Дисертації з теми "Indians movies"
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Black, Liza. "Picturing Indians : American Indians in movies, 1941-1960 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10418.
Повний текст джерелаBah, Alpha Amadou. "Guru Dutt : Contributions à l'art cinématographique d'un artiste légendaire." Electronic Thesis or Diss., Montpellier 3, 2022. http://www.theses.fr/2022MON30025.
Повний текст джерелаThirsty (Pyaasa, 1957), Paper Flowers (Kaagaz Ke Phool, 1959) and The Master, the Mistress and the Slave (Sahib Bibi Aur Ghulam, 1962) are the three most famous, well-known and analyzed films by Guru Dutt. This thesis aims to broaden the field of possibilities by summoning its filmic totality. Legendary, mythical, personal, sincere, self-destructive, desire for life and or death... these are the qualifiers found in cinematographic literature to designate Guru Dutt and his work. The interest in India and its cinema stems from an observation : there are few Indian films distributed in France, whereas India is the leading film-producing country in the world. Who is Guru Dutt ? What is his contribution to cinema ? How did he take melodrama to an epic dimension ? Why today do the young filmmakers who, following Satyajit Ray, are now beginning to shake up the system, refer to him as a precursor, a master ? This thesis intends to highlight the cinephilico-filmic contributions of this author to understand Indian cinema through the prism of his work through a socio-historical and phenomenological approach allowing us to retrace the itinerary of the greatest popular, musical filmmaker that the India has ever brought up. So that the work of Guru Dutt, which has successfully passed the test of time, now only has to pass the test of space
D'souza, Ryan A. "Representations of Indian Christians in Bollywood Movies." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7772.
Повний текст джерелаWilliamson, Raya. "A Movement for Authenticity: American Indian Representations in Film, 1990 to Present." Kent State University Honors College / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1494330075140438.
Повний текст джерелаGirier, Jean-Philippe. "De la déconstruction du mythe de la femme soumise à la construction de la femme agent dans la littérature et le cinéma indiens contemporains." Thesis, Antilles, 2019. http://www.theses.fr/2019ANTI0382.
Повний текст джерелаContemporary Indian literature and cinema are part of a dynamic that goes hand in hand with the profound socio-economic changes that have affected India since the end of the nineteen eighties. Indeed, many novels and films are characterized by a freedom of expression that touches on many subjects that were once considered taboo. The wind of renewal sweeping India is also marked by the increase in the number of writers and directors who place women at the heart of their stories and intrigues. Thus, the objective of this study is to show, on the one hand, how the image of the passive and submissive Indian woman was constructed during the long process of colonization, on the other hand, how contemporary literature and cinema attempt to rehabilitate the place of women in history in order to build a new and dynamic representation which symbolizes the Indian woman of the 2000s. The respective novels of Anita Nair and Githa Hariharan, Ladies' Compartment and The Thousand Faces of the Night, as well as the films Fire, Water by Deepa Mehta as well as The Marriage of the monsoons by Mira Nair are part of a resistance movement. where the agency of the heroines testifies to the will and the difficulty of freeing oneself from three centuries of marginalization.In the first part, we propose to walk through the history, that which attributed to the man capacities superior to those of the woman, conferring upon him by extension an authority, a power of domination. This historical and sociological approach allows us to understand how the links which unite the human and the divine in India were built. Our gaze will also focus on the consequent upheavals engendered by British colonization. This period of Indian history will be analyzed in order to highlight the modus operandi by which the British Empire succeeded in imposing a lifestyle faithful to its vision of the world while excluding women from decision-making spheres in order to "consign" them in the domestic space.The second part of the thesis analyzes the family space, which has become the place par excellence for the reproduction of androcentric postulates. This private space will be closely observed and we will engage in an approach that combines psychoanalysis and sociology in order to demonstrate the importance of the construction of the feminine in the process of identity deconstruction. We will pay particular attention to the role played by the mother in the reproductive process. The ambivalent position it occupies often leads to a fragmentation between the physical being, the social being and the psychic being. The psyche then becomes a space inhabited by doubt and fear while being the ultimate refuge of comfort. This shift between body and mind will take us to the field of psychosomatics, where dreams are the privileged place for psychic reconstruction. We will also observe the strategies used by novelists and filmmakers to begin the process of rebuilding the identity of their heroines.The third part focuses on cinema and literature through their complementarity. First, we will retrace the history of cinema from the sidelines and highlight its committed character that sets it apart from some popular cinemas such as Bollywood. Subsequently, we make a connection between the novel and its adaptation to the cinema in order to highlight the complementarity of the works as well as the notion of solidarity which represents an essential point in this collaborative work. Indeed, diaspora filmmakers Deepa Mehta and Mira Nair have developed an activist and united approach that can be found both in the writing of the script and in the choice of actors and actresses. This activism will be illustrated by examples that highlight the many instances of agency staged in order to build a dynamic image of women in India
Curtis, Emily A. "Movies under the stars : a history and inventory of drive-in theaters in the Indianapolis area." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1041913.
