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Статті в журналах з теми "Intermédiaire culturel":
Attencourt, Boris. "L’emprise des médias sur le champ intellectuel." Politiques de communication N° 20-21, no. 1 (March 6, 2024): 259–97. http://dx.doi.org/10.3917/pdc.020.0259.
Guilbert, Lucille. "Intermédiaire culturel et médiateur de cultures : évolution des rôles et des attitudes dans la société québécoise." III. Perceptions mutuelles et pratiques de l’interculturel, no. 31 (October 22, 2015): 151–61. http://dx.doi.org/10.7202/1033785ar.
Delhoume-Sanciaud, Monique. "Jean-François Marmontel, intermédiaire culturel entre la France et la Suède ?" Dix-huitième siècle 48, no. 1 (2016): 461. http://dx.doi.org/10.3917/dhs.048.0461.
Beauchemin, Claire. "La formation des maîtres de français en Ontario." Revue des sciences de l'éducation 10, no. 3 (November 27, 2009): 429–45. http://dx.doi.org/10.7202/900462ar.
Aubert, Paul. "La France : un intermédiaire culturel pour les Espagnols au tournant du siècle (1875-1918)." Cahiers d'études romanes, no. 6 (October 1, 2001): 11–38. http://dx.doi.org/10.4000/etudesromanes.203.
Togola, Adama. "Sociopoétique de la figure de l'enquêteur dans le polar d'Afrique francophone." ALTERNATIVE FRANCOPHONE 3, no. 4 (February 15, 2024): 35–43. http://dx.doi.org/10.29173/af29486.
Brinkman, Herman. "De Grammont à Bruges. Le «vénérable gentilhomme» Jan van Hulst, poète, chanteur et intermédiaire culturel." Publications du Centre Européen d'Etudes Bourguignonnes 45 (January 2005): 129–41. http://dx.doi.org/10.1484/j.pceeb.2.302130.
Roy, Jean. "Un intermédiaire culturel : les «Annales» de la Tour des martyrs de Saint-Célestin au Québec (1931-1952)." Annales de Bretagne et des pays de l’Ouest 95, no. 4 (1988): 499–510. http://dx.doi.org/10.3406/abpo.1988.3310.
MÁRQUEZ GUERRA, JOSÉ FRANCISCO. "Politiques publiques, OBJETS INTERMÉDIAIRES ET CONFLITS DE CADRAGES: LE CAS DE LA CONFIGURATION TERRITORIALE AUTOUR D’UNE ROUTE DANS L’AMAZONIE BOLIVIENNE." ADVOCATUS, no. 24 (January 1, 2015): 229. http://dx.doi.org/10.18041/0124-0102/advocatus.24.995.
Wu, Tianchu. "La Russie soviétique comme tiers dans la réception de Victor Hugo en Chine." Meta 66, no. 2 (November 2, 2021): 301–17. http://dx.doi.org/10.7202/1083180ar.
Дисертації з теми "Intermédiaire culturel":
Viot-Murcia, Claude. "Enrique Gomez Carrillo, intermédiaire culturel entre la France, l'Espagne et l'Amérique espagnole, 1873-1927." Paris 3, 1987. http://www.theses.fr/1987PA030188.
Enrique gomez carrillo, who was born in guatemala in 1873 and died in paris - where he had been living since the age of nineteen - in 1927, was throughout his life an extremely important cultural go-between. His extrovert personality facilitated social contacts while his inveterate wanderlust enabled him to discover new worlds and to engage in new ac- tivities. Bewitched by the mirage of the city of light he was to spend his who- le life extolling fin-de-siecle paris and the symbolist literary move- ment which was set in it. His polymorphous professional life (journa- list, gossip-writer, translator, director of magazine, novelist) is e- choed by the thematic eclectism of his work and he gives a picture of life in paris - filtered through his own esthetic and ideological op- tions - which is multifarious and multiform. He remained, however, a prisoner of his adolescent dream, building up a mythical paris as he created a mythical image of the east. His rhetoric, respecting both its function of transmitting informa- tion and his personal, mythical and poetical vision of the world, cons- tantly oscillates between poetry and persuasion, a movement which is repeatedly resolved by fiction-making. The semantic structure of his speech reveals a dichotomous thought pattern. In fact, gomez carrillo's ideas, like his writings, seem to be rooted in myth and thus belong to the bourgeois mentality. Gomez carrillo's intellectual immobility is fully borne out by a comparison between his text and the context. His works were widely circulated during his lifetime when he was con- sidered as one of the most important representatives of spanish-american modernism. The neglect he has suffered since should not obscure the e- normous task of information and explanation that gomez carrillo, a me- diator between cultures, accomplished
Long, Yun. "Un jésuite à la croisée de deux cultures : le rôle du père Joseph-Marie Amiot (1718-1793) comme intermédiaire culturel entre la Chine et la France." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040068.
