Дисертації з теми "Irish and British art"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "Irish and British art".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Godbey, Margaret J. "Vying for Authority: Realism, Myth, and the Painter in British Literature, 1800-1855." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/81444.
Повний текст джерелаPh.D.
Over the last forty years, nineteenth-century British art has undergone a process of recovery and reevaluation. For nineteenth-century women painters, significant reevaluation dates from the early 1980s. Concurrently, the growing field of interart studies demonstrates that developments in art history have significant repercussions for literary studies. However, interdisciplinary research in nineteenth-century painting and literature often focuses on the rich selection of works from the second half of the century. This study explores how transitions in English painting during the first half of the century influenced the work of British writers. The cultural authority of the writer was unstable during the early decades. The influence of realism and the social mobility of the painter led some authors to resist developments in English art by constructing the painter as a threat to social order or by feminizing the painter. For women writers, this strategy was valuable for it allowed them to displace perceptions about emotional or erotic aspects of artistic identity onto the painter. Connotations of youth, artistic high spirits, and unconventional morality are part of the literature of the nineteenth-century painter, but the history of English painting reveals that this image was a figure of difference upon which ideological issues of national identity, gender, and artistic hierarchy were constructed. Beginning with David Wilkie, and continuing with Margaret Carpenter, Richard Redgrave and Dante Gabriel Rossetti, I trace the emergence of social commitment and social realism in English painting. Considering art and artists from the early decades in relation to depictions of the painter in texts by Maria Edgeworth, Edward Bulwer Lytton, Mary Shelley, Joseph Le Fanu, Felicia Hemans, Lady Sydney Morgan, and William Makepeace Thackeray, reveals patterns of representation that marginalized British artists. However, writers such as Letitia Elizabeth Landon and Robert Browning supported contemporary painting and rejected literary myths of the painter. Articulating disparities between the lived experience of painters and their representation calls for modern literary critics to reassess how nineteenth-century writers wrote the painter, and why. Texts that portray the painter as a figure of myth elide gradations of hierarchy in British culture and the important differentiations that exist within the category of artist.
Temple University--Theses
Heister, Iven Lucas. "Paralysis As “Spiritual Liberation” in Joyce’s Dubliners." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500199/.
Повний текст джерелаNajar, Daronkolae Esmaeil. "Pam Gems: Rethinking Her Life and the Impact of Her Plays on British Stage." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523487108676837.
Повний текст джерелаGriffith, Joann D. ""All Men are Builders": Architectural Structures in the Victorian Novel." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/316376.
Повний текст джерелаPh.D.
Nineteenth-century Britain experienced a confluence of a rapidly urbanizing physical environment, radical changes in the hierarchical relationships in society as well as in the natural sciences, and a nostalgic fascination with antiquities, especially gothic architecture. The realist novels of this period reflect this tension between dramatic social restructuring and a conservative impulse to remember and maintain the world as it has been. This dissertation focuses on the word structure to unpack the implications of these opposing forces, both for our understanding of the social structures that novels reflect, and the narrative structures that novels create. To address these issues, I examine the architectural structures described in Victorian realist novels, drawing parallels with their social and narrative structures. In Charles Dickens's Little Dorrit (1855), George Eliot's Adam Bede (1859), and Thomas Hardy's The Mayor of Casterbridge (1886) and Jude the Obscure (1895), descriptions of houses and barns, churches and cathedrals, shops and factories, and courthouses and schools are thematically important because they draw our attention to the novels' interest in the social structures that underlie the fictional worlds they represent. Buildings provide spaces where members of a community may work towards a shared purpose; they also embody that community's common knowledge, values, and ideals. These novels take up the thematic concern with structure through their own formal narrative structuring work. Much like an architect builds a physical structure, novels build a narrative structure by carefully arranging patterns, sequences, proportions, and perspectives. An examination of a novel's description of a building reveals moments of self-reflexive consideration of the narratives it constructs. These are moments that interrogate the building materials of narrative and how their arrangement becomes meaningful, that consider what the narrative structure can accommodate and what it excludes, and that invite us to attend to the ways in which the act of structuring a narrative situates it in time, in relation to the past, present, and future. The choices an architect makes about ornaments and materials, the way a building integrates the surrounding environment, and the way its proportions compare to a human scale, all constitute a kind of language; moreover, the way people interact with, in, and around these built spaces suggests it is a dynamic and evolving language. Preeminent Victorian art and social critic John Ruskin's architectural treatise, The Seven Lamps of Architecture (1849) serves as a master key to interpreting the Victorian understanding of architectural language in the novels under investigation. Because Ruskin's writings pervaded mid-century artistic discourse, and because he turned his critical gaze on such a wide range of the mid-nineteenth century's most important aesthetic, social, philosophical, and ethical concerns, his work provides an invaluable bridge between the physical, social, and narrative structures in these novels. Each of Ruskin's "lamps" represents a specific architectural principle; each chapter in this project pairs a novel with a lamp with thematic and formal resonance.
