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Статті в журналах з теми "IMAGACT"

Автор: Grafiati

Опубліковано: 10 березня 2023

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1

Gärtig-Bressan, Anne-Kathrin. "Der Ausdruck von Aktionen im Deutschen und Italienischen." Linguistik Online 111, no. 6 (December 11, 2021): 45–64. http://dx.doi.org/10.13092/lo.111.8239.

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The article considers contrastive linguistics as a discipline that interacts closely with its intralinguistic and applied neighbouring disciplines. Within this framework, the online ontology IMAGACT presents an instrument that allows to contrast how languages lexicalize concrete actions (movements, modification of objects, setting relations among objects, etc.) in their verbs. German and Italian, the language pair considered here, differ typologically in their lexicalization strategies, which leads to difficulties in L2 acquisition, translation and lexicography. The article shows how the corpus-based IMAGACT database, which presents a set of 1010 actions in short films and links them to the appropriate verbs in 15 languages, provides help in these fields, and how it can at the same time empirically support contrastive-typological findings

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2

Puhar, Jelena. "Variazione primaria di ‘portare’ e i suoi traducenti serbi in IMAGACT." Italica Belgradensia 2016, no. 2 (2016): 63–79. http://dx.doi.org/10.18485/italbg.2016.2.4.

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3

Wang, Yangzhen, Feng Su, Shanshan Wang, Chaojuan Yang, Yonglu Tian, Peijiang Yuan, Xiaorong Liu, Wei Xiong, and Chen Zhang. "Efficient implementation of convolutional neural networks in the data processing of two-photon in vivo imaging." Bioinformatics 35, no. 17 (January 23, 2019): 3208–10. http://dx.doi.org/10.1093/bioinformatics/btz055.

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Abstract Motivation Functional imaging at single-neuron resolution offers a highly efficient tool for studying the functional connectomics in the brain. However, mainstream neuron-detection methods focus on either the morphologies or activities of neurons, which may lead to the extraction of incomplete information and which may heavily rely on the experience of the experimenters. Results We developed a convolutional neural networks and fluctuation method-based toolbox (ImageCN) to increase the processing power of calcium imaging data. To evaluate the performance of ImageCN, nine different imaging datasets were recorded from awake mouse brains. ImageCN demonstrated superior neuron-detection performance when compared with other algorithms. Furthermore, ImageCN does not require sophisticated training for users. Availability and implementation ImageCN is implemented in MATLAB. The source code and documentation are available at https://github.com/ZhangChenLab/ImageCN. Supplementary information Supplementary data are available at Bioinformatics online.

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4

Vizenor, Gerald. "Imagic moments." Third Text 13, no. 46 (March 1999): 25–37. http://dx.doi.org/10.1080/09528829908576777.

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5

Spencer, Catherine. "Joan Jonas’s Imagist Poetics." Art Journal 80, no. 1 (January 2, 2021): 66–83. http://dx.doi.org/10.1080/00043249.2021.1872304.

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6

Rose, Gilbert J. "Imagae and Insight." Journal of the American Psychoanalytic Association 44, no. 1 (February 1996): 302–5. http://dx.doi.org/10.1177/000306519604400114.

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7

Kim, Jin-Chul, You-Jeong Heo, So-Young Kang, Jeeyun Lee, and Kyoung-Mee Kim. "Validation of the Combined Biomarker for Prediction of Response to Checkpoint Inhibitor in Patients with Advanced Cancer." Cancers 13, no. 10 (May 12, 2021): 2316. http://dx.doi.org/10.3390/cancers13102316.

