Дисертації з теми "Haiku"
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Smith, Steven Lyle. "Haiku Seasons." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2695/.
Lucas, Martin. "Haiku in Britain : theory, practice, context." Thesis, Cardiff University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599896.
Oliva, Dante. "El haiku. Camino de matsuo bashoo." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/77958.
Cisneros, Cox Alfonso. "Estética y Brevedad en el Haiku." Foro Jurídico, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/119913.
Kaneko, Michiko. "The poetics of sign language haiku." Thesis, University of Bristol, 2008. http://hdl.handle.net/1983/10e0f467-8d9d-4568-8215-9a3e1d77147d.
Benachir, Hynde. "Le "haiku" dans la littérature hispanique." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30036/document.
The purpose of this thesis is set at a crossroads between linguistics and literature since it is about the haiku in Hispanic literature, which we aim to characterize as a poetic form in the Spanish-speaking literary context and as a "prototype" of the brief from the perspective of its discursive and enunciative terms. Traditionally associated with Japanese culture, in which it takes root, the haiku is one of the shortest poetic forms in the world. With its seventeen syllables in all, it compels to the greatest thoroughness in the choice of words, a concise expression and a "condensation" of the meaning that make it a succint poem, often to be pondered after reading. Neither verse nor rhyme are part of the metrical constraints of the Japanese haiku. Its aesthetics, influenced by Zen Buddhism, aims to be contemplative, supported by the subjectivity of the poetic voice, which appears as a "witness of the world", only transposing facts that are sometimes "unimportant", often trivial, yet nonetheless a part of any person's daily life. In Western poetry, the haiku has no equivalent, owing as much to its brevity as to its "puristic" aesthetics. However, it should be noted that it is strongly represented in contemporary Hispanic literature. Neither the Orientalism from the beginning of the XXth century nor the poetic re-assessments started by the Modernists and carried on by the Avant-Garde movements are enough to explain this enthusiasm of the Spanish-speaking poets for this Japanese poem. Indeed, Hispanic literature took hold of this literary phenomenon as soon as the first translations of Japanese anthologies were published, in the 1910s. There is, however, no linguistic connection between the haiku and Spanish-speaking poets. Nevertheless, the first collections of haikus also date back to the 1910s, which indicates that there was no latency between the appearance of the haiku and its adaptation into Spanish. Starting from these observations, we attempted, through a multi-focal approach notably based on literal analysis, to retrace this poetic form's literary and linguistic path, from the Japanese rice paper rolls to the so-called "Hispanic" haiku
Garrett, Hélène. "Identity in the Papiamentu haiku of Elis Juliana." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59717.pdf.
Hirschfeld, Caspar René. "Haiku IV: für Flöte solo (op. 66 b)." Caspar René Hirschfeld, 2020. https://slub.qucosa.de/id/qucosa%3A70682.
Szentiványi, Helga. "Frauen in der Bürgerkultur der Edo-Zeit : anhand von Beispielen aus der Haikai-Dichtung unter besonderer Berücksichtigung von Kaga no Chiyo /." München : Iudicium, 2008. http://d-nb.info/990593045/04.
Delteil, André. "Théorie et pratique du haiku dans la société japonaise contemporaine." Paris 3, 1988. http://www.theses.fr/1989PA030051.
Haiku is born, at the end of the xixth century, from the first verse ("hokku") of a collective poetical creation series (named "renga", then "haikai"; nowadays "renku"). It incorporates, as an exchange of salutations, a reference to a determined season. Concise and reduced to essentials, far from being a descriptive poetry, it ascribes or imputes feelings to things. It appeals to the visual sense and to resonances with poetry from the past. Pre-eminently a popular art, haiku is a neo-classical medium for cultural creation. The practice of reciprocal voting ("gosen") on each other's poems, where the author position yields to a reader's status, underlines the transitional specificity of the poetical exchange medium that is haiku, whose character is both aristocratic and popular
Delteil, André. "Théorie et pratique du haiku dans la société japonaise contemporaine." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376131446.
Sandegren, Anders. "Problematik vid översättning av japansk Haiku och de möjligheter som existerar." Thesis, Stockholms universitet, Avdelningen för japanska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-136820.