The aim of this dissertation is to determine the role played by Joseph-Marie Amiot (1718-1793), a representative 18th century Jesuit in China, in cultural relations between China and the West. Its methodological basis is translation studies and imagology. It examines the historical context, Amiot’s translations and his correspondence with Western scholars. It examines Amiot’s complicated cultural identity, in order to understand the influence of the Jesuit tradition on his thinking and the transformation of his cultural identity through constant contact with another tradition and to trace the impact of his complex cultural identity on his work, and thus to draw out the meaning of the picture he painted of China
Galons, Jean-Philippe. "Applications de la spectroscopie de résonance magnétique nucléaire en cancérologie : étude du métabolisme énergétique et intermédiaire d'un adénocarcinome colique humain en culturel." Aix-Marseille 1, 1987. http://www.theses.fr/1987AIX11111.
Dominguez, Tristan. "Les multiplexes et leurs publics - stratégies des opérateurs et pratiques spectatorielles dans l'exploitation cinématographique française de 1993 à 2022." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030074.
In the 1990s multiplexes rise in France, this cinematographic establishments distinguished by their size, their large number of screens, and their additional services. Since 2000’s, they multiply throughout the territory and concentrate more than the half of the attendance. In the face of this change, the other cinema theatres must reposition themselves and invest in restructuring or positioning. These transformations alter film output as a cultural practice, the expectations of a theatre and the relationship established with the audience. The objective of this PhD work is to understand how a device participates in building audiences, paying attention to the types of film appreciation it encourages and to the proposals in terms of services and equipment. The multiplexes seem to encourage and adapt to several types of audiences, both for the casual looking for the spectacular look in a premium room and for the regulars coming to find a wide choice at flexible schedules. These analyses make it possible to provide elements of understanding relating to changes in the consumption register (like eclecticism), the success of certain types of films, like superheroes or French comedies or adaptation to temporalities given by the distribution and logic of blockbusters. Ultimately, this thesis attempts to grasp the dynamics linking supply and demand in a cultural sector questioning the role of intermediaries. It is based on databases, a year-long ethnographic work within a multiplex, interviews, archive work and observations
Poulain, Jean Luc. "Penser l’entreprise et ses dirigeants : l’Entreprise familiale de Taille Intermédiaire (E.T.I.) : outil de pérennisation de l’emploi, et facteur de développement territorial (économique, social et culturel) : étude anthropo-sociologique des identités professionnelles et territoriales en Bretagne." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20068.
Our research is devoted mainly to family-owned medium-sized enterprises (MSEs) in Brittany. Working from the perspective of the sociology of professions, we met several heads of companies with between 250 and 5,000 employees. In doing so, we observed how this so-called “enterprise” concept, similar to that of “Mittelstands” in Germany, offers a better understanding of the key factors of success, based notably on human capital, innovation, and international growth beingabsolute priorities, with the business also retaining strong local roots. We interviewed company heads in the historical territory of Brittany, taken as a “social laboratory”, to acquire a better grasp of the sociological profile of family business leaders working in the following sectors: the food industry; food services; health; real estate; textiles; footwear; and transport. Taking as a starting-point various social, economic, and sociological issues affecting the world of work and employment, we also sought to shed light on global competition, in particular in the field of labour: this thesis aims to provide insights into a certain number of transformations, bearing in mind the assertion by a great many occupational sociologists that “unemployment is the root cause of social exclusion”
Marquet, Julie. "Droit, coutumes et justice coloniale : les affaires de caste dans les établissements français de l'Inde, 1816-1870." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC078.
