Статті в журналах з теми "Guitar; musical performance; expressivity"
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Brenner, Brenda, and Katherine Strand. "A Case Study of Teaching Musical Expression to Young Performers." Journal of Research in Music Education 61, no. 1 (March 7, 2013): 80–96. http://dx.doi.org/10.1177/0022429412474826.
Повний текст джерелаBlazhevych, Vasyl. "EVOLUTION OF GUITAR ART PERFORMANCE TRADITIONS IN THE NATIONAL CULTURAL AND EDUCATIONAL DIMENSION." Aesthetics and Ethics of Pedagogical Action, no. 15 (March 9, 2017): 107–15. http://dx.doi.org/10.33989/2226-4051.2017.15.175896.
Повний текст джерелаParrott, Mackenzie L., and John Nix. "Listener ratings of singer expressivity in musical performance." Journal of the Acoustical Society of America 139, no. 4 (April 2016): 2035. http://dx.doi.org/10.1121/1.4950015.
Повний текст джерелаSupriando, Supriando. "PERTUNJUKAN MUSIK GRANDE OUVERTURE, ASTURIAS, DAN KARAK LILISAN DALAM SOLO GITAR." Puitika 12, no. 2 (September 18, 2016): 160. http://dx.doi.org/10.25077/puitika.12.2.160--175.2016.
Повний текст джерелаTorge Claussen, Jan. "Gaming Musical Instruments." Digital Culture & Society 5, no. 2 (December 1, 2019): 121–30. http://dx.doi.org/10.14361/dcs-2019-0208.
Повний текст джерелаIvannikov, Tymur, and Tetiana Filatova. "Specific Sound Production Techniques in Academic Guitar Music." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (December 20, 2022): 111–25. http://dx.doi.org/10.24193/subbmusica.2022.spiss2.08.
Повний текст джерелаVuoskoski, Jonna K., Marc R. Thompson, Eric F. Clarke, and Charles Spence. "Crossmodal interactions in the perception of expressivity in musical performance." Attention, Perception, & Psychophysics 76, no. 2 (November 15, 2013): 591–604. http://dx.doi.org/10.3758/s13414-013-0582-2.
Повний текст джерелаZorzal, Ricieri, and Oswaldo Lorenzo. "Teacher–student physical contact as an approach for teaching guitar in the master class context." Psychology of Music 47, no. 1 (November 3, 2017): 69–82. http://dx.doi.org/10.1177/0305735617737154.
Повний текст джерелаCastro, Renato Moreira Varoni de. "Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão." Per Musi, no. 34 (August 2016): 35–61. http://dx.doi.org/10.1590/permusi20163402.
Повний текст джерелаIndrawan, Andre, Noer Iskandar Albarsani, Kustap Kustap, and Suryati Suryati. "Ryuji Kunimatsu Guitar Arrangement on the Oblivion by Astor Piazzolla: A Critical Analysis." Harmonia: Journal of Arts Research and Education 21, no. 2 (January 1, 2022): 204–20. http://dx.doi.org/10.15294/harmonia.v21i2.31750.
Повний текст джерелаGeringer, John M., and Justine K. Sasanfar. "Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist." Journal of Research in Music Education 61, no. 2 (June 13, 2013): 160–74. http://dx.doi.org/10.1177/0022429413485246.
Повний текст джерела., Paryono, Sarana ., and Suharto . "GUITAR SIDE BODY MAKING TECHNIQUE USING SCREW PRESS AND HEATER." International Journal of Innovative Research in Advanced Engineering 8, no. 7 (July 30, 2021): 161–66. http://dx.doi.org/10.26562/ijirae.2021.v0807.004.
Повний текст джерелаSuroso, Panji, Adina Sastra Sembiring, Uyuni Widiastuti, Muklis Hasbulah, and Bakhrul Khair Amal. "Performance Model of Kulcapi (Karo Musical Instrument) as a Teaching Material in Guitar Learning." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 1, no. 4 (December 22, 2018): 136–43. http://dx.doi.org/10.33258/birci.v1i4.102.
