Дисертації з теми "History of science fiction"
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Leperlier, Henry. "Canadian science fiction, a reluctant genre." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0033/NQ61856.pdf.
Повний текст джерелаJorgensen, Darren J. "Science fiction and the sublime." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0116.
Повний текст джерелаBeaulé, Sophie. "L'institution de la science-fiction française, 1977-1983." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65469.
Повний текст джерелаProietti, Salvatore. "The cyborg, cyberspace, and North American science fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ44558.pdf.
Повний текст джерелаNEWMAN, CHINA RAE. "GENDER PERFORMANCE IN DYSTOPIAN LITERATURE THROUGHOUT THE HISTORY OF SCIENCE FICTION." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613347.
Повний текст джерелаSutton, Summer. "Entangled Bodies: Tracing the Marks of History in Contemporary Science Fiction." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5421.
Повний текст джерелаChohan, Imran Riaz. "Identity, hyperreality and Science fiction : Matrix and Neuromancer." Thesis, Blekinge Tekniska Högskola, Sektionen för planering och mediedesign, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5779.
Повний текст джерелаMerrifield, Jeff. "Ken Campbell and the Science Fiction Theatre of Liverpool : an analytical history." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250438.
Повний текст джерелаGevers, Nicholas David. "Mirrors of the past : versions of history in science fiction and fantasy." Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/10511.
Повний текст джерелаDavis, Ben Jr. "History, Race and Gender in the Science Fiction of Octavia Estelle Butler." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392045358.
Повний текст джерелаHall, Karen Peta. "Discovering the lost race story : writing science fiction, writing temporality." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0216.
Повний текст джерелаStolze, Pierre. "Rhétorique de la science-fiction." Nancy 2, 1994. http://www.theses.fr/1994NAN21004.
Повний текст джерелаThe study of science-fiction follows the principal division of classical rhetoric. Invention (content) : science fiction has no theme of its own except that of the individual in the face of authority, the context of a science fiction text is a collection of metaphors arranged under the form of allegory. Composition (structure): a science fiction text often consists of various literary devices, such as cut up, ellipsis, jigsaws, suspense. Elocution (stylistics): the study of large range of vocabulary, of a reduced syntax and stylistics devices (mostly figures of thought not of word as is the case in classical literature). Action (metatext): the study of titles, acknowledgements, first and fourth covers pages. Here, one must add a definition: science fiction is definite by is relationship or opposition with literature, non-mainstream literature, science, the literature of the fantastic and anticipation
Ross, Simon David. "Nostalgia in postmodern science fiction film." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472741.
Повний текст джерелаKwan, Wing-ki Koren, and 關詠琪. "Experiments in subjectivity: a study of postmodern science fiction." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B3681250X.
Повний текст джерелаKing, Edward Carlos Richard. "Mapping the control society : science fiction tropes and digital technologies in contemporary Argentine and Brazilian narrative." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610135.
Повний текст джерелаJordan, Linda. "German science-fiction magazines of Hugo Gernsback, 1926-1935." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65493.
Повний текст джерелаMäättä, Jerry. "Raketsommar : Science fiction i Sverige 1950–1968." Doctoral thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-7158.
Повний текст джерелаJames, Sarah J. "Not without my body : feminist science fiction and embodied futures." Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14613.
Повний текст джерелаHagan, Justice M. "Desert Enlightenment: Prophets and Prophecy in American Science Fiction." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1366729757.
Повний текст джерелаDunlap, Sarah Elizabeth. "Novel Ecologies: The New Science of Life in Modern Fiction." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494318892609889.
Повний текст джерелаJohansson, Daniel. "Från Shelley till Asimov : Medvetandets filosofis utveckling i science fiction." Thesis, Uppsala universitet, Institutionen för idé- och lärdomshistoria, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-384365.
Повний текст джерелаEllis, Jason W. "Brains, Minds, and Computers in Literary and Science Fiction Neuronarratives." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1337654951.
Повний текст джерелаHildreth-Blue, Cynthia. "Enlivening California's sixth grade history/social sciences curriculum with historical fiction." CSUSB ScholarWorks, 1990. https://scholarworks.lib.csusb.edu/etd-project/562.
Повний текст джерелаCioni, Anna Maria. "Le récit du futur : futurisme et science-fiction." Paris 3, 1993. http://www.theses.fr/1994PA030061.
