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Статті в журналах з теми "History of sensibilities"

Автор: Grafiati

Опубліковано: 19 січня 2024

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1

BULANCEA, Gabriel. "CLASSICISM AND NEO-CLASSICISMS IN THE HISTORY OF MUSIC." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 5, no. 1 (November 24, 2021): 115–22. http://dx.doi.org/10.26520/mcdsare.2021.5.115-122.

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In one of his articles, Octavian Paler draws attention in a metaphorical-mythologizing manner upon one of the risks taken by those who chose tradition as their source of inspiration. The epigonic spirit, because this is what he refers to, cannot escape idolatrising tradition, phenomenon that happens within an alterity of the creative identity, within the pettiness of controlling the artistic means, within the infatuation of his own image which is placed under the protection of the great creative figures. The epigone masters in an embryonic form some techniques which, for various reasons, he cannot manipulate creatively. He is somehow suspended between two sensibilities, hence his failure. On the one hand, he is not aware of the risk of assuming past sensibilities, and on the other, he does not assume his contemporariness. Giving in to the temptation of looking too much into the past, the epigonic artist loses his identifying sensibility. “The mistake of neo-classicism, with its statues painted or sculpted based and antique models, is Orpheus’ mistake. As we no longer have the soul of the ancient Greeks, imitating their art is useless because in art too, looking back kills if there is no conscience of the irreversibility. From this point of view, there is no turning back unless in order to desolate everything” (Paler, 2016, pp. 189-190). This quote refers to neo-classicism perceived in its most rudimentary form, in which it would identify itself with the epigonic phenomenon. Of course, no relation of equality can be claimed between an epigone and a neo-classicist. If we are to give a brief definition in which to establish a relationship between these two terms, the epigone is a neo-classicist that lacks fantasy. Neo-classicism means to creatively take over technical means, past sensibilities in order to anchor them in the tumultuousness of contemporary times. Neo-classicism represents the happiest mixture between past and present, that form of artistic reverberation in which modernity still makes room for the seal of the past. Not servility, not obedience, not anachronism which denote the incapacity to assimilate new composing techniques or the lack of vigour of creative energies, but the power to adapt to new sensibilities through restorative interventions. Starting from here, we will trace a re-echeloning line of various types of neo-classic sensibilities specific to the end of the 19th century and to the entire 20th century

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2

Forseth, Roger, Mark Edward Lender, James Kirby Martin, Thomas B. Gilmore, Donald W. Goodwin, and Tom Dardis. "Ambivalent Sensibilities: Alcohol in History and Literature." American Quarterly 42, no. 1 (March 1990): 127. http://dx.doi.org/10.2307/2713232.

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3

Hickey, G. "Teaching Eighties Babies Sixties Sensibilities." Radical History Review 2002, no. 84 (October 1, 2002): 149–66. http://dx.doi.org/10.1215/01636545-2002-84-149.

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4

Oliveira, Marcus Aurelio Taborda de. "EDUCATION OF SENSES AND SENSIBILITIES: BETWEEN THE TREND AND THE POSSIBILITY OF RESEARCH RENOVATION IN HISTORY OF EDUCATION." História da Educação 22, no. 55 (August 2018): 116–33. http://dx.doi.org/10.1590/2236-3459/76625.

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Abstract The article, in a theoretical-historiographic perspective, discusses the current trend of studies on the history of education of the senses and sensibilities. It begins with the presentation of the theme "sensibilities" and its presence in different historiographical traditions, showing how this approach in the field of History is not new. Then, in its first part, it discusses the recent arrival of the theme in the debates of History of Education in Latin America. In the second part, it presents and situates a set of monographic studies developed by the Center for Studies on the Education of Senses and Sensibilities - Nupes, FAE/UFMG, in partnership with researchers from Brazil and other countries, discussing some of their basic assumptions. The text concludes by discussing the limits, risks, and scope of the history of education of the senses and sensibilities as a trend that balances between academic fad and the possibility of renovating the consecrated forms of investigating the past and the present of Latin American education.

