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Добірка наукової літератури з теми "HISTORICAL MANUSCRIPT IMAGES"

Автор: Grafiati
Опубліковано: 11 вересня 2023

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Статті в журналах з теми "HISTORICAL MANUSCRIPT IMAGES"

1

Fakhriati, Fakhriati. "The Use of Papers in The Acehnese Islamic Manuscripts and its Historical Context." Heritage of Nusantara: International Journal of Religious Literature and Heritage 2, no. 1 (January 28, 2016): 51–72. http://dx.doi.org/10.31291/hn.v2i1.102.

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Анотація:
Paper is the most popular material used for writing Islamic manuscript in the Archipelago, including Aceh. Both imported and traditional papers were used for writing Islamic manuscripts in Aceh. Using certain paper for writing an Islamic manuscript might be used for tracing a great information on the context of papers that can be able to learn and know the relationship between the country of paper producers and the country of the paper users. This article argues that Acehnese Islamic manuscripts were written mostly in imported papers containing of watermark images commonly used in Islamic countries. This indicates that Acehnese had either social, economic, political, or knowledge relationship with Islamic countries.
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2

Tang, Minli, Shaomin Xie, Mu He, and Xiangrong Liu. "Character Recognition in Endangered Archives: Shui Manuscripts Dataset, Detection and Application Realization." Applied Sciences 12, no. 11 (May 25, 2022): 5361. http://dx.doi.org/10.3390/app12115361.

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Анотація:
Shui manuscripts provide a historical testimony of the national identity and spirit of the Shui people. In response to the lack of a high-quality Shui manuscripts dataset, we collected Shui manuscript images in the Shui area and used various methods to enhance them. Through our efforts, we created a well-labeled and sizable Shui manuscripts dataset, named Shuishu_T, which is the largest of its kind. Then, we applied target detection technology for Shui manuscript characters recognition. Specifically, we compared the advantages and disadvantages of Faster R-CNN, you only look once (YOLO), and single shot multibox detector (SSD), and subsequently chose Faster R-CNN to detect and recognize Shui manuscript characters. We trained and tested 111 classes of Shui manuscript characters with Faster R-CNN and achieved an average recognition rate of 87.8%. Finally, we designed a WeChat applet that can be used to quickly identify Shui manuscript characters in images obtained by scanning Shui manuscripts with a mobile phone. This work provides a basis for realizing the recognition of characters in Shui manuscripts on mobile terminals. Our research enables the intangible cultural heritage of the Shui people to be preserved, promoted, and shared, which is of great significance for the conservation and inheritance of Shui manuscripts.
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3

Dirkse, Saskia, Patrick Andrist, and Martin Wallraff. "Structural Visualization of Manuscripts (StruViMan): Principles, Methods, Prospects." Open Theology 5, no. 1 (January 1, 2019): 249–58. http://dx.doi.org/10.1515/opth-2019-0009.

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Анотація:
Abstract This paper introduces a tool which offers scholars a new way to visualize the structure of manuscripts. The Structural Visualization of Manuscripts (or StruViMan) is a web-based application, developed as part of the Paratexts of the Greek Bible Project, a European Research Council project based in Munich. Drawing on the principles of structural codicology, StruViMan is able to translate the different stages of a manuscript’s development into a visual model based on the codex’s physical, historical layers and aims to facilitate the comparison of manuscripts. It can be used by any web-connected manuscript database from any cultural area and does not require the presence of electronic images. This presentation begins with a short survey of the principles underpinning the tool’s conception and development, followed by a demonstration of how manuscript data from both biblical and non-biblical Greek codices are transformed into interactive, customizable visualizations with varying display modes. We will also touch upon StruViMan’s technical aspects as an open-access web service, available to any software or database able to call its API using the correct parameters. We close with a preview of new features currently under development, including the ability to “reconstruct” a manuscript whose composite parts are presently in different repositories.
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4

Dewi Lestari, Anak Agung Istri, I. Gede Santi Astawa, Ngurah Agus Sanjaya ER, I. Putu Gede Hendra Suputra, Cokorda Rai Adi Pramartha, and I. Wayan Supriana. "Segmentasi Baris Lontar Dengan Metode A * Path Planning." JELIKU (Jurnal Elektronik Ilmu Komputer Udayana) 11, no. 2 (July 14, 2022): 349. http://dx.doi.org/10.24843/jlk.2022.v11.i02.p14.

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Анотація:
Historical documents in the form of ancient manuscripts are one form of the Indonesian nation's cultural heritage that deserves to be important, one of which is Lontar. Currently not many people can read the writings in palm leaves, therefore, ancient manuscript collectors have made efforts to digitize ancient manuscripts. The digitization of ancient manuscripts aims to improve the image quality of ancient manuscripts with the help of computers. Digitization requires an image quality improvement process by performing noise reduction and edge detection and line segmentation on digital images of ancient manuscripts. In this study, the noise reduction process uses the Mean Filter method, edge detection uses the Sobel operator, and line segmentation in this study uses the A * Path Planning Algorithm. Based on research conducted on 24 lontar images, line segmentation process obtained an accuracy of 95%.
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5

Sorbello Staub, Alessandra, Johannes Staub, Inga Richter, and Marc Birringer. "Near-Infrared Laser Scanning (NILS) to Differentiate Historical Inks, Deployed on a Stained and Faded Ninth-Century Fragment of Boethius Reused as Binding Material: Proving a Concept." Restaurator. International Journal for the Preservation of Library and Archival Material 37, no. 1 (January 1, 2016): 1–13. http://dx.doi.org/10.1515/res-2015-0005.

