Статті в журналах: "Harvard critic"

1

SCHARNHORST, GARY. "Owen Wister: A Primary Bibliography." Resources for American Literary Study 36 (January 1, 2011): 83–105. http://dx.doi.org/10.5325/resoamerlitestud.36.2011.0083.

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Abstract Best known today for his writings about the American West, which he visited over twenty-five times between 1885 and 1920, Owen Wister was remarkably versatile, a poet, dramatist, essayist, novelist of manners, journalist, book critic, biographer and historian, satirist, and author of children's books. This bibliography of his writings increases by over half, to over 250, the number of items Wister is known to have published, including several schoolboy exercises contributed to his prep school newspaper and the Harvard Crimson, many prefaces or introductions to books by his friends, and memoirs of his lifelong friend and Harvard classmate Theodore Roosevelt.

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Buchloh, Benjamin H. D. "A Conversation with Jutta Koether." October 157 (July 2016): 15–33. http://dx.doi.org/10.1162/octo_a_00257.

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Benjamin Buchloh speaks with German artist, musician, and critic Jutta Koether about the many ways in which Koether blurs the lines between painting and performance in her practice, “reinstalling,” in her words, painting as a “platform, a potential, [and] a performance.” Koether discusses the formative role of New Wave and punk culture in her practice, particularly her time at Spex magazine; her studies in Cologne in the late 1970s and the anti-aesthetic impulse in painting from Picabia to Polke to Kippenberger; and her time in New York in the late 1980s and ′90s. Special attention is paid to her relationship to Poussin, both in her paintings The Seasons and The Sacraments and in her performance at Harvard in April 2013, as well as to early works like Inside Job (1992).

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3

Tillet, Salamishah. "Make Revolution Irresistible: The Role of the Cultural Worker in the Twenty-First Century." PMLA/Publications of the Modern Language Association of America 130, no. 2 (March 2015): 481–87. http://dx.doi.org/10.1632/pmla.2015.130.2.481.

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I was introduced to the term public intellectual almost twenty years ago when I was an undergraduate in a literary course on African American music taught by the cultural critic Farah Jasmine Griffin. The class conversations began with readings of jazz and hip-hop artists as “organic intellectuals” in the sense developed by Antonio Gramsci. We quickly moved to the debates sparked by Edward Said's Representations of the Intellectual (1993) and to the rise of the black public intellectual as demonstrated by the formation by Henry Louis Gates, Jr., of an academic “dream team” in African American studies at Harvard, Cornel West's publication of Race Matters (1994), and Robert Boynton's March 1995 article in the Atlantic entitled “The New Intellectuals,” which added Toni Morrison, Stanley Crouch, Patricia Williams, Michael Eric Dyson, Derrick Bell, June Jordan, and many others to that category. By the time I arrived at Harvard in 1999, for graduate study in African American literature, the idea of the black public intellectual served as a backdrop and a blueprint for how my generation of scholars could live inside and beyond the campus walls. As beneficiaries of that era, my peers and I did not necessarily have to prove that our work belonged in the public; instead, we had to wrestle with newer questions of format and forum in the digital age.

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4

Slive, Daniel J. "G. Thomas Tanselle. Portraits and Reviews." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 18, no. 1 (May 19, 2017): 64. http://dx.doi.org/10.5860/rbm.18.1.64.

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G. Thomas Tanselle is a highly regarded bibliographer, textual editor, critic, and book collector. Following his undergraduate degree from Yale, he received his PhD in 1959 from the Department of English at Northwestern University with a dissertation on the twentieth-century American author Floyd Dell. Between 1960 and 1978, he taught at the University of Wisconsin-Madison, after which he served as vice president of the John Simon Guggenheim Memorial Foundation from 1978 until 2006. He has also served as an adjunct professor of English at Columbia University and coeditor of the Northwestern-Newberry Edition of the Writings of Herman Melville as well as president of the Bibliographical Society of the University of Virginia, the Bibliographical Society of America, the Grolier Club, and the Society for Textual Scholarship. In recognition of his scholarly contributions in the field of bibliography, Tanselle has delivered numerous prestigious lectures including the Hanes Foundation Lecture at the University of North Carolina, Robert L. Nikirk Lecture at the Grolier Club, the A.S.W. Rosenbach Lectures in Bibliography at the University of Pennsylvania, the Sandars Lectures at Cambridge University, and the George Parker Winship Lecture at Harvard University.

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Rogatchevskaia, Ekaterina. "“A Beautiful, Tremendous Russian Book, and Other Things Too”." Canadian-American Slavic Studies 51, no. 2-3 (2017): 376–97. http://dx.doi.org/10.1163/22102396-05102009.

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The British Library holds one of 65 existing copies of the first dated book printed in Muscovy by Ivan Fedorov and Petr Mstislavets, the Apostol (Acts and Epistles) (1564) and one of two known copies of Ivan Fedorov’s Primer (L’viv, 1574), which is considered by many to be the first Cyrillic book printed in Ukraine. The recent history of these books is linked to the name of the legendary Russian art critic and impresario Serge Diaghilev (1872–1929). Both titles belonged to his private book collection. A story of Diaghilev’s collection became part of the history of the British Library when in 1975 it acquired, among other books and manuscripts, his copy of the famous 1564 Apostol. Diaghilev’s copy of the 1574 Primer resurfaced at Harvard University Library, but its detailed descriptions and facsimile editions helped the British Library curator Christine Thomas, then in charge of the Russian collections, to identify a second copy, which is now held at the British Library. This article tells the story of how over 70 titles from Diaghilev’s collection of rare Russian books and manuscripts were acquired by the British Library, examines possible reasons for Diaghilev’s passion for books, and highlights other themes relevant for the history of private and public book collecting.

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Rubinstein, Sergei. "The principle of creative self-activity." Psihologìâ ì suspìlʹstvo 84, no. 2 (November 15, 2021): 97–101. http://dx.doi.org/10.35774/pis2021.02.097.

