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Книги з теми "Ion coloration"

Автор: Grafiati

Опубліковано: 30 травня 2022

Оновлено: 31 травня 2022

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1

American Association of Textile Chemists and Colorists., ed. Textile dyeing and coloration. Research Triangle Park, NC: American Association of Textile Chemists and Colorists, 1997.

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2

Textile coloration and finishing. Durham, NC: Carolina Academic Press, 1996.

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3

Theoretical aspects of textile coloration. Hoboken: John Wiley & Sons Inc., 2016.

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4

Steinmetz, Denis. La coloration des façades en Alsace: Histoire, pratiques, méthodes. Strasbourg: Presses universitaires de Strasbourg, 2004.

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5

McKeand, Alan H. Fachwörterbuch Textilveredlung: Deutsch-Englisch = Dictionary of textile coloration and finishing : English-German. Frankfurt am Main: Deutscher Fachverlag, 2004.

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6

Ambrogi, Annarena. Vasche di età romana in marmi bianchi e colorati. Roma: "L'Erma" di Bretschneider, 1995.

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7

Marmi colorati: Le pietre e l'architettura dall'antico al Barocco. Milano: F. Motta, 2003.

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8

Ehlert, Lois. Lots of spots. New York: Little Simon, 2014.

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9

Nature's paintbrush: The patterns and colors around you. New York, N.Y: Simon & Schuster Books for Young Readers, 1999.

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10

Broadbent, Arthur D. Basic Principles of Textile Coloration. Society of Dyers & Colourists, 2001.

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11

Burkinshaw, Stephen M. Physico-Chemical Aspects of Textile Coloration. Wiley & Sons, Incorporated, John, 2015.

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12

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Disruptive camouflage. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0003.

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Анотація:

Disruptive camouflage involves using coloration to hinder detection or recognition of an object’s outline, or other conspicuous features of its body. This involves using coloration to create ‘false’ edges that make the ‘true’ interior and exterior edges used by visual predators to find and recognize prey less apparent. Disruptive camouflage can therefore be thought of as a manipulation of the signal-to-noise ratio that depends on features of the perceptual processing of receivers. This chapter discusses the multiple mechanisms via which disruptive camouflage is thought to influence visual processing, from edge detection, through perceptual grouping, and then on to object recognition processing. This receiver-centred approach—rather than a prey-phenotype-centred approach—aims to integrate disruption within the sensory ecology of predator–prey interactions. We then discuss the taxonomic, ecological, and behavioural correlates of disruptive camouflage strategies, work on the relationship between disruption and other forms of protective coloration, and review the development of approaches to quantifying disruption in animals.

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13

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Dazzle camouflage. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0013.

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Dazzle camouflage is a putative anti-predator adaptation that works to reduce predation by camouflaging movement itself, comprising coloration that interferes with predator perception of prey speed and trajectory. Accurately estimating speed and trajectory is essential for any predator that needs to know where its prey is likely to be in the near future so that it can position itself to intercept. The dazzle hypothesis is that prey coloration can interfere with these judgements. Experimental support for dazzle camouflage is currently very mixed, and we are not yet clear whether dazzle effects occur in natural systems. Here we first discuss illustrative examples of putative disruptive effects in biological and military design. Then we identify where firm and less firm conclusions can be made on the role of pattern contrast, pattern orientation, and internal object motion, before moving on to consider the evolution and ecology of dazzle camouflage.

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14

Pinna, Baingio. On the Watercolor Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0057.

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The watercolor illusion is a long-range assimilative spread of color emanating from a thin colored line running contiguous to a darker chromatic contour and imparting a figure-ground effect across a large area. The watercolored figure appears evenly colored by an opaque light veil of chromatic tint (coloration effect), with a clear surface color property spreading from the lighter edges. At the same time, the watercolored figure manifests a strong figure-ground organization and a solid figural appearance comparable to a rounded surface segregated in depth which extends out from the flat surface. The complementary region appears as a hole or empty space. The phenomenal properties of coloration and figure-ground effects and their relationship are described and demonstrated. The watercolor illusion and its main effects are discussed in the light of parallel mechanisms. Boundary and surface dynamics are processed by the boundary contour system and by the feature contour system.

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15

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Countershading. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0004.

