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Автор: Grafiati

Опубліковано: 14 березня 2023

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1

Amado Trancoso, Mariana, and Bárbara Coutinho. "Calligraphy of the thought: Drawing and writing in Vittorio Gregotti." Drawing: Research, Theory, Practice 6, no. 2 (December 1, 2021): 333–44. http://dx.doi.org/10.1386/drtp_00068_3.

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Анотація:

This paper focuses on the close correlation between drawing and writing in the architecture of Vittorio Gregotti, in order to understand how both constitute symbiotic tools for his praxis, and showing how the practice of architecture and theoretical thought in Gregotti are to be understood as one. Drawing and writing constitute inscriptions of his ideas, a calligraphy that expresses his understanding of architecture as a conceptual reality, regardless of its later physical construction. It is therefore essential to comprehend how theoretical thought in Gregotti is materialized in the architectural project. For this purpose, based on Gregotti’s drawings and writings, this paper aims to underline the deep importance of drawing and writing as complementary processes related to the symbiotic connection between theory and praxis in his work. Considering both tools as a mechanism for visualizing the author’s ideas, we intend to prove that drawing and writing are close components of his expression and the development of a thought that, in the process of being materialized, acquires physical shape, strength and coherence, becoming perceived by others.

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2

Vujicic, Lejla. "Architecture of the longue durée: Vittorio Gregotti’s reading of the territory of architecture." Architectural Research Quarterly 19, no. 2 (June 2015): 161–74. http://dx.doi.org/10.1017/s1359135515000408.

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In the post-Second World War period, Italian architects opened up a debate on the role of history and time in architectural discourse that resulted in multiple interpretations of historical time in their work. Vittorio Gregotti, one of the main protagonists of the discussion, offered an interpretation of time based on an assemblage of intellectual tendencies, from phenomenology to structuralism and the history of the longue durée. This paper traces ideas that Gregotti developed in his less known and as-yet un-translated texts such as Il territiorio dell’architettura from 1966 as well as in his project for the University of Calabria from 1972. In these, Gregotti makes an original contribution to the problem of history in relationship to urban and natural environments.

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3

Plaza Morillo, Carlos. "VITTORIO GREGOTTI: IL TERRITORIO DELL’ARCHITETTURA." Proyecto, Progreso, Arquitectura 23 (November 19, 2020): 200–202. http://dx.doi.org/10.12795/ppa.2020.i23.14.

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La obra de Vittorio Gregotti (1927-2020, t. 1952) tenía ya un papel destacado en la historia de la arquitectura, no solamente italiana, antes de su fallecimiento este mismo año como una de las numerosas víctimas de la pandemia global. Publicado en la colección Materiali de la editorial Feltrinelli, que albergaba escritos de especialistas para el gran público, el libro en su conjunto no indaga en el territorio como nueva escala de trabajo de la arquitectura, un argumento al que solamente dedica una de las cuatro partes. Por el contrario, se concentra en la búsqueda del territorio de la arquitectura entendido como su espacio y su papel en la cultura moderna, aceptando, de partida, su conexión con la sociedad, las artes y la literatura y reconociendo la condición del arquitecto como un intelectual más que materializa sus propuestas a través del proyecto de arquitectura. Sin ánimo de actualizar anacrónicamente el libro, sino con la intención de historiarlo en su propia época, esta recensión histórica de un texto vivo, a la vez que rinde el debido homenaje, muestra que la cuestión que el libro planteaba y la curiosidad intelectual que movía a Gregotti a mediados de los sesenta están aún plenamente vigentes.

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4

Retto Júnior, Adalberto da Silva. "Anotações acerca do legado do arquiteto italiano Vittorio Gregotti: história, contexto e projeto." Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP 27, no. 50 (May 27, 2020): e168065. http://dx.doi.org/10.11606/issn.2317-2762.posfau.2020.168065.