Повний текст джерелаDepartment of Architecture
Kvet, Bryan W. "Red and White on the Silver Screen: The Shifting Meaning and Use of American Indians in Hollywood Films from the 1930s to the 1970s." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1449250157.
Повний текст джерелаManirajah, Sanggeet Mithra. "Looking Back, Moving Forward: The Role of Gandhian Economic Philosophy in India's Development." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/397.
Повний текст джерелаMerchant, Zain Farook. "A study on the depiction of drug usage, alcohol consumption and cigarette smoking in movies and its perceived effect on a young audience. A comparative study of American and Indian cinema and their respective Audiences." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4826.
Повний текст джерелаChilibeck, Gillian. "Moving mountains through women's movements : the"feminization" of development discourse and practice in the Indian Himalayas." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82696.
Повний текст джерелаBhatti, Haroon Haider. "Pakistan's accommodative moves vis-a-vis India, a case study of the dynamics of accommodation in the developing world." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64130.pdf.
Повний текст джерелаSmith, Virginia M. "The relocation of the Eli Lilly Farm Office and an adaptive use and/or rehabilitation proposal." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397796.
Повний текст джерелаDepartment of Architecture
Trech, Caroline. "L'identité Britannique dans les films Bristish-Asian de 1997-2007." Phd thesis, Université du Littoral Côte d'Opale, 2012. http://tel.archives-ouvertes.fr/tel-00914627.
Повний текст джерелаPEREIRA, Allan Kardec Da Silva. "Imagens que pensam o outro: o índio no cinema de John Ford." Universidade Federal de Campina Grande, 2015. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/483.
Повний текст джерелаMade available in DSpace on 2018-04-24T23:59:32Z (GMT). No. of bitstreams: 1 ALLAN KARDEC DA SILVA PEREIRA – DISSERTAÇÃO (PPGH) 2015.pdf: 6621130 bytes, checksum: 93a2ef91fcf44975891d891a1c29203a (MD5) Previous issue date: 2015-04
Capes
O presente estudo aborda a imagem do índio no cinema de John Ford. Para além de uma mera descrição dos filmes, empreendemos uma modalidade de análise que também se detém aos aspectos de produção do filme, sua circulação e consumo, além do seu poder de provocar pensamentos sobre os indígenas e a história americana. Dessa forma, cientes de que a imagem é atravessada por inúmeras temporalidades, que se digladiam em seu interior, destacamos o que Georges Didi-Huberman vai chamar de imagens sintomáticas, que nos permitiram pensar a sobrevivência de formas da tradição western, inventada no século XIX. O uso que fazemos de diversas figuras, entretanto, procura fugir de sua típica instrumentalização como “ilustração” do discurso escrito. As imagens em nosso estudo, por outro lado, aparecem enquanto propositoras de pensamento ao texto. Inicialmente, empreendemos uma análise de como o western é inventado enquanto tradição no século XIX nos Estados Unidos. Em seguida, discutiremos como esse arquivo de imagens sobrevive no cinema de John Ford, desde o filme O Cavalo de Ferro, em 1924, até Crepúsculo de uma Raça, em 1964. Quanto à temporalidade foi preciso apropriar-se do modelo anacrônico de análise das imagens defendido por Georges Didi-Huberman. Do mesmo modo, com Etienne Samain, buscamos discutir como essas imagens pensam e nos convocam a pensar os índios, esse Outro de que falamos.
This study addresses the image of the Indian in the John Ford cinema. Beyond a mere description of the films, we undertook a mode of analysis that also owns the film production aspects, circulation and consumption, in addition to their ability to provoke thoughts on Indigenous and American history. Thus, aware that the image is crossed by numerous temporalities that battle it out inside, we highlight what Georges Didi-Huberman will call symptomatic images which allow us to think the survival of the western tradition forms, invented in the nineteenth century . Our use of several figures, however, seeks to escape his typical instrumentation as "illustration" of the written speech. The images in our study, on the other hand, appear as propositoras of thought to the text. Initially, we undertook an analysis of how the western tradition is invented while in the nineteenth century in the United States. Then discuss how this image file survives in the John Ford film, from the movie The Iron Horse in 1924 to Cheyenne Autumn in 1964. As for the temporality had to take ownership of the anachronistic model of analysis of images defended by Georges Didi -Huberman. Similarly, with Etienne Samain, we discuss how these images think and summon us to think the Indians, this Other that we speak.
Mainguy, Maude. "Être auteur amérindien : l’écriture comme outil d’affirmation culturelle et de guérison chez Tomson Highway." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29686/29686.pdf.
