Книги з теми "Imperial architect"
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1
Inc, Softdesk, ed. AdCADD architectural: Auto-architect tutorial (imperial). Henniker, NH (7 Liberty Hill Rd., Henniker 03242): Softdesk, 1993.
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2
Inc, Softdesk, ed. AdCADD architectural: Auto-architect tutorial (imperial). Henniker, NH (7 Liberty Hill Rd., Henniker 03242): Softdesk, 1992.
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3
Macaulay and son: Architects of imperial Britain. New Haven: Yale University Press, 2012.
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4
Oksanish, John. Vitruvian Man. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190696986.001.0001.
Повний текст джерелаАнотація:
This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture. Once reviled by scholars as a half-witted proletarian, Vitruvius emerges as well read and politically able when read alongside literary coevals through an intertextual lens. No building of Vitruvius’s name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome’s vibrant textual culture. The book explores Vitruvius’s portrait of the ideal architect as an imposing “Vitruvian man” at the dawn of Augustus’s empire. In direct dialogue with his republican model, Cicero’s ideal orator, the architect embodies a distinctly imperial civic ethos in which technically skilled partisans supersede old elites as guarantors of Augustan authority. Vitruvius promises to shape not only the emperor’s legacy with architecture, but also the notion of a Roman citizen through the figure of the ideal architect.
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Bartlett, roger. The Bentham Brothers and Russia: The Imperial Russian Constitution and the St Petersburg Panopticon. UCL Press, 2022. http://dx.doi.org/10.14324/111.9781800082373.
Повний текст джерелаАнотація:
The jurist and philosopher, Jeremy Bentham, and his lesser-known brother, Samuel, equally talented but as a naval architect, engineer and inventor, had a long love affair with Russia. Jeremy hoped to assist Empress Catherine II with her legislative projects. Samuel went to St Petersburg to seek his fortune in 1780 and came back with the rank of Brigadier-General and the idea, famously publicised by Jeremy, of the Inspection-House or Panopticon. The Bentham Brothers and Russia chronicles the brothers’ later involvement with the Russian Empire, when Jeremy focused his legislative hopes on Catherine’s grandson Emperor Alexander I (ruled 1801-25) and Samuel found a unique opportunity in 1806 to build a Panopticon in St Petersburg – the only panoptical building ever built by the Benthams themselves. Setting the Benthams’ projects within an in-depth portrayal of the Russian context, Roger Bartlett illuminates an important facet of their later careers and offers insight into their world view and way of thought. He also contributes towards the history of legal codification in Russia, which reached a significant peak in 1830, and towards the demythologising of the Panopticon, made notorious by Michel Foucault: the St Petersburg building, still relatively unknown, is described here in detail on the basis of archival sources. The Benthams’ interactions with Russia under Alexander I constituted a remarkable episode in Anglo-Russian relations; this book fills a significant gap in their history.
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Hall, Catherine. Macaulay and Son: Architects of Imperial Britain. Yale University Press, 2012.
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7
Song, Weijie. The Aesthetic versus the Political. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0004.
Повний текст джерелаАнотація:
This chapter addresses how Lin Huiyin, a female poet and architect, carries out modernist, impressionist, and urbanist mappings of Beijing’s everyday objects, imperial relics, and socialist sites from the post-Warlord Era to the high Cold War years. In her literary writings of the 1930s and her failed project of urban planning of the socialist capital in the 1950s (against Maoist and Stalinist propaganda), Lin deliberately juxtaposes the pastoral and the counterpastoral, the threatening and disturbing images of modern industrial civilization and the lyrical and aesthetic items in everyday life. Imperial palaces and other grand buildings still dominate the urban landscape of Beijing. However, in Lin’s poetics and politics of daily objects, the sensuous, superfluous, and aestheticized things constitute the cultural texture and material basis of the city, which outlive historical transformations and political turbulence and protect Beijing from the “gust and dust” of modern times.
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Imperial architects: Being an account of proposals in the direction of a closer imperial union, made previous to the opening of the first Colonial Conference of 1887. Toronto: H. Milford, Oxford University Press, 1994.
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9
Belser, Julia Watts. Rabbinic Tales of Destruction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190600471.001.0001.
Повний текст джерелаАнотація:
Rabbinic Tales of Destruction examines early Jewish accounts of the Roman conquest of Jerusalem from the perspective of the wounded body and the scarred land. Amidst stories saturated with sexual violence, enslavement, forced prostitution, disability, and bodily risk, the book argues that rabbinic narrative wrestles with the brutal body costs of Roman imperial domination. It brings disability studies, feminist theory, and new materialist ecological thought to accounts of rabbinic catastrophe, revealing how rabbinic discourses of gender, sexuality, and the body are shaped in the shadow of empire. Focusing on the Babylonian Talmud’s longest account of the destruction of the Second Temple, the book reveals the distinctive sex and gender politics of Bavli Gittin. While Palestinian tales frequently castigate the “wayward woman” for sexual transgressions that imperil the nation, Bavli Gittin’s stories resist portraying women’s sexuality as a cause of catastrophe. Rather than castigate women’s beauty as the cause of sexual sin, Bavli Gittin’s tales express a strikingly egalitarian discourse that laments the vulnerability of both male and female bodies before the conqueror. Bavli Gittin’s body politics align with a significant theological reorientation. Bavli Gittin does not explain catastrophe as divine chastisement. Instead of imagining God as the architect of Jewish suffering, it evokes God’s empathy with the subjugated Jewish body and forges a sharp critique of empire. Its critical discourse aims to pierce the power politics of Roman conquest, to protest the brutality of imperial dominance, and to make plain the scar that Roman violence leaves upon Jewish flesh.