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The article reveals the main milestones of the 90-year life and scientific work of Petro Petrovich Kononenko - Doctor of Philology, Professor, prominent Ukrainian scholar, literary critic, writer and playwright, initiator of the Ukrainian National Lyceum, founder and director of the National Research Institute of Ukraine. The often mentioned village of Markivtsi, Bobrovytsia district, Chernihiv region, where P. Kononenko was born on May 31, 1931, is the cradle, the first sounds, the first words of the Ukrainian language, and the first knowledge of Ukraine in native people - all for the first time and all native. Milestones in life are graduating from high school in his native village, Faculty of Philology of Taras Shevchenko Kyiv State University, obtaining the degrees of candidate, doctor of philology, academic titles of associate professor and professor, work as head of the Department of History of Ukrainian Literature, dean of the Faculty of Philology. Research Institute of Ukrainian Studies. Researchers of his work M. Velychko and M. Slavynsky define the creative mission and works of PP Kononenko as follows: poet, prose writer, playwright, literary critic and literary critic, whose works have been translated into English, Bulgarian, Spanish, German, Polish, Croatian, Georgian. Tatar and other languages. Author of almost 1000 scientific publications and 50 monographs, including: “In Search of the Essence”, “Village in Ukrainian Literature”, “Ukrainian Literature: Problems of Development”, textbook for higher education institutions “Ukrainian Studies”, “Love Your Ukraine…”, “ Mykhailo Hrushevsky ”,“ The Phenomenon of the Ukrainian Language ”,“ Ukrainian Ethnos: Genesis and Perspectives ”,“ National Idea, Nation, Nationalism ”,“ We ??Have One Ukraine ”(books I, II, III) - co-authored with Taras Kononenko, “Ukrainian land and people in world civilization and culture” (books I, II), “Ukrainians in world civilization and culture. The historical phenomenon of Stepan Bandera “. The works of the recognized master of the word include the tragedy “Mary on Calvary”, selected “Voices in the Desert”, a collection of poems “Sunny Phoenix”. On the eve of P. Kononenko’s 90th birthday, his large-format four-volume memoir and reflections “One Hundred Years - One Hundred Roads… Ukraine and Ukrainian Studies: Origin - Executions - Resurrection” were published. In addressing the readers of the four-volume book, the content of which is reviewed in the article, P. Kononenko calls his work a reflection on Ukraine and the science of Ukrainian studies in intellectual, mental, experiential and mental perception, and thus interpretation, predictability and planning of the future. The personal perception of Ukraine by the author of the four-volume book, world Ukrainians, Ukrainian studies, the fate of Ukraine as the fate of everyone, its role and mission in intellectual-logical and emotional-emotional phenomenality, interdependence of historical and psychological perspectives, philosophical-ideological and psychological-cultural assessment and opportunities for human progress. Among the real characters of the four-volume book, the article reveals the psychology of “residents of profit and career, adapters”, who grew in the tragic circumstances of foreign colonization of Ukraine, the beginning in January 1972 in Kiev and other cities of Ukraine mass arrests of Ukrainian KGB poets, artists, students, to whom P. Kononenko is almost the first among other authors. The origin of the idea and foundation of the Institute of Ukrainian Studies, an example of which was created by Omelyan Prytsak for the preservation and development of Ukrainian cultural heritage “Institute of Ukrainian Studies” at Harvard University, “School Board” in the US and Canada, which manages schools of Ukrainian studies, development of the Center 1988 at the Faculty of Philology of the Taras Shevchenko University of Kyiv, and with it the Institute of Ukrainian Studies and its state status. The chronology of the transformation of this scientific institution into the Research Institute of Ukrainian Studies in the sphere of management of the Ministry of Education and Science and the transfer of the building at 18 Isaakyana Street in Kyiv for its placement are given. The reasons for counteracting the institutional development of Ukrainian studies in modern Ukraine, which still preserves the Soviet system of organization of communist-style science, further strengthened by its communist and post-communist functionaries, are analyzed. P. Kononenko’s reasoning that the phenomenon of synthesis of Ukrainian studies should be anthropology, and the generator of knowledge - the Institute of Man. The conclusions consider the achievements of the future, which include the causal conditionality of Ukrainian authenticity at each stage of the favorable historical development of the Ukrainian nation, determined by the functioning of statehood in the exercise of its protective function.

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7

Boltivets, Sergii. "The authenticity of Ukrainian studies in the scientific work of Petro Kononenko." Psihologìâ ì suspìlʹstvo 84, no. 2 (November 15, 2021): 78–96. http://dx.doi.org/10.35774/pis2021.02.078.

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The article reveals the main milestones of the 90-year life and scientific work of Petro Petrovich Kononenko - Doctor of Philology, Professor, prominent Ukrainian scholar, literary critic, writer and playwright, initiator of the Ukrainian National Lyceum, founder and director of the National Research Institute of Ukraine. The often mentioned village of Markivtsi, Bobrovytsia district, Chernihiv region, where P. Kononenko was born on May 31, 1931, is the cradle, the first sounds, the first words of the Ukrainian language, and the first knowledge of Ukraine in native people - all for the first time and all native. Milestones in life are graduating from high school in his native village, Faculty of Philology of Taras Shevchenko Kyiv State University, obtaining the degrees of candidate, doctor of philology, academic titles of associate professor and professor, work as head of the Department of History of Ukrainian Literature, dean of the Faculty of Philology. Research Institute of Ukrainian Studies. Researchers of his work M. Velychko and M. Slavynsky define the creative mission and works of PP Kononenko as follows: poet, prose writer, playwright, literary critic and literary critic, whose works have been translated into English, Bulgarian, Spanish, German, Polish, Croatian, Georgian. Tatar and other languages. Author of almost 1000 scientific publications and 50 monographs, including: “In Search of the Essence”, “Village in Ukrainian Literature”, “Ukrainian Literature: Problems of Development”, textbook for higher education institutions “Ukrainian Studies”, “Love Your Ukraine…”, “ Mykhailo Hrushevsky ”,“ The Phenomenon of the Ukrainian Language ”,“ Ukrainian Ethnos: Genesis and Perspectives ”,“ National Idea, Nation, Nationalism ”,“ We ??Have One Ukraine ”(books I, II, III) - co-authored with Taras Kononenko, “Ukrainian land and people in world civilization and culture” (books I, II), “Ukrainians in world civilization and culture. The historical phenomenon of Stepan Bandera “. The works of the recognized master of the word include the tragedy “Mary on Calvary”, selected “Voices in the Desert”, a collection of poems “Sunny Phoenix”. On the eve of P. Kononenko’s 90th birthday, his large-format four-volume memoir and reflections “One Hundred Years - One Hundred Roads… Ukraine and Ukrainian Studies: Origin - Executions - Resurrection” were published. In addressing the readers of the four-volume book, the content of which is reviewed in the article, P. Kononenko calls his work a reflection on Ukraine and the science of Ukrainian studies in intellectual, mental, experiential and mental perception, and thus interpretation, predictability and planning of the future. The personal perception of Ukraine by the author of the four-volume book, world Ukrainians, Ukrainian studies, the fate of Ukraine as the fate of everyone, its role and mission in intellectual-logical and emotional-emotional phenomenality, interdependence of historical and psychological perspectives, philosophical-ideological and psychological-cultural assessment and opportunities for human progress. Among the real characters of the four-volume book, the article reveals the psychology of “residents of profit and career, adapters”, who grew in the tragic circumstances of foreign colonization of Ukraine, the beginning in January 1972 in Kiev and other cities of Ukraine mass arrests of Ukrainian KGB poets, artists, students, to whom P. Kononenko is almost the first among other authors. The origin of the idea and foundation of the Institute of Ukrainian Studies, an example of which was created by Omelyan Prytsak for the preservation and development of Ukrainian cultural heritage “Institute of Ukrainian Studies” at Harvard University, “School Board” in the US and Canada, which manages schools of Ukrainian studies, development of the Center 1988 at the Faculty of Philology of the Taras Shevchenko University of Kyiv, and with it the Institute of Ukrainian Studies and its state status. The chronology of the transformation of this scientific institution into the Research Institute of Ukrainian Studies in the sphere of management of the Ministry of Education and Science and the transfer of the building at 18 Isaakyana Street in Kyiv for its placement are given. The reasons for counteracting the institutional development of Ukrainian studies in modern Ukraine, which still preserves the Soviet system of organization of communist-style science, further strengthened by its communist and post-communist functionaries, are analyzed. P. Kononenko’s reasoning that the phenomenon of synthesis of Ukrainian studies should be anthropology, and the generator of knowledge - the Institute of Man. The conclusions consider the achievements of the future, which include the causal conditionality of Ukrainian authenticity at each stage of the favorable historical development of the Ukrainian nation, determined by the functioning of statehood in the exercise of its protective function.