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Although immune checkpoint inhibitors can induce durable responses in patients with multiple types of advanced cancer, only a limited number of patients have a known reliable biomarker. This study aimed to validate the IMmunotherapy Against GastrIc Cancer (IMAGiC) model, which was developed based on a previous study of four-gene and PD-L1 level, to predict immunotherapy response. We developed a clinical assay for formalin-fixed paraffin-embedded samples using quantitative real-time polymerase chain reaction to measure the expression level of the previously published four-gene set. The predictive performance was validated in a cohort of 89 patients with several advanced tumor types. The IMAGiC score was derived from tumor samples of 89 patients consisting of eight cancer types, and 73 out of 89 patients available for clinical response were analyzed with clinicopathological factors. The IMAGiC group (responder vs. non-responder) was determined with a specific value of the IMAGiC score as a cutoff, which was set by log-rank statistics for progression-free survival (PFS) divided the patients into 56 (76.7%) non-responders and 17 (23.3%) responders. Clinical responders (complete response/partial response) were higher in the IMAGiC responder group than in the non-responder group (70.6 vs. 21.4%). The median PFS of the IMAGiC responder group and non-responder was 20.8 months (95% CI 9.1-not reached) and 6.7 months (95% CI 4.9–11.1, p = 0.007), respectively. Among the 17 IMAGiC responders, 11 patients had tumor mutation burden-low and microsatellite-stable tumors. This study validated a predictive model based on a four-gene expression signature. Along with conventional biomarkers, our model could be useful for predicting response to immunotherapy in patients with advanced cancer.

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8

Sembiring, Robbialwy, Ema Novelia, Merisusanna Sinuhaji, and Chrismis Novalinda Ginting. "PENGARUH GUIDED IMAGARY TERHADAP PENURUNAN RASA NYERI PADA PENDERITA GASTRITIS DI RUMAH SAKIT UMUM ROYAL PRIMA MEDAN." Malahayati Nursing Journal 2, no. 3 (July 20, 2020): 623–31. http://dx.doi.org/10.33024/manuju.v2i3.2913.

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ABSTRACT : INFLUENCE OF GUIDED IMAGERY ON PAIN DECREASE IN GASTRITIS PATIENTS IN ROYAL PRIMA MEDAN GENERAL HOSPITAL IN 2019Background : Gastritis is an irritation in the stomach that causes pain in sufferers. In general, people do not recognize gastritis, but more often say heartburn. Pain is the body's response to pain. There are several actions that can be done in overcoming pain, one of them is Guided Imagary therapy, a safe solution for patients without side effects, because this therapy processes thinking by focusing on pleasant things.A common purpose: To determine the effect of guided imagery on pain reduction in patients with gastritis at the Royal Prima General Hospital in 2019.A method of: type this research is research analytic descriptive with one group design pre and post test, Post test research found a majority of 18 respondents (47.4%) and a minority of severe pain 3 respondents (7.9%). The value of sig (2tailed) = 0,000 and a = 0.05, then 0,000 <0.05 then Ho is accepted Ha means that there is a