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1
Goud, Johan. "Art and Spirituality. Explored on the Levels of Experience, Meaning and Research." Perichoresis 18, no. 3 (July 1, 2020): 21–32. http://dx.doi.org/10.2478/perc-2020-0014.
Повний текст джерелаАнотація:
AbstractThe area where literature, art, music, religion, spirituality, and philosophy split off from, run parallel to each other, and merge again is like a delta. This essay explores the complex interrelations between art and spirituality on three levels. First on the level of spiritual experience, exemplified by experiences of the art of still life (the painter Morandi, the poet Kopland). On the second level, several questions about meaning are analyzed, beginning with the question of meaning posed by the work of art itself. Both art and spirituality presuppose an open and receptive attitude. In philosophical reflections on the meaning of art, some aim primarily at its relevance for our insight into the reality of things, people, and animals, while others are more concerned with its significance for human action. Thirdly, some problems on the level of research are discussed. Research invites us to come to a critical relativization of what we have seen, heard, or read and also allows us to see that the often presupposed ‘immediacy’ of our experience is in fact mediated by pre-given schemes and habits. Three reasons are given to answer the question why it is meaningful to research these mediations and to search for the authentic meanings of art works (in particular works of literature) themselves.
2
Michelson, Annette. "Painting, Instantaneism, Cinema, America, Ballet, Illumination, Apollinaire." October 169 (August 2019): 65–74. http://dx.doi.org/10.1162/octo_a_00356.
Повний текст джерелаАнотація:
Attending closely to the implicit kineticism of Picabia's 1924 “Instantaneist Manifesto” and the musicalist aesthetic of his art, Annette Michelson considers the artist's interest in time and moving images, arguing that temporalization is the key impulse in his practice regardless of medium. This dedication to temporalization, the author claims, manifests not only as a fetishization of mobility and travel but more critically as the stimulus for interrelations between dance, cinema, painting, and poetry.
3
Petrova, Snezana, and Ana Aleksovska. "INTERRELATION BETWEEN THREE FORMS OF ART OR TEACHING LITERATURE THROUGH FILM." Slavonic Pedagogical Studies Journal 6, no. 1 (February 2017): 120–29. http://dx.doi.org/10.18355/pg.2017.6.1.10.
Повний текст джерела
4
Yaacob, Adli, and Siti Hajar Ramli. "THE CONCEPT AND THE PHILOSOPHY OF ISLAMIC LITERATURE ACCORDING TO MUHAMMAD QUTB." International Research Journal of Shariah, Muamalat and Islam 3, no. 9 (December 31, 2021): 33–44. http://dx.doi.org/10.35631/irjsmi.39005.
Повний текст джерелаАнотація:
Muhammad Qutb was a writer and Islamic thinker. He believed that Islamic art (literature) is not necessarily the art of talking about Islam. Islamic art is not an advice, direct sermon, and insistence on the following goodness. It is an art that draws an image of existence from the perspective of perception (tasawwur) of Islam on everything that exists. It is a wonderful expression of the universe, life, and humanity, through the Islamic teachings of it. Islamic art is an art that finds the perfect interrelation between the beauty (al-Jamal) and the truth (al-Haq). Beauty refers to the reality of this nature, whilst the truth is the peak of beauty. The relationship between art and Islam is not a reluctance and hostility relationship. It is contrary to a group that assumes religion is related to truth, and art is only about beauty (al-Jamal). Many say that religion only focuses on ethics and morals. On the contrary, Islamic art rejects all constraints against it, including morals and attitude. Religion actually fulfilled the needs of the soul with art, and art meets the creed of the inner soul. The concept of Muhammad Qutb leads to the universal idea of literature (عالمية الأدب), and the commitment to art based on literary texts, and within the framework of Islam. The Quran is a major source of art, presenting a perfect vision of nature, life, and humanity, including the purpose of the arts itself. Islamic art is characterized by four attributes, namely divine truth, the universe, life, and humanity. These four attributes are the core of Islamic art, in addition to the Islamic teachings of existence that focus on realism, beauty, human emotion, destiny, and the truth of faith. All these are the things that turn the arts into giving life-packs and expressions that affect the souls of men.
5
Florea, Eleonora, and Stela Cojocaru. "The Presence of the Phenomenon of Artistic Synesthesia in Painting." Review of Artistic Education 22, no. 1 (June 1, 2021): 244–52. http://dx.doi.org/10.2478/rae-2021-0030.
Повний текст джерелаАнотація:
Abstract The present study elucidates the presence of the phenomenon of artistic synesthesia in painting, describes the types of synesthesia and their effects, sensory symbiotic relationships, correlations with different genres of art: dance, music, literature. Early art forms were initially distinguished by an archaic and primary syncretism, being interconnected and dependent on each other. Subsequently, during the historical evolution, these artistic forms were dispersed in separate art genres, while preserving this specific intermediarity and interrelation, of artistic synesthesia. Synesthetic phenomena in painting are stylistically interconnected with music, dance, literature.
6
Freire, Maria Teresa, António Santos Silva, Maria do Rosário Veiga, Jorge de Brito, and Frank Schlütter. "Natural or Artificial? Multi-Analytical Study of a Scagliola from Estoi Palace Simulating Imperial Red Porphyry." Microscopy and Microanalysis 22, no. 6 (November 21, 2016): 1281–303. http://dx.doi.org/10.1017/s1431927616011909.
Повний текст джерелаАнотація:
AbstractIn this paper the characterization of a gypsum plaster sample from the end of the 19th century simulating imperial red porphyry using a multi-analytical approach is presented and discussed. The results of X-ray diffraction (XRD), thermogravimetric and differential thermal analysis (TGA-DTA), physical and mechanical properties are summarized. In order to have further insight into the microstructure, polarized light microscopy (PLM), scanning electron microscopy coupled with energy dispersive X-ray spectrometer (SEM-EDS), and micro Raman spectroscopy analyzes were also made. They helped to clarify the main issues raised by the other complementary analytical techniques and allowed the establishment of interrelations between the different properties, providing important information about the materials, the skills, and the technological development involved in the art of imitating noble stones with gypsum pastes. This study also contributes to our knowledge concerning the preservation of these types of elements that are important in the context of European decorative arts and rarely reported in the literature.
7
Kosiewicz, Jerzy. "Sport and Art: Differences and Theatrical Similarities." Physical Culture and Sport. Studies and Research 63, no. 1 (September 1, 2014): 69–87. http://dx.doi.org/10.2478/pcssr-2014-0022.
Повний текст джерелаАнотація:
Abstract A certain tradition of philosophical considerations on the interrelation between sport and art has already been established. According to Tim L. Elcombe (Elcombe, 2012, p. 201), such considerations on the subject first appeared in English-language literature in the 1970s and 1980s, and were fruitful. Usually, they appear together with questions on the aesthetic properties of sport - in this case, a special issue of the Journal of the Philosophy of Sport dedicated to ―Sport and Aesthetics‖ (2012, vol. 39, no. 2), and an excellent postdoctoral dissertation by Jakub Mosz entitled ―Estetyczne aspekty uczestnictwa w sporcie‖ (English: Aesthetic aspects of participation in sports) may serve as good examples. In his article (Elcombe, 2012), Tim L. Elcombe describes the contention and briefly characterizes the main differences between the two opposing viewpoints (Elcombe, 2012, pp. 202-204). It should be noted that he sympathizes with the view of David Best, who some years ago argued that sport is not art (1988, pp. 527-539). He believes that ―although art could use sport as a subject, art could not be the subject of sport‖ (Elcombe, 2012, p. 202). I would like to make that statement more specific by adding that its second part suggests that the display of artistic values cannot be the fundamental purpose of sport. I shall expand on that later. Best's viewpoint was criticized by Jan Boxil (1988), Spencer Wertz (1988), and Terry Roberts (1995), who believed that sport could be treated as art. Christopher Cordner (1995a; 1995b) and Joseph Kupfer (1988) also challenged Best, although they did not entirely disagree with him (see: Elcombe, 2012, pp. 202-204). Because literature on the subject published in English presents diversified statements on the interrelation between sport and art, and the circle of people engaged in the matters of physical culture in Poland is still in favor of equating sport with art, I have decided to present my own stance on that matter.
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Usman, Muhammad, and Malik Imran Ahmad. "Parallel mediation model of social capital, learning and the adoption of best crop management practices." China Agricultural Economic Review 10, no. 4 (November 5, 2018): 589–607. http://dx.doi.org/10.1108/caer-01-2017-0002.
Повний текст джерелаАнотація:
Purpose The purpose of this paper is to examine the effect of social capital on the adoption of best crop management practices and testified the mediatory role of learning in the relationship between social capital and the adoption of best crop management practices. Then the authors examined the role of education as the moderator of the interrelations between social capital, learning and the adoption of crop management practices. Design/methodology/approach Based on a survey of 317 small farmers from three districts of Southern Punjab, the authors used structural equation modeling and bootstrapping to test these relationships. Findings The study confirms that bonding social capital and bridging social capital are positively related to the adoption of best crop management practices. Moreover, the authors empirically demonstrate that exploitative and explorative learning act as the parallel mediators between social capital and the adoption of best crop management practices. Practical implications By focusing on building social capital and maintaining meaningful interactions with the social networks, the small farmers can improve their existing methods and practices of managing the existing varieties of crops. Originality/value The extant literature has highlighted, but usually not explored, the imperative interrelations between social capital, learning and the adoption of best crop management practices. The authors provide empirical evidence about these relationships.
