. These “eccentric subjects” (de Lauretis 1999) work on the separatisms inside social movements, confounding their ideological polarizations by living difference as instances of vital conflict. They thus open up forms of participation based on the need for transversality. The analysis of the activists’ bodily itineraries and of the movements’ practices and cartographies shows that two main elements of connection exist between these women, who are characterized by multiplicity: on the one hand, their genealogies and origins; on the other, the dimensions of visibility, invisibility and representation.This terrona ethnography draws on a post-exotic anthropological tradition predicated on the researcher’s auto-ethnographic implication, and on a revision of the relation between research participants and the notion of the field. The thesis connects experiences in Paris, Palermo (southern Italy) and Verona (northeast Italy), problematizing forms of cultural competition and the representation of (different parts of) Italy from a postcolonial perspective
Squires, Michele B. "Marcel Schwob Digital Collection." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1355.
Повний текст джерелаSCHIUMA, ROSIANA. "<>. IL PROFILO "ISTITUZIONALE" DI MASSIMO BONTEMPELLI." Doctoral thesis, Università degli studi di Modena e Reggio Emilia, 2020. http://hdl.handle.net/11380/1200412.
Повний текст джерелаBy examining the specific, paradigmatic case of Massimo Bontempelli, with particular reference to early twentieth-century Italy, this study aims to outline the intense relationship that existed between intellectuals and the corporate bodies of the fascist regime. In order to expand its range of action also to culture, the regime made use of a series of institutional apparatuses, often working synergistically, which provided significant forms of sustenance. Massimo Bontempelli was emblematic of this approach, given the important positions he held first within the Authors and Writers Union (secretary from 1927 to 1928), and later in the Royal Academy of Italy, which made him a central figure in the cultural scene of the time. The reconstruction of the writer's institutional activities offers a behind-the-scenes view of these institutions and, consequently, allows us to investigate the political and cultural network underlying one of the most direct expressions of those patronage circuits, i.e. literary awards. Conceived as tools to strengthen the cultural system, literary competitions were intended to protect and encourage the activity of Italian writers, from both a financial and a legal point of view. However, they were also a battleground between the great minds of the world, who fought to ensure the awards went to the candidates that best represented the literary movement for which they were the mouthpiece. Thus Bontempelli, as holder - for a certain length of time - of the role of 'master' of the awards machine, endeavoured to protect and reward the Novecento cultural movement of which he was the patron. While the arbiters were just a handful, the outsiders were many. To offer a contrasting view, and render the richness of the literary debate of those years, this study also explores those who were either excluded by the machine or chose to keep their distance. On the fringes (within an appendix including a concise overview of the literary awards in question, in addition to a detailed list), the study also dedicates considerable space to a more general description of Bontempelli, focussing in particular on his many other institutional activities (and those relating to them). Finally, the field of analysis is circumscribed to Bontempelli's work as a propagandist and an anthologist, roles which while fuelling the demands of the cultural policies of fascism, was nevertheless characterised by a problematic and controversial relationship with the regime, which would cost him dearly in the future, perhaps also in terms of critical acclaim.
Baggioni, Laurent. "La « forteresse de la raison ». Lectures de l’humanisme politique florentin d’après l’Epistolario de Coluccio Salutati (1331-1406)." Thesis, Lyon, École normale supérieure, 2011. http://www.theses.fr/2011ENSL0677.