Повний текст джерелаVuoskoski, Jonna K., Marc R. Thompson, Charles Spence, and Eric F. Clarke. "Interaction of Sight and Sound in the Perception and Experience of Musical Performance." Music Perception 33, no. 4 (April 1, 2016): 457–71. http://dx.doi.org/10.1525/mp.2016.33.4.457.
Повний текст джерелаSulistiono, Sulistiono, Bambang Suhardi, F. Ishartomo, and I. Nugraha. "PRELIMINARY REVIEW OF MULTISCALE FRET AS INNOVATION OF ERGONOMIC GUITAR." Journal of Technology and Operations Management 16, Number 1 (July 29, 2021): 81–90. http://dx.doi.org/10.32890/jtom2021.16.1.7.
Повний текст джерелаVARWIG, BETTINA. "MUSICAL EXPRESSION: LESSONS FROM THE EIGHTEENTH CENTURY?" Eighteenth Century Music 17, no. 1 (February 12, 2020): 53–72. http://dx.doi.org/10.1017/s1478570619000447.
Повний текст джерелаEstrada Yarce, Emanuel. "ARTICULANDO CON TRASTES. ACERCA DE LA ARTICULACIÓN COMO ELEMENTO ESTRUCTURADOR DE LA EJECUCIÓN MUSICAL EN LA GUITARRA." Ricercare 2018, no. 10 (March 5, 2019): 6–36. http://dx.doi.org/10.17230/ricercare.2018.10.1.
Повний текст джерелаCastro-Magas, Diego. "GESTURE, MIMESIS AND IMAGE: ADORNO, BENJAMIN AND THE GUITAR MUSIC OF BRIAN FERNEYHOUGH." Tempo 70, no. 278 (September 28, 2016): 16–28. http://dx.doi.org/10.1017/s0040298216000310.
Повний текст джерелаWalker, Timothy M. "Instrument‐specific constraints on musical performance: Playing the piano and the guitar." Journal of the Acoustical Society of America 99, no. 4 (April 1996): 2481–500. http://dx.doi.org/10.1121/1.415577.
Повний текст джерелаSloboda, John A., and Andreas C. Lehmann. "Tracking Performance Correlates of Changes in Perceived Intensity of Emotion During Different Interpretations of a Chopin Piano Prelude." Music Perception 19, no. 1 (2001): 87–120. http://dx.doi.org/10.1525/mp.2001.19.1.87.
Повний текст джерелаMiteva-Dinkova, Stela. "THE ARPEGGIO IN DIDACTIC LITERATURE FOR CLASSICAL GUITAR." Knowledge International Journal 28, no. 3 (December 10, 2018): 1069–74. http://dx.doi.org/10.35120/kij28031069s.
Повний текст джерелаDewi, Christine, and Rung-Ching Chen. "Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification." Cybernetics and Information Technologies 22, no. 1 (March 1, 2022): 104–16. http://dx.doi.org/10.2478/cait-2022-0007.
Повний текст джерелаOkhotnikov, Vladimir E. "The Semantic Explicitization of the Musical Text in Work with Beginner Guitarists." ICONI, no. 3 (2020): 107–20. http://dx.doi.org/10.33779/2658-4824.2020.3.107-120.
Повний текст джерелаOverholt, Dan, Edgar Berdahl, and Robert Hamilton. "Advancements in Actuated Musical Instruments." Organised Sound 16, no. 2 (June 28, 2011): 154–65. http://dx.doi.org/10.1017/s1355771811000100.
Повний текст джерелаWoody, Robert H. "The Effect of Various Instructional Conditions on Expressive Music Performance." Journal of Research in Music Education 54, no. 1 (April 2006): 21–36. http://dx.doi.org/10.1177/002242940605400103.