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Анотація:
AbstractIn this paper we describe the use of a dual-wavelength near-infrared laser scanner (NILS) to reveal ink differences in a ninth century Boethius fragment. The scanning system worked at 680 and 780 nm excitation wavelength with a maximal resolution of 21 µm. Fresh images were recorded at both wavelengths and compared with others based on conventional methods, such as UV photography and infrared reflectography. Whereas the latter secured no new information for mapping and distinguishing via inks the layered genesis of the manuscript, images of the fragment based on infrared laser fluorescence revealed the different inks used to elaborate the manuscript. The method revealed and distinguished the respective inks used for glosses, other marginal notes, neumes and the main text. Furthermore, corrections and additions invisible under other types of light were discovered by NILS in combination with paleographic methods. The scope and limitations of NILS when used to investigate stained or faded reused parchment (Makulatur) and/or restored manuscripts are discussed in detail.
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6

Zotova, Elizaveta V. "“CODEX OF CONRAD SACRISTAN” AND IMAGES OF AUTHORITY IN GERMAN BOOK ILLUMINATION OF THE SECOND HALF OF 12 TH CENTURY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 61–71. http://dx.doi.org/10.28995/2686-7249-2022-1-61-71.

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Анотація:
The article is devoted to a unique monument of German book illumination of the second half of the 12th century – illuminated cartulary or “Traditionscodex”. The manuscript, written by the sacristan Conrad, goes beyond the book of copies of documents relating to donations of property and becomes a kind of historical chronicle of the Freising diocese. The unique character of this monument is revealed by comparing with typologically similar manuscripts created in the 9th–12th centuries. The images of representatives of the highest religious (bishops of Freising) and secular authorities (kings of Germany and emperors) are of particular importance in the codex. In the article the author defines the various functions of these images in the “Codex the Conrad Sacristan”, emphasizing the importance of the representative func- tion, and makes a comparison with similar images found in German illuminated manuscripts of the second half of the 12th century.
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7

Mat Som, Hafizan, Jasni Mohamad Zain, and Amzari Jihadi Ghazali. "Application of Threshold Techniques for Readability Improvement of Jawi Historical Manuscript Images." Advanced Computing: An International Journal 2, no. 2 (March 30, 2011): 60–69. http://dx.doi.org/10.5121/acij.2011.2206.

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8

ATEEQ, Samira Salem Ahmed, and Najia Mohmmed KHALIFA. "MANUSCRIPTS AND ITS ROLE IN WRITING HISTORY." RIMAK International Journal of Humanities and Social Sciences 04, no. 05 (September 1, 2022): 641–57. http://dx.doi.org/10.47832/2717-8293.19.37.

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Анотація:
Manuscripts are among the primary primary sources that enable the researcher to study history as a way to preserve what the Arab mind has produced. The study and investigation of the manuscript discovers the researcher's contributions to civilization, which began at an early age during the Arab rule. The realization and publication of the manuscript makes it easier to translate it, know its contents, and benefit from it, as the Arab government witnessed a wide activity after the emergence of the printer, and the translation of many manuscripts. The investigation process combines two contradictions; The ease of work and its difficulty inherent in the obstacles that the researcher finds, which is summarized in the spatial dimension between the investigator and the location of the manuscript, and in the difficulty of finding and verifying other copies of manuscripts, as well as the difficulty of achieving texts in the manuscripts themselves. As for ease; It is the scientific pleasure that the investigator finds as a result of the investigation and this is due to the embrace of a group of sources in various other sciences, and the enrichment of the valuable scientific information that contains the manuscript. As for what this paper contains, what are the manuscripts and their importance, and it contains the definition of manuscripts, the parts of the manuscript, their types, and their cultural and intellectual importance. As well as the way to benefit from them, the conditions of investigation, the stages of investigation, the difficulties of investigation, the ways to treat them and the way to benefit from the manuscripts. The manuscripts also reveal the paths of scientific and intellectual exchange between nations and the images of influence and influence on the books produced by human minds. The importance of the investigation lies in preserving the nation’s heritage, highlighting the historical cultural heritage produced by historians over the years and investing it by modern technological means to spread knowledge and benefit.
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9

Savant, Sarah Bowen, and Majid Montazer Mahdi. "The History of Iranian Cities through their Books: What Ms. Köprülü 01589 Tells Us about 8th/14th Century Shiraz." Eurasian Studies 16, no. 1-2 (December 7, 2018): 430–64. http://dx.doi.org/10.1163/24685623-12340059.