Повний текст джерелаStarting from a critical historicization of the methodological and ideological foundations of categories such as civic humanism and republicanism, this thesis investigates the works of the Florentine humanists not only from the point of view of political theory but also in relation to their historical significance. The aim is to redefine the structural lines of a republican tradition characteristic of Florentine history, a tradition which the thinkers of the Italian Wars (Savonarola, Guicciardini, Machiavelli) inherited and criticized. An extensive reading of the private letters by Coluccio Salutati (1331-1406) constitutes the central part of this work and reveals the juridical character of the Chancellor’s thought : on the one hand, the juridical vocabulary is omnipresent in the letters and provides the core of the hermeneutic tools necessary to political analysis ; on the other hand, it helps defining an « office of exhortation » which discloses Salutati’s urge for reform rather than his role of propagandist. New light is then shed on Leonardo Bruni’s contribution to political thought as Bruni is seen following the path of Salutati’s political humanism. Leonardo Bruni (1370-1444), in comparison with his master, stresses the superiority of history, but finds himself equally involved in the formulation of a language and a science of political life
Jiang, Chongjun. "Etude des alternances récurrentes dans les skarns et des instabilités du front de dissolution/précipitation." Phd thesis, Ecole Nationale Supérieure des Mines de Paris, 1993. http://tel.archives-ouvertes.fr/tel-01052909.
Повний текст джерелаSciarrino, Emilio. "Le plurilinguisme en littérature. Les langues d'Amelia Rosselli, Edoardo Sanguineti, Patrizia Vicinelli." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA104.
Повний текст джерелаMy aim is to demonstrate that multilingualism is not an incidental process, but a substantial function in literature. Therefore, this thesis studies the works of three italian multilingual authors: Amelia Rosselli (1930-1996), Edoardo Sanguineti (1930-2010) and Patrizia Vicinelli (1943-1991). The first part analyses literary multilingualism from a theoretical, historical and formal point of view. After defining essential concepts, I give a detailed overview of the founding studies on this topic. At the same time, I point out how multilingualism raises during the second half of the XXe century. Then I identify the main formal patterns of multilingual texts, from microtext to macrotext, and propose different typologies. Moreover I argue that multingualism plays a leading role in thoughts, emotions and images conveyed by literary texts. Thus the second part focuses on three major features of the multilingual imagination: the subjectivity, the representation of world space and the metalinguistic awareness. Multilingualism has finally a global impact on the reception and the translation of texts, which is the topic of the third part. The reader himself is always engaged in a potential translation. After investigating the general questions raised by the translation of multilingualism, I criticize different translations of our authors in several languages. I also emphasize the specific issue of self-translation and translation written with the author
Paint, Estelle. "Les projets Luther Blissett et Wu Ming : les prémices d'une nouvelle ère de la littérature ? Ou comment, à l'heure d’Internet et de la mondialisation, un collectif d'auteurs italiens remet en cause le façonnement de l'œuvre littéraire, les modalités de sa diffusion, et le statut de l'auteur." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100196/document.
Повний текст джерелаIn 1999, the novel Q, authored by Luther Blisset, enjoyed considerable success. One of its special characteristics is that it bears a copyleft notice allowing free reproduction of the work. Indeed, an open, international group artists and media activists hides behind this peculiar nom de plume and has distinguished itself at various public actions and happenings. About a year later, the authors of the novel set out a new project under the pseudonym Wu Ming (a Chinese translation of “anonymous”) and advocated free circulation of written works. Their publications in literary theory have given rise to controversy in the Italian literary circles. Breaking with the figure of the author that has reigned supreme over the past three decades, Wu Ming is building on new technologies and more specifically on the Internet in order to enforce a new conception of both literary creation and the circulation of works.This dissertation investigates the novelty of the ethical and literary position of Luther Blissett and Wu Ming and looks into their productions in relation to avant-gardism, postmodernism and littérature engagée. In cross-examining the stakes and functioning of both projects with their actual creations, we aim to determine whether Luther Blissett and Wu Ming are heralding a change in literary paradigm or if, in spite of their singularities, these authors do not actually fit into existing patterns
Santagata, Carmen. "L'utilisation de roches autres que le silex au Paléolithique ancien et moyen : choix économiques, techniques et fonctionnels sur la base de l'étude des gisements de Sainte-Anne 1 (Haute-Loire, France) (MIS 5 et 6) et Notarchirico (Basilicata, Italie) (MIS 14 à 17)." Thesis, Bordeaux 1, 2012. http://www.theses.fr/2012BOR14532/document.