Повний текст джерелаDüvel, Nina, Reinhard Kopiez, Anna Wolf, and Peter Weihe. "Confusingly Similar: Discerning between Hardware Guitar Amplifier Sounds and Simulations with the Kemper Profiling Amp." Music & Science 3 (January 1, 2020): 205920432090195. http://dx.doi.org/10.1177/2059204320901952.
Повний текст джерелаTudor, Brînduşa. "The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)." Review of Artistic Education 17, no. 1 (March 1, 2019): 100–105. http://dx.doi.org/10.2478/rae-2019-0010.
Повний текст джерелаSokolskaya, Anna. "“Obedient bodies”: Space, time and sound in the operas by Christoph Marthaler." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, no. 1 (March 1, 2020): 34–49. http://dx.doi.org/10.18522/2415-8852-2020-1-34-49.
Повний текст джерелаDotsenko, Volodymyr, and Viktoria Tkachenko. "CREATIVE STRATEGIES FOR THE GUITAR CLASS AT I. P. KOTLYAREVSKY KHNUA." Aspects of Historical Musicology 22, no. 22 (March 2, 2021): 72–85. http://dx.doi.org/10.34064/khnum2-22.04.
Повний текст джерелаTyas, Danang Sandy. "Rosette Guitar Quartet : Proses Kreatif Melalui “Youtube” Sebagai Pasar Industri Musik Digital." JMD : Jurnal Riset Manajemen & Bisnis Dewantara 4, no. 1 (March 24, 2021): 1–8. http://dx.doi.org/10.26533/jmd.v4i1.763.
Повний текст джерелаArdila Wahyuni, Lusi Selvia Fitri, and Rekaza Akbar. "ANALISIS KREATIVITAS MUSIKALISASI PUISI MELALUI MODEL COOPERATIVE LEARNING OLEH SISWA KELAS XI DI SMA NEGERI 1 DARUL HASANAH." Tuwah Pande: Jurnal Ilmu Pendidikan dan Pengajaran 1, no. 1 (June 30, 2022): 185–99. http://dx.doi.org/10.55606/tuwahpande.v1i1.20.
Повний текст джерелаAmundsen, Michael. "Out in the cold: Busking Copenhagen’s Nørreport Station and the urban affects of music." Journal of Urban Cultural Studies 6, no. 1 (March 1, 2019): 113–22. http://dx.doi.org/10.1386/jucs_00006_1.
Повний текст джерелаStachó, László. "Mental virtuosity: A new theory of performers’ attentional processes and strategies." Musicae Scientiae 22, no. 4 (November 13, 2018): 539–57. http://dx.doi.org/10.1177/1029864918798415.
Повний текст джерела이계창. "A study on actors' applying the methodology of lyric analysis for musical performance -Focusing on 'the Guitar man' in Korea Musical -." Journal of Korean drama and theatre ll, no. 41 (September 2013): 211–52. http://dx.doi.org/10.17938/tjkdat.2013..41.211.
Повний текст джерелаMeals, Cory D., Steven J. Morrison, and Deborah A. Confredo. "The Effects of Temporal Action-Sound Congruence on Evaluations of Conductor Quality." Music & Science 2 (January 1, 2019): 205920431989196. http://dx.doi.org/10.1177/2059204319891968.
Повний текст джерелаOdoyevsky, Victor A., and Nataliya V. Korchagina. "Performing on Acoustic Guitar in the Fingerstyle Technique: Historical and Methodical Aspects." Musical Art and Education 8, no. 2 (2020): 124–39. http://dx.doi.org/10.31862//2309-1428-2020-8-2-124-139.
Повний текст джерелаFinan, Donald, and Deanna Meinke. "A Novel Interdisciplinary Course: Musical Acoustics and Health Issues." Perspectives of the ASHA Special Interest Groups 1, no. 19 (March 31, 2016): 15–25. http://dx.doi.org/10.1044/persp1.sig19.15.