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8

Pearlman, Jill. "Joseph Hudnut's Other Modernism at the "Harvard Bauhaus"." Journal of the Society of Architectural Historians 56, no. 4 (December 1, 1997): 452–77. http://dx.doi.org/10.2307/991314.

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Historians and critics have maintained that Walter Gropius dominated the Harvard Graduate School of Design between 1937 and 1952 and shaped it into the "Harvard Bauhaus." My essay instead argues that the GSD was far more complex and rich than this assessment would suggest. Joseph Hudnut, who founded the school in 1936 and served as its dean until 1953, played an equally significant role at the GSD as he pursued an alternative to Gropius's modernism there. While Gropius demanded that the GSD follow the Bauhaus approach, Hudnut-influenced especially by John Dewey and by the German city planner Werner Hegemann-was trying to root modern architecture and the Harvard school in the larger humanistic traditions of architecture and civic design. By the mid-1940s, Hudnut and Gropius began battling for control of the GSD. At issue was the fact that Gropius wanted to rebuild the Bauhaus at Harvard while Hudnut absolutely did not want the school to be remade in this mold. In particular, Gropius was determined to establish a preliminary course at the GSD identical to the famous Bauhaus basic course. On the defensive, Hudnut fought Gropius at every turn.

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9

Mervis, Jeffrey. "Trial of Harvard chemist poses test for U.S.’s China Initiative." Science 374, no. 6573 (December 10, 2021): 1306–7. http://dx.doi.org/10.1126/science.acx9784.

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10

Haddock, Cynthia Carter, Barbara Arrington, and Adam Skelton. "Who Profits from Not-For-Profits: A Reconsideration." Health Services Management Research 2, no. 2 (July 1989): 82–104. http://dx.doi.org/10.1177/095148488900200201.

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‘Who profits from nonprofits?’ asked Herzlinger and Krasker in a recent Harvard Business Review article. Their study examined whether not-for-profit hospitals achieve the intended social goals for which they are subsidised by society. In this paper, we report a reconsideration of Herzlinger and Krasker's question. Using a larger data set and a different statistical method, our findings are at variance with those of Herzlinger and Krasker and in general agreement with their critics.

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11

Weaver, Russell L. "Some reflections on the case method." Legal Studies 11, no. 2 (July 1991): 155–71. http://dx.doi.org/10.1111/j.1748-121x.1991.tb00554.x.

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In 1870, Christopher Columbus Langdell introduced the case method of teaching at Harvard, and dramatically altered the course of legal education in the United States. His method, involving student examination of judicial decisions coupled with Socratic style analysis, ultimately gained widespread acceptance. Today, most US law teachers use the case method. They continue, to varying degrees, to use Socratic questioning as part of that method. But, despite the method's widespread adoption, it has always had critics including both law students and law teachers.

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Rey Martínez, Fernando. "Manual de instrucciones para utilizar el concepto de igualdad a fin de que las minorías étnicas no la alcancen. (Sentencia del Tribunal Supremo Federal Norteamericano Sfa, Inc. v. President and fellows of Harvard College y University of North Carolina, de 29 de junio de 2023)." Revista Española de Derecho Constitucional, no. 129 (December 18, 2023): 267–303. http://dx.doi.org/10.18042/cepc/redc.129.09.

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Se comenta críticamente la Sentencia del Tribunal Supremo Federal de Estados Unidos de 29 de junio de 2023, sobre los sistemas de admisión con factor étnico de las universidades de Harvard y Carolina del Norte. El Tribunal anula esa medida de discriminación positiva a partir de una interpretación indiferente al factor racial de la igualdad constitucional y aplicando el estándar de control judicial más riguroso. El artículo propone una lectura alternativa de la igualdad constitucional y critica las numerosas y graves debilidades argumentativas de la decisión.

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13

Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.

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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.

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15

Novoa, Juan Pablo, Daniel Silva, Delio Maya Barroso, and Adoración Castro Jover. "Entrevista Cosmópolis: perspectiva y riesgos de un gobierno mundial." Criterios 2, no. 2 (November 15, 2009): 315–22. http://dx.doi.org/10.21500/20115733.1908.