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5

Weismann, Stephanie. "Scents and Sensibilities: Interwar Lublin's Courtyards." Contemporary European History 30, no. 3 (April 16, 2021): 335–50. http://dx.doi.org/10.1017/s0960777320000648.

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From horse dung to garlic, olfactory debates raged in interwar Poland. Smells are ubiquitous and substantially influence how we perceive the atmosphere of a given place. This article focuses on ‘smell affairs’ and olfactory sensibilities that were emerging in the city of Lublin in Poland after 1918. In particular, it addresses what Lublin's courtyard smells tell us about the condition, development and mindset of a Polish city at that time. On their way into the ‘modern’ era, Lublin's citizens began to complain about rural elements interfering with the ‘metropolitan’ character of Lublin as well as how ‘ethnic smells’ of fellow Jewish citizens would intrude upon the air of ‘their’ ‘Polish’ city. Poking one's nose into the air and the ‘smellscapes’ of the urban courtyard, one can observe what was regarded as a part, or not, of a modern city in independent Poland.

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6

Markowitz, Fran. "Census and Sensibilities in Sarajevo." Comparative Studies in Society and History 49, no. 1 (December 15, 2006): 40–73. http://dx.doi.org/10.1017/s0010417507000400.

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During the latter part of the twentieth century, there was a country called Yugoslavia. Built on the ruins of the Kingdom of Yugoslavia, the post-World War II Socialist Federated Republic of Yugoslavia was an ethnically diverse state comprised of six republics, which, by the 1960s, was committed to a foreign policy of non-alignment and to the domestic programs of worker self–management and “brotherhood and unity” among its peoples (see, e.g., Banac 1984; P. Ramet 1985; Shoup 1968; Zimmerman 1987). Like most other European states, the decennial census became a defining feature of Yugoslavia's sovereignty and modernity (Kertzer and Arel 2002: 7).

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7

Henderson, David. "Are Epistemic Norms Fundamentally Social Norms?" Episteme 17, no. 3 (May 4, 2020): 281–300. http://dx.doi.org/10.1017/epi.2019.49.

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AbstractPeople develop and deploy epistemic norms – normative sensibilities in light of which they regulate both their individual and community epistemic practice. There is a similarity to folk's epistemic normative sensibilities – and it is by virtue of this that folk commonly can rely on each other, and even work jointly to produce systems of true beliefs – a kind of epistemic common good. Agents not only regulate their belief forming practices in light of these sensitivities, but they make clear to others that they approve or disapprove of practices as these accord with their sensibilities – they thus regulate the belief forming practices of others in an interdependent pursuit of a good – something on the order of a community stock of true beliefs. Such general observations suggest ways in which common epistemic norms function as social norms, as these are characterized by Cristina Bicchieri's (2006) discussion of various kinds of norms. I draw on this framework – together with an important elaboration in Bicchieri (2017) – as it affords an analysis of the various related ways in which normative sensibilities function in communities of interdependent agents. The framework allows one to probe how these normative sensibilities function in the various associated choice situations. I argue that epistemic norms are fundamentally social norms, and, at the same time, they also are widely shared sensibilities about state-of-the-art ways of pursuing projects of individual veritistic value. The two foundations suggest the analogy of an arch.

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8

Wiener, Chad. "Medieval Sensibilities: A History of Emotions in the Middle Ages." Essays in Philosophy 22, no. 1 (2021): 140–44. http://dx.doi.org/10.5840/eip2021221/212.

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9

Sengoopta, Chandak. "Book review: Ishita Banerjee-Dube and Sarvani Gooptu, eds, On Modern Indian Sensibilities: Culture, Politics, History." Indian Economic & Social History Review 56, no. 4 (October 2019): 517–19. http://dx.doi.org/10.1177/0019464619877533.

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10

Keeling, Diane Marie. "Colonizing cuts of labyrinth mythology, a tangling parable of white sensibilities." Communication and the Public 5, no. 1-2 (March 2020): 45–54. http://dx.doi.org/10.1177/2057047320950631.