Повний текст джерелаHnativ, Nataliya. "“Tollers Zelle” by Anna Korsun: at intersection of Musical Interpretations." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 51–62. http://dx.doi.org/10.31318/2522-4190.2021.131.243212.
Повний текст джерелаJin, Cong, Tao Wang, Shouxun Liu, Yun Tie, Jianguang Li, Xiaobing Li, and Simon Lui. "A Transformer-Based Model for Multi-Track Music Generation." International Journal of Multimedia Data Engineering and Management 11, no. 3 (July 2020): 36–54. http://dx.doi.org/10.4018/ijmdem.2020070103.
Повний текст джерелаGuerrero-Turrubiates, Jesus, Sergio Ledesma, Sheila Gonzalez-Reyna, and Gabriel Avina-Cervantes. "Guitar Chords Classification Using Uncertainty Measurements of Frequency Bins." Mathematical Problems in Engineering 2015 (2015): 1–9. http://dx.doi.org/10.1155/2015/205369.
Повний текст джерелаNusseck, Manfred, and Marcelo M. Wanderley. "Music and Motion——How Music-Related Ancillary Body Movements Contribute to the Experience of Music." Music Perception 26, no. 4 (April 1, 2009): 335–53. http://dx.doi.org/10.1525/mp.2009.26.4.335.
Повний текст джерелаOkhotnikov, Vladimir E. "About the Development of Artistry in Elementary School Pupils in a Guitar Class." ICONI, no. 3 (2021): 173–81. http://dx.doi.org/10.33779/2658-4824.2021.3.173-181.
Повний текст джерелаReily, Suzel Ana. "Música sertaneja and migrant identity: the stylistic development of a Brazilian genre." Popular Music 11, no. 3 (October 1992): 337–58. http://dx.doi.org/10.1017/s0261143000005183.
Повний текст джерелаFurdui, Yulia, and Оlena Yehorova. "GENRE CHARACTERISTICS OF ROMANTIC FANTASY FOR THE GUITAR ON A BORROWED THEME BY F. TARREGA." Музикознавча думка Дніпропетровщини, no. 18 (November 13, 2020): 115–24. http://dx.doi.org/10.33287/222022.
Повний текст джерелаDarussalam, Najwa Leonita, and Joko Wiyoso. "Creating Process of Composition Of The “Kulino” Musical Drama At Theater Aura Indonesia." Jurnal Seni Musik 10, no. 2 (December 31, 2021): 150–59. http://dx.doi.org/10.15294/jsm.v10i2.45925.
Повний текст джерелаВан, Ч. "Performance and pedagogy of an ensemble of woodwind instruments." Management of Education, no. 2(48) (April 14, 2022): 37–43. http://dx.doi.org/10.25726/t5807-7274-9656-f.
Повний текст джерелаGavito, Cory M. "The Guitar in Stuart England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2019. xx + 288 pp. $29.99." Renaissance Quarterly 74, no. 2 (2021): 681–82. http://dx.doi.org/10.1017/rqx.2021.73.
Повний текст джерелаMarsh, Christopher. "The Guitar in Tudor England: A Social and Musical History. Christopher Page. Musical Performance and Reception. Cambridge: Cambridge University Press, 2015. xx + 248 pp. $99.99." Renaissance Quarterly 71, no. 4 (2018): 1552–54. http://dx.doi.org/10.1086/702118.
Повний текст джерелаBolshakova, T. V. "Formation of performance on string-plucked instruments in Kharkiv (based on periodicals of the mid-XIX — early XX centuries)." Culture of Ukraine, no. 76 (June 29, 2022): 126–38. http://dx.doi.org/10.31516/2410-5325.076.14.
Повний текст джерелаKjus, Yngvar, and Anne Danielsen. "Live mediation: performing concerts using studio technology." Popular Music 35, no. 3 (September 14, 2016): 320–37. http://dx.doi.org/10.1017/s0261143016000568.
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