Temple University--Theses
Machenheimer, Cassandra Elizabeth. "An American "Bookbuilder": An Examination of Loyd Haberly and the Transatlantic Arts and Crafts Movement." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556243824913042.
Повний текст джерелаKennedy, Colleen Elizabeth. "Comparisons Are Odorous: The Early Modern English Olfactory and Literary Imagination." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437648106.
Повний текст джерелаWorman, Sarah E. Ms. ""Mirror With a Memory": Photography as Metaphor and Material Object in Victorian Culture." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu149151628521588.
Повний текст джерелаLinge, John. "British forces and Irish freedom : Anglo-Irish defence relations 1922-1931." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/1689.
Повний текст джерелаRice, B. M. "British and Irish state responses to militant Irish republicanism, 1968-1971." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680387.
Повний текст джерелаCampbell, Barber Fionna. "The time of Irish art." Thesis, Manchester Metropolitan University, 2018. http://e-space.mmu.ac.uk/621811/.
Повний текст джерелаPeatling, G. K. "British ideological movements and Irish politics, 1865-1925." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363674.
Повний текст джерелаChappell, Kevin. "British press interpretation of Irish affairs 1938-1946." Thesis, University of Aberdeen, 2003. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=228858.
Повний текст джерелаTwiddy, Iain. "The pastoral elegy in contemporary British and Irish poetry." Thesis, University of Sheffield, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427181.
Повний текст джерелаMcMahon, Paul Andrew. "British intelligence and the Irish 'Fifth Column', 1939-45." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619712.
Повний текст джерелаGray, Peter Henry. "British politics and the Irish land question, 1843-1850." Thesis, University of Cambridge, 1992. https://www.repository.cam.ac.uk/handle/1810/271973.
Повний текст джерелаShaw, D. J. "Ireland and the Irish in post-war British politics." Thesis, University of Liverpool, 2018. http://livrepository.liverpool.ac.uk/3021158/.
Повний текст джерелаThomas, Evan Benjamin. "Toward Early Modern Comics." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1502561240762248.
Повний текст джерелаCaffrey, Paul. "Irish portrait miniatures c. 1700-1830." Thesis, Southampton Solent University, 1995. http://ssudl.solent.ac.uk/2420/.
Повний текст джерелаTracy, Thomas J. "Comic plots with tragic endings : the British writing of Ireland, 1800-1870 /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3045097.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 210-217). Also available for download via the World Wide Web; free to University of Oregon users.
Robson, Tristram Newton Fatkin. "The Irish harp in art music c1550-c1650." Thesis, Durham University, 1997. http://etheses.dur.ac.uk/9354/.
Повний текст джерелаCox, Gareth. "The Development of Twentieth-Century Irish Art-Music." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37165.
Повний текст джерелаCrosbie, Barry James Conleth. "The Irish expatriate community in British India, c.1750-1900." Thesis, University of Cambridge, 2005. https://www.repository.cam.ac.uk/handle/1810/251942.
Повний текст джерелаPalk, Natalie Anne. "Metal horse harness of the British and Irish Iron Ages." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332899.
Повний текст джерелаBanks, David. "Exploring Irish nursing careers in the British National Health Service." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/321/.
Повний текст джерелаBadrideen, Ahmed. "Aspects of domesticity in contemporary British, Irish and American poetry." Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11502/.
Повний текст джерелаVenn, Jonathan Edward. "Madness, resistance, and representation in contemporary British and Irish theatre." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/27675.