In the course of the 19th century, the government of the French settlements of India promises to respect the habits and customs of the Indian people. It also commits to judge the inhabitants of these settlements according to these customs and habits. It consequently creates a legal category to designate the customary conflicts judged by the colonial justice: the “caste affairs”. This study of caste affairs contributes to the recent developments in imperial and colonial history on the formation of the law. It resonates with the current works that question the idea of colonial law being imposed in a top-down fashion following a rational logic and that show that, on the contrary, colonial law results from arrangements with precolonial legal forms and local possibilities. The thesis specifically studies the process that shapes the legal system regarding castes. The legal system, understood as all the legal rules, the institutions in charge of enforcing them, and the use of these institutions, is analysed in its relationship with social demands. Furthermore, this localised analysis of the colonial situation, shed new lights on the Indian society of the south of the sub-continent. It contributes to the debates on the constitution of castes as a social unit and administrative category in the colonial period. The legal system is analysed from different perspectives. First, the focus is put on the colonial frameworks governing the caste affairs and on the ways in which the sovereignty of the colonial government is articulated. Second, the study gives attention to the different actors involved in the resolution of these conflicts, which participates to the shaping of these frameworks. To finish with, the study focuses on the forms and stakes of disputes in order to understand the role of the litigants in the production of social and legal norms
Lee, Kil-Ho. "Les "revues intellectuelles". La construction sociale d'un espace intermédiaire." Paris 10, 2009. http://www.theses.fr/2009PA100139.
The « intellectual reviews » could not be defined with common criteria, accepted by all. They are the issue of struggles for various social agents who claim to play a specific role in the very existence of this form of publication. All these agents are not homogeneous in nature and volume of capital they hold, but they share the same belief in that these « intellectual reviews » play an important role in the evolution of intellectual production, role considered as irreducible in the sphere of cultural activities that other forms of publication can’t replace. Thus, in this perspective that sees the « intellectual reviews » as a space of belief, the central axis of this research is how and in which context such belief shapes the construction of a raison d’être. By crossing the field surveys, this research emphasises on the involved agents’ strategies – ways of justification, expressions of this belief –, and on their intellectual and social conditions. It aims at highlighting the logic, inherent in the space of « intellectual reviews », and its effects on the intellectual field
Joanny, Julien. "Entre inscription et subversion, les lieux culturels intermédiaires : des expériences au creux des villes." Thesis, Grenoble, 2012. http://www.theses.fr/2012GRENH033.
This thesis interrogates the realities of the cultural intermediate places. These, also called art's new territories, cultural wastelands or alternative spaces, appear hardly apprehensible. The investigation unfolded within fifteen places in France reveals the diversity in terms of statutes, buildings size or ways of operating. However, the assumption is that beyond singularities, a common space emerges, actualizing itself in a geographical level. This common space highlights symbolic elements. The starting point of the question boils down to one word: place, specified by the notion of experience. Indeed, by questioning the experiential dimension, we can capture the different significant lines that cross the places. These are formed through a double dynamic defined by the tension between inclusion and subversion. The place's experience links the involved individuals in a collective approach which is both chaotic and formalized. The collective layout and the experience conditions are the framework of the development of arts to do, tactics, of a DIY practice defining the place as an institution in motion. Between pragmatism and experimentation, the cultural intermediate place shows a kind of otherness in the territory. The original desire of place is actually a desire of city and culture. By the links with the inhabitants, the territory includes the place. This one becomes a cultural resource. Yet, in the same movement, the territory is subverted, the ways of doing and thinking about culture are challenged and disorder is brought into city. Thus, these places appear as interstices that open political issues, from individual level (emancipation) to territorial level (local democracy)
Morissette, Julien. "Producteurs et publics : le travail des intermédiaires culturels dans les émissions musicales et culturelles à la télévision québécoise." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34103.
Rontein, Denis. "Métabolisme intermédiaire dans des cellules végétales : de l'expression des gènes de la phosphoénolpyruvate carboxylase à la régulation de son flux." Bordeaux 2, 2000. http://www.theses.fr/2000BOR28811.