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This article demonstrates the way wounds, and affects generally, are figured by the writing of history. It traces patterns of thinking about the labyrinth primarily in histories, theories, and myths of the past 150 years to demonstrate how the labyrinth has been cut by colonization. From the Mycenaean colonization of Indigenous Cretans (inaccurately named “Minoans”) to the emergence of white feminism and its present day practice, figures of the labyrinth iteratively cut history to perpetuate the un/common loss of colonized communities and to enact white racist sensibilities of exclusion. Entangling Karen Barad’s cutting together-apart and Kent Ono’s colonial amnesia, colonizing cuts are constitutive exclusions that wound and exclude colonized communities from history and world making.

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11

Schwarz, Bill. "Coda — Pandemic Brexit." Historical Reflections/Réflexions Historiques 47, no. 2 (June 1, 2021): 118–24. http://dx.doi.org/10.3167/hrrh.2021.470210.

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Taking off from a 1940 speech by Winston Churchill, I explore the shifting sensibilities underwriting the twin impact of Brexit and the COVID-19 pandemic, suggesting that a component of the current period turns on a disabling incapacity to think about a determinate political future.

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12

Frevert, Ute. "Humiliation and Modernity: Ongoing Practices, Changing Sensibilities." Cultural History 10, no. 2 (October 2021): 282–89. http://dx.doi.org/10.3366/cult.2021.0249.

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13

Chandra, Shefali. "TAPAN RAYCHAUDHURI: Perceptions, emotions, sensibilities: essays on India's colonial and post-colonial sensibilities. xiv, 245 pp. Delhi: Oxford University Press, 1999. £20." Bulletin of the School of Oriental and African Studies 64, no. 3 (October 2001): 401–55. http://dx.doi.org/10.1017/s0041977x0141024x.

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14

Schwarz, Bill. "Coda — Pandemic Brexit." Historical Reflections/Réflexions Historiques 47, no. 2 (June 1, 2021): 118–24. http://dx.doi.org/10.3167/hrrh.2020.470210.

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Анотація:

Abstract Taking off from a 1940 speech by Winston Churchill, I explore the shifting sensibilities underwriting the twin impact of Brexit and the COVID-19 pandemic, suggesting that a component of the current period turns on a disabling incapacity to think about a determinate political future.

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15

Wickberg, D. "What Is the History of Sensibilities? On Cultural Histories, Old and New." American Historical Review 112, no. 3 (June 1, 2007): 661–84. http://dx.doi.org/10.1086/ahr.112.3.661.

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16

Ueda, Reed. "Intersections of Social History and Literature: The Changing Sensibilities of Chinese Immigrants." American Quarterly 53, no. 3 (2001): 548–52. http://dx.doi.org/10.1353/aq.2001.0031.

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17

Mušović, Azra. "Yeats's sensibilities, Leda, and ambiguities in Elena Ferrante's 'The Lost Daughter'." Naucne publikacije Drzavnog univerziteta u Novom Pazaru. Serija B, Drustvene & humanisticke nauke 4, no. 2 (2021): 74–84. http://dx.doi.org/10.5937/npdunp2102074m.

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In Leda and the Swan, one of the greatest Anglophone lyric poets of the 20th century W. B. Yeats explores the idea of a single act having tremendous importance for human history. Such a momentous event can bring about the end of civilization and become the dawn of a new age. This is a great cataclysmic moment in history (merging history and myth) for Yeats. The paper suggests that Yeats's sensibilities subtly permeate the narrative and form of Elena Ferrante's The Lost Daughter, thus illustrating the mode of ambiguous past penetrating the present-the tradition that interested Yeats - arguably becoming what in Ferrante has been seen as a form of radical and committed reflection on myriad of contemporary issues. In this context, Yeats and Ferrante communicate the ideas of fragmentation and instability, the sensation of the world crumbling and reforming, and, in doing so, they refer to an instability of boundaries and identities. This is a sensation experienced by both female protagonists - Yeats's mythical Leda and her more contemporary counterpart.