Повний текст джерелаAt the beginning of the century, in italy, futurist writers gave birth to a real future story. This was done in conformity with traditional techniques (prophecy, utopia, dream) as well as with rather more modern techniques derived from spreading evolutionist theories : on the one hand futurology, or scientific prediction about the futur, on the other hand science fiction. In fact the true science fiction genre developed at precisely the time when historical avant-garde, because based on the same idea of future, made its appearance. This became possible thanks a new conception of the future that appears in the literary field, inside the new technological environment. For futurist writers the future has a wider "global" meaning than fiction. It covers all their output ranging from manifestos to figurative art creating a real futurist time machine
Zajac, Ronald J. (Ronald John). "The Dystopian city in British and US science fiction, 1960-1975 : urban chronotopes as models of historical closure." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61046.
Повний текст джерелаBöhnke, Dietmar. "Shades of Gray: Science Fiction, History and the Problem of Postmodernism in the Work of Alasdair Gray." Galda und Wilch, 2004. https://ul.qucosa.de/id/qucosa%3A32037.
Повний текст джерелаAndré, Danièle. "Cinéma de science-fiction et sociétés anglophones contemporaines." Paris 3, 1998. http://www.theses.fr/1998PA030108.
Повний текст джерелаThis thesis aims to show that science fiction films are not only entertaining but that they are also thought-provoking. The benefit of hindsight enables us to appreciate contemporary english speaking societies through the glimpses shown by the science fiction films of the eighties. When we take a second look at them, we realise that they reflect our questioning about our daily life. They depict a world controlled by economic and political groups, and jeopardised by the military. However, science fiction films also deal with deeper worries such as our ideals, our hopes and our fears. Thus they clearly show the opposition between what we would like to be and what we are, and help us to understand better the roles of religion and science. Moreover, the films studied also reflect our behaviour towards our environment, and what it reveals about ourselves, and towards others. They also mirror the changes which have occurred in personal relationships, but also show that women's role in society has not really evolved. Science fiction films of the eighties tell us, somehow, that what makes human beings different from other living beings is also what makes us face our more painful reality, death, and our inability to accept it. We must not forget that science fiction films are an entertainment enabling us to dream and enjoy ourselves. However, science fiction films also ask us which life we would like to lead; they may evoke a dehumanized future, but they set us free to act and turn these pessimistic prospects into better ones
Blatchford, Mathew. "The old New Wave : a study of the 'New Wave' in British science fiction during the 1960s and early 1970s, with special reference to the works of Brian W. Aldiss, J.G. Ballard, Harry Harrison and Michael Moorcock." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/22150.
Повний текст джерелаThis thesis examines the 'New Wave' in British science fiction in the 1960s and early 1970s. The use of the terms 'science fiction' and 'New Wave' in the thesis are defined through a use of elements of the ideological theories of Louis Althusser. The New Wave is seen as a change in the ideological framework of the science fiction establishment. For oonvenience, the progress of the New Wave is divided into three stages, each covered by a chapter. Works by the four most prominent writers in the movement are discussed.
Forshaw, Mark. "Affectless subjects, atrocious bodies : thematics and history in fictions by Burroughs, Ballard and Gibson." Thesis, Keele University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391222.
Повний текст джерелаMcGinney, William Lawrence. "The Sounds of the Dystopian Future: Music for Science Fiction Films of the New Hollywood Era, 1966-1976." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/permalink/meta-dc-9839.
Повний текст джерелаMcFarlane, Anna M. "A gestalt approach to the science fiction novels of William Gibson." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6263.
Повний текст джерелаGill, Josephine Ceri. "Race, genetics and British fiction since the Human Genome Project." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610822.
Повний текст джерелаEjsmund, Arnika Nora. ""Light is the left hand of darkness" : breaking away from invalid dichotomies in science fiction." Diss., Pretoria : [s.n.], 2002. http://upetd.up.ac.za/thesis/available/etd-06172005-111926.
Повний текст джерелаBozzetto, Roger. "Deux genres des littératures de l'imaginaire : la science-fiction, le fantastique." Aix-Marseille 1, 1988. http://www.theses.fr/1988AIX10036.