Hagnell, Fredrik, and Karl-Axel Zander. "Personalized Poetry Generator : Development of a mobile application for Android called Deleteby Haiku which generate poems in the Japanese poetry form haiku based on user’s SMS-logs." Thesis, KTH, Skolan för informations- och kommunikationsteknik (ICT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-128524.
Forskare på forskningscentret Mobile Life Centre jobbar på projekt kallat “Delete by Haiku –konceptutveckling och föreställning av behållning/ett SMS-log dilemma” (delprojekt av ”Re-Mobiling – isärbrytning av tid och teknologi”, 2012-). Syftet av det projektet är att utvärdera ett sätt att hantera den växande mängden av användares digitala data i telefoner (speciellt SMS-loggar) genom att försöka skapa, i raderingsprocessen av gamla SMS, någonting potentiellt meningsfullt i lekfull stil: dikter. Studenternas projekt var att utveckla en konkretiserad demo för deras idé, en SMS-log-raderande och poesigenerande applikation, mer bestämt den japanska poesiformen ”haiku” som valt format, utvecklat på den mobila plattformen Android. Målet: att ge forskarna en grund att fortsätta med in i användarstudie- och demonstrationsfasen av deras projekt. Resultatet av utvecklingsprocessen var en fungerande demoapplikation i full skala, emellertid givetvis lämnad med många förbättrings och tilläggsmöjligheter på grund av den begränsade tidsplanen för studentprojektet, och presentationer av lösta programmeringsoch designimplementationsutmaningar.
Conger, Elizabeth C. "Alienation theory and its relationship to contemporary Arte Povera practice." AUT University, 2007. http://hdl.handle.net/10292/233.
Dean, Sharon Elyse. "White Heron: Authorised Biography of Australia's Pioneering Haiku Writer Janice M Bostok." Thesis, Griffith University, 2011. http://hdl.handle.net/10072/365429.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
Full Text
Motiejunaite, Indra. "Deletion and digital memory : User study of mobile application “Delete by Haiku”." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-107348.
Belaúnde, Degregori Alonso. "EL Haiku en la poesía del Javier Sologuren y Alfonso Cisneros Cox." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/10180.
Tesis
Козловська, Ганна Борисівна, Анна Борисовна Козловская, and Hanna Borysivna Kozlovska. "To English Haiku Text as the Motivation Factor in the Process of Learning Foreign Language." Thesis, София: "Бял ГРАД - БГ" ООД, 2011. http://essuir.sumdu.edu.ua/handle/123456789/50961.
Sloan, Steven Ernest. "The Seasons: 30 Haiku for Flute, Clarinet, Violin, Cello, Mezzo-Soprano, and Baritone." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491382981518334.
Somers, Seán. "The dryad's bubble, faith, nature, and movement in Charlotte Brontë, L.M. Montgomery, and haiku." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61499.pdf.
Jonsson, Herbert. "Haikai poetics : Buson, Kitō and the interpretation of renku poetry /." Stockholm : Department of Oriental Languages, Stockholm University, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1322.
Almeida, Ana Catarina Dias Nunes de. "Migração silenciosa. Marcas do pensamento estético do Extremo Oriente na poesia portuguesa contemporânea." Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2012. http://hdl.handle.net/10362/7342.
Na viragem do séc. XIX para o séc. XX, sobretudo através de Wenceslau de Moraes e de Camilo Pessanha, a literatura e a poesia portuguesas acompanharam o interesse pela poesia do Extremo Oriente que afectou igualmente outras literaturas europeias. Porém, uma influência mais alargada e regular apenas se consolidou desde a década de 1980 em diante. O conjunto de poetas envolvidos e a qualidade e continuidade da sua obra permite falar de uma migração silenciosa de preceitos formais, de obsessões temáticas e de modos de figuração oriundos da poesia chinesa e japonesa. Esse processo lento e subtil está a mudar a relação com a tradição poética e traz consigo novos modos de entender a escrita poética, que requerem a tentativa de leitura sistemática aqui conduzida. O pensamento Zen é igualmente analisado, dado ser claramente parte activa no interesse constante dos poetas portugueses contemporâneos pela poesia clássica e contemporânea escrita na China e no Japão.