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Анотація:
AbstractWhat can the history of books tell us about Iranian cities and their histories? This article introduces the manuscript of a multi-text compilation (majmūʿa) for the purpose of illustrating its potential usefulness as a source for studying the social and cultural history of Shiraz in the turbulent period that followed the collapse of Mongol rule in the area. We specifically seek to show that Köprülü 01589, now housed in Istanbul, helps us to see how books were produced and consumed, and provides insight into the operations of a busy workshop for copying texts. Despite the rarity and historical significance of several of the pieces that it contains, the availability of images of the manuscript for some time in Istanbul and Iran, and attention to it in catalogues, it has not received scholarly attention as a whole.1 Although this article is only a preliminary study of a single manuscript, we believe it is important for the current volume in showing what manuscripts can reveal of the social world that produced them, the networks of people and ideas that animated city life, and the cultural resources of specific times and places. Furthermore, our approach to Köprülü 01589 can be expanded and applied to other manuscripts originating in Shiraz and other cities.
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10

Ganter, Granville. "Mistress of Her Art: Anne Laura Clarke, Traveling Lecturer of the 1820s." New England Quarterly 87, no. 4 (December 2014): 709–46. http://dx.doi.org/10.1162/tneq_a_00418.

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Анотація:
This essay examines Anne Laura Clarke, a public lecturer from 1822 through the mid-1830s. Her topics ranged from western history to world clothing customs, and she employed hand-crafted historical charts and magic lantern images. The essay is a contribution to feminist history and recovers Clarke's manuscript lectures and visual materials.
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Більше джерел

Дисертації з теми "HISTORICAL MANUSCRIPT IMAGES"

1

Lee, Hye-Min. "Les images de l'histoire : du Speculum historiale au Miroir historial : culture historique et iconographie dans les manuscrits enluminés de Vincent de Beauvais." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0146.

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Анотація:
L'étude des manuscrits enluminés du Spéculum historíale de Vincent de Beauvais et de sa traduction le Miroir historial montre bien comment un livre historique est reçu et interprété d'une manière très différente selon les milieux sociaux. Les manuscrits du Spéculum sont peu enluminés, car ils ont été surtout destinés à l'usage des écoles monastiques et urbaines. En revanche, les manuscrits français renferment de riches cycles iconographiques qui soutiennent les intérêts de leurs commanditaires. Les copies destinées à la reine Jeanne de Bourgogne et au roi Charles V manifestent la légitimité et la continuité du pouvoir royal des Valois et glorifient leur autonomie face à l'empereur germanique. Au siècle suivant, le Miroir de Jacques d'Armagnac manifeste son attitude réactionnaire féodale contre le changement de la société. Celui de Louis de Bruges reflète plutôt la culture historique dans le milieu des Bourguignons. Les images sont donc un témoin perspicace de la culture historique
The study of illuminated manuscripts of Vincent de Beauvais' Speculum historíale and its translation Miroir historial is a good example of how a history book was received-and interpretated in different fashions according to social milieux. Manuscripts from the Speculum, that were particularly destinated to monastic and urban studia, show few miniatures. On the contrary, French manuscripts contain the rich iconographic cycles that uphold their commissioners' interests. The copies presented to Queen Jeanne de Bourgogne and King Charles V show respectively the legitimacy and continuity of the royal power of the Valois, and glorify their autonomy in relation to the Germanic emperor. In the following century, the Miroir of Jacques d'Armagnac reveals his feudal reactionary attitude against social change The manuscripts of Louis de Bruges can be seen as a reflection of the historical culture of the Burgundian milieu. Images are therefore a perspicacious witness of historical culture
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2

Komada, Akiko. "Les illustrations de la Bible historiale : les manuscrits réalisés dans le Nord." Paris 4, 2000. http://www.theses.fr/2000PA040097.

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Анотація:
La bible historiale traduite en langue française par Guyart des Moulins, à partir de l'historia scholastica de Pierre Comestor, fut achevée peu avant la fin du XIIIe siècle. Elle mit les histoires de la Bible à disposition d'un large public, en particulier des laïcs. Le nombre des manuscrits - une centaine, la plus part illustres - atteste de son succès et notre volume de catalogue (t. 3) propose des notices détaillés, servant de socle à cette étude. Il est précédé d'annexes (t. 2) offrant notamment un répertoire des enlumineurs. Nos analyses cependant portent sur neuf manuscrits, distingués, car réalisés dans les régions du nord proches de la collégiale d'Aire-sur-la-Lys, le foyer de l'œuvre. Compte tenu de leur diversité, nous avons opté pour un traitement monographique, traitant un à un chacun de leurs aspects : tradition textuelle, provenance, milieu artistique et caractéristiques iconographiques. Ces manuscrits datent des XIVe et XVe siècles. Il s'agit de : Paris, bibliothèque Mazarine, ms, 312 ; Paris, bibliothèque nationale de France, ms. Fr. 152 ; Iena, Thuringer universitats- und landesbibliothek, ms. El. F. 95 - 96 ; Londres, British library, royal ms. 18 dix - x & 15 di ; New Haven, Yale university, Beinecke library, ms. 129 ; Turin, bibliothèque nationale, ms. L. I. 1 ; Turin, bibliothèque nationale, ms. L. I. 12; Bibermule, collection Heribert Tenschert. Les questions relatives à la tradition manuscrite se sont avérées étroitement liées aux questions artistiques ; les secondes livrant parfois des indices, voire des réponses à des problèmes jusqu'alors restés en suspens. Cette thèse atteste d'une lignée de manuscrits restant fidèles à la conception originale de Guyart. Ce problème du « texte original de Guyart » soulevé en 1884 par Samuel Berger, trouve enfin dans cette thèse des arguments qui sont concluants. Mais la contribution majeure que l'on retiendra est la fraicheur de la pensée iconographique de l'école du nord qui exploite la veine de la bible historiale.
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3

Stagni, Reno. "Imagens alquímicas renascentistas: um estudo preliminar do manuscrito La génération et opération du grand oeuvre pour faire de l or (1620)." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13401.