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Countershading is a coloration pattern where the exterior surfaces most exposed to light, typically dorsal surfaces, are more darkly coloured than those oriented away from light, typically ventral surfaces. Countershading is widely discussed as a camouflage defence, although other functions—such as thermoregulation, abrasion resistance, and protection from ultraviolet light—may also select for countershading. In terms of camouflage, countershading is thought to work by up to six distinct mechanisms. We discuss several key examples of countershading and counterillumination that give insight into some of this complexity, before reviewing the evidence for the effectiveness of each of the six mechanisms. These include relatively simple effects, such as background matching dorsal surfaces against dark oceanic depths when viewed from above and ventral surfaces against downwelling light when viewed from below, but also more complex mechanisms, such as the concealment of cues to three-dimensional shape created by an animal’s self-cast shadows. Following this are sections on the evolution and genetics of countershading, before the chapter concludes with ecological considerations and suggestions for future research.

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16

Ruxton, Graeme D., William L. Allen, Thomas N. Sherratt, and Michael P. Speed. Aposematism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199688678.003.0007.

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Aposematism is the pairing of two kinds of defensive phenotype: an often repellent secondary defence that typically renders prey unprofitable to predators if they attack them and some evolved signal that indicates the presence of that defence. Aposematic signals often work to modify the behaviours of predators both before and during attacks. Warning coloration, for example, may increase wariness and hence improve the chances that a chemically defended prey is released unharmed after an attack. An aposematic signal may therefore first tend to reduce the probability that a predator commences attack (a primary defence) and then (as a component of secondary defence) reduce the probability that the prey is injured or killed during any subsequent attack. In this chapter we will consider both the primary and the secondary effects of aposematic signals on prey protection. We begin first by describing the common features of aposematic signals and attempting to show the wide use to which aposematic signalling is deployed across animals (and perhaps plants too). We then review the interesting evolutionary issues aposematic signals raise, including their initial evolution and their integration with sexual and other signals. We also discuss important ecological, co-evolutionary, and macroevolutionary consequences of aposematism.

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17

Poore, Gary CB, Shane T. Ahyong, and Joanne Taylor, eds. Biology of Squat Lobsters. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643104341.

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Squat lobsters of the superfamilies Chirostyloidea and Galatheoidea are highly visible crustaceans on seamounts, continental margins, shelf environments, hydrothermal vents and coral reefs. About 1000 species are known. They frequently feature in deep-sea images taken by submersibles and are caught in large numbers by benthic dredges. Some species are so locally abundant that they form ‘red tides’. Others support a variety of important fisheries. The taxonomy of squat lobsters has been intensively studied over the past few decades, making them one of the best known deepwater crustacean groups. As a result, they have attracted the attention of deep-sea ecologists who use them as proxies to test hypotheses about deepwater ecological processes and biogeography. Interest in squat lobsters now extends much more widely than the taxonomic research community and this work is a timely synthesis of what is known about these animals. The Biology of Squat Lobsters provides keys for identification and reviews the current state of knowledge of the taxonomy, evolution, life history, distribution, ecology and fisheries of squat lobsters. A striking feature of squat lobsters is their vivid coloration, which is revealed in a selection of spectacular images of different species. 2012 Whitley Award Commendation for Invertebrate Natural History.

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18

Ferraro, Thomas J. Transgression and Redemption in American Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.001.0001.

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This book considers modern American fiction in its own Italianate coloration: the interplay of sex (the red of passion), violence (the black of violence), and sanctity (the gold of redemption). Its purpose is to involve readers in the mythopoetics of American narrative, long-lived and well overdue, in which Marian Catholicism is seen as integral to apprehending the nexus among eros, grace, and sacrifice in U.S. self-making—especially for Protestants! It starts with Hawthorne’s The Scarlet Letter, the primary instigator, as well as with Frederic’s ingenious retelling, The Damnation of Theron Ware, a second persisting prism. Sustained revisionist accounts of five major novels and several stories follow, including Chopin’s The Awakening, James’ The Wings of the Dove, Fitzgerald’s The Great Gatsby, Cather’s The Professor’s House, and Hemingway’s The Sun Also Rises. Each novel is recalled as a melodrama of beset sexuality and revealed as a martyr tale of forbidden love—successive, self-aware courtings of devotional Catholicism that the critical and teaching establishment has found too mysterious and dangerous to recognize, never mind sanction. In counterpoint, the book illuminates each tale in its own terms, which are often surprising yet almost always common-sensical; it identifies the special senses—beauty, courage, and wisdom—that emerge, often in the face of social terror and moral darkness, under Marian-Catholic pedagogy; and it yields an overview of the mainline of the modern American novel in which sexual transgression (including betrayal) and graced redemption (the sanctification of passion, mediated confession, martyring sacrifice) go hand in hand, syncretically.

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