Younkin, Christopher Stuart. "Origami." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1368116187.
Miller, Rachel Marie. "THE EMOTIONAL WEIGHT OF POETIC SOUND: AN EXPLORATION OF PHONEMIC ICONICITY IN THE HAIKU OF BASHŌ." OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1447.
Sommerkamp, Sabine [Verfasser]. "Der Einfluß des Haiku auf Imagismus und jüngere Moderne : Studien zur englischen und amerikanischen Lyrik / Sabine Sommerkamp." Hamburg : Universität Hamburg, 2020. http://d-nb.info/1225852471/34.
Dayton, Joshua. "The Academic Manuscript: Media Production and the Process of Turning an Idea into a Marketable Entity." Kent State University Liberal Studies Essays / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuls1334108718.
Akiba, Minami. "La sociabilité des haïkistes au Japon ˸ flexibilité et pluralité des liens humains." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA115.
Haiku is a type of Japanese poem originating from the 19th century, consisting of 17 syllables. Nowadays, Japan has nearly 10 million amateur and professional haiku poets, from a total population of 127 million. These people compose haikus to express themselves, and also to present their poems to be judged by others. They present them in poetry clubs, in haiku columns in newspapers and magazines, in various competitions, or in classes at school. In order to fully flourish as a work, haiku challenges the imagination and empathy of others. Through seeking recognition from other people, haiku has become a social activity of the general public in Japan. Several mechanisms specific to the practice of haiku writing impede the establishment of a proper hierarchy in the wide world of haiku poetry such as assessing under anonymity (resulting in equality during the judging), the use of pseudonyms, the freedom to join multiple haiku groups of their choice and the absence of absolute poetic criteria. There are various reasons why people participate in writing haiku, fulfilling several desires such as to express oneself, to be applauded, to meet other people, and to assume a different identity. For these reasons, haiku attracts many enthusiasts. The extreme brevity of haiku enables wide accessibility and rapid exchanges. Its brevity accentuates the recreational side of the poem and creates strong sociability between participants. In addition, brevity compels haiku poets to be discreet towards themselves and towards others. By remaining courteous, the haiku poets continue an interminable game of "presentation - appreciation" in which everyone has the assurance of being listened to
Bartholomew, Wayne Alan II. "The Bronze Dame." Youngstown State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1234824916.
Ecker, Dylan Joseph. "Super Bloom." Miami University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=miami1595592033040779.
Arimitsu, Michio. "Black Notes on Asia: Composite Figurations of Asia in the African American Transcultural Imagination, 1923-2013." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11208.
African and African American Studies
Hirashima, Cezar Katsumi. "O Haikai nas artes visuais: tradução intersemiótica." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27131/tde-21072009-202225/.
Based on the theory of Intersemiotic Translation developed by Julio Plaza, the central purpose of this research is to analyse the process of recreation of aesthetical forms in intersemiotic translations of haiku into the universe of visual arts. More specifically, considering the peculiarities of this type of poem in its syntactic, semantic, and pragmatic aspects, we will analyse how the equivalences on these levels will be obtained in the process of intersign transmutation. Besides, since the media of artistic production are important, especially in the case of intersemiotic translation, we will observe how the medium can aid the achievement of equivalence. As a case study, we propose to analyse intersemiotic translations of the haiku Furuikeya (composed by the Japanese poet Matsuo Bash) into visual arts in three different types of medium, chosen from their semiotic peculiarities in relation to the process of image production: craft media, mechanical media, and electronic media.
Moura, Carla Brogliato Cardoso de. "O haicai de Paulo Leminski: a busca da forma para sua poesia." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/14712.