Guided Imagary effect on pain reduction in gastritis at Royal Prima Medan General Hospital in 2019. According to Notoadmojo (2010) The population is the whole object under study, in this study were all gastritis patients in the inpatient room of the Royal Prima 2019 General Hospital, amounting to 38 people. Samples were 38 gastritis patients in the inpatient room of Royal Prima General Hospital 2019. The sampling technique uses total sampling in which the entire population is sampled.Results: The majority of moderate pain and severe pain pre-test research were 17 respondents (44.7%), and the minority had no pain and mild pain 2 respondents (5.3%). Post test research found a majority of 18 respondents (47.4%) and a minority of severe pain 3 respondents (7.9%). The value of sig (2tailed) = 0,000 and a = 0.05, then 0,000 <0.05 then Ho is accepted Ha means that there is a Guided Imagary effect on pain reduction in gastritis at Royal Prima Medan General Hospital in 2019.Conclusion: That there is an effect of Guided Imagery on the reduction of pain in patients with gastritis.Keywords: Gastritis, Pain, Guided Imagery Technique. INTISARI : PENGARUH GUIDED IMAGARY TERHADAP PENURUNAN RASA NYERI PADA PENDERITA GASTRITIS Pendahuluan : Gastritis merupakan iritasi pada lambung yang menyebabkan rasa nyeri pada penderitanya. Pada umumnya masyarakat tidak mengenal penyakit gastritis tapi lebih sering mengatakan penyakit maag. Nyeri adalah respon tubuh terhadap rasa sakit. Ada beberapa tindakan yang dapat dilakukan dalam mengatasi rasa nyeri, salah satunya terapi Guided Imagary, Solusi yang aman bagi pasien tanpa efek samping yang diderita, karena pada terapi ini mengolah cara pikir dengan memusatkan pikiran pada hal-hal yang menyenangkan.Tujuan umum : “Mengetahui pengaruh guided imagary terhadap penurunan rasa nyeri pada pasien penderita gastritis pada Rumah Sakit Umum Royal Prima Tahun 2019”.Metode : Jenis penelitian ini yaitu penelitian analitik deskriptif dengan one grup desain pre dan post test, dengan menggunakan variabel independen dan dependen diteliti secara bersamaan yang bertujuan untuk mengetahui “pengaruh Guided Imagary terhadap penurunan rasa nyeri pada pasien penderita Gastritis di Rumah Sakit Umum Royal Prima Medan Tahun 2019”. Menurut Notoadmojo (2010) “Populasi adalah seluruh objek yang akan diteliti, di dalam penelitian ini” yaitu keseluruhan pasien gastritis di ruangan rawat inap Rumah Sakit Umum Royal Prima 2019 sebanyak 38 orang. Sampel adalah pasien gastritis di ruangan rawat inap Rumah Sakit Umum Royal Prima 2019 seabnyak 38 orang. Teknik pengambilan sampel ini dengan menggunakan total sampling yaitu seluruh populasi akan dijadikan sampel. Hasil : Penelitian pre test mayoritas nyeri sedang dan nyeri berat sebanyak 17 responden ( 44,7%), dan minoritas tidak ada nyeri dan nyeri ringan 2 responden ( 5,3%). Penelitian post test didapati mayoritas sebanyak 18 responden ( 47,4%) dan minoritas nyeri berat 3 responden ( 7,9%). Nilai sig ( 2tailed) = 0,000 dan a = 0,05, maka 0,000 < 0,05 maka Ho ditilak Ha diterima artinya ada pengaruh Guided Imagary terhadap penurunan rasa nyeri pada Gastritis. Kesimpulan : Bahwa terdapat Pengaruh Guided Imagary Terhadap Penurunan Rasa Nyeri PadaPenderita Gastritis.Kata kunci : Gastritis, Nyeri, Teknik Guided Imagary.

