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Книги з теми "Intonation studies"

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Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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1

Summer Institute in Advanced Phonetics (1984 Mysore, India). Acoustic studies in Indian languages: Research papers prepared at the Summer Institute in Advanced Phonetics. Mysore: Central Institute of Indian Languages, 1986.

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2

Partch, Harry. Two studies on ancient scales: 1946/1994. Baltimore, MD: Smith Publications, 1997.

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3

Intonational phrasing in Romance and Germanic: Cross-linguistic and bilingual studies. Amsterdam: John Benjamins Pub. Co., 2011.

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4

The acquisition of L2 Mandarin prosody: From experimental studies to pedagogical practice. Amsterdam: John Benjamins Publishing Company, 2016.

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5

Koźbiał, Jan. Studien zur deutschen Intonation. Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 1991.

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6

Analyse von Hörfunknachrichten: Eine sprechwissenschaftlich-empirische Studie. Frankfurt am Main: Lang, 2009.

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7

Formen von Fragen und Funktionen von Fragesätzen: Eine deutsch-finnische kontrastive Studie unter besonderer Berücksichtigung der Intonation. Tübingen: M. Niemeyer, 1988.

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8

Studies in intonation. [Northern Ireland]: University of Ulster, 1986.

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9

Downing, Laura J., and Al Mtenje. Intonation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198724742.003.0011.

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Анотація:

Intonation in African languages remains an especially understudied topic of investigation. Chichewa is, then, rather exceptional, as there exist both purely impressionistic studies of intonation for the language, such as Kanerva (1990), as well as more phonetically informed studies, such as Carleton (1996), Myers (1996, 1999a, b), Downing (2011a, 2017), and Downing et al. (2004). Based on this work as well as our own investigations, the first three sections of the chapter provide an overview of intonation in three basic constructions: declarative sentences (both simple and complex), content questions and answers, and polar questions. Emphasis prosody (as opposed to focus prosody) is also discussed. Intonational phenomena covered include: downstep, final lowering, continuation rise, emphasis raising, suspension of downstep, and polar question intonation. The implications of Chichewa intonation for the typology of intonation in tone languages is discussed in the concluding section of the chapter.

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10

Richter, Helmut, and Dafydd Gibbon. Intonation, Accent and Rhythm: Studies in Discourse Phonology. de Gruyter GmbH, Walter, 2011.

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11

Intonational Phonology (Cambridge Studies in Linguistics). 2nd ed. Cambridge University Press, 2008.

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12

Ode, Cecilia. Russian Intonation A Perceptual Description. (Studies in Slavic and General Linguistics). Editions Rodopi, 1989.

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13

Topic and Focus: Cross-linguistic Perspectives on Meaning and Intonation (Studies in Linguistics and Philosophy). Springer, 2007.

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14

Cohen, A., J. T. Hart, and R. Collier. A Perceptual Study of Intonation: An Experimental-Phonetic Approach to Speech Melody (Cambridge Studies in Speech Science and Communication). Cambridge University Press, 2006.

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15

(Editor), Joanna Przedlacka, K. Dziubalska-kolaczyk (Editor), and J. Przedlacka (Editor), eds. English Pronunciation Models: A Changing Scene (Studies in Language and Communication). Peter Lang Publishing, 2005.

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16

Gregorian Chant Intonations and the Role of Rhetoric (Studies in Gregorian Chant, 1). Edwin Mellen Press, 2003.

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17

Kubozono, Haruo, Junko Ito, and Armin Mester, eds. Prosody and Prosodic Interfaces. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780198869740.001.0001.

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Анотація:

Abstract This volume brings together novel, original studies on prosody and prosodic interfaces. It consists of fifteen chapters, of which some look at word prosody and phrase prosody in individual languages, some examine the interactions between lexical tones and intonation, and others analyze the syntax-prosody interface. Despite much recent attention paid to prosody, there is yet a significant number of languages and dialects that remain largely undocumented or understudied. Many chapters in this volume contribute to this empirical gap in prosodic research by presenting new data, based on original fieldwork and experiments. Moreover, many chapters address important questions pertaining to the interactions between lexical and postlexical tones with in-depth investigations of both lexical prosody and postlexical phonology. Furthermore, other chapters tackle the question of how prosodic structure—either lexical or postlexical—interacts with syntactic structure, thereby contributing to our understanding of the interaction between multiple components of the grammar, embedded in a thorough understanding of current linguistic theories. The volume as a whole addresses many difficult issues and illuminates the question of how prosody is structured in language and functions in human communication.