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Rivera, Urpi Barreto. "Knowledge management in construction industry projects. A review of the literature." South Florida Journal of Development 3, no. 3 (June 29, 2022): 4112–21. http://dx.doi.org/10.46932/sfjdv3n3-081.
Повний текст джерелаАнотація:
The purpose of this study was to determine the current status of knowledge management in the construction industry; the references analyzed formulate theoretical links between the variables listed above, therefore this article organizes the material. The methodology employed is founded on a systematic literature review, a bibliometric search of the variables, and an analytical-synthetic procedure based on the classification of articles. The outcome is the formulation of the current state of the art, which schematizes the variables individually and their interrelation. This work contributes to the literature of knowledge management and project management by presenting these findings. To improve the performance of knowledge transfer and, consequently, the performance of projects, this study is also of importance to corporations and public bodies that manage projects in the construction industry.
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Bédard, Annabelle, Zhen Li, Wassila Ait-hadad, Carlos A. Camargo, Bénédicte Leynaert, Christophe Pison, Orianne Dumas, and Raphaëlle Varraso. "The Role of Nutritional Factors in Asthma: Challenges and Opportunities for Epidemiological Research." International Journal of Environmental Research and Public Health 18, no. 6 (March 15, 2021): 3013. http://dx.doi.org/10.3390/ijerph18063013.
Повний текст джерелаАнотація:
The prevalence of asthma has nearly doubled over the last decades. Twentieth century changes in environmental and lifestyle factors, including changes in dietary habits, physical activity and the obesity epidemic, have been suggested to play a role in the increase of asthma prevalence and uncontrolled asthma worldwide. A large body of evidence has suggested that obesity is a likely risk factor for asthma, but mechanisms are still unclear. Regarding diet and physical activity, the literature remains inconclusive. Although the investigation of nutritional factors as a whole (i.e., the “diet, physical activity and body composition” triad) is highly relevant in terms of understanding underlying mechanisms, as well as designing effective public health interventions, their combined effects across the life course has not received a lot of attention. In this review, we discuss the state of the art regarding the role of nutritional factors in asthma, for each window of exposure. We focus on the methodological and conceptual challenges encountered in the investigation of the complex time-dependent interrelations between nutritional factors and asthma and its control, and their interaction with other determinants of asthma. Lastly, we provide guidance on how to address these challenges, as well as suggestions for future research.
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Mayes, Robyn. "‘We’re Sending you Back’: Temporary Skilled Labour Migration, Social Networks and Local Community." Migration, Mobility, & Displacement 3, no. 1 (August 24, 2017): 71. http://dx.doi.org/10.18357/mmd31201717074.
Повний текст джерелаАнотація:
This paper contributes to the emergent literature on the temporal and dynamic constitution of temporary skilled migrant networks, foregrounding under-researched interrelations between migrant and non-migrant networks. It does so through examination of the lived experience of transnational, temporary skilled labour migrants resident in Ravensthorpe in rural Western Australia (WA) who were confronted with the sudden closure of the mining operation where they were employed. As a result they faced imminent forced departure from Australia. Drawing on qualitative data collected in Ravensthorpe three weeks after the closure, this paper foregrounds the role of this shared, profoundly socially-disruptive event in the formation of a temporary, multi-ethnic migrant network and related interactions with a local network. Analysis of these social relations foregrounds the role of catalysing events and external prompts (beyond ethnicity and the migration act) in the formation of temporary migrant networks, along with the importance of local contexts, policy conditions and employer action. The social networks formed in Hopetoun, and associated mobilisation of social capital, confirm the potential and richness of non-migrant networks for shaping the migrant experience, and foreground the ways in which these interrelations in turn can shape the local experience of migration, just as it highlights the capacity of community groups to act as social and political allies for temporary migrants.that would require migrants to depart after a set number of years and instead recommend a pathway to permanent residence based on duration of stay.
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Taspınar, Seyda Eraslan. "Reading image and thinking image in a new visual age." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 417–26. http://dx.doi.org/10.18844/prosoc.v2i1.326.
Повний текст джерелаАнотація:
We are living in the age in which visually is prevailing intensely and mass communication is based upon image rather than expression. It is a significant skill for our age to comprehend the language of images in this new visual age. Art and visual world are not independent concepts. Visual literacy, a branch of multiple literacies emerged with the development of information and its transfer style, is a visual language utilized to work out issues of this new visual age.  In this study, the relation of visual literacy concept to art and art education is investigated based on the literature in the light of technological advancements.  Improvability of visual literacy skills through art education is discussed by compiling the results and comments of other studies and investigating the interrelation of art and visual literacy. At the end of the research with the scanning method, evaluations on the relations of visual literacy concept to art education and their interactive sides were carried out, and conclusions and recommendations were stated relevant to raise productive individuals that have visual literacy skills through an effective art education.Keywords: visual literacy, visual thinking, visual arts, visual arts education
13
Solomon, Jennifer. "Going above and beyond: using nursing theories to explore volunteerism during the COVID-19 pandemic." British Journal of Nursing 30, no. 21 (November 25, 2021): 1238–40. http://dx.doi.org/10.12968/bjon.2021.30.21.1238.
Повний текст джерелаАнотація:
Historically, nurses have volunteered to serve in wars and natural catastrophes. However, instead of a distant disaster, many nurses in the UK volunteered, working above and beyond, to assist their colleagues, local communities and health systems in the NHS during the peaks of the COVID-19 pandemic. Although the motivations and benefits to the community or self of volunteerism have been discussed in the literature, there is a paucity of literature and theoretical understanding from the field of nursing. Using a reflective and personal account of volunteering, this article aims to provide a better understanding of the concept of volunteerism in nursing. By exploring associated nursing theories from Jean Watson and Kristen Swanson, this article aims to illuminate and expand the knowledge base about nursing volunteerism. These nursing theories can frame the act of volunteerism and nursing and illustrate the interrelations of nursing theory and the practice of nursing volunteerism.
14
Milla, Asli Cazorla, and Leonardo Jose Mataruna Dos-Santos. "Social Media Preferences, Interrelations Between the Social Media Characteristics and Culture: A View of Arab Nations." Asian Social Science 15, no. 6 (May 31, 2019): 71. http://dx.doi.org/10.5539/ass.v15n6p71.
Повний текст джерелаАнотація:
This article is a pioneering theoretical work as an approach from the perspective of combination of social media characteristics and wisdom of crowds. The aim of this article is to conceptualize the social media channels in terms of their characteristics and to discuss the correlation between social media choices and culture. This paper contributes to social media marketing theory by developing a conceptual approach that explains and offers implications pertaining to the relationship between different social media channels in the age of social media. To do this, the relevant literature has been thoroughly reviewed, and exploratory research method has been used. The study also aims to visualize the effect of cultural differences as aligned with the study of Edward Hall (1967) and Gert Hoftstede (1984). Cultural factors exert a broad and deep influence on social media choices. Arab countries are categorized as high-context culture according to Hall's dimensions. The social media reports, Arab Social Media, conducted by Dubai School of Government of the years from 2013, 2013 and 2017 were analyzed. The limited availability of the literature done on the region has limited the scope and analysis of the research. The paper concludes that social media has certain characteristics that interrelate with each other and culture has a moderation effect on the choices.
15
Pranoto, Iwan. "Student-Centered Learning In ‘The School of Rock’ Movie Directed By Richard Linklater." Terob : Jurnal Pengkajian dan Penciptaan Seni 12, no. 2 (April 10, 2022): 60–70. http://dx.doi.org/10.20111/terob.v12i2.31.
Повний текст джерелаАнотація:
One of the teachers in the ‘School of Rock’ movie is characterized uniquely compared to the others. Instead of being like a teacher normally does, the main character of this movie is a member of a band who disguises himself as a teacher. He once pretends to be his friend who applied as a teacher in that certain school. Categorized as a comedy movie, it does not have a serious plot but is a lot of fun. Nevertheless, an interesting thing pops up about how the main character, Deway, teaches art through his ‘own way of teaching’. To analyze this movie deeper, the researcher used a literature review as a data collection. This article was then presented by using a narrative method that is by breaking down each element thoroughly and educational approach through Herbert Read’s art. By completing this article, it is expected to see the interrelation between the elements building the art with its comprehensive meaning
16
Höge, Holger. "Fechner in Context: Aesthetics from Below, Inner and Outer Psychophysics: A Reply to Pavel Machotka." Empirical Studies of the Arts 15, no. 1 (January 1997): 91–97. http://dx.doi.org/10.2190/1wau-hxvq-cc6e-unth.
Повний текст джерелаАнотація:
In his recent article Machotka [1] has discussed several difficulties of Fechner's unique approach to look for progress in the field of aesthetics: from below. Machotka proposed a radically different methodology: (a) perception of interrelations, (b) giving form to content, (c) fitting form to content, and (d) bending rules. My basic argument is that his new methodology is still based on Fechner's methods, i.e., from below, however, on a higher level of complexity. Finally, some light is cast on the role Fechner assigned to the two parts of psychophysics: inner and outer psychophysics and their relation to aesthetics.
17
Braginsky, Vladimir I. "Rediscovering the ‘Oriental’ in the Orient and Europe: new books on the East-West cultural interface: a review article." Bulletin of the School of Oriental and African Studies 60, no. 3 (October 1997): 511–32. http://dx.doi.org/10.1017/s0041977x00032523.