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Es catedrático de Filosofía del Derecho en la Universidad de Florencia, donde preside Jura Gentium, Centro de Filosofía del Derecho Internacional y de la Política Global, fundado en 2001. Ha sido Research Associate y Visiting Fellow en varias universidades inglesas y norteamericanas, entre las cuales están las de Cambridge, Harvard y Princeton. En el año 1993 le fue otorgada la Jemolo Fellowship en el Nuffield College de Oxford. Entre sus obras se encuentran: Reflexive Epistemology (1989); Democracy and Complexity (1992); Cosmopolis (1995, trad. cast., 2000); I signori della pace. Una critica del globalismo giuridico (1998, trad. cast., 2005); Chi dice umanità. Guerra, diritto e ordine globale (2000) y Globalizzazione. Una mappa dei problemi (2006).

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16

Thaventhiran, Helen. "Poet-Critics and the Administration of Culture by EvanKindley Harvard University Press | 2017 | 164pp | ISBN 9780674980075." Critical Quarterly 60, no. 2 (July 2018): 160–63. http://dx.doi.org/10.1111/criq.12391.

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17

Aranda Fraga, Fernando. "La Idea de “Razón Publica” (y su Revisión) en el Último Rawls." Philosophica: International Journal for the History of Philosophy 11, no. 22 (2003): 5–31. http://dx.doi.org/10.5840/philosophica2003112210.

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In 1993 John Rawls published his main and longest work since 1971, where he had published his reknowned A Theory of Justice, book that made him famous as the greatest political philosopher of the century. We are referring to Political Liberalism, a summary of his writings of the 80’s and the first half of the 90’s, where he attempts to answer the critics of his intellectual partners, communitarian philosophers. One of the key topics in this book is the issue of “public reason”, whose object is nothing else than public good, and on which the principles and proceedings of justice are to be applied. The book was so important for the political philosophy of the time that in 1997 Rawls had to go through the 1993 edition, becoming this new one the last relevant writing published before the death of the Harvard philosopher in November 2002.

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Polonetsky, Jules, and Omer Tene. "The Ethics of Student Privacy: Building Trust for Ed Tech." International Review of Information Ethics 21 (July 1, 2014): 25–34. http://dx.doi.org/10.29173/irie367.

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This article analyzes the opportunities and risks of data driven education technologies (ed tech). It discusses the deployment of data technologies by education institutions to enhance student performance, evaluate teachers, improve education techniques, customize programs, devise financial assistance plans, and better leverage scarce resources to assess and optimize education results. Critics fear ed tech could introduce new risks of privacy infringements, narrowcasting and discrimination, fueling the stratification of society by channeling “winners” to a “Harvard track” and “losers” to a “bluer collar” track; and overly limit the right to fail, struggle and learn through experimentation. The article argues that together with teachers, parents and students, schools and vendors must establish a trust framework to facilitate the adoption of data driven ed tech. Enhanced transparency around institutions’ data use philosophy and ethical guidelines, and novel methods of data “featurization,” will achieve far more than formalistic notices and contractual legalese.

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Clooney, Francis X. "The Future of the Harvard Theological Review in a Global and Interreligious Age." Harvard Theological Review 101, no. 3-4 (October 2008): 339–49. http://dx.doi.org/10.1017/s0017816008001880.

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We celebrate the Harvard Theological Review's 100th anniversary with admiration for this splendid journal; but we may also share the uncertainty Francis Greenwood Peabody expressed in the opening paragraph of the first article of the first issue: The time may appear to many persons inopportune for the launching of a Journal of Theology. The tide of theological interest may seem to have ebbed so low as to leave no channel for such a venture; the professions of the ministry fails to win recruits; the queen of the sciences is deposed from her throne; critics are announcing the rout of the theological schools. The machinery of the churches, it is true, revolves with energy, but it does not seem to be geared into the wheels of the working world; and the deliberations of the theologians are frankly regarded by great numbers of people with indifference, if not with contempt.

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20

Martin-Breteau, Nicolas. "ROGERS BRUBAKER Grounds for Difference Cambridge/Londres, Harvard University Press, 2015, 219 pages." Critique internationale N° 77, no. 4 (2017): 203. http://dx.doi.org/10.3917/crii.077.0203.

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Steger, Manfred B. "Empire. By Michael Hardt and Antonio Negri. Cambridge, MA: Harvard University Press, 2000. 478p. $36.95 cloth, $18.95 paper." American Political Science Review 96, no. 1 (March 2002): 264–65. http://dx.doi.org/10.1017/s0003055402364347.

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Hailed by sympathetic reviewers as the “Communist Manifesto for our time” and condemned by scathing critics as an “impenetrable work of absolute abstraction,” Empire has exploded on an unsuspecting international academic scene. Indeed, the tremendous appeal of the book has transcended the narrow walls of the ivory tower, drawing to its authors a glaring public spotlight that only rarely shines on political and literary theorists. In the ongoing public debate over the virtues and flaws of the study, even its most intransigent detractors can hardly deny that Empire represents a powerful neo-Marxist contribution to the rapidly emerging field of “globalization studies.”

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Strandberg, Hugo. "SofiaMiguens (ed.), The Logical Alien: Conant and His Critics (Harvard University Press, 2020). 1081 pp, price £47.95 hb." Philosophical Investigations 44, no. 2 (February 19, 2021): 210–14. http://dx.doi.org/10.1111/phin.12310.

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23

Wijdicks, Eelco F. M. "How Harvard Defined Irreversible Coma." Neurocritical Care 29, no. 1 (July 16, 2018): 136–41. http://dx.doi.org/10.1007/s12028-018-0579-8.

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24

Dimock, Wai Chee. "World Literature on Facebook." PMLA/Publications of the Modern Language Association of America 126, no. 3 (May 2011): 730–36. http://dx.doi.org/10.1632/pmla.2011.126.3.730.

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These days, it is impossible to look at the news without finding Facebook in one headline or another. Many are prompted by the leaking of personal information. But a few critics have also called attention to a different kind of problem, having less to do with privacy than with the nature of Facebook as a social medium. Writing in the New York Review of Books, Charles Petersen makes much of its genesis in an Ivy League dorm room: “While Microsoft could as easily have originated at MIT or Caltech, it was no accident that Facebook came from Harvard.” He goes on to analyze the ethos of the site as the digital equivalent of the preppie look: well scrubbed and well behaved, prankish on occasion but in the end clean and safe and bland. The site's juvenile “principle of in loco parentis” has given way to the “authoritarian building codes” of the suburbs, with more legroom perhaps but no less supervised and no less homogeneous, a “chilling and puritanical atmosphere” (9–10).

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Schmidt, Silke. "Ahead of the curve in the MBA bubble: Institutional narcissism and the narrative reconstruction of moral agency." Frontiers of Narrative Studies 3, no. 1 (August 8, 2017): 142–57. http://dx.doi.org/10.1515/fns-2017-0009.