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18

Andus L'Hotellier, Sanja. "The Bennington Summer School of the Dance Oral History Project, 1978–1979: A History of Sensibilities." Dance Research Journal 50, no. 1 (April 2018): 24–46. http://dx.doi.org/10.1017/s0149767718000025.

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In line with the thinking of Laurence Louppe calling for a reevaluation and problematisation of oral sources within a dance history framework, this paper sets out to examine the extensive archive of the Bennington Summer School of the Dance Oral History Project, conducted between 1978 and 1979 and housed today at Columbia University. By taking as a starting point the dancer's voice at the heart of the educational project conceived by Martha Hill and Mary Jo Shelly, a different dance history of the thirties begins to emerge, bringing to the fore the dancer's evolving experience that constitutes a true Bennington archive, set against the backdrop of the “Big Four” ultimately not part of the project.

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19

Rafudeen, Auwais. "Theorizing Sunniyat as a Mode of Being: An Asadian Perspective from South Africa." Islamic Africa 11, no. 1 (December 24, 2020): 94–133. http://dx.doi.org/10.1163/21540993-01101003.

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Abstract Reflecting on thoughts by Talal Asad, this paper suggests an approach to theorizing Sunniyat – the approach to Islam taken by those commonly called “Barelvis” – in South Africa by focusing on sensibilities and dispositions. It specifically examines the kinds of sensibilities that are cultivated by adherents in their relationship to the Prophet as well as in their practice of everyday ethics. The aim is to shed light on the embodied nature of these sensibilities and not just their discursive context. In Asad’s work, both dimensions are important, but discourse is a prelude to embodiment, with the latter constituting one’s mode of being in the world. In thinking about Sunniyat in this way, the works of Abdulkader Tayob and Seraj Hendricks provide important precedents for navigating both discursiveness and embodiment in a South African Muslim context.

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20

Choy, Catherine Ceniza. "Race at the Center: The History of American Cold War Asian Adoption." Journal of American-East Asian Relations 16, no. 3 (2009): 163–82. http://dx.doi.org/10.1163/187656109793645661.

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AbstractIn the late twentieth and early twenty-first centuries, international and transracial adoption have become more prominent than ever before. Celebrity culture and mainstream television and film—for example, Angelina Jolie's adoption of a Cambodian boy, an Ethiopian girl, and most recently a Vietnamese boy, and the adoption of a Chinese baby girl by Kristin Davis's character Charlotte York at the conclusion of the iconic HBO sitcom “Sex and the City”—have reflected as well as disseminated new racial sensibilities regarding family formation to the general public. But these sensibilities are not as new as they seem. They have a history. This essay challenges the popular notion that international adoption is an unprecedented facet of current American multiculturalism by connecting it to the international adoption by families in the United States during the Cold War 1950s and 1960s of mixed-race children of Asian women and U.S. servicemen. While histories of adoption have located the origins of Asian international adoption in the post–World War II and post–Korean War periods,2 the original contribution of this essay is to emphasize and to critically explore how the analytical category of race is fundamental to understanding the demographics, discourses, and institutions of earlier Asian international adoption history.

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21

Bolton, Betsy. "Imperial Sensibilities, Colonial Ambivalence: Edmund Burke and Frances Burney." ELH 72, no. 4 (2005): 871–99. http://dx.doi.org/10.1353/elh.2005.0031.

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22

Schöpflin, George. "Hungarians and Jews: Narrowed Perspectives and Threatened Sensibilities." East European Jewish Affairs 30, no. 2 (December 2000): 123–31. http://dx.doi.org/10.1080/13501670008577926.

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23

Disney, Dan. "every time a colleague mentions spontaneous." CounterText 6, no. 3 (December 2020): 468–71. http://dx.doi.org/10.3366/count.2020.0206.