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9

Lee, Cheolhee. "W. B. Yeats as Imagist." Yeats Journal of Korea 47 (August 31, 2015): 247–60. http://dx.doi.org/10.14354/yjk.2015.47.247.

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10

Thacker, Andrew. "Imagist travels in modernist space." Textual Practice 7, no. 2 (June 1993): 224–46. http://dx.doi.org/10.1080/09502369308582167.

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11

Reynes-Delobel, Anne. "Sarah Barnsley. Mary Barnard. American Imagist." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 8 (December 1, 2015): 132. http://dx.doi.org/10.12681/syn.16219.

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12

Hwang, Sungjoo “Tommy.” "Surgeon of the Month: Kenichiro Imagawa, MD." International Society of Hair Restoration Surgery 21, no. 1 (January 2011): 28. http://dx.doi.org/10.33589/21.1.0028.

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13

Ellis, Ralph D. "The imagist approach to inferential thought patterns." Pragmatics and Cognition 3, no. 1 (January 1, 1995): 75–109. http://dx.doi.org/10.1075/pc.3.1.07ell.

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Tmagists' hold that inferential thinking is built up from combinations of sensory and sensorimotor images in various patterns and modalities, and that the images are a more basic mental and neurophysiological operation than the logical thinking and conceptualization that are built up front them. 'Computationalists' hold just the opposite view — that images result from previous inferential processing which is more basic than the images. Suppose we define inference as the kind of thought process that we actually undergo when we do logical thinking, and not in the trivial sense in which any natural phenomenon which receives an 'input' from another then 'responds' to this 'input' (as for example when a ball responds to being hit by flying off at a certain angle). And suppose we define an 'image ' as any instance of imagining what it would be like to entertain some conscious state which we are not undergoing at the time — as for example when we imagine what it would be like to see something, to ride a roller coaster or to have a headache. I. e., 'images ' can be kinaesthetic and proprioceptive s well as sensory. Then it can be shown that inferential thinking is built up from patterns of images, including importantly the imaging of rhythm patterns corresponding to logical syntax. Furthermore, the acquisition of these inference rules can also be traced to a process of trying to imagine scenarios which might serve as counterexamples to the rules, and this kind of 'imagining ' can also be explained in terms of both sensory and proprioceptive images. The reason for this is twofold: First, even the apparently 'imageless ' concepts used to imagine such scenarios (e.g., the concept 'president') consist in each case of a feeling of preparedness to entertain a pattern of images which would be appropriate to provide a directly or indirectly ostensive definition of the concept in question, and this feeling of preparedness can be sensed proprioceptively. Secondly, a concept, even if it is not experienced as involving imagery, may nonetheless occur as an element of a larger pattern whose rhythm can be imaged. This paper defends an expanded version of the imagist approach, suggesting an important pragmatic role for the proprioceptive sensing of rhythm patterns in the acquisition and use of inference skills.

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14

Algaba, Leticia. "The capital novohispana from the Imagist s workshop." Anuario de Espacios Urbanos, Historia, Cultura y Diseño, no. 13.1 (December 1, 2006): 73–90. http://dx.doi.org/10.24275/wwxo4250.

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15

Shiell, Richard C. "A Visit to the Office of Dr. Kenichiro Imagawa." International Society of Hair Restoration Surgery 13, no. 6 (November 2003): 463–65. http://dx.doi.org/10.33589/13.6.0463.

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16

Fariha, Inayatul. "Poetic Image as Central Element in Early Imagist Poetry." Journal of English and Education 3, no. 1 (October 7, 2016): 37–52. http://dx.doi.org/10.20885/jee.vol3.iss1.art4.

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17

Wakabayashi, Kosuke, and 智彦小村. "3D Cinematography and Digital Remaster of IMAGICA Co, Ltd." Journal of The Institute of Image Information and Television Engineers 66, no. 3 (2012): 223–25. http://dx.doi.org/10.3169/itej.66.223.

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18

Habibi Khaveh, Hassan, Mohammad Ali GHolami Sefidkouhi, and Ali Reza Emadi. "Bathymetry and Volume Estimation of Reservoirs using OLI Imagary." journal of watershed management research 10, no. 19 (May 1, 2019): 46–57. http://dx.doi.org/10.29252/jwmr.10.19.46.

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19

Kong, L. B., L. H. Rome, and P. L. Stewart. "Cryo-Electron Microscopy and Image Processing Methods for Studying the Ribonucleoprotein Vault." Microscopy and Microanalysis 4, S2 (July 1998): 976–77. http://dx.doi.org/10.1017/s1431927600025009.

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Vaults are highly conserved ribonucleoprotein complexes found in thousands of copies per cell in various tissues. The major vault protein, pi 04, accounts for over 70% of the particle mass and has been recently found to be involved in cancer cell multidrug resistance. We have utilized cryoelectron microscopy (cryo-EM), and three-dimensional image reconstruction to generate a 3-D structure of the vault particle. Individual particle images were isolated using the QVIEW software package, which simultaneously performs density exclusion, planar background subtraction, and application of an elliptical mask. The IMAGIC-5 software package was used for the subsequent particle orientation and reconstruction steps (Fig. I).A symmetry self-search test was used to measure the signal strength for a variety of point groups and the highest correlation was found for the cyclic 8-fold point group. We have utilized the sinogram correlation algorithms in IMAGIC-5 to find the Euler angles of both 1 μm and 2 μm defocus particle images.

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20

Hetherington, Paul, and Anita Fitton. "Spectral Resemblances and Elusive Connections: A Practice-led Research Dialogue between Poetry and Digital Imagery." American, British and Canadian Studies Journal 20, no. 1 (June 1, 2013): 17–38. http://dx.doi.org/10.2478/abcsj-2013-0011.