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Made available in DSpace on 2016-04-28T14:16:35Z (GMT). No. of bitstreams: 1 Reno Stagni.pdf: 4141111 bytes, checksum: 2cc8002a9378efb09dbf78cce5de9654 (MD5) Previous issue date: 2008-10-03
Conselho Nacional de Desenvolvimento Científico e Tecnológico
The objective of this study is to analyze, among the multiple aspects that permeate the alchemical tradition, one that treats the relation between image and text as a way to the knowledge stored in the books, and to try to evidence some aspects of the use of the image as a tool to decode the verbal text. Therefore it was chosen, as case study, the manuscript La Génération et Opération du Grand OEuvre pour Faire de l Or (The Generation and Operation of the Great Work to Make Gold), anonymous manuscript, copied in the first quarter of the XVII century, whose comparison with alchemical works related to that same period provided the analysis, object of this study
O objetivo deste estudo é analisar, dentre os múltiplos aspectos que permeiam a tradição alquímica, aquele que trata das relações entre imagem e texto como via de acesso aos conhecimentos guardados nos livros, e tentar evidenciar alguns aspectos do uso da imagem como instrumento de decodificação do texto verbal. Para tanto foi selecionado, como estudo de caso, o manuscrito La Génération et Opération du Grand OEuvre pour Faire de l Or (A Geração e Operação da Grande Obra para Fazer Ouro), manuscrito anepígrafo, copiado no primeiro quartel do século XVII, cujo confronto com outras obras alquímicas do mesmo período, propiciou a análise, objeto deste estudo
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4

Puigcerver, I. Pérez Joan. "A Probabilistic Formulation of Keyword Spotting." Doctoral thesis, Universitat Politècnica de València, 2019. http://hdl.handle.net/10251/116834.