Повний текст джерелаThe use of geomaterials different from flint in Early and Middle Paleolithic. Economical technical and functional choices after the study of two sites : Sainte-Anne I (Haute-Loire, France) (MIS 5-7) and Notarchirico (Basilicata, Italy) (MIS 14-17).We tried to answer the question: has the variability of raw materials (from petrographical characteristics and morphological aspects) influenced prehistoric knappers during the production both in time and space? The creation and use of specific descriptive files for each category of objects allowed us to analyze the technical characteristics of the products and to select the variables that played a major role in the assessment of needs at the base of the lithic production. Critical analysis of the litho-stratigraphic contexts and consideration of technical, technological or chronological diversity allows to reconsider the paradigms underlying the differentiation of the techniques: products façonnage (double sided, ébauche), Levallois production system, discoid production system. These terms have for too long concealed the variability of the characters in Paleolithic lithic production. We have now to reconsider the purposes of lithic studies and to aim to decipher the plurality of individuals and palaeolithic societies behaviours
L’utilizzazione delle rocce diverse dalla selce nel Paleolitico antico e medio : scelte economiche, tecniche e funzionali, sulla base dello studio dei siti di Sainte-Anne I (Haute-Loire, France) (SIO 5-7) e di Notarchirico (Basilicata, Italia) (SIO 14-17).La questione principale alla quale abbiamo tentati di rispondere è la seguente: la variabilità delle materie prime (caratteristiche petrografiche e morfologia dei supporti) ha condizionato gli uomini preistorici durante la produzione nel tempo e nello spazio? La creazione e l’utilizzo di schede di analisi specifiche per ogni categoria di oggetti ci ha permesso di analizzare i caratteri tecnici specifici dei prodotti e di selezionare le variabili principali che hanno giocato un ruolo importante nella valutazione delle necessità alla base della produzione litica. L’analisi critica dei contesti lito-stratigrafici e la considerazione delle diversità tecnica, tecnologica o cronologica delle industrie permette di riconsiderare i paradigmi alla base della differenziazione delle tecniche: prodotti del façonnage bifacciale (bifacciale, ébauche), sistema di produzione Levallois, sistema di produzione Discoide. Questi termini hanno per troppo tempo celato la variabilità dei caratteri che durante il Paleolitico era necessario prendere in considerazione nella produzione litica. Adesso bisogna dare un nuovo indirizzo agli studi, indirizzandoli verso la presa di coscienza della pluralità dei comportamenti umani e delle società paleolitiche
El, sayed Mohamed. "L’archéologie sous-marine en Egypte. Rappel critique de son histoire et propositions pour une politique de gestion des vestiges immergés en Egypte, à la lumière des autres expériences en Méditerranée." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20120.
Повний текст джерелаBeside this short history of underwater archeology in Egypt which is described in this work, similar experiences in the Mediterranean are much older, they go back to the fifteenth century with the discovery of a wreck from the first century AD, in Lake Nemi, later, the recovery of some objects from the ancient wreck of Anticythère in 1901 by the Greek fishermen of sponge, and the discovery in 1907 of the Roman wreck of Mahdia in Tunisia, are remarkable in the field of underwater archeology. But the underwater archeology has developed with the invention of the aqualung by the French Jacques-Yves Cousteau and the engineer Emile Gagnan. This invention caused a revolution in the field of underwater activities in 1942-1943. Then the underwater discoveries in the Mediterranean were succeeded and increased for more than a half century, and many countries around the world decided the establishment of an archaeological service specifically dedicated to underwater activities. This study focusses on management policy of underwater archaeology in Egypt, in the light of other experiences in the Mediterranean, in order to draw attention to the importance of the Egyptian underwater archaeology through a study in details of the activities of the Supreme council of Antiquities in Egypt and of the different foreign missions working in Egypt and to propose an effective protection policy of underwater cultural heritage in Egypt, also to develop the tourism of underwater archaeology, and to transform these vestiges in an economic vector, while ensuring an adequate protection by specific legislation that does not exist yet in Egypt
Sciarrino, Emilio. "Le plurilinguisme en littérature. Les langues d'Amelia Rosselli, Edoardo Sanguineti, Patrizia Vicinelli." Electronic Thesis or Diss., Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA104.