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Abstract In the early 20th century the function of poetic imagery was given international attention through the Imagist movement in London and, ever since, many poets have self-consciously employed and exploited imagist techniques. At the same time poets and visual artists have frequently explored connections between each other’s works considering, as Art Berman writes, that “the visual can provide direct and even prelinguistic knowledge since the psyche presumably has operations that precede or take logical precedence over […] language” (49). Interart comparisons suggest that poetry and the visual arts can be talked about as if “work in one medium […] were operating in another” (Dayan 3). However, it is often unclear what it might mean to describe a work of visual art as “poetic” or a poem as “visual.” This paper explores these ideas with reference to Paul Hetherington’s and Anita Fitton’s practice-led research project, Spectral Resemblances. The project is investigating some of the ways in which written poetry and still visual imagery may convey related meanings. It asks whether meaningful connections between poetic and visual imagery are at best “spectral” and elusive. It explores how the juxtapositioning of complementary works in these different media may allow resonances to play back and forth in the conceptual spaces between them.

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21

Pyun, Ji-yun, Ji-soo Han, Eun-ji Byeon, and hyuk Suh. "A Study on the Implication of ‘imagance’ as Multimodal Textuality." JOURNAL OF READING RESEARCH 49 (November 30, 2018): 125–60. http://dx.doi.org/10.17095/jrr.2018.49.5.

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22

이철. "Theme of Death in the Imagist Poetry of Ezra Pound." Jungang Journal of English Language and Literature 56, no. 2 (June 2014): 283–302. http://dx.doi.org/10.18853/jjell.2014.56.2.013.

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23

Mujezinović, Osman, Mirza Dautbašić, Milivoj Franjević, and Kenan Zahirović. "Trofičke karakteristike i utjecaj bukove skočipipe na površinu oštećenja lista bukve u Bosni i Hercegovini." Šumarski list 144, no. 1-2 (February 28, 2020): 27–33. http://dx.doi.org/10.31298/sl.144.1-2.3.

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Bukva predstavlja jednu od najvažnijih vrsta drveća u Bosni i Hercegovini. Stoga, potrebno je praćenje zdravstvenog stanja bukovih sastojina i poduzimanje svih neophodnih preventivnih i represivnih mjera kako bi se zdravstveno stanje ovih sastojina unaprijedilo. U okviru istraživanja analiziran je utjecaj bukove skočipipe na površinu oštećenja listova na stabalcima bukve od imaga i ličinke u ovisnosti od lokacije i položaja stabalaca bukve u sastojini (svjetlo/sjena). Lokacije istraživanja su se nalazile unutar kulture smreke, visokih šuma bukve i mješovitih šuma bukve i jele sa smrekom. Bukova skočipipa predstavlja jednog od glavnih defolijatora koji se javljaju na stablima bukve. Uzorak istraživanja čine 15 stabalaca bukve, po 5 stabalaca na tri lokacije. Na svakoj lokaciji odabrana su 3 stabalca čija krošnja je bila na svjetlu i dva stabalca čija krošnja je bila u sjeni (ukupno 9 stabalaca na svjetlu i 6 stabalaca u zasjeni). Na svakom stablu pregledavana su i mjerena oštećenja od imaga i ličinke bukove skočipipe. Ustanovljeno je da prosječna površina oštećenja lista bukve od imaga je varirala od 2-4%, a ličinke od 4-8%. Statističkim analizama je utvrđeno postojanje statistički značajnih razlika u površini oštećenja lista bukve od ličinke u ovisnosti od položaja stabalaca bukve u sastojini.

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24

Sneve, Shirley K. "Imagic Moments: Indigenous North American Film by Lee Schweninger." Great Plains Quarterly 35, no. 2 (2015): 216. http://dx.doi.org/10.1353/gpq.2015.0022.

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25

van Heel, Marin, George Harauz, Elena V. Orlova, Ralf Schmidt, and Michael Schatz. "A New Generation of the IMAGIC Image Processing System." Journal of Structural Biology 116, no. 1 (January 1996): 17–24. http://dx.doi.org/10.1006/jsbi.1996.0004.