Повний текст джерелаАнотація:
The literature on the cultural interrelations of East and West published up to the present time is enormous. Even so, every new scholarly study in this field cannot but provoke interest, so important is the topic, particularly today in the era of so-called globalization. The books under review here, edited and introduced by Andrew Gerstle (SOAS) and Anthony Milner (ANU),1 are based on papers presented at conferences held by the Humanities Research Centre of the Australian National University. The theme of the conferences—‘Europe and the Orient‘—attracted a great number of specialists in art history, musicology, anthropology and history, Asianists and Europeanists, from Europe, the United States and Australia. It is worth noting that the most of the papers are based on published works in which their authors have discussed the same or closely related topics. In presenting the principal ideas of those publications, these collections of papers form a ‘miniature library’ of works on East-West comparative cultural studies. The interdisciplinarity of the articles—their extraordinary ‘polyphony’, the diversity of their often mutually contradictory and polemical approaches, judgements and evaluations—reveals the complexity, multifacetedness and theoretical difficulties which are only too characteristic of the study of comparative culture. The reader is here provided with quite a complete picture of the contemporary state of the field, as well as of the strong and weak sides of its investigations. This breadth of coverage is one of the main strengths of the volumes.
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Morozova, Irina Vasilyevna. "FINNISH AMERICAN IDENTITY AND STRATEGIES FOR ITS DETERMINATION IN FINNISH AMERICAN CONTEMPORARY LITERATURE." Yearbook of Finno-Ugric Studies 15, no. 4 (December 24, 2021): 642–53. http://dx.doi.org/10.35634/2224-9443-2021-15-4-642-653.
Повний текст джерелаАнотація:
The article focuses on one of the pressing problems of modern humanitarian knowledge - the problem of self-identification of hybrid cultures, in particular, the culture of the Finnish Americans. The ethnic diversity of the United States leads to a constant intersection of various cultures, giving rise to the uniqueness of contemporary American literary life. National, cultural, personal identity associated with the revision of the traditions that were assimilated in their diaspora acts as the main problem of multiculturalism - the ideology of plurality and diversity. Self-identification strategies may include the definition of one's religious, ethnic, gender determination. Very often, the community's collective trauma and collective memory of the historical past can act as a strategy. The main strategies of ethnic and cultural self-identification of Finnish American literature are represented by the collective memory, collective trauma, “Finnishness”, and the national Finnish epic “Kalevala”, which is used as a source of archetypal images and poetic imagination. Basing on a number of works by Finnish American writers of the second half of the 20 and 21 centuries in different genres (science fiction, historical novel, short stories), the article examines the creative application of the Finnish epic “Kalevala”, integrated into the experience of American existence as one of the main strategies for self-identification of its own culture, which is built on the dialogical interaction of the Anglo-Saxon and Finnish cultures. The article actualizes the problems of the interrelations of the two cultures, the transformation of archetypal images, the reflection of collective memory in the works of contemporary Finnish American writers.
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Güvel, Ayşe. "A Comparative Study of Ezra Pound's Cantos on the domain of symbolism and W. B. Yeats's occultism through A Vision." Technium Social Sciences Journal 20 (June 8, 2021): 935–43. http://dx.doi.org/10.47577/tssj.v20i1.3506.
Повний текст джерелаАнотація:
The Cantos by Ezra Pound serves in a quintessential way to focus on the Modernist idea of literature. By defining the Modernist movement, it is emphasized in what aspects this movement penetrates the monumental poem, The Cantos. Alongside showing a sequence as to how modernism was formed and developed in time, the research provides a deeper understanding through Ezra Pound’s modernist perception and W. B. Yeats’s occultism over his work of art, A Vision. Pound’s epic poem, The Cantos and Yeats’s unique work, A Vision fulfill the need of a literary satiation in The Modernist period. By juxtaposing The Cantos and Yeats’s occultist perspective, the research probes the extent that the two works create a literary escapism, which attempts to balance the sanctity of human sanity. In the Modernist period, the period of picturing the frustration of the First World War, the interrelation of these works of art turns out a reflection of a literary recuperation from the cataclysm led by The Modernist world.
20
Hutchison, Coleman. "Breaking the Book Known as Q." PMLA/Publications of the Modern Language Association of America 121, no. 1 (January 2006): 33–66. http://dx.doi.org/10.1632/003081206x96104.
Повний текст джерелаАнотація:
This essay considers a series of questions about the relations between material presentation and poetic meaning that emerge from a simple but under-acknowledged fact about the 1609 Shake-speares Sonnets quarto: unlike nearly every other sonnet sequence from the period, Q's poems are broken by a series of nonuniform, seemingly arbitrary page breaks. Arguing that these breaks have profound implications for the interpretation and reception of Shakespeare's poems, the essay suggests that not reading page breaks is itself a reading practice-a historically specific, socially determined act in which certain elements of materiality are granted attention and authority while others are not. Espousing instead an approach to the materiality of Shake-speares Sonnets that would take seriously the matter of Q's page breaks, this essay understands the page and the page break to be units of meaning with particularly urgent implications for the recognition of poetic form and for the interrelations between a history of the book and the idea of literature. (CH)
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Kucuk Yilmaz, Ayse. "Strategic approach to managing human factors risk in aircraft maintenance organization: risk mapping." Aircraft Engineering and Aerospace Technology 91, no. 4 (April 1, 2019): 654–68. http://dx.doi.org/10.1108/aeat-06-2018-0160.
Повний текст джерелаАнотація:
Purpose Aviation has multi-cultural business environment in all aspects as operational and management. Managing aviation requires high awareness on human factor risk which includes organizational behavior-related topics. The greatest risk to an enterprise’s ability to achieve its strategic goals and objectives is the human factor. Both organizational behavior and corporate culture behavior with social psychology are the most vital aspects of management and strategy in terms of human resources. Related risks, including organizational behavior and culture, have the potential to directly impact on both business performance and corporate sustainability. Therefore, in this paper, the most prominent risks were determined in accordance with social psychology, and after identification of human factor-based risks, these have prioritized and prepared risk mapping with fresh approach. For this reason, this study aims to develop risk mapping model for human factors that takes into account interrelations among risk factors three dimensional based new approach. This approach includes both identification of human factor based risks, prioritization them and setting risk mapping according to corporate based qualifications via tailoring risk list. Developed risk map in this paper will help to manage corporate risks to achieve improved performance and sustainability. Design/methodology/approach This new organizational behavior- and culture-focused risk mapping model developed in this study has the potential to make significant contribution to the management of the human factor for modern management and strategy. In enterprise risk management system, risk mapping is both strong and effective strategic methodology to manage ergonomics issue with strategic approach. Human factor is both determinative and also strategic element to both continuity and performance of business operations with safely and sound. In view of management and strategy, vitally, the human factor determines the outcome in both every business and every decision-making. Findings It is assumed that, if managers manage human risk you may get advantages to achieving corporate strategies in timely manner. Aviation is sensitive sector for its ingredients: airports, airlines, air traffic management, aircraft maintenance, pilotage and ground handling. Aim of this paper is to present risk management approach to optimize human performance while minimizing both failures and errors by aircraft maintenance technician (AMT). This model may apply all human factors in other departments of aviation such as pilots and traffic controllers. AMT is key component of aircraft maintenance. Thus, errors made by AMTs will cause aircraft accidents or incidents or near miss incidents. In this study, new taxonomy model for human risk factors in aircraft maintenance organizations has been designed, and also new qualitative risk assessment as three dimensions is carried out by considering the factors affecting the AMT’s error obtained from extensive literature review and expert opinions in the field of aviation. Human error risks are first categorized into two main groups and sub three groups and then prioritized using the risk matrix via triple dimension as probability, severity and interrelations ratio between risks. Practical implications Risk mapping is established to decide which risk management option they will apply for managers when they will look at this map. Managers may use risk map to both identify their managerial priorities and share sources to managing risks, and make decisions on risk handling options. This new model may be a useful new tool to manage ergonomic human factor-based risks in developing strategy in aviation business management. In addition, this paper will contribute to department of management and strategy and related literature. Originality/value This study has originality via new modeling of risk matrix. In this study, dimension of risk analysis has been improved as three dimensions. This study has new approach and new assessment of risk with likelihood (probability), impact (severity) and interrelations ratio. This new model may be a useful new tool to both assess and prioritize mapping of ergonomic-based risks in business management. In addition, this research will contribute to aviation management and strategy literature and also enterprise risk management literature.
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VARNEY, DENISE. "Caught in the Anthropocene: Theatres of Trees, Place and Politics." Theatre Research International 47, no. 1 (February 18, 2022): 7–27. http://dx.doi.org/10.1017/s030788332100047x.
Повний текст джерелаАнотація:
This article investigates live performance in the broad geo-historical context of the Anthropocene, a contested term in recent scholarship, but one that offers a breadth of focus on human relations with its coexistent non-human other. These interrelations are examined through a range of theatrical and non-theatrical genres and sites from the Australian parliament's coal theatrics to exemplary performances by Indigenous companies Bangarra Dance Theatre and Marrugeku. It sets the scene with a visit to the Curtain Tree in the rainforests of north Queensland, Australia, arguing that the vitality and display of its root system models a special kind of reciprocity between the performative elements of the environment and the environmental elements of theatre and performance. This is traced through recent short-run immersive works, Hanna Cormick's Mermaid (2020) and Melinda Hetzel and Company's Conservatory (2020), and a rereading of a canonical Australian drama, Summer of the Seventeenth Doll.
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Revoredo, Dhiego Henrique Ferreira, Ana Cecília Vieira Nobrega, Arnaldo Manoel Pereira Carneiro, and João Emanuell Araújo Marciano. "A Review Predictive Mathematical Modeling of Alkali-Silica Reaction in Concrete: evolution, current understanding and the knowledge gaps." Research, Society and Development 10, no. 11 (September 6, 2021): e449101119810. http://dx.doi.org/10.33448/rsd-v10i11.19810.