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Анотація:
[ES] La detección de palabras clave (Keyword Spotting, en inglés), aplicada a documentos de texto manuscrito, tiene como objetivo recuperar los documentos, o partes de ellos, que sean relevantes para una cierta consulta (query, en inglés), indicada por el usuario, entre una gran colección de documentos. La temática ha recogido un gran interés en los últimos 20 años entre investigadores en Reconocimiento de Formas (Pattern Recognition), así como bibliotecas y archivos digitales. Esta tesis, en primer lugar, define el objetivo de la detección de palabras clave a partir de una perspectiva basada en la Teoría de la Decisión y una formulación probabilística adecuada. Más concretamente, la detección de palabras clave se presenta como un caso particular de Recuperación de la Información (Information Retrieval), donde el contenido de los documentos es desconocido, pero puede ser modelado mediante una distribución de probabilidad. Además, la tesis también demuestra que, bajo las distribuciones de probabilidad correctas, el marco de trabajo desarrollada conduce a la solución óptima del problema, según múltiples medidas de evaluación utilizadas tradicionalmente en el campo. Más tarde, se utilizan distintos modelos estadísticos para representar las distribuciones necesarias: Redes Neuronales Recurrentes o Modelos Ocultos de Markov. Los parámetros de estos son estimados a partir de datos de entrenamiento, y las respectivas distribuciones son representadas mediante Transductores de Estados Finitos con Pesos (Weighted Finite State Transducers). Con el objetivo de hacer que el marco de trabajo sea práctico en grandes colecciones de documentos, se presentan distintos algoritmos para construir índices de palabras a partir de modelos probabilísticos, basados tanto en un léxico cerrado como abierto. Estos índices son muy similares a los utilizados por los motores de búsqueda tradicionales. Además, se estudia la relación que hay entre la formulación probabilística presentada y otros métodos de gran influencia en el campo de la detección de palabras clave, destacando cuáles son las limitaciones de los segundos. Finalmente, todas la aportaciones se evalúan de forma experimental, no sólo utilizando pruebas académicas estándar, sino también en colecciones con decenas de miles de páginas provenientes de manuscritos históricos. Los resultados muestran que el marco de trabajo presentado permite construir sistemas de detección de palabras clave muy rápidos y precisos, con una sólida base teórica.
[CAT] La detecció de paraules clau (Keyword Spotting, en anglès), aplicada a documents de text manuscrit, té com a objectiu recuperar els documents, o parts d'ells, que siguen rellevants per a una certa consulta (query, en anglès), indicada per l'usuari, dintre d'una gran col·lecció de documents. La temàtica ha recollit un gran interés en els últims 20 anys entre investigadors en Reconeixement de Formes (Pattern Recognition), així com biblioteques i arxius digitals. Aquesta tesi defineix l'objectiu de la detecció de paraules claus a partir d'una perspectiva basada en la Teoria de la Decisió i una formulació probabilística adequada. Més concretament, la detecció de paraules clau es presenta com un cas concret de Recuperació de la Informació (Information Retrieval), on el contingut dels documents és desconegut, però pot ser modelat mitjançant una distribució de probabilitat. A més, la tesi també demostra que, sota les distribucions de probabilitat correctes, el marc de treball desenvolupat condueix a la solució òptima del problema, segons diverses mesures d'avaluació utilitzades tradicionalment en el camp. Després, diferents models estadístics s'utilitzen per representar les distribucions necessàries: Xarxes Neuronal Recurrents i Models Ocults de Markov. Els paràmetres d'aquests són estimats a partir de dades d'entrenament, i les corresponents distribucions són representades mitjançant Transductors d'Estats Finits amb Pesos (Weighted Finite State Transducers). Amb l'objectiu de fer el marc de treball útil per a grans col·leccions de documents, es presenten distints algorismes per construir índexs de paraules a partir dels models probabilístics, tan basats en un lèxic tancat com en un obert. Aquests índexs són molt semblants als utilitzats per motors de cerca tradicionals. A més a més, s'estudia la relació que hi ha entre la formulació probabilística presentada i altres mètodes de gran influència en el camp de la detecció de paraules clau, destacant algunes limitacions dels segons. Finalment, totes les aportacions s'avaluen de forma experimental, no sols utilitzant proves acadèmics estàndard, sinó també en col·leccions amb desenes de milers de pàgines provinents de manuscrits històrics. Els resultats mostren que el marc de treball presentat permet construir sistemes de detecció de paraules clau molt acurats i ràpids, amb una sòlida base teòrica.
[EN] Keyword Spotting, applied to handwritten text documents, aims to retrieve the documents, or parts of them, that are relevant for a query, given by the user, within a large collection of documents. The topic has gained a large interest in the last 20 years among Pattern Recognition researchers, as well as digital libraries and archives. This thesis, first defines the goal of Keyword Spotting from a Decision Theory perspective. Then, the problem is tackled following a probabilistic formulation. More precisely, Keyword Spotting is presented as a particular instance of Information Retrieval, where the content of the documents is unknown, but can be modeled by a probability distribution. In addition, the thesis also proves that, under the correct probability distributions, the framework provides the optimal solution, under many of the evaluation measures traditionally used in the field. Later, different statistical models are used to represent the probability distribution over the content of the documents. These models, Hidden Markov Models or Recurrent Neural Networks, are estimated from training data, and the corresponding distributions over the transcripts of the images can be efficiently represented using Weighted Finite State Transducers. In order to make the framework practical for large collections of documents, this thesis presents several algorithms to build probabilistic word indexes, using both lexicon-based and lexicon-free models. These indexes are very similar to the ones used by traditional search engines. Furthermore, we study the relationship between the presented formulation and other seminal approaches in the field of Keyword Spotting, highlighting some limitations of the latter. Finally, all the contributions are evaluated experimentally, not only on standard academic benchmarks, but also on collections including tens of thousands of pages of historical manuscripts. The results show that the proposed framework and algorithms allow to build very accurate and very fast Keyword Spotting systems, with a solid underlying theory.
Puigcerver I Pérez, J. (2018). A Probabilistic Formulation of Keyword Spotting [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/116834
TESIS
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5

OMAYIO, ENOCK OSORO. "DEVELOPMENT OF FRAMEWORK FOR CLASSIFICATION AND ARCHIVING HISTORICAL MANUSCRIPT IMAGES." Thesis, 2023. http://dspace.dtu.ac.in:8080/jspui/handle/repository/19740.