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26

Partovi, T., H. Arefi, T. Krauß, and P. Reinartz. "AUTOMATIC MODEL SELECTION FOR 3D RECONSTRUCTION OF BUILDINGS FROM SATELLITE IMAGARY." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-1/W3 (September 24, 2013): 315–20. http://dx.doi.org/10.5194/isprsarchives-xl-1-w3-315-2013.

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27

Gleason, D. W. "The Visual Experience of Image Metaphor: Cognitive Insights into Imagist Figures." Poetics Today 30, no. 3 (September 1, 2009): 423–70. http://dx.doi.org/10.1215/03335372-2009-002.

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28

Bratton, Francesca. "‘An Imagist in Amber’: Hart Crane’s Early Publications and Greenwich Village." English: Journal of the English Association 68, no. 260 (2019): 1–34. http://dx.doi.org/10.1093/english/efz001.

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29

Pelura, Timothy J. "Clinical experience with AF0150 (Imagent US), a new ultrasound contrast agent." Academic Radiology 5 (April 1998): S69—S71. http://dx.doi.org/10.1016/s1076-6332(98)80064-0.

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30

Hama, Bakhtiar S. "Imagism and Imagery in the Selected Poems of Major Imagist Poets." Koya University Journal of Humanities and Social Sciences 3, no. 1 (June 22, 2020): 88–93. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp88-93.

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Анотація:

This paper explores imagism and studies the intrinsic literary features of some poems to show how the authors combine all the elements such as style, sentence structure, figures of speech and poetic diction to paint concrete and abstract images in the mind of the readers. Imagism was an early 20th century literary movement and a reaction against the Romantic and Victorian mainstreams. Imagism is known as an Anglo-American literary movement since it borrows from the English and American verse style of modern poetry. The leaders of the movement set some rules for writing imagist poems. The authors of the group believed that poets are like painters; what the painters can do with brush and dye, poets can do it with language i.e. painting pictures with words. The poems are descriptive; the poets capture the images they experience with one or more of the five senses. They believed that readers could see the realities from their eyes because the texts are like a painting. In this paper, six poems by six prominent leaders of the movement will be scrutinized according to the main principles of the formalistic approach which is the interpretation and analysis of the literary devices pertained to the concrete and abstract images drawn by the poets. The poems are: In a Station of the Metro by Ezra Pound, Autumn by T. E. Hulme, November by Amy Lowell, Oread by Hilda Doolittle (H.D.), and Bombardment by Richard Aldington

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31

Oliveira Silva, Denilson Patrick, Lívia Ribeiro Bertges, and Vinicius Carvalho Pereira. "Bots geradores de poesia no Twitter: tradição e inovação." Texto Poético 19, no. 38 (January 29, 2023): 156–79. http://dx.doi.org/10.25094/rtp.2023n38a928.

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Neste artigo, analisamos a poesia generativa produzida por bots no Twitter como gênero de literatura eletrônica que utiliza a programação para a composição poética e se insere no campo da twitteratura. Discutimos algumas características do gênero e analisamos duas contas: “Jane Austen Haiku” (@JaneAustenHaiku) e “Auto Imagist Bot” (@AutoImagist). Enfocamos os limites humano/máquina na construção artística e como a programação dita a escrita e as opções estéticas de cada projeto, ora enfatizando aspectos formais, ora privilegiando a coerência semântica. Os resultados apontam que, apesar dessas produções utilizarem recursos e ferramentas digitais, permanece uma conexão latente com a tradição literária impressa.

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32

Crozier, Walter R. "Motivations for Patronage: Early Modernist Literature as a Case Study." European Journal of Language and Culture Studies 1, no. 6 (December 19, 2022): 41–51. http://dx.doi.org/10.24018/ejlang.2022.1.6.50.

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Patronage of early modernist English-language writers is investigated, drawing upon biographical source material. The process of identifying patrons started with Imagist poets in the first decades of the twentieth century followed by a search for their social connections with fellow writers and patrons. Fifteen patrons were identified who brought new money into the network of connections, twelve of them women. Analysis of their personal characteristics reveals a distinctive pattern of substantial, inherited financial resources, education, literary interests and unorthodox lifestyle, notably for the women in the sample. Explanations of motivation in terms of social identity, gift exchange and co-creation are discussed.