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AbstractAcademic criticism of institutional narcissism in business schools is well established. But little scholarly attention has been devoted to insider critics of business schools. Filling this research gap – from an interdisciplinary narrative perspective – is the aim of this article. It draws attention to one of the many autobiographical narratives that have recently been published by MBA graduates. Narcissism here appears as an important theme, both on an institutional and a personal level. What role does narration play for coping with narcissism? To explore this question, this paper offers a close reading of Ahead of the curve: Two years at Harvard Business School (2008) by Philip Delves Broughton. After a brief introduction to institutional narcissism and organizational narrative studies, the article illustrates how narrative functions as a sense-making tool for understanding institutional narcissism and as a means to reconstruct individual moral agency. The study pushes the frontiers of narrative studies by providing an innovative blend of empirical organizational research and literary studies, while also touching upon genre, interdisciplinarity, and the ethical responsibility of business in society.

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Hodin, Mark. "“It Did Not Sound Like a Professor's Speech”: George Pierce Baker and the Market for Academic Rhetoric." Theatre Survey 46, no. 2 (October 25, 2005): 225–46. http://dx.doi.org/10.1017/s0040557405000141.

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In November 1910, New Theatre artistic director Winthrop Ames asked his former teacher, Harvard English professor George Pierce Baker, to speak at a reception honoring the theatre's financial backers. The occasion was the start of the New Theatre's second season, and Ames was hoping to raise morale after a disappointing first year. Endowed primarily by millionaires in New York City, the New Theatre was supposed to offer a venue for staging plays free of the usual commercial pressures of Broadway productions. The contradiction at the heart of such an enterprise was manifest, particularly in the New Theatre's architecture and opulent interior design, which continually marked the “noncommercial” house as a monument to the economic power of those wealthy enough to provide for its massive and gaudy construction. Audiences complained that the two-thousand-seat auditorium had lousy acoustics; critics deemed the productions undistinguished and condemned the twenty-three Founders Boxes that ringed the orchestra as vulgar and ostentatious. Maybe an English professor, Ames thought, would have something helpful to say on the matter.

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Takács, László, Tibor Grüll, Tamás Adamik, and Erzsébet Kiss. "Könyvszemle." Antik Tanulmányok 50, no. 1 (June 1, 2006): 113–25. http://dx.doi.org/10.1556/anttan.50.2006.1.9.

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Anneo Cornuto: Compendio di Teologia Greca. (Testo greco a fronte.) Saggio introduttivo e integrativo, traduzione e apparati di Ilaria Ramelli. Milano 2003.; Commentum Cornuti in Persium. Recognoverunt et adnotatione critica instruxerunt W. V. Clausen et J. E. G. Zetzel. Monachii et Lipsiae in aedibus K. G. Saur, Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana MMIV.; David Noy-Alexander Panayotov-Hanswulf Bloedhorn: Inscriptiones Judaicae Orientis. vol. I. Eastern Europe. (Texts and Studies in Ancient Judaism 101.) Tübingen, Mohr Siebeck 2004.; David Noy-Hanswulf Bloedhorn: Inscriptiones Judaicae Orientis. vol. III. Syria und Cyprus. (TSAJ 102.) Tübingen, Mohr Siebeck 2004.; Walter Ameling: Inscriptiones Judaicae Orientis. Bd. II. Kleinasien. (TSAJ 99.) Tübingen, Mohr Siebeck 2004. Edward Champlin: Nero. The Belknap Press of Harvard University Press, Cambridge (Massachusetts) - London (England) 2003.; Pesthy Monika: A csábítás teológiája. A kísértés fogalmának története az ókorban. Kairosz Kiadó, Budapest 2005.; Szakrális képzőművészet a keresztény ókorban I-II. Összeállította, fordította, a jegyzeteket és a bevezető tanulmányt írta Bugár M. István. Catena, a Pécsi Tudományegyetem Patrisztika Központja, a Paulus Hungarus és a Kairosz Kiadó közös sorozata. Budapest 2004.

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Voeltz, Richard. "Return Of Martin Guerre, Teaching History In Images, History In Words." Teaching History: A Journal of Methods 18, no. 2 (September 1, 1993): 68–72. http://dx.doi.org/10.33043/th.18.2.68-72.

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The Return of Martin Guerre received rave reviews from historians and history teachers when it was first released in this country in 1983. The distinguished Princeton University historian Natalie Zemon Davis had acted as historical consultant to the producers of the film while at the same time researching and writing her book, The Return of Martin Guerre (Cambridge: Harvard University Press, 1983). Critics and historians especially praised the film for its sensitive renderings of daily life in sixteenth-century France, of the mentalité of the period, i.e., how people actually view their world. Therefore, if for no other reason, the film is a significant learning resource for students of history from secondary to upper-level college courses.1 By acquainting students with the concept of mentalités, in this instance common reference points and symbols of an historical era, the entire concept of periodization in history, with its inherent artificiality, becomes a subject of suspicion to inquiring minds. And no era in history needs further reconsideration in terms of periodization than the Renaissance and Reformation.

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Mahdi Hameed AL-SHUKRI, Dr Salih. "MARIAM AL-ZAROUNI: CRYSTALLIZING DIVERSITY." RIMAK International Journal of Humanities and Social Sciences 06, no. 02 (March 1, 2024): 141–49. http://dx.doi.org/10.47832/2717-8293.28.8.

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Mariam Al-zarouni is a prolific writer and artist in UAE: she is a poet, a novelist, a short story writer, a painter, and a sculpture. Her literary and artistic genre diversity has duly attracted the attention of both readers and critics due to the relatively brief span of time during which she has emerged as a female renown writer who has enjoyed a Pan-Arab fame, in addition to her connections with literary societies abroad. Interestingly, she embarks on a variety of contemporary issues that are related to her society. This paper is devoted to the study of Al-zarouni's literary works: selected poems from her two Poem Collections. The selected poems mainly focus on her feminist criticism of the outcomes of the Masculinity ancient societal structure. Her one novel A Letter from Harvard is a fiction work that has been granted the A'wees award, and it has been written to discuss Juveniles' issues. In her novel, the novelist\poet elegantly introduces a great lesson that the basic way to improve and develop her society is that of science. She really displays poignant knowledge of the Juveniles' mentalities

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Da Encarnação Galvão França, Gustavo. "Debates acerca das apropriações da ética kantiana." Revista Primordium 5, no. 9 (October 22, 2020): 95–134. http://dx.doi.org/10.14393/reprim-v5n9a2020-56172.