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Extracted from a longer poem in progress provisionally called twentytwenties, ‘every time a colleague mentions spontaneous’ is a formally inventive work that is also allusive and sharply biting about various aspects of contemporaneity (among them, ‘Reality Apathy’, ‘Digital Evangelism’, ‘the Virus’, ‘the Ends of History’) and of present sensibilities.

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24

Mobrand, Erik. "Cynical and Celebratory Sensibilities in South Korea's 2022 Presidential Election." Pacific Affairs 95, no. 2 (June 1, 2022): 265–84. http://dx.doi.org/10.5509/2022952265.

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Why was South Korea's 2022 presidential election so close, when only a few years prior the party of the winning candidate had been out of contention? The answer can be found by situating the election against a battle between democratic and anti-democratic forces. Anti-democratic forces cynically bid for power by denigrating politics. An examination of how this cynical sensibility developed, from 2016 to 2022, but on the back of a deeper history, points both to what was at stake in this election and to the methods deployed by representatives of the anti-democratic forces that helped create parity in the vote.

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25

Oswald, Kathleen Frazer. "A Brief History of Smart Transportation Infrastructure." Transfers 6, no. 3 (December 1, 2016): 123–29. http://dx.doi.org/10.3167/trans.2016.060310.

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Th is article argues that smart transportation—understood as convergences of communication and transportation infrastructure to facilitate movement—has long been manifested in what John Urry has described as nexus systems, or those that require many elements to work synchronously.1 Understanding smart infrastructures as those aligning with twenty-first-century sensibilities concerning technology, convenience, safety, and security, I demonstrate a longer trajectory for this seemingly new trend in three cases: (1) the synchronization of the train with the telegraph, (2) the organization of early automobility, and (3) information-rich/connected automobility and the driverless car. Rethinking smart infrastructure historically reveals a long-existing tendency rather than a new one to manage movement via communication technologies.

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26

Thuan, Nguyen Bich, and Mandy Thomas. "Young women and emergent postsocialist sensibilities in contemporary Vietnam." Asian Studies Review 28, no. 2 (June 2004): 133–49. http://dx.doi.org/10.1080/1035782042000226684.

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27

Loydell, Rupert. "Fractured and elliptical sensibilities: An interview with Steve Taylor." Punk & Post Punk 11, no. 2 (June 1, 2022): 251–61. http://dx.doi.org/10.1386/punk_00150_7.

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This interview contextualizes the work of Steve Taylor, within and without the Christian music industry, as solo musician, band member, producer, video artist and filmmaker. The discussion touches upon faith, satire, performance, controversy, the music business, influences and the craft of songwriting.

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28

Hart, E. "The Invention of Comfort: Sensibilities and Design in Early Modern Britain and Early America." English Historical Review 117, no. 472 (June 1, 2002): 721–22. http://dx.doi.org/10.1093/ehr/117.472.721.

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29

Burman, Jeremy Trevelyan. "Neglect of the foreign invisible: Historiography and the navigation of conflicting sensibilities." History of Psychology 18, no. 2 (May 2015): 146–69. http://dx.doi.org/10.1037/a0039194.

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30

Krostenko, Brian A. "The Poetics of Naevius' ‘Epitaph’ and the History of Latin Poetry." Journal of Roman Studies 103 (June 11, 2013): 46–64. http://dx.doi.org/10.1017/s0075435813000063.

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AbstractAn analysis of the formal features of the ‘epitaph’ of the poet Naevius reveals the handiwork of a later author who admired the older style of poetry represented by Naevius and used the allusive features of that style to reflect on the changing character of Latin poetics and its relationship to Hellenism. The very poetics of the epigram reveal a thoughtful attempt to admit Hellenic affect without sacrificing Roman sensibilities. Especially important is the relationship between divine and mortal and the proper hierarchy of the social world. The epigram is, in short, one literary reflection of the cultural and social struggles of the mid-second century b.c.

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31

Andrews, Carol Damon. "Thinking Musically, Writing Expectantly: New Biographical Information About Emily Dickinson." New England Quarterly 81, no. 2 (June 2008): 330–40. http://dx.doi.org/10.1162/tneq.2008.81.2.330.