Книги з теми "Intermédiaire culturel":
Long, Yun. Qian Deming: 18 shi ji Zhong Fa jian de wen hua shi zhe = Joseph-Marie Amiot (1718-1793) : un intermédiaire culturel entre la chine et la france. 8th ed. Beijing Shi: Beijing da xue chu ban she, 2015.
association professionnelle des métiers de la création SMartBe. L'artiste et ses intermédiaires: Manager, agent, administrateur, diffuseur, directeur artistique ... Wavre (Belgique): Mardaga, 2010.
Roueff, Olivier, and Laurent Jeanpierre. La culture et ses intermédiaires: Dans les arts, le numérique et les industries créatives. Paris (France): Éditions des archives contemporaines, 2014.
Mauclaire, Simone. Le nom, l'écrit, le non-dit: Mentalités rurales et "culture intermédiaire" dans le Japon médiéval. Paris: Collège de France, Institut des hautes études japonaises, 2009.
Roueff, Olivier. Jazz, les échelles du plaisir: Intermédiaires et culture letrée en France au XXe siècle. Paris: Dispute, 2013.
Li, Shenwen, Nansheng Peng, and Frédéric Laugrand. Rencontres et médiations entre la Chine, l'Occident et les Amériques: Missionnaires, chamanes et intermédiaires culturels. [Québec]: Presses de l'Université Laval, 2015.
Rosemary, Stewart, ed. Managing in Britain and Germany. New York, N.Y: St. Martin's Press, 1994.
Chazal, Gérard. Interfaces : Enquêtes sur les mondes intermédiaires. Champ Vallon, 2002.
Les grands intermédiaires culturels de la république des lettres: Études de réseaux de correspondances du XVIe au XVIIIe siècles. Paris: Champion, 2005.
Comparatisme et intermédialité. Comparatism and Intermediality: Réflexions sur la relativité culturelle de la pratique intermédiale. Reflections on the cultural relativity of intermedial practice. Königshausen & Neumann, 2015.
Частини книг з теми "Intermédiaire culturel":
Thomson, Ann. "Traduction et journalisme chez les intermédiaires culturels au XVIIIe siècle." In Transkulturalität nationaler Räume in Europa (18. bis 19. Jahrhundert). Übersetzungen, Kulturtransfer und Vermittlungsinstanzen, 229–44. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737004794.229.
BORGE, Nathalie. "Pédagogies innovantes." In Formation linguistique des apprenants allophones et pédagogies innovantes, 39–50. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.4161.
Vanhée, Olivier. "XIII. Enquête sociohistorique sur les intermédiaires culturels du manga." In La fabrique de la bande dessinée, 223–46. Hermann, 2023. http://dx.doi.org/10.3917/herm.rober.2023.01.0223.
Aufrère, Laura, and Patricia Coler. "Les lieux intermédiaires et indépendants au cœur de la mise en œuvre des droits culturels." In Droits culturels, 164–71. Éditions de l'Attribut, 2022. http://dx.doi.org/10.3917/attri.colle.2022.01.0166.
Offroy, Cécile. "Chapitre 8. De l’impact social et économique des lieux-intermédiaires." In Culture et économie sociale et solidaire, 79–87. Presses universitaires de Grenoble, 2019. http://dx.doi.org/10.3917/pug.delfa.2019.01.0079.
Laliberté, Martin. "Percussification de la culture sonore après 1900 : les indices du fonds des comédies de l’Association de la Régie théâtrale." In Le triomphe de la scène intermédiale, 115–33. Les Presses de l’Université de Montréal, 2017. http://dx.doi.org/10.1515/9782760637696-007.
BORGÉ, Nathalie, and Marie POTAPUSHKINA-DELFOSSE. "Imaginaire artistique, expérience esthétique et « translangageance »." In Ecrire entre les langues, 145–58. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6457.
NDOUR, Issa. "Les Luso-africains de la Sénégambie." In Les Annales du Sud, No. 1, 99–112. Editions des archives contemporaines, 2023. http://dx.doi.org/10.17184/eac.7239.
Birla, Ritu. "Gayatri Chakravorty Spivak." In Gayatri Chakravorty Spivak, 103–17. Hermann, 2023. http://dx.doi.org/10.3917/herm.renau.2023.02.0103.