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Анотація:
Historical manuscripts are valuable resources for historical information about the distant past. From them culture, education, and ways of life in the past can be gleaned. Due to advancement of Information Communication and Technology (ICT), most of the historical manuscripts have been digitized via scanning devices to electronic formats like digital images. This has resulted in large amounts of historical manuscripts available to public as digital images and other electronic forms. Historical manuscript images (HMI) are easier to manage (by sharing, handling, storage, and processing) compared to actual manuscript documents. In addition, this helps to preserve actual historical manuscripts since they are seldom needed physically. Due to the proliferation of large amounts of HMI, their management and processing is the main focus. HMI management involves a range of tasks and processes carried out on HMI like curation, provenance, indexing and archiving, storage, restoration, retrieval, and classi fication among others. This thesis focuses on development of computer-based framework to index, archive, and classify HMI. First of all, a number of pre-processing tasks are carried out to enhance visual quality of HMI and in turn increase output performance. The pre processing tasks carried out include denoising, binarization, word segmentation and word image normalization. Due to degradations in most of HMI, a model-based binarization technique is proposed to enhance them. In this technique, HMI pixels are modelled to foreground and background pixels by training multilayer perceptron (MLP) classifier using various handcrafted features with high discriminating powers. The features are extracted from HMI. A component tracing and association (CTA) technique has been developed for efficient word vi segmentation of HMI. The merit of the method is in segmenting overlapping and crossing words. Using the concept that short sections of a continuous stroke joined at a common point are symmetric or near symmetric about the common joining point, crossing strokes are identified and separated using (MD − DTWD) multi-dimensional dynamic time warping with dependence. method. A segmentation-based handwritten word spotting (HWS) technique has been developed for indexing HMI. Integral histogram of oriented displacement (IHOD) feature descriptor is used to develop MLP-based HWS system. IHOD descriptor is obtained by computing displace ments of foreground pixels w.r.t centers of their respective m × m cells where m = 15 pixels. Cells are obtained by sub-dividing entire HMI. A fragmented long short-term memory (Frag-LSTM) method is proposed for language iden tification (LID) of textual content of HMI. 3 LSTM networks are used to learn and extract local and global features from input text word. A combined feature vector is obtained by concatenating global and local features. This combined feature vector is then used for LID. Bi-directional fragment network (BiD-FragNet) is proposed for prediction of era or pro duction time of HMI. BiD-FragNet consists of 2 convolution neural network (CNN)-based channels; main and fragment channels. The main channel learns and extracts global fea tures by processing full patches of HMI. Fragment channel is used to learn and extract local features by processing fragments (sub-patches) of HMI. Both channels share information in both directions at various levels. Global and local features learnt are then concatenated to one feature vector which is used with classification layer to give final classification output. Classification output is obtained by voting and averaging schemes. Funnelling ensemble method for writer identification (FEM-WI) has been proposed for HMI. It is a 2-level system of classifier ensembles. in this system, first, 5 newly proposed features (also called base features) are extracted from segmented handwritten words. In level 1, each feature is used to train individual base classifier (MLP). Meta features are then obtained as outputs of level 1 (base) classifiers via k-fold cross validation (KFCV) method. A single level 2 meta classifier that gives final output is trained using the meta features. FEM-WI works by leveraging on different base features for same input word image funnelled to a common vii feature space in level 2 classifier. Thus, writer identification of query word using any one of the base features benefits from all other features used to train meta classifier, hence giving improved output performance.
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Книги з теми "HISTORICAL MANUSCRIPT IMAGES"

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Manfred, Thaller, and Max-Planck-Institut für Geschichte, eds. Images and manuscripts in historical computing. St. Katharinen: Max-Planck-Institut für Geschichte in Kommission bei Scripta Mercaturae, 1992.

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2

Dotto, Diego, Dávid Falvay, and Antonio Montefusco. Le Meditationes Vitae Christi in volgare secondo il codice Paris, BnF, it. 115 Edizione, commentario e riproduzione del corredo iconografico. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-509-4.

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The Pseudo-Bonaventuran Meditationes vitae Christi is one of the most influential devotional narratives of the late middle ages. It was written in Tuscany in the early fourteenth century and survived in several Latin and vernacular manuscripts and early prints. An extensive discussion has engaged the scholars, especially about the issue of the first linguistic version of the text. Even if the Latin version seems to be the original text, the vernacular manuscript Paris, BnF, it. 115 stays as one of the most important and interesting witnesses of the work. One of the earliest surviving codices, it conserves the first Italian translation (penned in the Pisan area) of the text, enriched by a wonderful set of illustration. The present volume, which is the outcome of an international and interdisciplinary collaboration, offers the first critical edition of the text, the reproduction of all images, the edition of the instructions given to the artist, accompanied by detailed philological and art-historical commentaries, glossaries, and seven interdisciplinary introductory essays.
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3

Tutton, Michael. Construction as Depicted in Western Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462982550.

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The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art.
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4

Wonder, image, and cosmos in medieval Islam. New Haven [Conn.]: Yale University Press, 2011.

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5

Translating truth: Ambitious images and religious knowledge in late medieval France and England. New Haven [Conn.]: Yale University Press, 2011.

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6

Jackson, Cailah. Islamic Manuscripts of Late Medieval Rum, 1270s-1370s. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451482.001.0001.

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This book is the first in-depth survey of illuminated manuscripts from late medieval Anatolia (Rum) before the rise of the Ottoman Empire. Between the Mongol invasions in the mid-thirteenth century and the emergence of Ottoman domination in the late fourteenth century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here and fully illustrated in colour with many unpublished or hard-to-find images. Meticulously analysing fifteen beautifully decorated Arabic and Persian manuscripts, including Qur’ans, mirrors for princes, historical chronicles and Sufi works, such as the Masnavi of Jalal al-Din Rumi, the author traces the development of calligraphy and illumination in late medieval Rum. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage. The volume also includes a detailed catalogue that is comprised of codicological data and numerous translations of new and unpublished primary sources, including manuscript colophons, dedications and endowment notes.
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Auction, American Historical. Historical Images and Manuscripts. Public Auction June 28, 1998. To be held in New York City. American Historical Auctions. American Historical Auctions, 1998.

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8

Swift, Jonathan. Journal to Stella. Edited by Abigail Williams. Cambridge University Press, 2013. http://dx.doi.org/10.1017/9780521841665.

