Книги з теми "Human-Home Interaction"

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1

Goodrich, Michael A. Human-robot interaction: A survey. Hanover: Now Publishers, 2007.

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2

Biswas, Jit. Inclusive Society: Health and Wellbeing in the Community, and Care at Home: 11th International Conference on Smart Homes and Health Telematics, ICOST 2013, Singapore, June 19-21, 2013. Proceedings. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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3

Moran, Rosalyn. The electronic home: Social and spatial aspects : a scoping report. Dublin, Ireland: European Foundation for the Improvement of Living and Working Conditions, 1993.

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4

Cawson, Alan. The shape of things to consume: Delivering information technology into the home. Aldershot. Hants, England: Avebury, 1995.

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5

Cristiano, Paggetti, Nugent Chris, Mokhtari Mounir, and SpringerLink (Online service), eds. Impact Analysis of Solutions for Chronic Disease Prevention and Management: 10th International Conference on Smart Homes and Health Telematics, ICOST 2012, Artiminio, Italy, June 12-15, 2012. Proceedings. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012.

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6

Bravo, José. Ambient Assisted Living and Home Care: 4th International Workshop, IWAAL 2012, Vitoria-Gasteiz, Spain, December 3-5, 2012. Proceedings. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012.

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7

Schultz, Alan C., and Michael A. Goodrich. Human-Robot Interaction: A Survey. Now Publishers, 2008.

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8

Mokhtari, Mounir, Sumi Helal, Cathy Bodine, and Tao Gu. Smart Homes and Health Telematics: 12th International Conference, ICOST 2014, Denver, CO, USA, June 25-27, 2014, Revised Selected Papers. Springer International Publishing AG, 2015.

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9

Mokhtari, Mounir, Sumi Helal, Cathy Bodine, and Tao Gu. Smart Homes and Health Telematics: 12th International Conference, ICOST 2014, Denver, CO, USA, June 25-27, 2014, Revised Papers. Springer London, Limited, 2014.

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10

Mental Models: Design of User Interaction and Interfaces for Domestic Energy Systems. Taylor & Francis Group, 2017.

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11

Stanton, Neville A., and Kirsten M. A. Revell. Mental Models: Design of User Interaction and Interfaces for Domestic Energy Systems. Taylor & Francis Group, 2017.

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12

Stanton, Neville A., and Kirsten M. A. Revell. Mental Models: Design of User Interaction and Interfaces for Domestic Energy Systems. Taylor & Francis Group, 2017.

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13

Stanton, Neville A., and Kirsten M. A. Revell. Mental Models: Design of User Interaction and Interfaces for Domestic Energy Systems. Taylor & Francis Group, 2017.

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14

Reed, Mark Edward. THE MASCOT MODEL OF HUMAN/COMPANION ANIMAL INTERACTION: ITS EFFECTS ON LEVELS OF LONELINESS AND DEPRESSION AMONG RESIDENTS OF A NURSING HOME (PET THEORY). 1986.

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15

Harper, Richard. Inside the Smart Home. Springer London, Limited, 2006.

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16

Inside the Smart Home. Springer, 2003.

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17

Inclusive Society Health And Wellbeing In The Community And Care At Home 11th International Conference On Smart Homes And Health Telematics Icost 2013 Singapore June 1921 2013 Proceedings. Springer-Verlag Berlin and Heidelberg GmbH &, 2013.

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18

Biswas, Jit, and Hisato Kobayashi. Inclusive Society : Health and Wellbeing in the Community, and Care at Home: 11th International Conference on Smart Homes and Health Telematics, ICOST 2013, Singapore, June 19-21, 2013, Proceedings. Springer, 2013.

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19

Leitner, Gerhard, John N.A N. A. Brown, and Anton Josef Fercher. Building an Intuitive Multimodal Interface for a Smart Home: Hunting the SNARK. Springer, 2017.

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20

Voicebot and Chatbot Design: Flexible Conversational Interfaces with Amazon Alexa, Google Home, and Facebook Messenger. Packt Publishing, Limited, 2018.

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21

Electronic Home - Social and Spatial Aspects: A Scoping Report. European Communities, 1994.