Повний текст джерелаDowning, Niamh Catherine. "Stratigraphies : forms of excavation in contemporary British and Irish poetry." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/11763.
Повний текст джерелаCosgrove, Mary. "Paul Henry and Irish modernism." Thesis, University of Ulster, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243622.
Повний текст джерелаWilliams, Mark Richard. "Particulate trace metals in British coastal waters." Thesis, University of Plymouth, 1995. http://hdl.handle.net/10026.1/1934.
Повний текст джерелаGamble, Miriam Claire. "Form, genre and lyric subjectivity in contemporary British and Irish poetry." Thesis, Queen's University Belfast, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491942.
Повний текст джерелаMcDavid, S. "Northern Ireland : Sunningdale, Power-sharing and British-Irish Relations, 1972-1975." Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527852.
Повний текст джерелаConnolly, Ciaran. "Accounting and accountability : a study of British and Irish fundraising charities." Thesis, University of Ulster, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272188.
Повний текст джерелаSmith, Jos James Owen. "An archipelagic environment : rewriting the British and Irish landscape, 1972-2012." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8183.
Повний текст джерелаLok, Susan Pui San. "A-Y of 'British Chinese' art." Thesis, University of East London, 2004. http://roar.uel.ac.uk/1291/.
Повний текст джерелаMcCue, Maureen Clare. "British Romanticism and Italian Renaissance art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2680/.
Повний текст джерелаForrest, David. "Social Realism : a British art cinema." Thesis, University of Sheffield, 2009. http://etheses.whiterose.ac.uk/10351/.
Повний текст джерелаvon, Rosenberg Ingrid. "Stuart Hall and Black British Art." Universität Leipzig, 2018. https://ul.qucosa.de/id/qucosa%3A32269.
Повний текст джерелаButler, William Marsh. "The Irish amateur military tradition in the British Army, c.1854-1945." Thesis, University of Kent, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633644.
Повний текст джерелаGorman, Sara Elizabeth. "Transformative Allegory: Imagination from Alan of Lille to Spenser." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10916.
Повний текст джерелаLeClair, Andrew. "On William Walwyn's Demurre to the Bill for Preventing the Growth and Spreading of Heresie." Thesis, Florida Atlantic University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13419063.
Повний текст джерелаDuring the English Revolution of the seventeenth century, writers like William Walwyn produced documents contesting the restriction of their liberties. This thesis is a critical edition of Walwyn’s Demurre to the Bill for Preventing the Growth and Spreading of Heresie, unedited since its original publication in 1646. In this text Walwyn advocates for man’s right to question religious orthodoxy in his search for Truth and urges Parliament not to pass a proposed Bill for the harsh punishment of religious sectarians.
Prior to a transcription of the text is an introduction to Walwyn and an attempt to situate the reader in the context of his time. Following that is a style and rhetorical analysis, which concludes that despite his rejection of rhetorical practices, Walwyn’s own use of them is effective. Perhaps this skill is one of the reasons that Parliament passed a milder, non-punitive version of the Bill Walwyn argued against.
Schoellman, Stephanie. "Dis(curse)sive Discourses of Empire| Hinterland Gothics Decolonizing Contemporary Young Adult and New Adult Literature and Performance." Thesis, The University of Texas at San Antonio, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10814117.
Повний текст джерелаThis dissertation advances Gothic studies by 1) arguing that Gothic is an imperial discourse and tracing back its origins to imperial activity, 2) by establishing a Hinterland Gothics discourse framework within the Gothic Imagination, 3) and by defining three particular discourses of Hinterland Gothics: the Gotach (Irish), Gótico (Mexican-American Mestizx), and the Ethnogothix (African Diaspora), and subsequently, revealing how these Hinterland Gothics undermine, expose, and thwart imperial poltergeists. The primary texts that I analyze and reference were published in the past thirty years and are either of the Young Adult or New Adult persuasion, highlighting imperative moments of identity construction in bildungsroman plots and focusing on the more neglected yet more dynamic hyper-contemporary era of Gothic scholarship, namely: Siobhan Dowd’s Bog Child (2008), Celine Kiernan’s Into the Grey (2011), Marina Carr’s Woman and Scarecrow (2006), Emma Pérez’s Forgetting the Alamo (2009), Virginia Grise’s blu (2011), Emil Ferris’s graphic novel My Favorite Thing is Monsters (2017), Gloria Naylor’s Mama Day (1988), Helen Oyeyemi’s White is for Witching (2009), Nnedi Okorafor’s Binti (2015) and Binti: Home (2017), and Nicki Minaj’s 54th Annual Grammy Awards performance of “Roman Holiday” (2012). The cold spots in the white Eurocentric canon where Other presences have been ghosted will be filled, specters will be given flesh, and the repressed will return, indict, and haunt, demanding recognition and justice.