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The papers of Ann Eliza Houghton Penniman, a music teacher active in the Connecticut Valley, reveal new biographical information about Emily Dickinson: specifically, the early training that helped her tune her musical sensibilities; and previously unknown facts about the first and forbidden lover on whom she practiced her wit.

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32

COETZEE, FRANS. "Villa Toryism Reconsidered: Conservatism and Suburban Sensibilities in Late-Victorian Croydon." Parliamentary History 16, no. 1 (March 17, 2008): 29–47. http://dx.doi.org/10.1111/j.1750-0206.1997.tb00572.x.

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33

Malik, Kenan, and Nada Shabout. "Should religious or cultural sensibilities ever limit free expression?" Index on Censorship 42, no. 1 (March 2013): 106–8. http://dx.doi.org/10.1177/0306422013481541.

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34

MacNamara, Trent. "Why “Race Suicide”? Cultural Factors in U.S. Fertility Decline, 1903–1908." Journal of Interdisciplinary History 44, no. 4 (February 2014): 475–508. http://dx.doi.org/10.1162/jinh_a_00611.

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Study of a sample of 605 newspaper articles produced between 1903 and 1908 tracks Americans' explanations for fertility decline, demonstrating the perceived importance of economic and “cosmic” factors but arguing that these factors and others are best understood in the context of individual-level moral views. For contemporaries seeking to explain the trend toward smaller families, the most significant frames of analysis involved dichotomies concerning self and society, worldliness and transcendence, and near- and long-term sensibilities about time.

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35

Field-Springer, Kimberly. "Reflexive embodied ethnography with applied sensibilities: methodological reflections on involved qualitative research." Qualitative Research 20, no. 2 (April 12, 2019): 194–212. http://dx.doi.org/10.1177/1468794119841835.

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In this article, I illustrate reflexive embodied ethnography with applied sensibilities as an approach for performing, interpreting, and applying qualitative research. I argue that we enter the field as embodied beings hoping to find significant insights with the potential to connect with other persons’ lived experiences, which in my work involves searching for answers to health conditions. Reflexive embodied ethnography: a) recognizes that each field experience potentially changes how we come to perceive, understand, and act in the world; b) receptively approaches our own and others’ responses to experiences that transcend language; and c) enhances our awareness that we also re-constitute worlds with our words. Applied ethnographic sensibilities include: a) reconstructing our social world through storied reflections grounded in our bodies; and b) revealing meanings that move us towards social action through examining discourse and ‘extra’ discourse-in-use.

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36

Bryans, Bill. "A Tale of Two Bills: Racism, Anti-Semitism, and the Sensibilities of a Public Historian." Public Historian 30, no. 3 (2008): 11–25. http://dx.doi.org/10.1525/tph.2008.30.3.11.

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Abstract This article examines from a public history perspective the movement by many to un-name Murray Hall on the Oklahoma State University campus because its namesake was a racist and anti-Semite. The former dormitory, currently being renovated, is named for William H. ““Alfalfa Bill”” Murray, who also is one of the most politically influential figures in Oklahoma history. It argues that the proponents of renaming have yet to take fully into account the complex historical legacy of Murray and the multiple historical meanings various publics find embedded in Murray Hall. These are, of course, issues with which public historians deal routinely.

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37

Musisi, Nakanyike. "GENDER AND SEXUALITY IN AFRICAN HISTORY: A PERSONAL REFLECTION." Journal of African History 55, no. 3 (September 22, 2014): 303–15. http://dx.doi.org/10.1017/s0021853714000589.

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AbstractThis piece considers the subfields of African gender and sexuality history, from the perspective of an unusual career path that has moved between higher education and activist work in Canada and Uganda, and included policy and public service work in the latter. Over the past few decades, African women's history has shifted from the margins of African historiography to the mainstream; scholars have subjected a wide range of topics to insightful gender analysis; and increasingly sophisticated studies of sexuality have emerged. This piece surveys these important developments and how they have played out in the classroom in relation to students’ shifting political and social sensibilities. It argues that, moving forward, scholars should devote more attention to the precolonial history of sexuality and develop creative methodologies for reconstructing that history, especially through engaging historical demography.