The main goal of this study is to investigate how the poet Paulo Leminski reveals language awareness under the haiku form, and expresses his sensibility thought it. Particularly questions how far his poetry reveals the haiku s intellectual structure. To guide our research on Paulo Leminski s work, we studied different procedures present in the eastern haiku, like the connection with the Zen gesture, the rhythm and the visual presentation of the letters and words, trying to capture them throughout his poetries. All kinds of poems and different structure options were selected for the analysis, so we could point its plurality. By translating different imagistic procedures, Leminski builds up a form for his own Brazilian haiku, presenting us the craft of his poetry
O objetivo central desta pesquisa é investigar como Paulo Leminski, em sua produção poética, manifesta consciência de linguagem sobre a forma do haicai e expressa nela sua sensibilidade. Especialmente, interroga até que ponto a poesia leminskiana revela a linha de pensamento construtora do haicai. Para orientar nossa reflexão acerca da poesia leminskiana, averiguamos distintos procedimentos presentes no haicai oriental, como a articulação com o gesto Zen, a visualidade das letras e palavras, o ritmo, o movimento, buscando apreendê-los na produção do poeta. A fundamentação teórico-crítica baseouse nos estudos de Caetano Veloso e do próprio Leminski sobre o contexto da época, assim como, para a reflexão sobre o hacai, nos de Ernest Fenollosa, Haroldo de Campos, Octavio Paz e Paulo Leminski. Selecionamos, para análise, poemas com diferentes procedimentos de construção, para que pudéssemos evidenciar sua pluralidade poética. Ao traduzir diferentes procedimentos imagéticos, o poeta constrói uma forma para o seu haicai brasileiro, ensinando a ver a forma de sua poesia
Gilbert, Matthew. "Fir-Flower Petals on a Wet Black Bough: Constructing New Poetry through Asian Aesthetics in Early Modernist Poets." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3588.
Dantas, Walm?ria Oliveira. "Flash po?tico: uma experi?ncia de leitura e produ??o de haicais e fotografias na perspectiva do letramento liter?rio." Universidade Estadual de Feira de Santana, 2016. http://localhost:8080/tede/handle/tede/500.
Made available in DSpace on 2017-08-15T21:18:19Z (GMT). No. of bitstreams: 1 Disserta??o de Walm?ria Oliveira Dantas.pdf: 17755932 bytes, checksum: b3fa9c3bd887f6cf62a7f06bb9e56b53 (MD5) Previous issue date: 2016-11-24
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES
The present master's thesis (PROFLETRAS) is based on the qualitative research, focusing on the action research, presents as a proposal of intervention a didactic work based on the discursive genres (BAKHTIN, 2003), according to National Curricular Parameters guidelines (BRASIL, 1997) , With activities of reading and production of haiku and photographs, that approach the teaching of the language from the theoretical orientation of study of the genres, within a proposal sociointeractionist of the language. It seeks to contribute to the promotion of literacy levels and literacy of a group of seventh-year primary school students. The data of the research were collected through participant observation concomitant to the notes in the researcher's logbook, videotapes, questionnaires and testimonials of the participants. This work searches in the vast literature on literacy (KLAIMAN, 2007, SOARES, 2002), literary literacy (COSSON, 2014), haiku (FRANCHETTI, 2014, GOGA, 1988; PAZ, 1999), photography (BARTHES, 1984; FLUSSER, 1985) and didactic sequence (DOLZS, NOVERRAZ and SCHNEUWLY, 2004), among others, find ways to enable the student to develop reading skills and language skills so necessary for the exercise of citizenship. The analysis of the data evidences the importance of teacher mediation in the formation of the student reader and shows that the Didactic Sequence can be an efficient methodology to assist teachers in the motivation of their students, with a view to the promotion of literary literacy.