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Song, Weijie. Mapping Modern Beijing. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.001.0001.
Повний текст джерелаАнотація:
Mapping Modern Beijing investigates five methods of representing Beijing- a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory—by authors traveling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. The metamorphosis of Beijing’s everyday spaces and the structural transformation of private and public emotions unfold Manchu writer Lao She’s Beijing complex about a warped native city. Zhang Henshui’s popular snapshots of fleeting shocks and everlasting sorrows illustrate his affective mapping of urban transition and human manners in Republican Beijing. Female poet and architect Lin Huiyin captures an aesthetic and picturesque city vis-à-vis the political and ideological urban planning. The imagined imperial capital constructed in bilingual, transcultural, and comparative works by Lin Yutang, Princess Der Ling, and Victor Segalen highlights the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions. In the shadow of World Wars and Cold War, a multilayered displaced Beijing appears in the Sinophone postmemory by diasporic Beijing natives Liang Shiqiu, Taiwan sojourners Zhong Lihe and Lin Haiyin, and émigré martial-arts novelist Jin Yong in Hong Kong. Weijie Song situates Beijing in a larger context of modern Chinese-language urban imaginations, and charts the emotional topography of the city against the backdrop of the downfall of the Manchu Empire, the rise of modern nation-state, the 1949 great divide, and the formation of Cold War and globalizing world. Drawing from literary canons to exotic narratives, from modernist poetry to chivalric fantasy, from popular culture to urban planning, this book explores the complex nexus of urban spaces, archives of emotions, and literary topography of Beijing in its long journey from imperial capital to Republican city and to socialist metropolis.
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Simpson, Julian M. Migrant Architects of the NHS. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781784991302.001.0001.
Повний текст джерелаАнотація:
The NHS is traditionally viewed as a typically British institution; a symbol of national identity. It has however always been dependent on a migrant workforce whose role has until recently received little attention from historians. Migrant Architects draws on 45 oral history interviews (40 with South Asian GPs who worked through this period) and extensive archival research to offer a radical reappraisal of how the National Health Service was made. This book is the first history of the first generation of South Asian doctors who became GPs in the National Health Service. Their story is key to understanding the post-war history of British general practice and therefore the development of a British healthcare system where GPs play essential roles in controlling access to hospitals and providing care in community settings. Imperial legacies, professional discrimination and an exodus of British-trained doctors combined to direct a large proportion of migrant doctors towards work as GPs in industrial areas. In some parts of Britain they made up more than half of the GP workforce. This book documents the structural dependency of British general practice on South Asian doctors. It also focuses on the agency of migrant practitioners and their transformative roles in British society and medicine.
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Jansen, Dirk Jacob. Jacopo Strada and Cultural Patronage at the Imperial Court : The Antique As Innovation. BRILL, 2019.
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13
Williamson, Tom. Inigo's Stones: Inigo Jones, Royal Marbles and Imperial Power. Troubador Publishing Limited, 2012.
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Williamson, Tom. Inigo's Stones: Inigo Jones, Royal Marbles and Imperial Power. Troubador Publishing Limited, 2012.
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15
Sakul, Kahraman. Military Engineering in the Ottoman Empire. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781845861209.003.0008.
Повний текст джерелаАнотація:
The Ottoman Empire was largely self-sufficient in the materials of gunpowder warfare, apart from tin. In the Danube and Mediterranean basins it had access to a culture of technological transfer not least from French and Walloon deserters whom the Habsburgs did not always pay regularly. Ottoman architects such as the great Sinan Aga were mathematically informed and expected to cover secular, religious and military tasks. A centralised regime sustained a small imperial engineering corps. Its modernisation after 1720 was impeded not by prejudice but by fiscal, political and military over-extension.
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Riegg, Stephen Badalyan. Russia's Entangled Embrace. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750113.001.0001.