Повний текст джерелаMy aim is to demonstrate that multilingualism is not an incidental process, but a substantial function in literature. Therefore, this thesis studies the works of three italian multilingual authors: Amelia Rosselli (1930-1996), Edoardo Sanguineti (1930-2010) and Patrizia Vicinelli (1943-1991). The first part analyses literary multilingualism from a theoretical, historical and formal point of view. After defining essential concepts, I give a detailed overview of the founding studies on this topic. At the same time, I point out how multilingualism raises during the second half of the XXe century. Then I identify the main formal patterns of multilingual texts, from microtext to macrotext, and propose different typologies. Moreover I argue that multingualism plays a leading role in thoughts, emotions and images conveyed by literary texts. Thus the second part focuses on three major features of the multilingual imagination: the subjectivity, the representation of world space and the metalinguistic awareness. Multilingualism has finally a global impact on the reception and the translation of texts, which is the topic of the third part. The reader himself is always engaged in a potential translation. After investigating the general questions raised by the translation of multilingualism, I criticize different translations of our authors in several languages. I also emphasize the specific issue of self-translation and translation written with the author
Nosella, Berilo Luigi Deiró. ""Um buraco no céu de papel": o moderno na dramaturgia de Luigi Pirandello." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/14801.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This master degree main objective is the analysis and the study of the dramatical workmanship composition Six Personages in Search of an Author , witch is studied here as Seis Personagens em Busca de um Autor by Luigi Pirandello (1867-1936), staged for the first time in 1921, in Rome / Italy, reaching success in the entire world and deeply influencing the art of the teatral representation of the century XX. The objectives of the research send to analyze the modern elements gifts in the text Six Personages in Search of an Author and to the verification of the specific items on this modern pirandellian text in debate with modernity and contemporality. Basically, here, the analysis if guideline in the reflection on the existence of a tension between tradition and renewal, characteristic of the modernity in general way and specific way of the workmanship of Pirandello. It is treated, therefore, of formal examining the renewal as crisis of the tradition while factor of revelation and denudation as crisis of the modern world that is present like a mean form in the workmanship of Pirandello and in the Modern Drama . The literary analysis of the pirandellian text was based, initially, in the theoretical debate on the question of the literary sorts for the definition of the concept of Modern Drama . For this issue, this thought followed a line that begins with Hegel, goes to Georg Lukács and finishes with Peter Szondi. Advancing in this way, it was turned back to the proper theoretical texts of Pirandello, mainly O Humorismo , wrote in 1903, that involves the modernity of the drama and how it would be articulated, later, in an artistic form. A critical historical pillar helped to support the recital of this work that had as purpose understand and context this workmanship of Pirandello in its time and the present time. It was established, a parallel between two authors: the Italian, contemporary Pirandello, Antonio Gramsci and the german, Walter Benjamin. This debate in allowed in such a way to invest them in the analysis of the tension between form and content, renewing the art of drama of Pirandello culturally (as content) and the respective esthetic way (as form)