Robinson, Sarah E. "The Other Sherlock Holmes| Postcolonialism in Victorian Holmes and 21st Century Sherlock." Thesis, Southern Illinois University at Edwardsville, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10808581.
Повний текст джерелаThis thesis examines Sherlock Holmes texts (1886–1927) by Sir Arthur Conan Doyle and their recreations in the television series Sherlock (2010) and Elementary (2012) through a postcolonial lens. Through an in-depth textual analysis of Doyle’s mysteries, my thesis will show that his stories were intended to be propaganda discouraging the British Empire from becoming tainted, ill, and dirty through immersing themselves in the “Orient” or the East. The ideal Imperial body, gender roles, and national landscape are feminized, covered in darkness, and infected when in contact for too long with the “Other” people of the East and their cultures. Sherlock Holmes cleanses society of the darkness, becoming a hero for the Empire and an example of the perfect British man created out of logic and British law. And yet, Sherlock Holmes’ very identity relies on the existence of the Other and the mystery he or she creates. The detective’s obsession with solving mysteries, drug addiction, depression, and the art of deduction demonstrate that, without the Other, Holmes has no identity. As the body politic, Holmes craves more mystery to unravel, examine, and know. Without it, he feels useless and dissatisfied with life. The satisfaction with pinpointing every detail, in order to solve a mystery continues today in all media versions. Bringing Sherlock Holmes to life for television and updating him to appeal to today's culture only make sense. Though society has the insight offered by postcolonial theory, evidence of an imperial mindset is still present in the most popular reproductions of Sherlock Holmes Sherlock and Elementary.
Connors, Steven. "The Subject of Indeterminacy| Exploring Identity with Conrad and Salih." Thesis, Clark University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10841511.
Повний текст джерелаLiterary study has long been concerned with the construction of meaning and identity through language. In the realm of postcolonialism, for instance, it is necessary to consider the ways that racism and sexism are hegemonic constructs that are transmitted and solidified through language. Furthermore, literary texts such as Heart of Darkness by Joseph Conrad and Season of Migration to the North by Tayeb Salih engage themselves with revealing the ways that racism, sexism, and colonial discourse function through determinacy or certainty. Moreover, Conrad and Salih are engaged in undermining these enterprises of authoritative discourse by revealing the underlying indeterminacy of language and meaning-making. In other words, they show that meaning exists as humanity constructs it. Thus, it is necessary to consider the ways that they question racism, sexism, and colonialism as movements of thought, discourse, and action that have no rational foundations; and it is necessary to consider the ways that they seek to frame the resistance of these forces in their characters.
Banghart, Andrew S. "Escaping the Real: Popularizing Science and Literary Realism in the Victorian Marketplace." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1465568858.
Повний текст джерелаWilson, Molly Elizabeth. "A New Historicist Perspective on John Milton’s Political Influence: From Milton’s “Lycidas” to Paradise Lost." Ohio Dominican University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1557238064797745.
Повний текст джерелаRedmond, John Plunket. "Aspects of the interrelationship of British and Northern Irish poetry : 1960-1994." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365622.
Повний текст джерелаMercurio, Jeremiah Romano. "Fantasy as a mode in British and Irish literary decadence, 1885–1925." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1964.
Повний текст джерелаMatthews, Charles Kevin. "The Irish boundary crisis and the reshaping of British politics, 1920-1925." Thesis, London School of Economics and Political Science (University of London), 2000. http://etheses.lse.ac.uk/1611/.
Повний текст джерелаBell, Geoffrey. "The British working class movement and the Irish national question, 1916-1921." Thesis, University of Leeds, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343216.
Повний текст джерелаFinlayson, Andrew. "Geomorphology and dynamics of the British-Irish Ice Sheet in western Scotland." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/8965.
Повний текст джерела