Повний текст джерелаThe scope of the literature of the imaginary has been restructured according to the upheaval which took place regarding a representation of the world taking into account scientific progress. The emergence of new genres, the fantastic and science fiction, perturbed the hitherto valid opposition between what was gratuitously marvellous and the referential mimetic. The science fiction genre, which was formed by integrating the contributions of imaginary travels and the utopia, resulted in a speculative fiction, imitating a virtual. With the fantastic genre, the relation between the conceivable and the representable, hitherti considered as obvious, is open to question. These genre can be considered as two heterogeneous attempts to master alterity : science fiction, metaphorically giving a perception on the mode of "if" ; the fantastic, tending to present it metonymically as unnameable and yet existent - thus engendring an off-centring of reason. These two new genres are presented in their emergence - in relation to the earliest texts (textes fondateurs) and seminal authors ; in their evolution - according to the periods and cultures ; in their thematic development ; in their relations to mythologies, and in the history of their reception
Bréan, Simon. "La science-fiction en France de la Seconde Guerre mondiale à la fin des années soixante-dix." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040125.
Повний текст джерелаAfter the Second World War in France, science fiction literature took the form of an isolated subaltern field within the literary field, featuring specific publishing series, critics and readership. In science fiction novels, fictional worlds are created by mixing conventional reality and alternate states of reality, a process I call “régime ontologique matérialiste spéculatif” (“speculative materialistic ontological status”). I have studied French science fiction novels first from a historical perspective, by describing the protagonists, the publishers and the themes of French science fiction, as well as by assessing how and to what end French science fiction writers wrote their novels. I have then studied these novels at several levels: how words and texts are shaped in science fiction, how fictional worlds are extrapolated from the real world and how science fiction texts generate a collective memory, which I call the “macrotext” of science fiction. Our thesis contributes to literary history by studying how the perception of science fiction gradually changes over time, each main paradigm morphing into a new one as writers adapt science fiction images and ideas to their needs. I have also pointed out how science fiction novels may prove of a keen interest to narrative discourse analysis, fiction theory and intertextuality approach, because of various devices meant to allow science fiction worlds to compete with reality
Floerke, Jennifer Jodelle. "A queer look at feminist science fiction: Examing Sally Miller Gearhart's The Kanshou." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2889.
Повний текст джерелаSteenkamp, Elzette Lorna. "Identity, belonging and ecological crisis in South African speculative fiction." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002262.
Повний текст джерелаGindre, Philippe. "La formation des néologismes dans la littérature de science-fiction d'expression anglaise contemporaine." Besançon, 1999. http://www.theses.fr/1999BESA1003.
Повний текст джерелаWälivaara, Josefine. "Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-62893.
Повний текст джерелаRivière, Nathalie. "Le cinéma américain de science-fiction de 1968 à 2001 : prospective et perspectives." Caen, 2007. http://www.theses.fr/2007CAEN1474.
Повний текст джерелаBoutault, Jessica. "Analyse des thématiques de la science-fiction de l'âge d'or aux Etats-Unis en vue d'une définition." Paris 3, 2008. http://www.theses.fr/2008PA030132.
Повний текст джерелаUntil now, science fiction has seldom been studied as a whole in France. The analysis of the themes of this protean genre in order to give a definition can, for technical reasons, be limited to its major period, called the "golden age" (approximately from World War II to the fifties or sixties), in the United States. Golden age science fiction being defined by its content rather than its style, few tools pertaining to literary analysis can be successfully used. Philosophy provides methodologies. The creation of three concepts will complete the critical set of tools borrowed from this discipline. The objectum, inspired from structuralism, allows to describe the materiality of the stories (things, characters, settings). The idea, derived from Plato's Ideas, concerns the cognitive dimension (science, space and time, nature of the universe and reality, definition of the human being and its avatars). The ethos comes from the field of ethics, which includes, in its largest meaning, politics (identity and consciousness, relationship with others, morals, myths, social phenomena, politics). These three concepts and the notions that stem from them allow to clarify and organize the themes presented in science fiction. Although a univocal definition of this genre, or even of one of its periods, remains impossible, the following conclusions emerge: the characteristics of science fiction are to present non-realistic, yet reasonably possible, beings or events. Its forms and themes reflect majors concerns of the period when it was written. However, these rules always allow for exceptions
Bonati, Muñoz Catalina. "Landscape and technology in the construction of character identity in Ray Bradbury's science fiction." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/148301.
Повний текст джерелаDurkin, Daniel J. III. "Godzilla and the Cold War: Japanese Memory, Fear, and Anxiety in Toho Studio's Godzilla Franchise, 1954-2016." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu161730867674358.