A presente disserta??o de mestrado (PROFLETRAS) baseia-se na pesquisa qualitativa, com foco na pesquisa-a??o, apresenta como proposta de interven??o um trabalho did?tico fundamentado nos g?neros discursivos (BAKHTIN, 2003), segundo orienta??es dos Par?metros Curriculares Nacionais (BRASIL, 1997), com atividades de leitura e produ??o de haicais e fotografias, que abordam o ensino da l?ngua a partir da orienta??o te?rica de estudo dos g?neros, dentro de uma proposta sociointeracionista da linguagem. Busca contribuir para a promo??o dos n?veis de leitura e letramento liter?rio de uma turma de alunos do s?timo ano do Ensino Fundamental. Os dados da pesquisa foram coletados por meio da observa??o participante concomitante ?s anota??es no di?rio de bordo da pesquisadora, v?deo grava??es, question?rios e depoimentos dos sujeitos participantes. Esse trabalho busca na vasta literatura existente sobre letramento (KLAIMAN, 2007; SOARES, 2002), letramento liter?rio (COSSON, 2014), haicais (FRANCHETTI, 2014; GOGA, 1988; PAZ, 1999), fotografia (BARTHES, 1984; FLUSSER, 1985) e sequ?ncia did?tica (DOLZS, NOVERRAZ e SCHNEUWLY, 2004), dentre outros, encontrar caminhos que possibilitem ao aluno, o desenvolvimento das habilidades de leitura e capacidades de linguagem t?o necess?rias para o exerc?cio da cidadania. A an?lise dos dados evid?ncia a import?ncia da media??o do professor na forma??o do aluno leitor e mostra que a Sequ?ncia Did?tica pode ser uma metodologia eficiente para auxiliar professores na motiva??o de seus alunos, com vistas ? promo??o do letramento liter?rio.
Ferreira, Lorena Vita. "Renato Gonda : uma poética rumo ao nada /." São José do Rio Preto : [s.n.], 2006. http://hdl.handle.net/11449/94184.
Banca: Nelson Luis Ramos
Banca: Kenia Maria de Almeida Pereira
Resumo: Esta dissertação tem por objetivo investigar a dicção poética de Renato Gonda (1959- ) em seu livro AD NADA (1994). Nesta obra encontramos breves e condensadas manifestações poéticas - "101 haikais ou quase" (assim os denomina o próprio sujeito lírico). A confluência de registros poéticos datados e consagrados imprime uma informação estética diversificada, característica freqüente na cena literária contemporânea brasileira. Em relação ao conteúdo, os poemas de AD NADA apresentam um caráter niilista que impulsiona seu sujeito lírico a reconsiderar/questionar as concepções absolutas presentes na nossa existência, tal como a noção de Deus, imposta ao homem, principalmente, pela metafísica e teologia ocidental. Repensar tais conceitos é repensar também a linguagem automatizada e ter a possibilidade de criar uma outra que desestabilize os discursos cristalizados e estereotipados que subjugam a condição humana. A partir dessas perspectivas, analisaremos e interpretaremos a configuração do niilismo na obra para, então, verificarmos como esse posicionamento frente ao mundo influencia o fazer poético do eu-lírico e a sua relação com a palavra poética.
Abstract: This thesis is aimed at investigating the poetic diction of Renato Gonda (1959- ) in AD NADA, a work which contains his brief poetic manifestations: "101 haikais ou quase" (101 haikus or almost), as the author himself calls them. The confluence of dated and consecrated poetic registers imparts a diversified aesthetic information, a frequent characteristic found in the contemporary Brazilian literary scene. As for theme, the poems of Ad Nada present a nihilistic character which leads their lyric subject to reconsider or to call in question the absolute conceptions present in our life, such as the notion of God, imposed to man mainly by western metaphysics or theology. To rethink such concepts is also to rethink automatized language and have the possibility of creating another one, which destabilizes the crystallized and stereotyped discourses which subjugate human condition. On the basis of such perspectives, nihilism will be analyzed and interpreted in the work at hand in order to verify how this positioning before the world influences the poetical work of the lyric self and its relationship with the poetic word.
Mestre
Jonsson, Herbert. "Haikai Poetics : Buson, Kitō and the Interpretation of Renku Poetry." Doctoral thesis, Stockholm University, Department of Oriental Languages, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-1322.
The dissertation is a study of the poetics of haikai in eighteenth-century Japan. It is more specifically concerned with the works of Yosa Buson and some of his followers. Rather than being a study of certain poems, it is an investigation of theories of aesthetics and composition, and of criticism. Most studies of haikai focus on the short haiku (or hokku) form, but the present study is more concerned with the core form of this poetry, the long chains of verses called "renku" or "haikai no renga".