Повний текст джерелаАнотація:
Predictive mathematical models have been proposed in alkali-silica reaction (ASR). Predicting concrete degradation and its effects on mechanical properties is of interest given the long time until degradation becomes critical for intervention and recovery, and difficult structural access for predictive and corrective monitoring and treatment. The present paper presents a general overview of the evolution of the aforementioned predictive mathematical models, interrelating them to the maturation of the phenomenological state of the art associated with ASR. For this purpose, a systematic literature review was used, followed by bibliometric analysis and meta-analysis. In this study, 104 articles from 1974 to 2020 were selected, of which 31 articles were reviewed on the topic of mathematical modeling of ASR. The results of the method indicated the importance of the methodological approach of literature review to provide a comprehensive and chronological view of the evolution of ASR consolidated in the literature. It was found that the mathematical models have evolved considering the phenomenological approach of ASR.
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Numerato, Dino, and Richard Giulianotti. "Citizen, consumer, citimer: The interplay of market and political identities within contemporary football fan cultures." Journal of Consumer Culture 18, no. 2 (December 5, 2017): 336–55. http://dx.doi.org/10.1177/1469540517744692.
Повний текст джерелаАнотація:
This article examines how football, sport and other cultural fields are characterized by complex interrelations between ‘citizen’ and ‘consumer’ identities. Our analysis centres specifically on critically examining and developing the concept of ‘citimer’ (citizen-consumer) with respect to activist supporter groups within European professional men’s football. First, to establish the structural and cultural context for our analysis, we argue that the emergence of citizen-consumer identities in football has been driven by five underlying processes: globalization, commodification, securitization, mediatization and postmodernization. Critical football fan movements have responded to these changes through greater reflexivization and politicization. Second, drawing on the broad academic literature, we develop the concept of the citizen-consumer (or ‘citimer’) and introduce its relevance to football. Third, to provide a more nuanced understanding of the citizen-consumer, we explore how this ‘citimer’ identity is constructed in two ways: ‘from below’ (by fan groups themselves at everyday level) and ‘from above’ (by clubs, governing bodies, media and other powerful forces within the football system). In both instances, we find that the citizen and consumer aspects of the citimer identity are interrelated in complex ways. Fourth, we conclude by highlighting the political reflexivity of citimers and areas for future research. Our analysis draws on extensive data collection: with football supporters and officials in the Czech Republic, England and Italy and at the wider European level, and through access to diverse primary and secondary documents (e.g. policy papers, fanzines and online forums). Our findings may be applied to examine citimer identities, practices and social relations not just within football and sport but in many other cultural fields, such as art, communication, drama, fashion, film and music.
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Todorova, Rostislava G. "From Word to Image: The “Hesychastic type” of Mandorla." De Medio Aevo 11, no. 1 (December 6, 2021): 5–23. http://dx.doi.org/10.5209/dmae.79063.
Повний текст джерелаАнотація:
Based on the complex interrelations between word and image, the present paper aims to elucidate the penetrating correlation of the theological thought of the time with the art of a specific epoch. The findings of this study emphasize on the Hesychasm and its influence over Byzantine iconography in the fourteenth century AD, especially in relation to the formation of a new, unusual form of mandorla, called “hesychastic type”. In order to explain its rise and further development in Byzantine and Post Byzantine iconography, the paper discusses the earliest extant patterns of the “hesychastic type” of mandorla from the very beginning of the century and compares them with several subsequent examples. The focal point of the research is to find out which one is the earliest known pattern of the “hesychastic type” of mandorla and the place where this type of the symbol has emerged. The generally shared view claims that the new form has been produced firstly in Thessaloniki and can be seen in the partially survived Transfiguration mosaics in the Holy Apostles Church there. However, this study proceeds from the assumption that the prime model originates from Constantinople, caused by the theological and artistic milieu in the metropolis and probably found its place first in the wall paintings of the Chora Church. In support of this hypothesis, we are going to pay particular attention to the evidences about the relationships between the first and the second city in the Empire, the obvious intervisuality between the iconographic models in both churches and to some data about the erroneous dating of the wall decorations of the Holy Apostles Church in Thessaloniki.
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Todorova, Rostislava G. "From Word to Image: The “Hesychastic type” of Mandorla." De Medio Aevo 11, no. 1 (December 6, 2021): 5–23. http://dx.doi.org/10.5209/dmae.79063.
Повний текст джерелаАнотація:
Based on the complex interrelations between word and image, the present paper aims to elucidate the penetrating correlation of the theological thought of the time with the art of a specific epoch. The findings of this study emphasize on the Hesychasm and its influence over Byzantine iconography in the fourteenth century AD, especially in relation to the formation of a new, unusual form of mandorla, called “hesychastic type”. In order to explain its rise and further development in Byzantine and Post Byzantine iconography, the paper discusses the earliest extant patterns of the “hesychastic type” of mandorla from the very beginning of the century and compares them with several subsequent examples. The focal point of the research is to find out which one is the earliest known pattern of the “hesychastic type” of mandorla and the place where this type of the symbol has emerged. The generally shared view claims that the new form has been produced firstly in Thessaloniki and can be seen in the partially survived Transfiguration mosaics in the Holy Apostles Church there. However, this study proceeds from the assumption that the prime model originates from Constantinople, caused by the theological and artistic milieu in the metropolis and probably found its place first in the wall paintings of the Chora Church. In support of this hypothesis, we are going to pay particular attention to the evidences about the relationships between the first and the second city in the Empire, the obvious intervisuality between the iconographic models in both churches and to some data about the erroneous dating of the wall decorations of the Holy Apostles Church in Thessaloniki.
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Todorova, Rostislava G. "From Word to Image: The “Hesychastic type” of Mandorla." De Medio Aevo 11, no. 1 (December 6, 2021): 5–23. http://dx.doi.org/10.5209/dmae.79063.
Повний текст джерелаАнотація:
Based on the complex interrelations between word and image, the present paper aims to elucidate the penetrating correlation of the theological thought of the time with the art of a specific epoch. The findings of this study emphasize on the Hesychasm and its influence over Byzantine iconography in the fourteenth century AD, especially in relation to the formation of a new, unusual form of mandorla, called “hesychastic type”. In order to explain its rise and further development in Byzantine and Post Byzantine iconography, the paper discusses the earliest extant patterns of the “hesychastic type” of mandorla from the very beginning of the century and compares them with several subsequent examples. The focal point of the research is to find out which one is the earliest known pattern of the “hesychastic type” of mandorla and the place where this type of the symbol has emerged. The generally shared view claims that the new form has been produced firstly in Thessaloniki and can be seen in the partially survived Transfiguration mosaics in the Holy Apostles Church there. However, this study proceeds from the assumption that the prime model originates from Constantinople, caused by the theological and artistic milieu in the metropolis and probably found its place first in the wall paintings of the Chora Church. In support of this hypothesis, we are going to pay particular attention to the evidences about the relationships between the first and the second city in the Empire, the obvious intervisuality between the iconographic models in both churches and to some data about the erroneous dating of the wall decorations of the Holy Apostles Church in Thessaloniki.
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Portis-Winner, Irene. "Facing emergences: Past traces and new directions in American anthropology (Why American anthropology needs semiotics of culture)." Sign Systems Studies 37, no. 1/2 (December 15, 2009): 114–68. http://dx.doi.org/10.12697/sss.2009.37.1-2.06.
Повний текст джерелаАнотація:
This article considers what happened to American anthropology, which was initiated by the scientist Franz Boas, who commanded all fields of anthropology, physical, biological, and cultural. Boas was a brave field worker who explored Eskimo land, and inspired two famous students, Ruth Benedict and Margaret Mead, to cross borders in new kinds of studies. After this florescence, there was a general return to linear descriptive positivism, superficial comparisons of quantitative cultural traits, and false evolutionary schemes, which did not introduce us to the personalities and inner worlds of the tribal peoples studied. The 1953 study by the philosopher David Bidney was a revelation. Bidney enunciated and clarified all my doubts about the paths of anthropology and his work became to some extent a model for a narration of the story of American anthropology. In many ways he envisaged a semiotics of culture formulated by Lotman. I try to illustrate the fallacies listed by Bidney and how they have been partially overcome in some later anthropological studies which have focused on symbolism, artistry, and subjective qualities of the people studied. I then try to give an overview of the school started by Lotman that spans all human behavior, that demonstrates the complexity of meaning and communication, in vast areas of knowledge, from art, literature, science, and philosophy, that abjured strict relativism and closed systems and has become an inspiration for those who want anthropology to encompass the self and the other, and Bahtin’s double meaning. This paper was inspired by Bidney as a call to explore widely all possible worlds, not to abandon science and reality but to explore deeper inner interrelations and how the aesthetic may be indeed be paramount in the complexities of communication.
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Malcolm, David. "‘J’ai mon silence’: The interrelations of sound, voice and silence in three short stories by Sylvia Townsend Warner1." Short Fiction in Theory & Practice 11, no. 1-2 (June 1, 2021): 57–72. http://dx.doi.org/10.1386/fict_00036_1.