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Este artigo procura colocar em foco a interpretação de John Rawls (1921-2002) acerca da ética de Immanuel Kant (1724-1804). Sendo Rawls, talvez, o autor contemporâneo que mais ecos encontrou lançando uma teoria política original que reclama para si uma herança kantiana, faz-se de grande importância esclarecer os pontos centrais de sua apropriação e os questionamentos levantados por outros comentadores de Kant que possuem leituras conflitantes do filósofo de Königsberg. Assim, tratarei, em primeiro lugar, do forte formalismo que Rawls atribui a Kant, derivado, em grande parte, de seu foco na primeira formulação do imperativo categórico em detrimento das demais. Em seguida, abordarei a consequência particular que o professor de Harvard extrai daí e que batiza de construtivismo ético: além de o imperativo categórico se constituir num procedimento vazio de teste das máximas particulares, esse procedimento verdadeiramente cria os princípios morais a partir da razão. Anteriormente à atividade racional, inexistem fatos morais. Por fim, trarei um brevíssimo resumo das críticas dirigidas por outros autores a essa caracterização construtivista do pensamento moral kantiano, buscando apresentar os argumentos dos que preferem enquadrar Kant como um realista em moral. Debates surrounding appropriations of Kantian ethics: doubts about John Rawls' constructivism Abstract: This article seeks to throw light on John Rawls’s (1921-2002) interpretation of Immanuel Kant’s (1724-1804) ethics. Being Rawls, perhaps, the contemporary author that has found more repercussion proposing a political theory which claims a kantian inheritance, it’s greatly important to clarify the central points of his appropriation and the questionings arisen by others Kant’s commentators which have conflicting views about the German philosopher. Therefore, first of all, I will consider the Strong formalism that Rawls attributesto Kant, derived mainly of his focus on the categorical imperative’s first formulacion, to the detriment of the others. Then, I willl talk about the particular consequence the Harvard’s professor draws from that, which he baptizes ethical constructivism: not only the categorical imperative is simply an empty procedure to test the particular maxims, but also this procedure truly creates the moral principles from reason alone. Previous to the racional activity, there is no moral facts. Finally, I will bring a brief summary of the critics made by other authors to that constructivist caracterization of the kantian moral thought, trying to introduce the arguments of those who prefer to classify Kant as a moral realist.

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31

Block, Geoffrey. ""Reading Musicals": Andrea Most's Making Americans: Jews and the Broadway Musical (Cambridge: Harvard University Press, 2004)." Journal of Musicology 21, no. 4 (2004): 579–600. http://dx.doi.org/10.1525/jm.2004.21.4.579.

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Andrea Most's Making Americans: Jews and the Broadway Musical studies eight musicals (The Jazz Singer, Whoopee, Girl Crazy, Babes in Arms, Oklahoma!, Annie Get Your Gun, South Pacific, and The King and I) in an effort to explore "how first- and second-generation American Jewish writers, composers, and performers used the theater to fashion their own identities as Americans."Most offers imaginative and often insightful sociological readings of musical librettos, lyrics, even stage directions, but virtually ignores music. That music can sometimes elucidate or contradict an exclusively social or literary reading may be seen, for example, in Emile de Becque's immobility at the end of "Some Enchanted Evening." In other cases, when the social assimilation of Jewish characters is revealed to be a musical one as well, music can support Most's argument. The problem exemplified by writings such as Most's-the distortions and misreadings that may result from a social history that does not engage music-may be seen in the broader context of Broadway and opera scholarship. Lessons to be learned from studying the musical Show Boat and the works of Sondheim point to the need for scholars and critics to consider how the music in musicals might convey social meanings, intellectual content, and dramatic ideas beyond words, stories, and stage directions.

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Carroll-Horrocks, Beth. "A Working Relationship: the Dorothy Nevile Lees Papers Relating to Edward Gordon Craig and The Mask, at the Harvard Theatre Collection." Theatre Survey 46, no. 1 (May 2005): 103–13. http://dx.doi.org/10.1017/s0040557405000074.

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The documentary reminders of Edward Gordon Craig's influence on the world of theatre are in museums and libraries all over the world, partly because he was such a prolific writer, but also because his genius and the personality that went with it were impossible to ignore. Almost every piece of paper that contains his work, whether in published form or manuscript, feels like a vital clue to the mystery of the man whose opinions about the role of theatre and art in society helped shape those worlds. Craig felt obliged by his own sense of importance to record his thoughts on paper, and his friends, family, correspondents, readers, critics, and reviewers have helped preserve his written legacy by saving those records, more of which become available to researchers every year.

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ERMARTH, MICHAEL. "RECOVERING THE FULL PALETTE OF POSSIBILITIES FOR WILHELMINE GERMANY 1890–1914: A NEW GERMAN SPECIAL WAY?" Modern Intellectual History 3, no. 3 (September 22, 2006): 535–45. http://dx.doi.org/10.1017/s1479244306000916.

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Kevin Repp, Reformers, Critics, and the Paths of German Modernity: Anti-politics and the Search for Alternatives, 1890–1914 (Cambridge, MA: Harvard University Press, 2000)Suzanne Marchand and David Lindenfeld, eds., Germany at the Fin de Siecle: Culture, Politics, and Ideas (Baton Rouge: Lousiana State University Press, 2004)As in the colorization of old black-and-white films, large swaths of modern German history have been undergoing a major makeover through full-spectrum, high-definition re-colorization. Stark black and white—and in between steely gray-on-gray—hardly suffice any longer for representing the full spectrum of the German past in its manifold formations and transformations. As compellingly set forth in the two works reviewed here, this changing retrospective view of change itself is revamping the history of the Wilhelmine Reich of 1890–1914. And just as in the colorization of old films, this shift has the uncanny parallax effect of making a bygone period-piece seem somehow closer to our sensibly “more modern” present-day world—even while the earlier period is also plainly lodged in a distant timeframe. The new history has some very interesting and unsettling special effects and nowhere do they come into play more palpably than in treating the special “German question” in relation to the larger question of Western mainstream modernity.

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Abdulridha, Sabrina Abdulkadhom, and Amany Abdulkadhom Abdulridha. "Symbolic Artistry in Dan Brown’s Angels and Demons." JOURNAL OF LANGUAGE STUDIES 4, no. 2 (December 27, 2023): 8–17. http://dx.doi.org/10.25130/jls.4.2.2.