Повний текст джерелаMighall, Robert. "The brigand in the laboratory : a study of the discursive exchange between Gothic fiction and nineteenth-century medico-legal science." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683119.
Повний текст джерелаHuz, Aurélie. "L'intermédialité dans la science-fiction française de La Planète Sauvage à Kaena (1973-2003)." Thesis, Limoges, 2018. http://www.theses.fr/2018LIMO0078/document.
Повний текст джерелаAt the beginning of the 1970s, in France, science fiction subculture engages in its countercultural moment. Contestations and claims of legitimacy come from different media: Laloux defends a national, artisanal and engaged conception of animation (La Planète sauvage, 1973), French “bande dessinée” shows new aesthetic and graphic ambitions in magazines referring to themselves as “adult” (Metal hurlant, 1975, with a special focus on Mœbius and Bilal), and literary science fiction becomes more and more politicised, confronted to the legacy of the British New Wave and to the ideology born with Mai 68 (Andrevon, Les Hommes-machines contre Gandahar, 1969). Thirty years later, the “multimedia revolution” implies a technical and cultural convergence between videogames, hyperrealistic special effects in cinema, and 3D computer generated animation movies. In this context, the novelizations of Pierre Bordage (Atlantis, 1998, adapted from an adventure video game by Cryo Interactive, and Kaena, 2003, from a European 3D digital animation movie) question the still rare interactions between literature and “new media” in French science fiction, at the turning point of the 2000s and as we move into the digital moment of existence of popular fictions. Considering this area and this period of time, this thesis examines intermediality in French science fiction as a historical and rhetorical construction, used by the actors to promote certain representations of the genre and to take position in conflicts about generic definition, especially regarding the relations with American productions, the industrial question, and the place of the author. I identify three moments of intermediality in French science fiction during that period of time (1973-2003). I consider the term moment in its temporal sense (a duration) and in its physical one (a synchronic measure of a dynamic phenomenon). This historical analysis of intermediality’s forms and discourses shows how the French « macro-texte » (Bréan) evolves in regard to the global « mega-text » of the genre (Broderick). This leads to study secondly what I call the « SF-effect », in relation with that historical and cultural context, from a semiotic, cognitive and narrative point of view. I engage in clarifying semiotic modalities of the SF-effect by considering relations between novum (a strange diegetic reality) and estrangement (a strange formal device), both depending on media and generic architextual determinants. Discussing the famous theory of Suvin, I propose an intermedial analytical framework of the cultural poetics of science fiction. Visual SF-effect is specifically investigated, and then confronted to the verbal estrangement figures, leading to a narrative intersemiotic approach of science fiction “texts” (in a broad meaning) when they are produced by media using different systems of signs. Finally, I consider the problem of world building and how novums and estrangements intersect in productions from different media when these productions share the same fictional world. I discuss the concept of transfictionality forged by Saint-Gelais and the propositions of Besson and Letourneux about massively transmedial contemporary fictional worlds. I distinguish four intermedial “world-effects” (worlds to be built, worlds to be diversify, helical worlds, worlds to be played) in the specific French biotope of the genre, which may also offer helpful support to analyse other cultural and generic phenomena
Dedman, Stephen. "Techronomicon (novel) ; and The weapon shop : the relationship between American science fiction and the US military (dissertation)." University of Western Australia. School of Social and Cultural Studies, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0093.
Повний текст джерелаCornillon, Claire. "Par-delà l'Infini. La Spiritualité dans la Science-Fiction française, anglaise et américaine." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00869974.
Повний текст джерела彭文慧 and M. W. Petti Pang. "The image of physics and physicists in modern drama: portraits and social implications." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Повний текст джерелаFreeland, Debra Jeanette. "ODYSSEUS RE-IMAGINED: EXPERIMENTAL FICTION RESPONDS TO THE CALL OF THE ANCIENTS- TECHNOLOGY AND SCIENCE FULFILL CLASSIC EPIC DEVICES IN CLOUD ATLAS AND THE SILENT HISTORY." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/929.
Повний текст джерелаHunninghausen, Carlos Guilherme. "Imagined space : representations of the future city in science fiction short stories by Forster, Ballard and Gibson /." Florianópolis, SC, 1997. http://repositorio.ufsc.br/xmlui/handle/123456789/77337.
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