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The Journal to Stella, Jonathan Swift's letters to Esther Johnson, or 'Stella', and Rebecca Dingley, written between September 1710 and June 1713, offers an extraordinary commentary on Swift's experiences in London during the most politically active and exciting years of his career and evidence of his evolving relationship with the two women. This edition seeks for the first time both to situate the letters alongside Swift's other works and to place them within their original political, historical and cultural contexts. It brings together a combination of printed work and manuscript to present the most complete and accessible text possible, enhanced by the use of the latest digital image analysis techniques to reinstate previously indecipherable material. In addition to a new critical introduction and appendices, there is also a biographical appendix derived from recently available resources.
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Cleaver, Laura. Documents, Documentation, and the Making of History Books. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198802624.003.0004.

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History books functioned to preserve historical records, and some scribes and artists attempted to replicate the features of documents when they compiled copies of them in cartularies. This chapter asks how and why the makers of manuscripts attempted to evoke the features of documents, particularly when cartularies could not serve the same evidential function. Beginning with an examination of a remarkable version of the Domesday Book created in the mid-thirteenth century, it explores how text and imagery were combined in cartularies and associated records. Although cartularies, like the Domesday Book, gave an impression of authority, they were carefully crafted, and did not always contain copies of a complete archive. Instead, the organization of the text and addition of illumination in some cartularies suggest that they were designed for specific audiences, including monastic communities and potential patrons.
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Cressy, David. Shipwrecks and the Bounty of the Sea. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192863393.001.0001.

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Abstract Shipwrecks and the Bounty of the Sea is a work of social history examining community relationships, law, and seafaring over the long early modern period. It explores the politics of the coastline, the economy of scavenging, and the law of ‘wreck of the sea’ from the beginning of the reign of Elizabeth I to the end of the reign of George II. England’s coastlines were heavily trafficked by naval and commercial shipping, but an unfortunate percentage was cast away or lost. Eighteen of England’s historical counties and eight more in Wales had coastlines where sailing ships came to grief. Wrecks were disasters for merchants and mariners, but opportunities for shore-dwellers. As the proverb said, it was an ill wind that blew nobody any good. Lords of manors, local officials, officers of the Admiralty, and coastal commoners competed for maritime cargoes and the windfall of wreckage, which they regarded as providential godsends or entitlements by right. A varied haul of commodities, wines, furnishings, and bullion came ashore, much of it claimed by the crown. The people engaged in salvaging these wrecks came to be called ‘wreckers’ and gained a reputation as violent and barbarous plunderers. Close attention to statements of witnesses and reports of survivors shows this image to be largely undeserved. Dramatic evidence from previously unexplored manuscripts reveals coastal communities in action, collaborating as well as competing as they harvested the bounty of the sea.
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Частини книг з теми "HISTORICAL MANUSCRIPT IMAGES"

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Ngo, Vuong M., Gary Munnelly, Fabrizio Orlandi, Peter Crooks, Declan O’Sullivan, and Owen Conlan. "A Semantic Search Engine for Historical Handwritten Document Images." In Linking Theory and Practice of Digital Libraries, 60–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86324-1_7.

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AbstractA very large number of historical manuscript collections are available in image formats and require extensive manual processing in order to search through them. So, we propose and build a search engine for automatically storing, indexing and efficiently searching the manuscript images. Firstly, a handwritten text recognition technique is used to convert the images into textual representations. In the next steps, we apply the named entity recognition and historical knowledge graph to build a semantic search model, which can understand the user’s intent in the query and the contextual meaning of concepts in documents, to return correctly the transcriptions and their corresponding images for users.
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Ismail, Saad M., and Siti Norul Huda Sheikh Abdullah. "Novel Binarization Method for Enhancing Ancient and Historical Manuscript Images." In Lecture Notes in Computer Science, 393–406. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13647-9_36.

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Baig, Asim, Somaya Al-Maadeed, Ahmed Bouridane, and Mohamed Cheriet. "Direct Unsupervised Text Line Extraction from Colored Historical Manuscript Images Using DCT." In Lecture Notes in Computer Science, 753–62. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41501-7_84.

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4

Dubey, Nidhi. "Digital Image Restoration of Historical Devanagari Manuscripts." In Advances in Intelligent Systems and Computing, 571–83. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1135-2_43.

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5

Shi, Zhixin, Srirangaraj Setlur, and Venu Govindaraju. "Digital Image Enhancement of Indic Historical Manuscripts." In Advances in Pattern Recognition, 249–67. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84800-330-9_13.

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Sissis, Philippa. "Script as Image: Visual Acuity in the Script of Poggio Bracciolini." In Atti, 119–48. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.10.

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The fact that the graphic substance of writing oscillates between text and image is a potential which writing carries in itself from the very beginning. Every graphic trace on the manuscript page relates to the conventions of time in a way that is determined by the scribe. This becomes particularly tangible when the conventions are deliberately and systematically broken and replaced by new ones on the basis of a concrete concept. By introducing the humanistic minuscule, a script developed on the basis of the historical model of the Carolingian minuscule, Poggio Bracciolini and his mentors and friends Coluccio Salutati and Niccolò Niccoli, created philologically revised copies of the texts of classical authors in what they called littera antiqua, the new old script. This paper wants to show how the conscious incorporation of elements of historical manuscripts and their transformation into a specifically humanistic product makes use of the graphical potential of script and mise-en-page in order to translate a humanistic discourse into SchriftBild.
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7

Prieto, Jose Ramón, David Becerra, Alejandro Hector Toselli, Carlos Alonso, and Enrique Vidal. "Segmentation of Large Historical Manuscript Bundles into Multi-page Deeds." In Pattern Recognition and Image Analysis, 121–33. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36616-1_10.