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In a quest of exploring his potentials and developing his personal interests, the young Dan Brown decided to direct his sails toward the world of fiction. After penning several literary pieces, such as Digital Fortress (1998), Angels and Demons (2000) and Deception Point (2001), he succeeded in publishing his groundbreaking thriller The Da Vinci Code in 2003, which quickly captured the eye of many readers around the world. Whether admirers or critics of this famous literary piece, over two hundred million copies were sold out globally for its “twisty adrenaline-fueled yet cerebral” plot (Alter, 2020). He owns a book collection of five thrillers that are labelled as ‘The Robert Langdon Series.’ The first book of this collection is Angels and Demons. It follows up the journey of a Harvard professor named Robert Langdon, who is summoned to unlock the mystery of four missing cardinals who disappeared just before the election of a new Pope in Vatican City was about to take place. With the help of Vittoria Vetra, the daughter of the anti-matter scientist Leonardo Vetra at CERN, Langdon attempts to save their lives. It requires the encryption of symbols and other forms of art to successfully reach the final whereabouts of the cardinals. Their search also implicitly reveals that there is more to

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35

Gamble, John F., and Mark J. Nicolich. "Comments on the Updated Harvard Six Cities Study." American Journal of Respiratory and Critical Care Medicine 174, no. 6 (September 15, 2006): 722. http://dx.doi.org/10.1164/ajrccm.174.6.722.

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36

Laden, Francine, Joel Schwartz, Frank E. Speizer, and Douglas W. Dockery. "Comments on the Updated Harvard Six Cities Study." American Journal of Respiratory and Critical Care Medicine 174, no. 6 (September 15, 2006): 722a—724. http://dx.doi.org/10.1164/ajrccm.174.6.722a.

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37

Neves Filho, Hernando Borges. "Columban simulation project: Quando computadores foram substituídos por pombos." Perspectivas em Análise do Comportamento 9, no. 1 (May 3, 2018): 127–40. http://dx.doi.org/10.18761/pac.2017.016.

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Durante a década de 1980, Skinner e colegas publicaram uma série de pesquisas empíricas que trataram de temas como comunicação simbólica, uso de ferramentas, “Insight”, auto-reconhecimento e outros temas típicos de pesquisas de viés cognitivo. Tais pesquisas estavam vinculadas ao chamado Columban Simulation Project, que foi um projeto desenvolvido nos últimos anos de Skinner em Harvard, e tinha como objetivo central recriar em pombos fenômenos tradicionalmente tratados como complexos, observados em chimpanzés e humanos. Adicionalmente, o projeto também tinha o intuito de debater o papel de simulações de comportamento, no caso, comparando simulações de comportamentos em pombos com simulações de computador. O presente ensaio faz um apanhado de todos os principais trabalhos do Columban Simulation Project, discutindo e relacionando seus experimentos com pesquisas atuais, ao mesmo tempo em que trata também de algumas de suas críticas e legados. Conclui-se que o projeto chamou razoável atenção da comunidade científica, dentro e fora da Análise do Comportamento, assim como consolidou uma linha de pesquisa ativa sobre as origens operantes de comportamentos tradicionalmente chamados de “Insight”, e ao mesmo tempo serviu como uma ponte de aproximação da Análise do Comportamento com algumas vertentes atuais das ciências cognitivas e desenvolvimento de inteligências artificiais. During the decade of 1980, Skinner and colleagues published a series of empirical research regarding themes such as symbolic communication, tool use, insight, self-awareness, and other popular themes of cognitive research. These papers were part of the so called Columban Simulation Project, an endeavor took by Skinner in his last years at Harvard, that aimed to recreate complex phenomena, easily observed in chimpanzees and humans, in pigeons. The project also had the objective to discuss the role of simulation research in Psychology experiments. The present essay offers a comprehensive description and discussion, in Portuguese, of all major papers related to the project. Implications of these papers to modern research in behavior analysis, cognitive science and computer science are discussed, among examples of some critics aimed to the project and also its lasting legacy to psychological research. It is concluded that the project had a reasonable impact in the scientific community at large, established a line of investigation of the operant determinants of problem solving performances, and that it also brought together discussions and data from research in behavior analysis, cognitive science and artificial intelligence.

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38

Véron, Jacques. "MATTHEW CONNELLY Fatal Misconception : The Struggle to Control World Population Cambridge (Mass.)/Londres, The Belknap Press of Harvard University Press, 2008, XIV-521 pages." Critique internationale 47, no. 2 (2010): 183. http://dx.doi.org/10.3917/crii.047.0183.

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39

Ashmore, Robert. "Critics and Commentators: The Book of Poems as Classic and Literature. By Bruce Rusk. Cambridge, Mass.: Harvard University Asia Center, 2012. xv, 282 pp. $39.95 (cloth)." Journal of Asian Studies 72, no. 4 (November 2013): 983–85. http://dx.doi.org/10.1017/s0021911813001290.

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40

Sgard, Jérôme. "RAWI ABDELAL Capital Rules : The Construction of Global FinanceCambridge, Mass., Harvard University Press, 2007, XI-304 pages. ALAN GREENSPAN Le temps des turbulencesParis, Jean-Claude Lattès, 2007, 677 pages." Critique internationale 42, no. 1 (2009): 167. http://dx.doi.org/10.3917/crii.042.0167.

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41

Speizer, F. E. "Asthma and persistent wheeze in the Harvard Six Cities Study." Chest 98, no. 5 (November 1, 1990): 191S—195. http://dx.doi.org/10.1378/chest.98.5.191s.

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42

Speizer, Frank E. "Asthma and Persistent Wheeze in the Harvard Six Cities Study." Chest 98, no. 5 (November 1990): 191S—195S. http://dx.doi.org/10.1378/chest.98.5_supplement.191s.

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43

Capelle-Pogăcean, Antonela. "ROGERS BRUBAKER Ethnicity without GroupsHarvard, Harvard University Press, 2004, X-284 pages. / ROGERS BRUBAKER, MARGIT FEISCHMIDT, JON FOX, LIANA GRANCEA Nationalist Politics and Everyday Ethnicity in a Transylvanian TownPrinceton, Princeton University P." Critique internationale 40, no. 3 (2008): 153. http://dx.doi.org/10.3917/crii.040.0153.