Повний текст джерелаАнотація:
This book traces the relationship between the Romanov state and the Armenian diaspora that populated Russia's territorial fringes and navigated the tsarist empire's metropolitan centers. By engaging the ongoing debates about imperial structures that were simultaneously symbiotic and hierarchically ordered, the book helps us to understand how, for Armenians and some other subjects, imperial rule represented not hypothetical, clear-cut alternatives but simultaneous, messy realities. The book examines why, and how, Russian architects of empire imagined Armenians as being politically desirable. These circumstances included the familiarity of their faith, perceived degree of social, political, or cultural integration, and their actual or potential contributions to the state's varied priorities. Based on extensive research in the archives of St. Petersburg, Moscow, and Yerevan, the book reveals that the Russian government relied on Armenians to build its empire in the Caucasus and beyond. Analyzing the complexities of this imperial relationship—beyond the reductive question of whether Russia was a friend or foe to Armenians—allows us to study the methods of tsarist imperialism in the context of diasporic distribution, interimperial conflict and alliance, nationalism, and religious and economic identity.
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Kobylińska, Anna, and Maciej Falski, eds. Architects and their Societies. Cultural Study on the Habsburg-Slavic Area (1861-1938). University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323549918.
Повний текст джерелаАнотація:
The idea of looking at the architects operating within the cultural framework of the Habsburg Empire, embedded in this book, stems from our previous research. It has its roots in the research on Slavic peripheral narratives, conducted by the Research Group on the Slavic Cultures in the Habsburg Monarchy (http://uwhabsburgstudies.uw.edu.pl/), which has operated since 2011 at the Institute of Western and Southern Slavic Studies of the University of Warsaw. We studied the issue of peripheral attitudes towards both national narratives, created after 1861 by the Slovak, Czech and Croatian elites, and the imperial project imposed by Vienna and Budapest. Faithful to the microlevel approach, we looked at figures, spaces and social phenomena that do not fit into the stereotypical view of national historiography.
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Shasore, Neal. Designs on Democracy. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192849724.001.0001.
Повний текст джерелаАнотація:
Abstract Designs on Democracy examines a pivotal period in the formation of the modern profession of architecture in Britain. It shows how architects sought to meet the newly articulated demands of a mass democracy in the wake of the First World War. It does so by providing a vivid picture of architectural culture in interwar London, the imperial metropolis, drawing on histories of design, practice, professionalism, and representation. Most accounts of this period tend to deal exclusively with the emergence of Modernism; this book takes a different approach, encompassing a much broader perspective on the liberal professional consensus that held sway, including architecture’s mainstream and its so-called avant-garde. Readers will encounter a number of unexpected narratives, episodes, and projects: from the British Empire Exhibition at Wembley to the rebuilding of Waterloo Bridge; from the impact of the Great Slump to the passing of the first Architects Registration Act (1931); from Trystan Edwards’s radical housing campaigns to the Londoners’ League’s unorthodox preservationism. Pulling in a range of evidence and sources—periodicals, exhibitions, photographs, and films, alongside architecture—it evokes architectural culture by listening carefully to the tenor of its discourse. Architecture’s public realm is thus analysed through sometimes surprising phrases: ‘manners’ to understand ideals of public propriety, ‘vigilance’ to explore public proprietorship, ‘slump’ to contextualize the emergence of public relations, ‘machine-craft’ to understand the forging of public institutions. The book spans the excitable discussions about the reconstruction of the profession for a democratic age after the First World War, to reconstruction and planning following the Second. Designs on Democracy provides an ambitious revision of how we can understand twentieth-century architecture in Britain.
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Hanifi, Shah Mahmoud, and William Dalrymple. Mountstuart Elphinstone in South Asia. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190914400.001.0001.
Повний текст джерелаАнотація:
Mountstuart Elphinstone (1779-1859), Lowland Scottish traveller, East India Company civil servant and educator, was one of the principal intellectual architects of British colonial rule in South Asia. Imbued with liberal views, such that Bombay's wealthy founded Elphinstone College in his memory, he pioneered the scholarly, scientific and administrative foundations of imperialism in India. Elphinstone's career was launched when he was picked to lead the inaugural British diplomatic mission to the Afghan court. His Account of the Kingdom of Caubul (1815) became the main source of British information about Afghanistan. He is best known for his periods as Resident at Poona and Governor of Bombay in the 1810s and 1820s, when he instituted innovative and lasting policies in administration and education while also conducting research for his extremely influential History of India (1841). This volume examines Mountstuart Elphinstone's intellectual contributions and administrative career in their own right, in relation to prominent contemporaries including Charles Metcalfe and William Moorcroft, and in the context of later historical study of India, Afghanistan, British imperialism and its imperial frontiers.
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Scribble, 2. Book for Marine Architects - Pro Series Three: 150-Page Lined Work Decor for Professionals to Write in, with Individually Numbered Pages and Metric/Imperial Conversion Charts. Vibrant and Glossy Color Cover. Independently Published, 2019.
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Scribble, 2. Book for Landscape Architects - Pro Series Three: 150-Page Lined Work Decor for Professionals to Write in, with Individually Numbered Pages and Metric/Imperial Conversion Charts. Vibrant and Glossy Color Cover. Independently Published, 2019.
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22
Murphy/Jahn: Six works. Mulgrave, Vic: Images Pub. Group, 2001.
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