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8

Brenner, Simon, Lukas Schügerl, and Robert Sablatnig. "Estimating Human Legibility in Historic Manuscript Images - A Baseline." In Document Analysis and Recognition – ICDAR 2021, 492–506. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86334-0_32.

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Frankot, Edda. "The Legal Context." In Banishment in the Late Medieval Eastern Netherlands, 9–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88867-1_2.

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AbstractThis chapter gives a brief introduction into late medieval Kampen, the archival sources used in the study, an overview of the historical and legal background of banishment in the Low Countries and a discussion of the by-laws concerning the topic. It also includes a brief description of the images illustrating the contents of one of the manuscripts used, some of which are included in this book.
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Cornia, Marcella, Stefano Pini, Lorenzo Baraldi, and Rita Cucchiara. "Automatic Image Cropping and Selection Using Saliency: An Application to Historical Manuscripts." In Communications in Computer and Information Science, 169–79. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-73165-0_17.

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Тези доповідей конференцій з теми "HISTORICAL MANUSCRIPT IMAGES"

1

Yin, Xusen, Nada Aldarrab, Beata Megyesi, and Kevin Knight. "Decipherment of Historical Manuscript Images." In 2019 International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2019. http://dx.doi.org/10.1109/icdar.2019.00022.

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2

Rath, Toni M., R. Manmatha, and Victor Lavrenko. "A search engine for historical manuscript images." In the 27th annual international conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1008992.1009056.

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3

Jialuo Chen, Mohamed Ali Souibgui, Alicia Fornés, and Beáta Megyesi. "Unsupervised Alphabet Matching in Historical Encrypted Manuscript Images." In 4th International Conference on Historical Cryptology HistoCrypt 2020. Linköping University Electronic Press, 2021. http://dx.doi.org/10.3384/ecp183154.

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4

Elfattah, Mohamed Abd, Aboul Ella Hassanien, Abdalla Mostafa, Ahmed Fouad Ali, Khalid M. Amin, and Sherihan Mohamed. "Artificial bee colony optimizer for historical Arabic manuscript images binarization." In 2015 11th International Computer Engineering Conference (ICENCO). IEEE, 2015. http://dx.doi.org/10.1109/icenco.2015.7416357.

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5

Chen, Kai, Hao Wei, Marcus Liwicki, Jean Hennebert, and Rolf Ingold. "Robust Text Line Segmentation for Historical Manuscript Images Using Color and Texture." In 2014 22nd International Conference on Pattern Recognition (ICPR). IEEE, 2014. http://dx.doi.org/10.1109/icpr.2014.514.

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Amin, Khalid M., Mohamed Abd Elfattah, Aboul Ella Hassanien, and Gerald Schaefer. "A binarization algorithm for historical arabic manuscript images using a neutrosophic approach." In 2014 9th International Conference on Computer Engineering & Systems (ICCES). IEEE, 2014. http://dx.doi.org/10.1109/icces.2014.7030970.

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Wolf, Lior, Liza Potikha, Nachum Dershowitz, Roni Shweka, and Yaacov Choueka. "Computerized paleography: Tools for historical manuscripts." In 2011 18th IEEE International Conference on Image Processing (ICIP 2011). IEEE, 2011. http://dx.doi.org/10.1109/icip.2011.6116481.

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8

Wang, Jie, and Chew Lim Tan. "Non-rigid Image Registration for Historical Manuscript Restoration." In 2010 20th International Conference on Pattern Recognition (ICPR). IEEE, 2010. http://dx.doi.org/10.1109/icpr.2010.557.

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Hu, Bing, Thanawin Rakthanmanon, Bilson Campana, Abdullah Mueen, and Eamonn Keogh. "Image Mining of Historical Manuscripts to Establish Provenance." In Proceedings of the 2012 SIAM International Conference on Data Mining. Philadelphia, PA: Society for Industrial and Applied Mathematics, 2012. http://dx.doi.org/10.1137/1.9781611972825.69.

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Xu, Yue, Fei Yin, Zhaoxiang Zhang, and Cheng-Lin Liu. "Multi-task Layout Analysis for Historical Handwritten Documents Using Fully Convolutional Networks." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/147.

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Layout analysis is a fundamental process in document image analysis and understanding. It consists of several sub-processes such as page segmentation, text line segmentation, baseline detection and so on. In this work, we propose a multi-task layout analysis method that use a single FCN model to solve the above three problems simultaneously. The FCN is trained to segment the document image into different regions and detect the center line of each text line by classifying pixels into different categories. By supervised learning on document images with pixel-wise labels, the FCN can extract discriminative features and perform pixel-wise classification accurately. After pixel-wise classification, post-processing steps are taken to reduce noises, correct wrong segmentations and find out overlapping regions. Experimental results on the public dataset DIVA-HisDB containing challenging medieval manuscripts demonstrate the effectiveness and superiority of the proposed method.
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