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38

Garnar, Martin. "Trigger Warnings: History, Theory, Context, edited by Emily J. M. Knox." Journal of Intellectual Freedom & Privacy 3, no. 2-3 (January 15, 2019): 12. http://dx.doi.org/10.5860/jifp.v3i2-3.6738.

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Since its emergence as a complicated and controversial topic in higher education, trigger warnings have spread beyond academia into popular culture. To be “triggered” has entered the vernacular, and usually with negative connotations about the sensibilities of the one being triggered. Emily Knox’s timely book provides multiple viewpoints on trigger warnings within the context of how trauma and its aftereffects impact the educational process, while also exploring the potentially negative impact of trigger warnings on intellectual freedom. Through a combination of theoretical essays, historical examinations, and case studies, this collection of essays provides a variety of perspectives that, in combination, will challenge any reader’s preconceptions about the topic.

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39

George, Robert Blair St, and John E. Crowley. "The Invention of Comfort: Sensibilities & Design in Early Modern Britain & Early America." Journal of American History 89, no. 2 (September 2002): 608. http://dx.doi.org/10.2307/3092188.

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40

McNamer, Sarah. "Damien Boquet and Piroska Nagy. Medieval Sensibilities: A History of Emotions in the Middle Ages." American Historical Review 125, no. 3 (June 1, 2020): 1078–79. http://dx.doi.org/10.1093/ahr/rhaa259.

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41

Kollin, Susan. "Uncertain Wests: Kelly Reichardt, Settler Sensibilities, and the Challenges of Feminist Filmmaking." Zeitschrift für Anglistik und Amerikanistik 68, no. 1 (March 26, 2020): 7–20. http://dx.doi.org/10.1515/zaa-2020-0003.

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AbstractDirector Kelly Reichardt has been celebrated as an independent filmmaker who takes risks in developing complicated and often fraught storylines, especially for her female characters. In Meek’s Cutoff (2010), she uses the aesthetics of slow cinema to show details frequently overlooked in the Western. In doing so, the film lays bare the violence of the settler-colonial West, highlighting the underside of European-American dreams of progress and prosperity. Addressing settler women’s investments in nation-building projects, the film traces how their commitments to Whiteness helped underwrite expansionist history. Noting the limits as well as the forms of agency White women claimed in the West, Reichardt pushes the boundaries of the women’s Western in ways that foreground Indigenous lives and the possibilities of decolonization.

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42

Milković, Kristina. "The Foundation of Mirogoj as Central Cemetery of Zagreb." Review of Croatian history 16, no. 1 (August 1, 2020): 43–58. http://dx.doi.org/10.22586/review.v16i1.11290.

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The paper presents the foundation of Mirogoj in 1876 as the central cemetery of Zagreb. Since the 1850s, Zagreb had been developing as the capital of Croatia in the modern sense of the word, as a Gründerstadt. As early as the 1860s, the public was of the opinion that a central cemetery should be established outside the city limits. This idea came to fruition in the mid-1870s, in the context of urbanization and modernization of the city. The founding of Mirogoj was an expression of modernity and self-awareness of the bourgeois society, as well as the new sensibilities and aesthetics characteristic of the 19th century.

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Watkins, Daniel J. "Skepticism, Criticism, and the Making of the Catholic Enlightenment: Rethinking the Career of Jean Hardouin." Journal of Jesuit Studies 6, no. 3 (August 22, 2019): 486–504. http://dx.doi.org/10.1163/22141332-00603005.

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This article evaluates the early career of the French Jesuit Jean Hardouin (1646–1729) and the impact that it had on other Jesuit scholars of the first decades of the eighteenth century. It argues that Hardouin’s historical criticism—a response to skeptical critiques of the certainty of knowledge—pushed other Jesuit writers to consider new epistemological arguments and use new philosophical tools. In this way, Hardouin’s career helped motivate French Jesuit engagement with the ideas and sensibilities of the Enlightenment.