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AÇAR, Zeliha. "IMAGIC DISCOURSE IN FEHÎM-I KADİM'S GAZEL “Mİ OLDUN” REDİF." Gaziantep University Journal of Social Sciences 21, no. 4 (October 19, 2022): 2588–99. http://dx.doi.org/10.21547/jss.1094686.

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İmge, en genel tanımıyla dış dünyaya ait nesnel gerçekliğin zihinde bıraktığı intibadır. Başka bir deyişle şairin, dış dünyadan aldığı zihinsel uyarımları yeni bir teşbih yahut da metafor olarak ifade ediş şeklidir. Bir söz ya da söz grubunun akla ilk gelen manası dışında bir veya birden fazla manayı çağrıştırması olan imge, şiirin değer kazanmasında önemli bir role sahiptir. İmgenin gücünden istifade etmek de şiir dilinin zenginliğinin doğal bir sonucudur. İmgesel söylem, gündelik dilden farklı olarak yaratılmış olan dilin imkânlarını zorlayarak inşa edilmiş olan yeni dille manayı katmanlı hâle getirmektir. Klasik şiirin kuruluş dönemlerinde basit mazmunlar kullanılırken sonraki dönemlerde şiirdeki incelmelerle hayaller genişlemiştir. Bilhassa girift hayallerle zincirleme tamlama ve orijinal terkipleri kullanan Sebk-i Hindî şairlerinde çarpıcı yeni imajlar yaratma girişimleri neticesinde imgesel anlatım daha da yaygınlaşmıştır. Bu çalışmanın konusu Fehîm-i Kadîm’in “mi oldun” redifli gazelinin sembol dünyasıdır. Çalışmaya konu olan şiirin şairi Sebk-i Hindî’in ustalarından olduğundan öncelikle bu edebî akım ve şairin biyografisi hakkında bilgi verilecek, daha sonra da şiir incelenerek sonuca bağlanacaktır.

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34

정경심. "Ezra Pound the Imagist: Major Source of T. S. Eliot’s Early Poetics." English21 23, no. 3 (September 2010): 253–71. http://dx.doi.org/10.35771/engdoi.2010.23.3.012.

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MESTHRIE, RAJEND. "Imagint excusations: Missionary English in the nineteenth century Cape Colony, South Africa." World Englishes 15, no. 2 (July 1996): 139–57. http://dx.doi.org/10.1111/j.1467-971x.1996.tb00101.x.

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Dinunzio, J. "Review: An Imagist at War: The Complete War Poems of Richard Aldington." Review of English Studies 54, no. 216 (September 1, 2003): 546–48. http://dx.doi.org/10.1093/res/54.216.546.

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Sarco-Thomas, Malaika. "Excitable tissues in motion capture practices: The improvising dancer as technogenetic imagist." Journal of Dance & Somatic Practices 5, no. 1 (October 1, 2013): 81–93. http://dx.doi.org/10.1386/jdsp.5.1.81_1.

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38

Kirkton, Scott D., Harrieth Wagner, Maria M. Landicho, Jeff J. Struthers, Nicholas Busan, and Peter D. Wagner. "Effects of Imagent® on pulmonary hemodynamics and gas exchange in dogs." Ultrasound in Medicine & Biology 32, no. 6 (June 2006): 949–59. http://dx.doi.org/10.1016/j.ultrasmedbio.2006.02.1422.

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39

Yeom, In-Ho. "A Study on Imagary of Anti-Japanese Allied Force in Yanbian China." Journal for the Studies of Korean History 71 (May 31, 2018): 107–50. http://dx.doi.org/10.21490/jskh.2018.05.71.107.

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40

Sharma, Manisha. "COLOURIMAGERY IN THE HAIKU POEMS OF IMAGISTS POETS." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (December 31, 2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3541.