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22

Publishing, DK. American College of Physicians Complete Home Medical Guide (with Interactive Human Anatomy CD-ROM) (American College of Physicians Homecare Guides). DK ADULT, 1999.

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23

Horowitz, Joshua. The Klezmer Accordion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037207.003.0010.

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Анотація:
This chapter takes a closer look at the role of the accordion in klezmer music. Like the pioneering Italian American virtuoso accordionists, Jewish musicians felt equally at home playing classical and folk music. The select analysis of early accordion playing styles and stylistic characteristics sheds light on the interaction and interplay of klezmer musicians with their surrounding worlds—Old and New. A distinctive feature of the early “klezmer sound” was the accordion's imitation of the human voice heard in liturgical, paraliturgical, and Yiddish song. By the late 1930s, the accordion was often used for chordal accompaniment (rather than as a solo instrument). It was an integral element of the popular Hasidic bands of the 1960s and the “klezmer ensembles” that embraced the new Israeli music as well as earlier “Palestinian” music. Although it was often deemed “an outsider,” for the revivalists of the 1980s and beyond, the accordion has been characteristic of the klezmer style.
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24

Hervás, Ramón, Jose Bravo, and Marcela Rodriguez. Ambient Assisted Living and Home Care: 4th International Workshop, IWAAL 2012, Vitoria-Gasteiz, Spain, December 3-5, 2012, Proceedings. Springer, 2012.

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25

Eidsheim, Nina Sun, and Katherine Meizel, eds. The Oxford Handbook of Voice Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780199982295.001.0001.

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Анотація:
More than two hundred years after the first speaking machine, we are accustomed to voices talking from seemingly anywhere and everywhere, including house alarm systems, cars, telephones, and digital assistants, or “smart speakers” such as Alexa and Google Home. However, vocal events still have the capacity to raise age-old questions regarding the human, the animal, the machine, and the spiritual—or in nonmetaphysical terms, questions about identity and authenticity. Individuals and groups perform, refuse, and play identity through vocal acts and by listening to and for voice. In this volume, leading scholars from multiple disciplines respond to the seemingly innocuous question: What is voice? While also emphasizing connections and overlaps, the chapters show that the definition and ways of studying of voice is diverse. Many of the authors have worked on connecting voice research across disciplines, seeking to cultivate this trend and to affirm the development of voice studies as a transdisciplinary field of inquiry. It includes diverse standpoints at the intersections of science, culture, technology, arts, and the humanities. While questions of voice address crucial issues within the humanities—for example, the relationships between voice, speech, listening, writing, and meaning—the book also seeks close interaction with the social sciences and medicine in the search for a more complete understanding of these relationships. The term voice studies is used in this context as a specific intervention, to offer a moniker that gathers together otherwise disparate intellectual perspectives and methods and thus hopes to facilitate further transdisciplinary conversation and collaboration.
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26

Wardi, Anissa Janine. Toni Morrison and the Natural World. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834164.001.0001.

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Анотація:
Critics have routinely excluded African American literature from ecocritical inquiry despite the fact that the literary tradition has, from its inception, proved to be steeped in environmental concerns that address elements of the natural world and relate nature to the transatlantic slave trade, plantation labor, and nationhood. Toni Morrison’s work is no exception. Toni Morrison and the Natural World: An Ecology of Color is the first full-length ecocritical investigation of the Nobel Laureate’s novels and brings to the fore an unequaled engagement between race and nature. Morrison’s ecological consciousness holds that human geographies are enmeshed with nonhuman nature. It follows, then, that ecology, the branch of biology that studies how people relate to each other and their environment, is an apt framework for this book. The interrelationships and interactions between individuals and community, and between organisms and the biosphere are central to this analysis. They highlight that the human and nonhuman are part of a larger ecosystem of interfacings and transformations. Toni Morrison and the Natural World is organized by color, examining soil (brown) in The Bluest Eye and Paradise; plant life (green) in Song of Solomon, Beloved, and Home; bodies of water (blue) in Tar Baby and Love; and fire (orange) in Sula and God Help the Child. By providing a racially inflected reading of nature, Toni Morrison and the Natural World makes an important contribution to the field of environmental studies and provides a landmark for Morrison scholarship.
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