Повний текст джерелаАнотація:
The interrelations of sound, voice and silence in three realist short stories by Sylvia Townsend Warner from the 1940s are discussed. The stories are ‘The Proper Circumstances’, ‘The Mother Tongue’ and ‘A Breaking Wave’, all published in the posthumous collection One Thing Leading to Another (1984). Warner is shown to be deeply attuned to sound and its absence in her short fiction; these motifs are integrated with other aspects of setting and with character and narration. Both sound in the text and sound of the text are of semantic importance in her work. Warner’s presentation of silence as a source of power is remarkable, silence being usually configured as lack of agency. Warner’s deployment of silence is related to her status as a lesbian writer.
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Dudareva, M. A., and D. A. Aripova. "SACRAL RHIZOME OF POETRY IN THE ESSAYS BY K.D. BALMONT AND S.A. YESENIN: CULTUROLOGICAL COMMENTATION." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 85 (2022): 47–51. http://dx.doi.org/10.37313/2413-9645-2022-24-85-47-51.
Повний текст джерелаАнотація:
The object of the article is the poetry rhizome phenomenon which has the qualities of apophaticism. The subject of the research is apophaticism of poetry. The material for the article is represented by well-known essays on art by two representatives of the Silver Age, K.D. Balmont and S.A. Yesenin. The cultural and philosophical analysis focuses on the interrelation of the Logos and silence, the phenomenal and the noumenal, the rational and pre-rational in the poets’ essays “Poetry as Magic” and “Mary’s Keys”. Much attention is paid to the problem of metaphysics in creativity, its apophatic aspect in the Russian cosmo-psycho-logos, which is crucially important for understanding the ontological issues connected with the writers' creativity. The research methodology involves the holistic onto-hermeneutic analysis aimed at highlighting the cultural potential of the given works of art, which makes it possible to describe the importance of the poetic word for a Russian in culturological terms, to delve into the specifics of the national way of life. Much attention is paid to the comparison of the two essays on art in the folkloristic and mythological aspect, as created by the Symbolist poet and the Imaginist poet at the same time. The research results may be of interest for literary historians who treat literature in the aspect of its inclusion in the space of a broader dialogue of cultures. Additionally, they may be used in teaching cultural studies and Russian philosophy.
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Hassan, Doaa Kamaleldin. "CREATIVITY TRILATERAL DYNAMICS: PLAYFULNESS, MINDFULNESS, AND IMPROVISATION." Creativity Studies 12, no. 1 (February 19, 2019): 1–14. http://dx.doi.org/10.3846/cs.2019.4313.
Повний текст джерелаАнотація:
As recent studies proved; creativity is no longer an option, it is really essential for our everyday life. In fact, creativity is a unified whole composed of four interweaved strands; creative person, creative press, creative process, and creative product. Nevertheless, creative person could be considered the motor of these unified gearwheels. Creative person should be open for novelty, tolerant for complexity and ambiguity as discussed through literature; however, the question here is how to acquire these characteristics. In this sense, issues of playfulness, mindfulness and improvisa-tion could be much related and might answer such question. In fact, these topics were approached in many researches in relation to creativity, but there are scarce studies that might relate them to each other, i.e., playfulness with mindfulness, mindfulness with improvisation, or improvisation with playfulness. Thus, this research, as a contribution to the field of the psychology of creativity, proposes that there is a correlation among these three experiences or forces of a creative person. Then, the aim of this research is to explore these interrelations that, if boosted, might leverage creative person’s characteristics. The methodology is based on inductive reasoning via two phases; first, analyzing literature on playfulness, mindfulness and improvisation and their relations to creativity studies. The second phase is traversing these three corpuses, sewing them together in order to create a braid of these forces to act as dynamics boosting for higher levels of creative mindset.
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Stopel, Bartosz. "Aesthetic Appreciation and the Dependence Between Deep and Surface Interpretation." Journal of Literary Theory 14, no. 1 (March 1, 2020): 94–119. http://dx.doi.org/10.1515/jlt-2020-0006.
Повний текст джерелаАнотація:
AbstractThe article traces the relationship between what is called surface, aesthetic interpretation and deep, semantic, theory-driven interpretation of literature. The former is identified with how interpretation is typically understood in analytic philosophy of art, whereas the latter as belonging to continental literary theory, thus framing the discussion within the relevant debates that the two eminent philosophical schools engage in. Specifically, the article argues in favor of a number of claims. It discusses the notion of surface interpretation, understood as the informed practice involved in general attention to a literary work with an aim of attaining an aesthetically rewarding experience (appreciation). Surface interpretation locates a literary work in a specific art-historical context and at minimum acknowledges the author’s categorial intentions pertinent to genre, general aims and representational content of the work. The article also argues against the notion that appreciation, which is supposed to be the main aim of surface interpretation, is purely perceptual (Carroll, Lamarque) and that consequently aesthetic experience does not involve affective experiences. Grounding appreciation in affective experiences (Levinson) leads me to acknowledge an important continuity between fully formed aesthetic experience and more instinctive or »effortless« ways of attending to a work, such as when one »just enjoys« the emotions afforded by, say, a horror story rather than with full aesthetic attention to the work, where the affective component dominates, but which are less structured to be properly called aesthetic within the conceptual framework I offer here. As a result, I divide the pleasures of attending to an artwork into the instinctive, hedonic ones and the properly aesthetic ones, which both constitute two basic modes of reading. The aesthetic mode is not fully separate from the hedonic one, but on the contrary, by tapping directly into the hardwired human cognitive-affective architecture, it provides a general framework and parameters for the emergence of the higher-order aesthetic mode where more prominence is given to art-historical knowledge and more attention to the design and form/content interrelation. Importantly, aesthetic mode does not operate with the absence of the hedonic one, though they can simultaneously produce different evaluations (e. g. hedonically positive, aesthetically/artistically negative). The two modes could be said to have distinct model readers with corresponding levels of competence. The hedonic reader, as opposed to the aesthetic one, would be largely oblivious to art-historical contexts and would be more selective in terms of attention to the work, relying on direct affect-triggering textual cues. Interpretive effort would be reduced, too. I also discuss my model with reference to the psycho-historical framework for the study of art appreciation as developed by Bullot and Reber which attempts to explain how art responders acquire more complex types of attention to the work, or stances, from mere exposure to the work’s perceptual content to tracing causal history and integrating historical contexts into a more rounded approach to art appreciation. An important part of my argument is the indication that non-habitual pattern isolation responsible for identifying structures, interrelations between a work’s elements and forming predictions about its development in the process of reading is a crucial component of aesthetic experience. Next, I move on to discuss deep interpretation, which typically is seen as miles apart from aesthetic interpretation. It is sometimes assumed that deep, semantic interpretation disregards surface interpretation, including authorial intentions and art-historical contexts and emphasizes reader’s active, playful role in generating an unconstrained swirl of connotations. Such a practice is seen either as being a source of bliss (Barthes) or as a purely intellectual pursuit attempting at enhancing the understanding of the work (Sontag). I argue against all three views and integrate deep interpretation into the model sketched so far. Seeing deep interpretation as unconstrained and purposeless (Lamarque) is an uncharitable straw man. Such a vision would render semantic interpretation unintelligible and random, but this is not the case. By looking into some examples taken from Roland Barthes’ own work which is one of the foundations of modern theory-driven interpretation, I argue that despite his bombastic claims, he is unable to start his deep interpretation project without acknowledging categorial intentions and art-historical context of the work’s creation. Consequently, and comparing his views to contemporary debates on work, authorship, intentions and aesthetics, his work is an attack on a rather dated understanding of these concepts. Theory-driven interpretation can be flawed or stretched, if it does not pay its dues to surface interpretation. Next, I argue that both surface and deep interpretation operate according to the principles of value-maximization (Davies) which can override author’s intentions about the details of her work’s meaning. Using a specific theoretical framework in deep interpretation is an extension of the non-habitual patterns isolation principle and serves to enhance the experience of the work by trying to recognize more pattern that add up to the work’s complexity while remaining faithful to the work’s basic contents. Taking up the semantic reading stance already entails taking up the underlying aesthetic and, more distantly, hedonic stances. In the end, theory-driven interpretation forms the third reading mode which emerges with a correspondingly more competent model reader from the partly-constraining aesthetic mode.
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Oztekin, Cetin Volkan, Ecem Kaya-Sezginer, Didem Yilmaz-Oral, and Serap Gur. "Male Urogenital Disorders and Metabolic Syndrome: Possible Links, Characteristics and Potential Treatment Strategies." Current Pharmaceutical Design 24, no. 9 (May 18, 2018): 1019–33. http://dx.doi.org/10.2174/1381612824666171213102836.
Повний текст джерелаАнотація:
Background: Metabolic syndrome (MetS), as a cluster of metabolic derangements which are major risk factors for vascular disease is one of the most important threats to public health. Although the epidemiological and limited amount of basic science and clinical evidence link MetS to several male urogenital disorders, a holistic approach aiming to define common mechanistic pathways and new possible therapeutic targets are lacking. Objective: The current review has focused on providing scientific evidence on the role of MetS and its components on male urogenital disorders and the definition of new therapeutic targets. Method: In this review, current clinical and basic science literature were assessed examining the role of MetS in etiology and pathogenesis of male urogenital disorders and performed through PubMed from 2000 to May 2017. Results and Conclusion: MetS shows an important association with common male urogenital disorders such as benign prostatic enlargement, lower urinary tract symptoms, erectile dysfunction, infertility and renal disease. MetS affects male urogenital system mainly through endocrine and vascular mechanisms. Obesity, hypogonadism, obesity-induced androgen deficiency, hyperinsulinemia and inflammation are the mechanisms commonly involved and may act as potential targets for MetS-male urogenital system interrelations. Future studies are needed to evaluate the therapeutic approaches for intervention in MetS-male urogenital disease relations.