Trata, a presente dissertação, da análise e do estudo da obra dramática Seis Personagens em Busca de um Autor, de Luigi Pirandello (1867-1936), encenada pela primeira vez em 1921, em Roma, Itália, alcançando sucesso no mundo todo e influenciando profundamente a dramaturgia do século XX. Os objetivos da pesquisa remetem à analise dos elementos modernos presentes no texto Seis Personagens em Busca de um Autor e à verificação das especificidades desse moderno pirandelliano em debate com a modernidade e a contemporaneidade. Basicamente, aqui, a análise se pauta na reflexão sobre a existência de uma tensão entre tradição e renovação, característica da modernidade de modo geral e de modo específico da obra de Pirandello. Trata-se, portanto, de formalmente examinar a renovação como crise da tradição enquanto fator de revelação e desnudamento de uma crise do mundo moderno que se apresentaria como uma forma fundamental na obra de Pirandello e no Drama Moderno . A análise literária do texto pirandelliano alicerçou-se, inicialmente, no debate teórico sobre a questão dos gêneros literários para a definição do conceito de Drama Moderno . Para tanto, esse pensamento seguiu uma linha que parte de Hegel, passa por Gyorgy Lukács e se finaliza com Peter Szondi. Avançando neste caminho, voltou-se aos próprios textos teóricos de Pirandello, principalmente O Humorismo, escrito em 1903, que compreende a modernidade do drama e como se articularia, posteriormente, numa forma artística. Sustentou ainda a fundamentação deste trabalho um pilar crítico-histórico que teve como finalidade compreender e contextualizar a obra de Pirandello em seu tempo e na atualidade. Estabeleceu-se, assim, um paralelo entre dois autores: o italiano, contemporâneo a Pirandello, Antonio Gramsci e o alemão Walter Benjamin. Esse debate nos permitiu investir na análise da tensão entre forma e conteúdo, renovando a dramaturgia de Pirandello tanto culturalmente (como conteúdo) quanto esteticamente (como forma)
NOTARANGELO, NICLA MARIA. "A Deep Learning approach for monitoring severe rainfall in urban catchments using consumer cameras. Models development and deployment on a case study in Matera (Italy) Un approccio basato sul Deep Learning per monitorare le piogge intense nei bacini urbani utilizzando fotocamere generiche. Sviluppo e implementazione di modelli su un caso di studio a Matera (Italia)." Doctoral thesis, Università degli studi della Basilicata, 2021. http://hdl.handle.net/11563/147016.
Повний текст джерелаNegli ultimi 50 anni, le alluvioni si sono confermate come il disastro naturale più frequente e diffuso a livello globale. Tra gli impatti degli eventi meteorologici estremi, conseguenti ai cambiamenti climatici, rientrano le alterazioni del regime idrogeologico con conseguente incremento del rischio alluvionale. Il monitoraggio delle precipitazioni in tempo quasi reale su scala locale è essenziale per la mitigazione del rischio di alluvione in ambito urbano e periurbano, aree connotate da un'elevata vulnerabilità. Attualmente, la maggior parte dei dati sulle precipitazioni è ottenuta da misurazioni a terra o telerilevamento che forniscono informazioni limitate in termini di risoluzione temporale o spaziale. Ulteriori problemi possono derivare dagli elevati costi. Inoltre i pluviometri sono distribuiti in modo non uniforme e spesso posizionati piuttosto lontano dai centri urbani, comportando criticità e discontinuità nel monitoraggio. In questo contesto, un grande potenziale è rappresentato dall'utilizzo di tecniche innovative per sviluppare sistemi inediti di monitoraggio a basso costo. Nonostante la diversità di scopi, metodi e campi epistemologici, la letteratura sugli effetti visivi della pioggia supporta l'idea di sensori di pioggia basati su telecamera, ma tende ad essere specifica per dispositivo scelto. La presente tesi punta a indagare l'uso di dispositivi fotografici facilmente reperibili come rilevatori-misuratori di pioggia, per sviluppare una fitta rete di sensori a basso costo a supporto dei metodi tradizionali con una soluzione rapida incorporabile in dispositivi intelligenti. A differenza dei lavori esistenti, lo studio si concentra sulla massimizzazione del numero di fonti di immagini (smartphone, telecamere di sorveglianza generiche, telecamere da cruscotto, webcam, telecamere digitali, ecc.). Ciò comprende casi in cui non sia possibile regolare i parametri fotografici o ottenere scatti in timeline o video. Utilizzando un approccio di Deep Learning, la caratterizzazione delle precipitazioni può essere ottenuta attraverso l'analisi degli aspetti percettivi