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Imagism was a movement in early 20th century Anglo-American poetry that favoured precision of imagery and clear, sharp language. Imagists stressed on the direct treatment of the subject matter and strictly adhered to the rule that even a single word was not used unnecessarily. Imagists used the exact word instead of decorative words and rejected most 19th century poetry as cloudy verbosity. Imagist poets were influenced by Japanese Haiku, poems of 17 syllables which usually present only two juxtaposed images. Ezra Pound has made a conscious study of the Japanese Haiku. According to Pound, Japanese make a wonderful use of Haiku where they usually use a single image. A haiku is a haiku because all the images it conveys occur simultaneously in a person's present perceptions of the world. Ezra Pound is one the major exponents of imagist school who gave systematic theory of modernism. Ezra Pound's In a Station of the Metro is regarded as a fine specimen of Haiku. Pound recalls that once he stepped out of a "metro", train at La Concorde, and saw suddenly a beautiful face, and then another and another, and then a beautiful child's face, and then another beautiful woman. Throughout the day, Pound attempted to find words as worthy and as lovely as that sudden emotion. To his mind came an equation which was not in speech but in little sploches of colour. This feeling was the beginning of a language in colourfor Pound. Pound further elaborates that to express this kind of emotion he might find a new school of painting that would speak only by arrangements in colours. To substantiate his arguments, Pound expounds his view in Vorticism.

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41

Manifold, Marjorie Cohee. "Enchanting Tales and Imagic Stories: The Educational Benefits of Fanart Making." Art Education 66, no. 6 (November 2013): 12–19. http://dx.doi.org/10.1080/00043125.2013.11519245.

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42

Moore, Alexander. "The Limitations of Imagist Documentary: A Review of Robert Gardner's "Forest of Bliss"." Society for Visual Anthropology Newsletter 4, no. 2 (September 1988): 1–2. http://dx.doi.org/10.1525/var.1988.4.2.1.

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Myers, Kimberly R. "Commentary on “Imagist Poetry and Clinical Medicine: Arts of Observation, Precision, and Expression”." Academic Medicine 96, no. 8 (July 27, 2021): 1149. http://dx.doi.org/10.1097/01.acm.0000769528.11245.f6.

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44

Halpern, E. J., F. Forsberg, F. Frauscher, D. A. Merton, and J. B. Liu. "Gray scale harmonic imaging of prostatic blood flow during infusion of Imagent®." Ultrasound in Medicine & Biology 29, no. 5 (May 2003): S96. http://dx.doi.org/10.1016/s0301-5629(03)00414-9.

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45

Gošić-Dondo, Snežana, Jelena Srdić, Željko Popović, and Jan Tancik. "The population level of western corn rootworm adults in the period 2005-2009." Selekcija i semenarstvo 24, no. 2 (2018): 39–48. http://dx.doi.org/10.5937/selsem1802039g.

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46

Baker, Kristine G., Robert Wrigley, Holly B. Saunders, and Robert F. Mattrey. "Efficacy of Imagent® BP at 1.5ml/Kg in a Rabbit Liver Tumor Model." Artificial Cells, Blood Substitutes, and Biotechnology 22, no. 4 (January 1994): 1491–99. http://dx.doi.org/10.3109/10731199409138855.

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47

Paul Bradley Bellew. "“At the Mercy of Editorial Selection”: Amy Lowell, Ezra Pound, and the Imagist Anthologies." Journal of Modern Literature 40, no. 2 (2017): 22. http://dx.doi.org/10.2979/jmodelite.40.2.02.

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최석훈. "Theatre of Senses ‘Against Interpretation’: Sensual Imagery and Imagist Language in Sarah Ruhl’s Eurydice." Journal of Foreign Studies ll, no. 40 (June 2017): 123–41. http://dx.doi.org/10.15755/jfs.2017..40.123.

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Omwansa Mariera, Elijah. "Onomatopoeic Infinitives and Nouns in EkeGusii: Evidence for imagic and relative iconicity." Macrolinguistics 8, no. 12 (June 30, 2020): 36–54. http://dx.doi.org/10.26478/ja2020.8.12.3.

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Siedakova, Marharyta. "The role of perceptual metaphor in the imagic representations of ballroom dancing." Nova fìlologìâ, no. 74 (2018): 89–93. http://dx.doi.org/10.26661/2414-1135/2018-74-16.

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