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Dzimińska, Małgorzata, Justyna Fijałkowska, and Łukasz Sułkowski. "A Conceptual Model Proposal: Universities as Culture Change Agents for Sustainable Development." Sustainability 12, no. 11 (June 5, 2020): 4635. http://dx.doi.org/10.3390/su12114635.
Повний текст джерелаАнотація:
This paper aims to propose a conceptual model that synthesizes the existing findings concerning universities as culture change agents for sustainable development. The model could serve as a guidance on how universities might get involved in the pro-SD activities. It also underlines the prerequisite of the quality culture that should be introduced within all the activities of universities to successfully act as culture change agents for SD. This paper builds upon the holistic and inter-disciplinary approach to demonstrate that SD does not happen in isolation and that the role of universities in its creation is significant. This study includes a literature review to contextualize the impact of universities on culture and their potential role in SD. The conclusions stemming from the literature review materialize in the proposal of the conceptual model of the university as the culture change agent for SD. The elaborated framework responds to the need for greater clarity, ordering and systematization of the role of universities in the processes of initiating, promoting and modelling the SD-oriented changes while appreciating the role of culture as an enabler, means of social change and a result of SD-focused interventions. The paper contributes to the body of knowledge by offering a novel perspective on the assumed interrelations between university, its quality culture, university main operations such as education, research and engagement with the society as well as the culture and the agency of stakeholders in the context of meeting the world’s current demands without compromising the needs of future generations.
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Sacido-Romero, Jorge. "Sounding diasporic dislocation: The object voice in postcolonial short stories." Short Fiction in Theory & Practice 11, no. 1-2 (June 1, 2021): 11–25. http://dx.doi.org/10.1386/fict_00033_1.
Повний текст джерелаАнотація:
Jacques Lacan conceives of the voice as more than meets the ear: that is, as an objet a that must be subtracted from the acoustic field to preserve the coherence of reality as a symbolically constructed order in which subjects are inserted and from which they derive a sense of identity. Disruptive manifestations of the object voice are frequent in the modernist and postmodernist British short story, a form which, on account of its brevity and limited scope, renders more sharply the traumatic nature of such episodes, which thus become more memorable and engaging for readers. The short story, likewise, is an apt vehicle for postcolonial and diasporic subjectivities characterized by the tensions and psychic distress provoked by their liminal location between different cultures and their heterogenous and often conflicting interpellations. After an introductory part which elaborates on the interrelations between object voice, the short story genre and the postcolonial subject, this article examines two recent stories by Koye Oyedeji (‘Postscript from the Black Atlantic’) and Diriye Osman (‘Earthling’), in which existential conflicts become so acute that they trigger aural hallucinations, which determine the central characters’ predicament in the context of the migrant diaspora in Britain.
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Dudareva, M. A., and V. V. Nikitina. "MIMESIS VARIATIONS IN A. SHATSKOV’S POETRY BOOK “KULIKOVO FIELD TALES”." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 86 (2022): 57–62. http://dx.doi.org/10.37313/2413-9645-2022-24-86-57-62.
Повний текст джерелаАнотація:
The object of the article is mimesis in art. The subject of the research is variations of mimesis in modern poetry. The material for the article is a new book of poems “Kulikovo Field Tales” by A. Shatskov. The focus of cultural and philosophical analysis is the interrelation of phenomenal and noumenal, rational and pre-rational in art. Much attention is paid to the problem of relationship between mimesis and cultural entelechy. Mimesis is understood as sacral recollection of other epochs and cultures by the wordsmith. Mimesis is described as an artistic practice. The research methodology is mainly represented by the holistic ontological-hermeneutic analysis of the modern poet’s book, aimed at highlighting the cultural potential of the mimesis problem in the digital epoch, which makes it possible to describe the importance of the poetic word for a Russian from the cultural-philosophical and ontological position, to deepen the comprehension of spiritual life of the literary artist. Much attention is given to the architectonics of the book of poetry, to the three-part composition designed according to the laws of man’s cosmic life cycle: from childhood to the epitome of life. The work results may be of interest to literary historians who include literature in the space of a broad dialogue of cultures; the book can also be useful in courses on cultural studies and Russian philosophy.
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Vassolo, Roberto Santiago, Alejandro Francisco Mac Cawley, Guilherme Luz Tortorella, Flavio Sanson Fogliatto, Diego Tlapa, and Gopalakrishnan Narayanamurthy. "Hospital Investment Decisions in Healthcare 4.0 Technologies: Scoping Review and Framework for Exploring Challenges, Trends, and Research Directions." Journal of Medical Internet Research 23, no. 8 (August 26, 2021): e27571. http://dx.doi.org/10.2196/27571.
Повний текст джерелаАнотація:
Background Alternative approaches to analyzing and evaluating health care investments in state-of-the-art technologies are being increasingly discussed in the literature, especially with the advent of Healthcare 4.0 (H4.0) technologies or eHealth. Such investments generally involve computer hardware and software that deal with the storage, retrieval, sharing, and use of health care information, data, and knowledge for communication and decision-making. Besides, the use of these technologies significantly increases when addressed in bundles. However, a structured and holistic approach to analyzing investments in H4.0 technologies is not available in the literature. Objective This study aims to analyze previous research related to the evaluation of H4.0 technologies in hospitals and characterize the most common investment approaches used. We propose a framework that organizes the research associated with hospitals’ H4.0 technology investment decisions and suggest five main research directions on the topic. Methods To achieve our goal, we followed the standard procedure for scoping reviews. We performed a search in the Crossref, PubMed, Scopus, and Web of Science databases with the keywords investment, health, industry 4.0, investment, health technology assessment, healthcare 4.0, and smart in the title, abstract, and keywords of research papers. We retrieved 5701 publications from all the databases. After removing papers published before 2011 as well as duplicates and performing further screening, we were left with 244 articles, from which 33 were selected after in-depth analysis to compose the final publication portfolio. Results Our findings show the multidisciplinary nature of the research related to evaluating hospital investments in H4.0 technologies. We found that the most common investment approaches focused on cost analysis, single technology, and single decision-maker involvement, which dominate bundle analysis, H4.0 technology value considerations, and multiple decision-maker involvement. Conclusions Some of our findings were unexpected, given the interrelated nature of H4.0 technologies and their multidimensional impact. Owing to the absence of a more holistic approach to H4.0 technology investment decisions, we identified five promising research directions for the topic: development of economic valuation methodologies tailored for H4.0 technologies; accounting for technology interrelations in the form of bundles; accounting for uncertainties in the process of evaluating such technologies; integration of administrative, medical, and patient perspectives into the evaluation process; and balancing and handling complexity in the decision-making process.
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Silva, Wagner, Marcileia Zanatta, Ana Sofia Ferreira, Marta C. Corvo, and Eurico J. Cabrita. "Revisiting Ionic Liquid Structure-Property Relationship: A Critical Analysis." International Journal of Molecular Sciences 21, no. 20 (October 19, 2020): 7745. http://dx.doi.org/10.3390/ijms21207745.
Повний текст джерелаАнотація:
In the last few years, ionic liquids (ILs) have been the focus of extensive studies concerning the relationship between structure and properties and how this impacts their application. Despite a large number of studies, several topics remain controversial or not fully answered, such as: the existence of ion pairs, the concept of free volume and the effect of water and its implications in the modulation of ILs physicochemical properties. In this paper, we present a critical review of state-of-the-art literature regarding structure–property relationship of ILs, we re-examine analytical theories on the structure–property correlations and present new perspectives based on the existing data. The interrelation between transport properties (viscosity, diffusion, conductivity) of IL structure and free volume are analysed and discussed at a molecular level. In addition, we demonstrate how the analysis of microscopic features (particularly using NMR-derived data) can be used to explain and predict macroscopic properties, reaching new perspectives on the properties and application of ILs.
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Prado, Ignacio M. Sánchez. "Neoliberalism in Mexican Cultural Theory." ARTMargins 7, no. 3 (November 2018): 86–87. http://dx.doi.org/10.1162/artm_a_00219.
Повний текст джерелаАнотація:
This essay reviews two theoretical books on neoliberalism written by Mexican cultural critics: Capitalismo gore (Gore Capitalism), by Sayak Valencia, published originally in Spanish in 2010 and translated into English in 2018, and La tiranía del sentido común ( The Tyranny of Common Sense) by Irmgard Emmelhainz, published in Spanish in 2016 and yet to be translated into English. These works are pioneering in their discussion of the correlation between neoliberalism, subjectivity, and culture in Mexico, and they have become widely influential in broader discussions of art, visual culture, literature, and cultural production. They add to the work of economic and political historians, such as Fernando Escalante Gonzalbo and María Eugenia Romero Sotelo, by connecting landmark moments in neoliberalization (from the financialization of the global economy in the 1970s to the War on Drugs in the 2000s) to changing paradigms in art. Author Ignacio M. Sánchez Prado contextualizes both books within larger discussions of Mexican cultural neoliberalism and describes the theoretical frame works through which both authors read Mexican politics, art, and popular culture. In Valencia's case, Sánchez Prado discusses her idea of “gore capitalism”: a framework for understanding how neoliberalism relies on dynamics of the shadow economy and on the subjectification of gore (what Valencia calls endriago subjectivity) to function at the social and artistic levels. In the case of Emmelhainz, Sánchez Prado engages with the author's idea of semiocapitalism, a term borrowed from theorist Franco “Bifo” Berardi, which Emmelhainz deploys to account for the interrelation between culture and capital in the era of neoliberalism. As such, Sánchez Prado argues, Emmelhainz and Valencia provide ways of reading artistic and visual production, including museum curatorship and narcocultura, in ways that show their organic relationship to neoliberal economic and political reforms. Find the complete article at artmargins.com .