che determinano se e come una fotografia rappresenti una condizione di pioggia. Il primo scenario di interesse per l'apprendimento supervisionato è una classificazione binaria; l'output binario (presenza o assenza di pioggia) consente la rilevazione della presenza di precipitazione: gli apparecchi fotografici fungono da rivelatori di pioggia. Analogamente, il secondo scenario di interesse è una classificazione multi-classe; l'output multi-classe descrive un intervallo di intensità delle precipitazioni quasi istantanee: le fotocamere fungono da misuratori di pioggia. Utilizzando tecniche di Transfer Learning con reti neurali convoluzionali, i modelli sviluppati sono stati compilati, addestrati, convalidati e testati. La preparazione dei classificatori ha incluso la preparazione di un set di dati adeguato con impostazioni verosimili e non vincolate: dati aperti, diversi dati di proprietà del National Research Institute for Earth Science and Disaster Prevention - NIED (telecamere dashboard in Giappone accoppiate con dati radar multiparametrici ad alta precisione) e attività sperimentali condotte nel simulatore di pioggia su larga scala del NIED. I risultati sono stati applicati a uno scenario reale, con la sperimentazione attraverso una telecamera di sorveglianza preesistente che utilizza la connettività 5G fornita da Telecom Italia S.p.A. nella città di Matera (Italia). L'analisi si è svolta su più livelli, fornendo una panoramica sulle questioni relative al paradigma del rischio di alluvione in ambito urbano e questioni territoriali specifiche inerenti al caso di studio. Queste ultime includono diversi aspetti del contesto, l'importante ruolo delle piogge dal guidare l'evoluzione millenaria della morfologia urbana alla determinazione delle criticità attuali, oltre ad alcune componenti di un prototipo Web per la comunicazione del rischio alluvionale su scala locale. I risultati ottenuti e l'implementazione del modello corroborano la possibilità che le tecnologie a basso costo e le capacità locali possano aiutare a caratterizzare la forzante pluviometrica a supporto dei sistemi di allerta precoce basati sull'identificazione di uno stato meteorologico significativo. Il modello binario ha raggiunto un'accuratezza e un F1-score di 85,28% e 0,86 per il set di test e di 83,35% e 0,82 per l'implementazione nel caso di studio. Il modello multi-classe ha raggiunto un'accuratezza media e F1-score medio (macro-average) di 77,71% e 0,73 per il classificatore a 6 vie e 78,05% e 0,81 per quello a 5 classi. Le prestazioni migliori sono state ottenute nelle classi relative a forti precipitazioni e assenza di pioggia, mentre le previsioni errate sono legate a precipitazioni meno estreme. Il metodo proposto richiede requisiti operativi limitati, può essere implementato facilmente e rapidamente in casi d'uso reali, sfruttando dispositivi preesistenti con un uso parsimonioso di risorse economiche e computazionali. La classificazione può essere eseguita su singole fotografie scattate in condizioni disparate da dispositivi di acquisizione di uso comune, ovvero da telecamere statiche o in movimento senza regolazione dei parametri. Questo approccio potrebbe essere particolarmente utile nelle aree urbane in cui i metodi di misurazione come i pluviometri incontrano difficoltà di installazione o limitazioni operative o in contesti in cui non sono disponibili dati di telerilevamento o radar. Il sistema non si adatta a scene che sono fuorvianti anche per la percezione visiva umana. I limiti attuali risiedono nelle approssimazioni intrinseche negli output. Per colmare le lacune evidenti e migliorare l'accuratezza della previsione dell'intensità di precipitazione, sarebbe possibile un'ulteriore raccolta di dati. Sviluppi futuri potrebbero riguardare l'integrazione con ulteriori esperimenti in campo e dati da crowdsourcing, per promuovere comunicazione, partecipazione e dialogo aumentando la resilienza attraverso consapevolezza pubblica e impegno civico in una concezione di comunità smart.
Lombardi-Diop, Cristina. "Writing the female frontier Italian women in colonial Africa, 1890-1940 /." 1999. http://catalog.hathitrust.org/api/volumes/oclc/46337527.html.
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