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44

Sivanandan, SRUTHI. "Traversing Boundaries: An Analysis of the Unremitting Psychic Unity in The Waste Land." BL College Journal 5, no. 2 (December 2023): 138–45. http://dx.doi.org/10.62106/blc2023v5i2e14.

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Known as ‘Pope of Russel Square’ in the history of English literature from the 20th century, T. S. Eliot’s, literary ingenuity augmented the modernist writings. ‘The Waste Land’ is one such eventuality that, retrospectively from the publication, permuted worldwide, giving boundless definitions and ceaseless critical appraisals. Contriving the idiom of modern poetry, his career as a part never went over the hill since it was chiselled out of the emotional and intellectual retaliation to a gest which was his life itself. The close-grained, fragmented study of his works, has seemingly been immense and comprehensive. Being portrayed as the literary arbiter, his personal life was lucid and full of drama. The oeuvre hence hollers the zeitgeist of his era. As a philosopher, his happy hunting ground was both religion and the emphasis on conforming to the basic moral values of life. His ethical involvement with life emanates from the underlying desolation and devastation regarding his personal life. When he assiduously carried his position in poetry, politics, and literature, he was tagged as heedless in his personal life. The childhood limitations sprouted out from the complications of inguinal hernia, later when he was at Harvard while studying Sanskrit and Indian philosophy, the commencement of WWI and the escape from Oxford after witnessing a society which was wartorn, a love affair with Emily Hale which closed out in two shakes of a lamb’s tail and the hasty entry into wedlock with Vivienne Haigh-Wood whose alleged adultery with Bertrand Russel and her ailment that followed took a toll on his burgeoning literary career. The shuffling was wilfully implemented, as alluded to by many critics. But for a feeler who, exasperated by the atrocities of war, could not necessarily keep the word restrained to the end and the overscrupulous side of Eliot could not have missed the slightest of the change either.

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Lidtke, Vernon L. "Reformers, Critics, and the Paths of German Modernity: Anti‐Politics and the Search for Alternatives. By Kevin Repp. Cambridge, Mass.: Harvard University Press, 2000. Pp. x+358. $55.00." Journal of Modern History 74, no. 3 (September 2002): 674–76. http://dx.doi.org/10.1086/345140.

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46

Thompson, Lisa B. "A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910–1927. By David Krasner. New York: Palgrave Macmillan, 2002; pp. 370. $35 cloth; Stories of Freedom in Black New York. By Shane White. Cambridge, MA: Harvard University Press, 2002; pp. 260. $27.95 cloth." Theatre Survey 45, no. 1 (May 2004): 123–25. http://dx.doi.org/10.1017/s004055740424008x.

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In “Writing the Absent Potential: Drama, Performance, and the Canon of African-American Literature,” Sandra Richards argues that scholars largely ignore the African-American contribution to theatre and performance. She suspects that most critics regard “drama as a disreputable member of the family of literature” (65). Even African Americanists neglect dramatic literature; indeed, the Norton Anthology of African American Literature includes only a scant number of plays. Both David Krasner and Shane White effectively redress this oversight and shift the focus from African-American literature to blacks on stage in their recent monographs about early nineteenth-century and early twentieth-century drama.

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47

Ferrié, Jean-Noël. "RAYMOND WILLIAM BAKER, Islam without Fear: Egypt and the New Islamists, Cambridge, Harvard University Press, 2003, 310 pages. / MALIKA ZEGHAL, Les islamistes marocains : le défi à la monarchie, Paris, La Découverte, 2005, 332 pages." Critique internationale 37, no. 4 (2007): 141. http://dx.doi.org/10.3917/crii.037.0141.

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Galletly, D. C., T. G. Short, and P. Forrest. "Patient-Administered Anxiolysis — A Pilot Study." Anaesthesia and Intensive Care 17, no. 2 (May 1989): 144–50. http://dx.doi.org/10.1177/0310057x8901700204.

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The feasibility of self-premedication with intravenous diazepam was examined in an open study of 50 preoperative patients. Using a Bard ‘Harvard PCA’ patient-controlled analgesia system, patients were instructed to deliver the drug in a dose sufficient to remove their anxiety for the scheduled surgical procedure. Aliquots of diazepam 2 mg were delivered on demand up to a total dose of 20 mg over a 30 minute premedication period. The mean dose administered was 8.1 mg (range 0-16 mg) producing a highly significant reduction in both patient- and anaesthetist-assessed anxiety rating. Neither the patient's sex nor the nature of the surgical procedure influenced the dose administered. Although poor, the best predictor of self-premedicating dose was the patient's own preoperative anxiety rating with the anaesthetist's assessment of patient anxiety not correlating with the dose administered. No patient was considered excessively sedated by the premedication. Patient-administered anxiolysis is suggested as a useful research tool in the examination of anxiety and of value in premedicating patients with high preoperative anxiety levels.

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Bandini, Julia, and Edward H. Thompson. "“Widowerhood”: Masculinities and Spousal Loss in the Late-1960s." OMEGA - Journal of Death and Dying 68, no. 2 (March 2014): 123–41. http://dx.doi.org/10.2190/om.68.2.c.

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This study examined the distinctly gendered experiences of young widowers. Using qualitative longitudinal data from the 1960's Harvard Bereavement Study, we evaluated the interview transcripts of 19 widowers (median age = 38) who had been interviewed 3 weeks, 8 weeks, 13 months, and 2–4 years after the wife's death. Our findings indicate that the off-time spousal loss ruptured the ontological security that marriage provided and created two types of difficult situations for the widowers. Coping with deep sadness and grief, the men divulged their unspoken dependency on their marriage and on their late wife. They also struggled as single fathers, especially if they tried to singlehandedly care for their children. Becoming an off-time widower in the 1960s compelled the men to reclaim their masculine identity. Men's identity-rebuilding strategies involved promptly returning to work, and many men began dating and repartnering to recoup the normalcy of being married.

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Chou, Ju-Hsi. "Early Chinese Texts on Painting. Compiled and edited by Susan Bush and Hsio-Yen Shih. Cambridge, Mass.: Published for the Harvard-Yenching Institute by Harvard University Press, 1985. xii, 391 pp. Illustrations; Biographies of Painters, Critics, and Calligraphers; Glossary of Chinese Terms; Glossary of Chinese Names and Titles; Bibliography; Index. $20.00." Journal of Asian Studies 46, no. 3 (August 1987): 633–34. http://dx.doi.org/10.2307/2056913.

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