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Dudareva, M. A. "PUSHKIN’S PRESENCE IN S.A. YESENIN’S CREATIVE WORK: A CULTUROLOGICAL COMMENTARY." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 24, no. 87 (2022): 62–70. http://dx.doi.org/10.37313/2413-9645-2022-24-87-62-70.
Повний текст джерелаАнотація:
The object of the article is the archetype of the Moon in the Russian culture. The subject of the article is the variable images of the crescent and full Moon in the Russian poetry. The material of the article is represented by two poems – “The Demons” by A.S. Pushkin and “Through fields of virgin snow I roam” by S.A. Yesenin. The cultural and philosophical analysis focuses on the interrelation of two types of reality, the phenomenal and the noumenal, the rational and the spontaneous in art. Much attention is paid to the problem of transformation of the Moon image in poetry; the Moon’s hypostatic nature is analysed. The author traces the change in depiction of the Moon’s image within a single literary text. The author examines the text describing the blizzard and the demonic myth associated with the Moon’s archetype in the Russian literature. The research methodology represents a holistic ontological hermeneutic analysis of poetic texts by Pushkin and Yesenin aimed at highlighting the cultural potential of the problem of dualism in the Russian national world image, which makes it possible to describe the material from ontological positions and gain an insight into the poetic word. The work results can be of interest to philologists who include literature in the space of the great dialogue of cultures. The findings can also be used in teaching cultural studies and Russian philosophy courses.
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Kormin, Nikolai Aleksandrovich. "The metaphysical metaphor." Философия и культура, no. 7 (July 2021): 19–57. http://dx.doi.org/10.7256/2454-0757.2021.7.36589.
Повний текст джерелаАнотація:
This article aims to determine the meaning of metaphor for revealing the metaphysical foundations of aesthetics, as well as to analyze the methods reflected in the philosophy of Kant, Husserl, Heidegger, Derrida, and Mamardashvili. Their works clarify the structure of the metaphysical metaphor and its aesthetic matrix. Since old times, the aesthetic thought viewed the concept of the language of metaphor with its dual ambiguity, various metaphorical figures as the structures internally connected with the categorical reflection on the system of art; and the metaphor itself was considered as the form of semantic perception and creation of the artistic landscape. Revealing the place of aesthetics within the structure of metaphysics, the author views the aesthetic role of the metaphorical within metaphysics, complexity of interrelation between the concept of metaphor and fundamental metaphysical category of existence. The world scientific literature features numerous works that view metaphor as a rhetorical figure. However, the research of metaphysical metaphor is rare. This article is first within the Russian-language literature to outline the approaches towards the aesthetic comprehension of metaphysical metaphor, as they are reflected in the philosophy of Heidegger and Derrida. They reveal intuition of the metaphor as metaphysics, describe the representation of metaphysical metaphor of light, interpret the transcendental ego as metaphor, and elucidate the concept of the substance of metaphor. Special attention is given to the aesthetic-metaphysical interpretations of metaphor in the modern Russian philosophy.
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Green, Ian. "Daemons in the pocket: Contract, commodities and witchcraft in Massachusetts Bay." Horror Studies 11, no. 1 (April 1, 2020): 43–61. http://dx.doi.org/10.1386/host_00010_1.
Повний текст джерелаАнотація:
New England in 1692 was a community grappling with the cosmic meaning of capitalism in an age during which the market came to define life in the Atlantic world. Binding contracts, mobile capital and commodity exchange offered both philosophical proof and significant peril for a community rooted in a firm belief in the sacredness of contract covenants and in the reality of spectral forces intervening into the material world. As a result, the legal documents produced during the bloody witchcraft crisis that swept Massachusetts in those terrible years articulate a widespread anxiety about the potentially accursed nature of commodities that travel through and index social connections, the morally ambiguous incursions of invisible economic forces into everyday life, the compelling experience of contracts given divine or diabolical aegis and the cultural syncretism of a constellated culture bound together through market interrelations. As tales of witchcraft have taken root firmly as American narrative touchstones, those anxieties have remained central to representations of the witch trials in popular imagination. The novels, plays and films that return to the crisis’ collection of legal documents, economic contracts and oral performances, position contested issues of obliterative commodification, troubled economic social contact and cultural and racial insecurity at the heart of American folklore. This reading re-centres both primary sources and subsequent popular depictions of the witch crisis around the stories told through contracts and around the commodities and commodity exchanges that remained persistent features of Massachusetts Bay’s imbricated modes of storytelling. It reads these documents as evidence for the emergence of Atlantic market capitalism as a cosmic force, an obscure but interventionist God made powerful through market logic, and it argues that this force continues to define America’s central bloody myth of self.
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Littau, Karin. "Performing Translation." Theatre Research International 18, no. 1 (1993): 53–60. http://dx.doi.org/10.1017/s0307883300017570.
Повний текст джерелаАнотація:
Both actor and translator, and by extension translation and performance suffer the plight of second hand art. Disloyal to their original masters they commit adultery. Thus, translation and performance become the unfortunate bastards of literature. If translation is meant to overcome the difference between itself and its other, performance is accused of playing it out and playing up. Such is the attitude which both have shared in each of their respective literary histories. The emphasis here is on literary history, for it assumes the tyranny of the text, the sacredness of the word. The quest for the origin, the reconstruction of the original greatness will always follow the linear path to the bastardized version, towards its own inferiorization. Precisely because translation and performance share this secondary status, this paper will adopt the metaphor of translation and adapt it to describe the relationship between text and performance. Translation here will be taken as that process which underlies any meaning production; it will not be reduced to a merely linguistic motion, nor seen in the form of an obvious reduplication, but as a complex interrelation between two elements. We will thus examine the translatory processes between text and performance before exposing the most illegitimate member in this affair: the translated dramatic text.
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Butsenko, Oleksandr. "Homo Manifestans or Artistic Interpretation of Social Upheavals at the Beginning of the XXIst Century." Culturology Ideas, no. 14 (2'2018) (2018): 79–86. http://dx.doi.org/10.37627/2311-9489-14-2018-2.79-86.
Повний текст джерелаАнотація:
The paper analyses the interrelation between different methods of cognition of the modern world and its inward processes, in particular, social upheavals at the beginning of the 21st century which are enquired with varied tools: artistic interpretation, sociological analysis, philosophical insight and historical evaluation. Building on the pictorial suite Mani-Festa by well-known Catalan modern artist Antoni Miró (b. 1944), the paper addresses causes, nature and visible outputs of the global phenomenon named “people on streets” using thoughts, considerations, views and conclusions of such scientists, thinkers, writers and historians as Z. Bauman, L. Donskis, M. Castells, R. de la Calle, M. Shore, R. Dasgupta and others. The analysed Catalan artist reflects in faces of his protagonists the collective image of the struggle for human rights, paraphrasing R.de la Calle. It is a collective image of some spiritual unity which emerges around a common objective uniting people of diverse background, professions, nationalities, age. Analysing the creative interpretation of “social context” by the case of art works of the Catalan painter, Antoni Miró, the author demonstrates how the thoughts, suggestions and conclusions of related disciplines – sociology, philosophy and history, existing in a given social time, are condensed in artistic expressions. And sometimes, it is a work of art or a work of literature that could help to understand better the ongoing processes and phenomena of surrounding world providing deeper, more comprehensive and more emotional vision. Along with mentioned thinkers and writers, the artist puts the question: what would be then, after the building ground, as Z. Bauman coined, has been cleaned. Should it be a new – perhaps, creative – and better solution for the world affirming the “there-is-no-alternative” principle.
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Shevchuk, Veronika Gennadiyevna. "Creative personality as the synthesis of various texts in Russian cultural space of the early XX century." Культура и искусство, no. 12 (December 2020): 99–115. http://dx.doi.org/10.7256/2454-0625.2020.12.34650.
Повний текст джерелаАнотація:
This article conducts culturological analysis of the diversity of intercultural communications in Russian culture of the early XX century. Cultural space as the text of culture of that time is characterized by a transitional state, synthetic and dialogical focus. The phenomenon of Russian culture consist in the intelligentsia represented by the cultural figures of the Silver Age and avant-garde, who have creative way of thinking and propensity for new achievements in art. The object of this research is the “textuality"”of Russian cultural space of the early XX century, which is comprised of a range of texts and semiotic systems. The subject is the creative minds interpreting as the text of personality. The leading theme became the determination of interaction and mutual influence of the phenomena of culture, dialogue between creative minds, interested in the problems of synthesis of arts, within the cultural-textual space. The novelty of this work is defined by insufficient coverage in culturology of the problem of interrelation between creative personality and text in culture of the Silver Age and the avant-garde. It is established that the cultural space of Russian avant-garde can be viewed as a “meta-semiotic formation”, which includes texts and “metatext”. Personality of the cultural figure as the foundation for classification of texts is referred to as “metatext”. Classification of texts consists of the verbal text (theoretical and literary texts, literature, epistolary) and nonverbal text (texts of behavior, everyday life, era). Literary texts of the cultural figures of the Silver Age contain texts of the works of art: painting, musical, poetic, prosaic, as well as critical reviews on art, manifestos, and others. Nonverbal texts include theatricalization of behavior, creative life, and mythologization of personality, which form the identification code of creative personality of the Silver Age that gravitates towards the synthesis of arts. It is determined that the period of development of Russian cultural space of Russia of the early XX century is characterized by such peculiarities as: synthetical nature, innovation of artistic language that consists of visual, verbal and audial texts on the basis of synthesis of painting, poetry and music.