One important object of this study is to challenge some of the established views of haikai found in modern scholarship. For this purpose, many standpoints of haikai theory have been found useful, since they often approach questions of interpretation from new and unexpected angles. Theoretical stances that stress convention and traditionalism are criticized and the spirit of haikai is found to be more in concord with theories of cognitive poetics.
The dissertation consists of three parts. The first is a study of general haikai theory. In this part are discussed theories of aesthetics, theories of creativity, and a few questions related to the interpretation of this kind of poetry. This discussion focuses on those questions that are central in Buson’s own writing on poetics and puts them into a broader context.
The second part deals with practical theories of renku composing. An introductory chapter gives a historical background to many concepts used in Buson’s age, and this is followed by a full translation and critical study of a renku treatise written by his disciple Takai Kitō.
The last part is an investigation of modern criticism written on Buson’s renku. All existing full-length studies of these poems are discussed in comparison. The absence of a long critical tradition concerning Buson’s renku has, in many cases, prevented the formation of established interpretations, and this is ideal for a study of this kind.
Kitamura, Miou. "La poésie française et le haïku." Dijon, 2007. http://www.theses.fr/2007DIJOL005.
Haiku was introduced into France at the beginning of the 20th century, when brevity started to take on an important place in French poetry. Nowadays, the short Japanese poetical form inspires many French amateurs. This study aims to show the originality of French Haiku in comparison with the nature and tradition of Japanese Haiku, and thier respective evolutions. Japanese Haiku adheres to formal rules and does not accept excessive personal expressions. As for French Haiku, it is marked with relative liberty in form and allows for being expansive. In spite of their fundmental differences, the two Haikus are moving closer. French Haiku, especially, learnt the art of suggestivity. Yet, within that relationship, they will obviously still be clearly distinguishable, one from the other, and preserve their particularities
Ferreira, Lorena Vita [UNESP]. "Renato Gonda: uma poética rumo ao nada." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/94184.
Esta dissertação tem por objetivo investigar a dicção poética de Renato Gonda (1959- ) em seu livro AD NADA (1994). Nesta obra encontramos breves e condensadas manifestações poéticas - “101 haikais ou quase” (assim os denomina o próprio sujeito lírico). A confluência de registros poéticos datados e consagrados imprime uma informação estética diversificada, característica freqüente na cena literária contemporânea brasileira. Em relação ao conteúdo, os poemas de AD NADA apresentam um caráter niilista que impulsiona seu sujeito lírico a reconsiderar/questionar as concepções absolutas presentes na nossa existência, tal como a noção de Deus, imposta ao homem, principalmente, pela metafísica e teologia ocidental. Repensar tais conceitos é repensar também a linguagem automatizada e ter a possibilidade de criar uma outra que desestabilize os discursos cristalizados e estereotipados que subjugam a condição humana. A partir dessas perspectivas, analisaremos e interpretaremos a configuração do niilismo na obra para, então, verificarmos como esse posicionamento frente ao mundo influencia o fazer poético do eu-lírico e a sua relação com a palavra poética.
This thesis is aimed at investigating the poetic diction of Renato Gonda (1959- ) in AD NADA, a work which contains his brief poetic manifestations: “101 haikais ou quase” (101 haikus or almost), as the author himself calls them. The confluence of dated and consecrated poetic registers imparts a diversified aesthetic information, a frequent characteristic found in the contemporary Brazilian literary scene. As for theme, the poems of Ad Nada present a nihilistic character which leads their lyric subject to reconsider or to call in question the absolute conceptions present in our life, such as the notion of God, imposed to man mainly by western metaphysics or theology. To rethink such concepts is also to rethink automatized language and have the possibility of creating another one, which destabilizes the crystallized and stereotyped discourses which subjugate human condition. On the basis of such perspectives, nihilism will be analyzed and interpreted in the work at hand in order to verify how this positioning before the world influences the poetical work of the lyric self and its relationship with the poetic word.
Wang, Xiaoxiao. "The Second Home Phenomenon in Haikou, China." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/1010.
In western counties, second home growth has caused a series of socio-economic impacts to the host community, including housing price inflation, displacement of local people, disruption of local service, etc. These effects identified by western literatures are examined in the context of Haikou, China.