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18

Adleyba, Dzhulyetta. The stylistic and poetical-compositional system of a fairy tale. Volume 1 : Oral stylistic foundations of a fairy tale. Experimental study on the Abkhaz material. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1473.978-5-317-06459-4_v1.

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Анотація:

In the present edition “The stylistic and poetical-compositional system of a fairy tale” in 2 volumes, the author's works in the field of the study of the stylistic system of a fairy tale, carried out within the framework of an experimental direction in folklore studies, are combined. The study of the problem in this direction was undertaken by the author on the initiative of the outstanding scientist V.M. Gatsak, Doctor of Philology, Corresponding Member RAS, and was conducted over a number of years. The monograph “Oral stylistic foundations of a fairy tale. Experimental study on the abkhaz material”, which constituted 1 volume of this edition “The stylistic and poetical-compositional system of a fairy tale”, is devoted to topical problems of folklore studies, dictated by the urgent need for a comprehensive audio-visual study of folklore style. The work was carried out according to a special methodology, providing for the study of samples of oral poetry in their living existence in the light of the requirements of the experimental direction in folklore with the obligatory use of repeated recordings of fairy texts at different times, as well as film and photo documents. The aim and task of the research is to reveal the peculiarities of the style of fairy tale narration in their conditionality by the laws of preservation and transmission of traditions. The section “Appendices” contains samples of tabular analysis and intonation recording of typed repetitions, a package of film and photographic documents, a disc with a recording of the text being executed and rhythmic segments.

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19

Luukko-Vinchenzo, Leila. Formen Von Fragen und Funktionen Von Fragesätzen: Eine Deutsch-Finnische Kontrastive Studie Unter Besonderer Berücksichtigung der Intonation. de Gruyter GmbH, Walter, 2012.

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20

Analysing Talk (Studies in English Language). Palgrave Macmillan, 1994.

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21

Jasinskaja, Katja. Information Structure in Slavic. Edited by Caroline Féry and Shinichiro Ishihara. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199642670.013.25.

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Анотація:

This chapter presents a concise overview of the linguistic means that express categories of information structure (IS) in Slavic languages. Concentrating especially on (a) the realization of broad vs narrow focus (focus projection); and (b) the expression of given information, topic, and delimitation, the chapter covers intonation and ‘free’ word order—the two most widely discussed ways of IS encoding. It further presents less well studied IS-sensitive devices and phenomena in Slavic: clefts, predicate doubling, topic and focus particles, as well as the interaction of IS with the Slavic clitic systems, in particular, in the expression of positive and negative polarity (or verum) focus.

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22

Downing, Laura J., and Al Mtenje. The Phonology of Chichewa. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198724742.001.0001.

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Анотація:

Bantu languages have played and continue to play an important role as a source of data illustrating core phonological processes—vowel harmony, nasal place assimilation, postnasal laryngeal alternations, tonal phenomena such as high tone spread and the OCP, prosodic morphology, and the phonology–syntax interface. Chichewa, in particular, has been a key language in the development of theoretical approaches to these phonological phenomena. This book provides thorough descriptive coverage, presented in a clear, atheoretical manner, of the full range of phonological phenomena of Chichewa. Less well-studied topics—such as positional asymmetries in the distribution of segments, the phonetics of tone, and intonation—are also included. The book surveys, where relevant, important recent theoretical approaches to phonological problems—such as vowel harmony, the phonology–syntax interface, focus prosody, and reduplication—where Chichewa data is routinely referred to in the theoretical literature. The book will therefore serve as a resource for phonologists—at all levels and working in different theoretical frameworks—who are interested in the processes discussed. Because many of the phonological processes in Chichewa are conditioned by particular morphological or syntactic contexts, the book should also be of interest to linguists working on the interfaces. As there are almost no other monographs on the phonology of Bantu languages available, this book serves as an excellent introduction to core issues in the phonology of Bantu languages.

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