Повний текст джерелаKarliczek, Martin. "Elements of conditional optimization and their applications to order theory." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2014. http://dx.doi.org/10.18452/17085.
Повний текст джерелаIn this thesis, we prove results relevant for optimization problems in L0-modules and study applications to order theory. The first part deals with the notion of an Assessment Index (AI). For an L0 -module X an AI is a quasiconcave, monotone and local function mapping to L0. We prove a robust representation of these AIs. In the second chapter of this thesis, we develop Ekeland’s variational principle for L0-modules allowing for an L0-metric. We prove an L0-Version of a generalization of Ekeland’s theorem. A further application of L0 -theory is examined in the third chapter of this thesis, namely an extension of the Brouwer fixed point theorem to functions on (L0)^d . We define a conditional simplex, which is a simplex with respect to L0 , and prove that every local, sequentially continuous function has a fixed point. We extend the fixed point theorem to arbitrary closed, L0-convex sets. A more general structure than L0 -modules is the concept of conditional sets. In the fourth chapter of the thesis, we study conditional topological vector spaces. We examine the concept of duality for conditional sets and prove results of functional analysis: among others, the Banach-Alaoglu and the Krein-Šmulian theorem. Any L0 -module being a conditional set allows to apply all results to L0 -theory. In the fifth chapter, we discuss the property of transitivity of relations and its connection to certain forms of representations. After a survey of common representations of preferences, we attend to relations induced by moving convex sets which are relations of the form that x is preferred to y if and only if x − y is in a convex set depending on y. We examine in which cases such a representation is transitive. Finally, we exhibit nontransitivity due to dissimilarity of the compared object and discuss representations for relations of that type.
Lynn, Emma. "Fan Remake Films: Active Engagement With Popular Texts." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1615121429167803.
Повний текст джерелаGlikson, Michal. "Towards a Peripatetic Practice: negotiating journey through painting." Phd thesis, https://datacommons.anu.edu.au/DataCommons/item/anudc:5523, 2017. http://hdl.handle.net/1885/128513.
Повний текст джерелаPangerl, Markus Friedrich. "Moving lives : routes and routines of contemporary Indo-Fijian migration." Phd thesis, 2007. http://hdl.handle.net/1885/151111.
Повний текст джерелаPlant, Byron King. "Hank Snow and moving on: tradition and modernity in Kwakwaka'wakw 20th century migration." Thesis, 2004. http://hdl.handle.net/1828/1072.
Повний текст джерелаSu, Yi-Wei, and 蘇意崴. "A Study of Process Capability Indices for ARMA(1,1) Autoregressive Moving Average Models." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/19043810263055548992.
Повний текст джерела國立雲林科技大學
工業工程與管理系
102
Process capability indices are widely used to indicate the performance and the capability of a manufacturing process. The data were assumed to be normally and independently distributed when using these process capability indices. However, the process data are often autocorrelated in industry and this will cause inaccurate estimation of process capability indices. This study evaluates the effects of the autoregressive parameters ∅1, the moving average parameters θ1 and sample size n in estimation of process mean, process standard deviation, and process capability indices Cp, Cpk, Cpm and Cpmk when the autocorrelated process data is ARMA (1,1). The results show that the process mean will not be affected by the autocorrelation parameters and the sampling size, but the process standard deviation, and the process capability indices Cp, Cpk, Cpm, Cpmk will be affected by the autocorrelation parameters and the sampling size in the ARMA (1,1) model. The process standard deviation will be underestimated and the process capability indices Cp, Cpk, Cpm, and Cpmk will be overestimated if autocorrelation is ignored.
Hossain, Md Munir. "Antecedents of attitudes towards foreign movies and their effects on viewing behaviour : a case of Hollywood and Bollywood." Thesis, 2015. http://handle.uws.edu.au:8081/1959.7/uws:32816.
Повний текст джерела"Quantifying Percent-Cover in Prescott National Forest, Arizona; Through the Integration of Landsat Imagery, Vegetation Indices, and Spatial Transformations." Master's thesis, 2012. http://hdl.handle.net/2286/R.I.14983.
Повний текст джерелаDissertation/Thesis
M.A. Geography 2012
Nicolson, Marianne. "Moving forward while looking back: a Kwakwaka'wakw concept of time as expressed in language and culture." Thesis, 2005. http://hdl.handle.net/1828/1887.
Повний текст джерелаKumar, Dinesh. "The issues with transnational fast moving consumer goods supply chains originating India and South Africa." Thesis, 2013. http://hdl.handle.net/10539/12763.
Повний текст джерелаGillespie, Christine. "My ornament : writing women's moving, erotic bodies across time and space : a novel and exegesis." Thesis, 2008. https://vuir.vu.edu.au/1464/.
Повний текст джерела