Through applications of interview, on-site observation and secondary research, this study generally confirms the impacts addressed by other second home research. Similar to the western experience, the growth of second homes in Haikou has both positive and negative impacts. On the positive side, the increase of second home purchase contributes to the boom of property-related industry. On the negative side, it causes inflation pressure on housing price and affects the affordability of the housing for local people. The seasonality of second home occupation also leads to a "ghost communit" problem. However, as the development of second homes in Haikou is at an early stage, both their positive and negative impacts are not significant. Some effects such as the displacement of locals, the effects on local retail outlets and services are not detectable. Remarkably, this study addresses two problems that can only be found in China: "college entrance exam immigration" and "illegal sale of hukou".
Based on the major findings, policy recommendations for local government are provided. Implications for conducting research in China, and for future research opportunities are also suggested.
Kinzel, Haiko [Verfasser]. "Einfluss passiver Stentbeschichtungen bei koronaren de-novo Läsionen / Haiko Kinzel." Ulm : Universität Ulm. Medizinische Fakultät, 2012. http://d-nb.info/1029142394/34.
Zhang, Haikuo [Verfasser]. "Investigating the molecular mechanisms underlying Geroderma-Osteodysplastica-(GO)- Syndrome / Haikuo Zhang." Berlin : Freie Universität Berlin, 2008. http://d-nb.info/1025159357/34.
Hildebrandt, Haika Verfasser], Martin [Akademischer Betreuer] [Möller, and Jürgen [Akademischer Betreuer] Groll. "Multifunctional nanogels for biomedical applications / Haika Hildebrandt ; Martin Möller, Jürgen Groll." Aachen : Universitätsbibliothek der RWTH Aachen, 2018. http://d-nb.info/1181335221/34.
Hildebrandt, Haika [Verfasser], Martin [Akademischer Betreuer] Möller, and Jürgen [Akademischer Betreuer] Groll. "Multifunctional nanogels for biomedical applications / Haika Hildebrandt ; Martin Möller, Jürgen Groll." Aachen : Universitätsbibliothek der RWTH Aachen, 2018. http://d-nb.info/1181335221/34.
Morgenstern, Haiko [Verfasser], and Herbert [Akademischer Betreuer] Reichl. "Effiziente Verifikation der Robustheit komplexer integrierter Schaltungen / Haiko Morgenstern. Betreuer: Herbert Reichl." Berlin : Universitätsbibliothek der Technischen Universität Berlin, 2011. http://d-nb.info/1014756731/34.
Rolff, Haiko [Verfasser]. "Hall- und Bend-Widerstands-Magnetometrie an mikro- und nanostrukturierten Ferromagneten / Haiko Rolff." Aachen : Shaker, 2003. http://d-nb.info/117054326X/34.
Dannowski, Haike [Verfasser], Richard [Gutachter] Lucius, Thomas [Gutachter] Ritter, and Uwe [Gutachter] Pleyer. "Gentransfer in korneale Endothelzellen / Haike Dannowski ; Gutachter: Richard Lucius, Thomas Ritter, Uwe Pleyer." Berlin : Humboldt-Universität zu Berlin, 2004. http://d-nb.info/1207654639/34.
Lorenz, Haik [Verfasser], and Jürgen [Akademischer Betreuer] Döllner. "Texturierung und Visualisierung virtueller 3D-Stadtmodelle / Haik Lorenz. Betreuer: Jürgen Döllner." Potsdam : Universitätsbibliothek der Universität Potsdam, 2011. http://d-nb.info/1015693784/34.
Abou, Ghannam Anis. "Farjallah Haik, un romancier libanais entre deux cultures étude de style /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376111212.
Hui, Sarah Mei-Yen. ""Haikus in the subway" understanding student meaning-making of an alternative spring break trip /." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9471.
Thesis research directed by: Dept. of Counseling and Personnel Services. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Taye, Addisalem Hailu [Verfasser]. "Optimization of drying process for better quality retention of dried potato / Addisalem Hailu Taye." Kassel : Universitätsbibliothek Kassel, 2018. http://d-nb.info/1162154594/34.