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Findlen, Paula. "Surveying the History of ScienceServants of Nature: A History of Scientific Institutions, Enterprises, and Sensibilities. Lewis Pyenson , Susan Sheets-Pyenson." Isis 91, no. 1 (March 2000): 117–20. http://dx.doi.org/10.1086/384628.

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45

Pauk, Barbara. "Rewriting History: Marie Dronsart's Grandes voyageuses and Portraits d'outre-Manche." Nottingham French Studies 51, no. 2 (July 2012): 147–62. http://dx.doi.org/10.3366/nfs.2012.0016.

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During the nineteenth century, historical writing generally reflected the idea that women played only minor roles in the public realm and in history. In the 1880s and 1890s, when feminism emerged more forcefully, the French woman Marie Dronsart endeavoured to rewrite history in her works Portraits d'outre-Manche and Les grandes voyageuses, as well as through her translation of Queen Victoria's memoirs. Dronsart, in spite of her numerous works and translations, has scarcely received any critical attention so far. Addressing this gap in scholarship, this paper will argue that Dronsart tries to assert the importance of women's roles in history without offending conservative sensibilities. I will investigate how Dronsart negotiates the various discourses on feminism and femininity through different strategies, most importantly by enmeshing discourses on women with discourses on the English nation, and by drawing on stereotypes and specific English sources.

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46

Risso, Roberto. "Sensibilities of the Risorgimento. Reason and passions in political thought." Journal of Modern Italian Studies 26, no. 3 (May 27, 2021): 357–58. http://dx.doi.org/10.1080/1354571x.2021.1928401.

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47

GABRIEL, JOSEPH M. "Pharmaceutical patenting and the transformation of American medical ethics." British Journal for the History of Science 49, no. 4 (November 24, 2016): 577–600. http://dx.doi.org/10.1017/s0007087416001138.

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AbstractThe attitudes of physicians and drug manufacturers in the US toward patenting pharmaceuticals changed dramatically from the mid-nineteenth century to the mid-twentieth. Formerly, physicians and reputable manufacturers argued that pharmaceutical patents prioritized profit over the advancement of medical science. Reputable manufactures refused to patent their goods and most physicians shunned patented products. However, moving into the early twentieth century, physicians and drug manufacturers grew increasingly comfortable with the idea of pharmaceutical patents. In 1912, for example, the American Medical Association dropped the prohibition on physicians holding medical patents. Shifts in wider patenting cultures therefore transformed the ethical sensibilities of physicians.

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McKenzie-McHarg, Andrew. "Interview with Martin Mulsow." Cromohs - Cyber Review of Modern Historiography, no. 26 (December 20, 2023): 59–71. http://dx.doi.org/10.36253/cromohs-14908.

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This interview with Martin Mulsow, a renowned intellectual and cultural historian, explores the influences that channeled his literary sensibilities and philosophical interests into a career devoted to charting the overlooked or forgotten terrain of early modern dissidence, heterodoxy, and erudition. It considers how his own formative encounters with post-war German intellectuals and his integration into an international network of scholars pursuing similar or complementary research agendas mirrored the experience of those early modern figures who have loomed so large in the numerous articles and books with which he has forced a reappraisal of the conventional narratives of the emergence of modernity.

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Boddice, Rob. "Book Review: Damien Boquet and Piroska Nagy, Medieval Sensibilities: A History of Emotions in the Middle Ages." Medieval History Journal 23, no. 1 (March 3, 2020): 168–70. http://dx.doi.org/10.1177/0971945820907408.

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50

McCluskey, Karen. "Medieval Sensibilities: A History of Emotions in the Middle Ages by Damien Boquet, and Piroska Nagy." Parergon 38, no. 1 (2021): 190–92. http://dx.doi.org/10.1353/pgn.2021.0016.

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