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Angst, Ueli M. "A Critical Review of the Science and Engineering of Cathodic Protection of Steel in Soil and Concrete." Corrosion 75, no. 12 (October 13, 2019): 1420–33. http://dx.doi.org/10.5006/3355.
Повний текст джерелаАнотація:
After a century of history of cathodic protection (CP) of iron and steel, this paper critically reviews the state of the art in the science and engineering and assesses the fitness of CP as an effective technology to tackle the challenges related to infrastructure corrosion. This paper focuses on CP of iron-based alloys embedded in porous media, such as soil or concrete, as these two major applications of CP technology share many similarities. First, the scientific understanding of CP is reviewed and different competing theories are discussed. There is wide agreement that corrosion protection of steel is achieved thanks to a combination of immediate activation polarization and the beneficial changes in electrolyte chemistry that are gradually occurring at the steel surface when a protection current is flowing toward a steel electrode. A major and well-documented technological advantage of these “chemical effects” is that the protective effect of CP is maintained during temporal loss of protection current, e.g., due to survey work related shut-offs or anodic interference. However, the relationships between these chemical concentration changes in the porous medium and the protection current are complex, and, as this review shows, cannot reliably be described with state-of-the-art approaches. Moreover, in this paper, different hypotheses for the mechanism of corrosion protection in heterogeneous situations (galvanic elements), as they are generally occurring in practice, are discussed. It is revealed that understanding the working mechanism of CP in heterogeneous conditions remains a critical scientific challenge. The longstanding debate concerns the question whether CP results mainly in a reduction of number and size of actively corroding areas, or in a reduction of the corrosion rate at the actively corroding sites. Additionally, the literature addressing the interrelation between microbiologically influenced corrosion and CP is here reviewed, and recent progress as well as limitations of the existing literature are highlighted. In a second part, engineering practice and CP protection criteria are reviewed. It is found that the approaches stipulated in international standard are unreliable. This can be traced back to the assessment criteria being empirical and incapable of adequately taking into account the complexity of the underlying processes. Finally, recommendations for future developments are made. Particular opportunities are seen in embracing the progress made in numerical modeling, such as reactive transport modeling in porous media, and considering the interdependence between the involved processes, namely the interdependence between transport processes, chemical reactions, and electrode kinetics.
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Kashyap, Ankur, and Rajat Agrawal. "Academia a new knowledge supplier to the industry! Uncovering barriers in the process." Journal of Advances in Management Research 16, no. 5 (November 21, 2019): 715–33. http://dx.doi.org/10.1108/jamr-02-2019-0017.
Повний текст джерелаАнотація:
Purpose In the era of Industry 4.0, knowledge component plays a vital role in manufacturing. For tacking the new complexities of the business, a concept of knowledge supply chain (KSC) is being proposed, which takes into account of knowledge component. Higher education institutes (HEIs) which are primary creator of knowledge are important foundations of such supply chain and act as the “knowledge supplier.” The purpose of this paper is to focus on why the HEIs are failed to become knowledge supplier in developing country like India. Design/methodology/approach This research paper adopts a resource-based theory to explore the concept and identify barriers which obstructs the progress of HEIs to become prominent knowledge supplier to industry. To tackle the research problem, an integrated hybrid approach of interpretive structural modeling–analytic hierarchy process is used. Expert elicitation was engaged to find out the prominence of each barrier and the interrelations among them. Findings Based on literature review, eight critical barriers were recognized. The findings put forward a four layer structural model. Based on this model, various remedial actions are also suggested to eliminate the barriers or lessen their negative effects on KSC. Practical implications This study finds its practical implication in higher education reforms as the identified barriers could enhance the decision-making quality regarding academia–industry interaction. Social implications Using the results of the study, HEIs could improve their social sustainability as they have different stakeholders covering wider sections of society and one being industry. Originality/value Most of the existing studies talk about short-term interactions like technology transfer. This study takes into account the barriers which are acting as roadblocks in long-term knowledge supplying role of HEIs.
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Leong, David. "Probabilistic Interpretation of Observer Effect on Entrepreneurial Opportunity." Organizacija 55, no. 4 (November 1, 2022): 243–58. http://dx.doi.org/10.2478/orga-2022-0016.
Повний текст джерелаАнотація:
Abstract Background: In quantum mechanics, the observer effect categorically states that observing a phenomenon changes it. This research explores a probabilistic interpretation of entrepreneurial opportunity and explains the observer effect reflecting on Schrödinger’s cat thought experiment. This approach addresses opportunity as a “possibility” concept reinterpreting it from multiple observers’ perspectives and the cruciality of action to cause wave function collapse to an emergent reality. This paper intends to resolve the epistemological paradox and ‘opportunity’ war by re-contextualising opportunity as an artefact and positing it as a probability wave with a range of possibilities until alert entrepreneurs act on it. Method: This conceptual development relies on literature review as a research methodology, using reasoning by analogy for the progress of theory and metaphors for theorisation. Results: This conceptual narrative strengthens the epistemological foundation focused on possibility and probability (illustrated through wave function) to sharpen the definition of opportunity and action theory. The observer effect in opportunity is underexplored in entrepreneurial scholarship. This study features how the observer effect influences the evolving state of opportunity. Opportunity is affected by other observers and the entrepreneur’s imagination, social construction and effort. Each involved agent relates and interacts to give rise to possibilities in opportunities. The interrelations and interdependence are complex, giving rise to superposition with a mixed state with many possibilities. Conclusions: The contribution of this research is manifold from a theoretical and practical level. It presents a quantum-like model where an ‘un-acted’ opportunity is in superposition (multiple possibilities emerging simultaneously until it is enacted), expanding on Ramoglou and Tsang’s (2016) view on propensity. The interactional effects – interfering and entangling between agents observing the same opportunity generate possibilities. The potentiality and the many-possibilities states in the opportunity artefact hold great promise in entrepreneurial research.
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Koval, A. S. "Hermeneutic circle in development of methodological culture of future music teacher." Musical art in the educological discourse, no. 2 (2017): 154–58. http://dx.doi.org/10.28925/2518-766x.20172.15458.
Повний текст джерелаАнотація:
This article is devoted to the studying hermeneutic circle in the development of methodological culture of future music teacher. Under the conditions of globalization processes, tendencies of convergence of world cultures improvement of culturological training of student youth requires new approaches, in particular, culturological training of students of pedagogical specialties. The task of pedagogical education is to develop a teacher as a specialist and as a person of high culture, who has a special positive effect on the personality of school student. This article analyses the works of scientists dedicated to the issues of establishment and development of the hermeneutic approach in philosophical, psychological, and logical and gnosiological contexts. It is defined the essence of the concept of “hermeneutic circle” as one of the basic principles of the hermeneutic approach. There have been provided the examples of interpretation of the principle of hermeneutic circle by various scientists. Hermeneutic approach is applied in sciences such as pedagogy, psychology, economics, sociology etc. In pedagogical science the hermeneutic approach at the level of conceptual use was elaborated by A. Zakirova. She introduced the term “pedagogical hermeneutics”. Hermeneutic circle as a principle of text understanding is based on the interrelation of the part and the whole. Understanding of the whole consists of the understanding of the individual parts, and understanding of the parts requires understanding of the whole. The concepts of the part and the whole are correlated: the text is a part concerning the whole creative activity of the author, which in its turn is a part of the particular genre or literature in general, as well as the part of spiritual life and biography of the author. The idea of hermeneutic circle means also that there is no understanding of the text without certain prerequisites: understanding is preceded by some idea of what is yet to understand. There have been determined the peculiarities of the use of the principle of hermeneutic circle in the development of methodological culture of the future teacher of musical art. In light of hermeneutical trends, the penetration of which in the realm of musical art can be traced quite clearly, the use of the hermeneutic circle principle in the development of methodological culture of the future teacher of musical art appears not only in the narrow interpretation of the particular phenomenon or group of phenomena, but much wider — as a means of learning and understanding of the worldview by a person.
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Protopopova, Anna V., and Ivan A. Protopopov. "Constructing the feminine subject in Zinaida Gippius` works in the context of Otto Weinger`s gender theory." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 63 (2022): 163–83. http://dx.doi.org/10.37816/2073-9567-2022-63-163-183.
Повний текст джерелаАнотація:
The paper deals with the issue of interrelation of the feminine and masculine in human nature in the aspect of possibility of constructing of the feminine creative subjectivity in literature and art — one of the key issues in Zinaida Gippius studies. The main principles of her gender theory are formulated by Gippius in the context of critical analysis of the Otto Weininger's book “Gender and character”. The authors analyse the reflection of those principles in Gippius' critical article “Zverebog” and in her other articles on gender and love and some of her poems, establishing the relation of them with Gippius and Merezhkovskiy's religious ideas. The study shows that while Gippius shares with Weininger his concept of bisexuality and androgynity of human nature, she also critically reconsiders the meaning and role of feminine principle as strictly objective (even in the form of divine principle of eternal femininity) and comes to an altogether different understanding: the feminine principle is the basis of feminine subjectivity that is in essence equal to masculine and is ultimately realized in divine nature. The paper addresses several poems to illustrate this point: “She” (1), “She” (2), “Non-existent”, “Eternally feminine”. The authors also dwells upon views of Gippius on Berdiaev and Soloviev's gender ideas as well as her reception of Ibsen's literary heroines.