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Na distância de quase 40 anos, o discurso do arquiteto italiano Vittorio Gregotti ainda parece muito atual. Seu texto “O Território da Arquitetura” (1966) é precursor de vários estudos e antecipou muitos temas que seguem em discussão, em especial a mudança da escala do objeto para a escala geográfica do território, o que representa uma evolução coerente em questões acerca de valores ambientais, além de uma série de projetos, que consubstanciaram uma alternativa possível em teoria e prática do utopismo megaestrutural e planejamento territorial. As reflexões adensaram-se em relação à complexidade ambiental, à escala de intervenção e sua relação com a paisagem, bem como a relação entre tipologia de edifícios e morfologia urbana. Gregotti, portanto, expandiu o campo de atuação da arquitetura, abordando o tema da relação desta com a paisagem, como geografia e história. Para ele, os pontos de interesse são o território e a cidade, sua morfologia e as razões de sua formação na história.

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5

Di Franco, Andrea. "Geografia, storia, architettura: Vittorio Gregotti e Luigi Snozzi." TERRITORIO, no. 75 (January 2016): 86–87. http://dx.doi.org/10.3280/tr2015-075010.

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6

Di Franco, Andrea. "Vittorio Gregotti, Luigi Snozzi. La costruzione delle idee." TERRITORIO, no. 75 (January 2016): 88–97. http://dx.doi.org/10.3280/tr2015-075011.

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7

Sartoretti, Irene. "La modernizzazione difficile. Una generazione di architetti tra politica, filosofia e scienze sociali." SOCIOLOGIA URBANA E RURALE, no. 95 (July 2011): 99–114. http://dx.doi.org/10.3280/sur2011-095006.

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Dal secondo dopoguerra fino al corso di tutti gli anni Settanta in Italia si č prodotta una particolare stagione per l'architettura in cui i fermenti sociali, politici, le istanze di modernizzazione e la speculazione filosofica, legata in buona parte a tali fermenti, hanno avuto un forte ruolo nel dibattito architettonico ed urbanistico. L'analisi di questi fattori teoretici extradisciplinari si rivela perciň indispensabile per comprendere la spinta innovativa data da Pietro Derossi, Vittorio Gregotti, Adolfo Natalini, Franco Purini, Marco Romano e Bernardo Secchi all'architettura e all'urbanistica italiane.

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8

Vittoria Capitanucci, Maria. "Note sul contributo di Vittorio Gregotti al disegno urbano in Italia." TERRITORIO, no. 87 (June 2019): 35–37. http://dx.doi.org/10.3280/tr2018-087006.

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9

Grande, Nuno. "Vittorio Gregotti e Álvaro Siza: afinidades electivas entre dois arquitectos contemporâneos." Estudos Italianos em Portugal, no. 12 (2017): 15–33. http://dx.doi.org/10.14195/0870-8584_12_1.

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10

Benko, Georges. "La forme du territoire : une analyse de paysage à travers l'œuvre de Vittorio Gregotti (Architecture and geography in the V. Gregotti's thought)." Bulletin de l'Association de géographes français 66, no. 3 (1989): 199–204. http://dx.doi.org/10.3406/bagf.1989.1481.

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11

Pettenati, Giacomo. "La Bicocca: centro per la metropoli o quartiere per la cittŕ?" ARCHIVIO DI STUDI URBANI E REGIONALI, no. 104 (October 2012): 91–108. http://dx.doi.org/10.3280/asur2012-104006.

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Il Progetto Bicocca ha trasformato radicalmente una porzione consistente della Milano industriale, insediando funzioni residenziali, universitarie e direzionali in un'area dismessa nel cuore della cittŕ. Il seguente contributo ripercorre la storia di questo controverso intervento, soffermandosi a descriverne le principali caratteristiche in termini di forma urbana, funzioni e presenza di spazi pubblici. Si vuole in particolare sottolineare come gli esiti di questa importante trasformazione urbana abbiano coinciso solo in parte con le attese che diversi attori, pubblici e privati, riponevano su di essa, in particolare per quanto riguarda la creazione di un nuovo "centro in periferia" auspicata da Vittorio Gregotti, realizzatore del masterplan relativo all'intera area.

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12

Pippione, Marco Francesco. "«Architettura come Modificazione»: un manifesto teorico della Casabella di Vittorio Gregotti (1982-1996)." TERRITORIO, no. 81 (September 2017): 146–53. http://dx.doi.org/10.3280/tr2017-081029.

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13

Otero-Pailos, Jorge. "Interview with Vittorio Gregotti: The Role of Phenomenology in the Formation of the Italian Neo-Avant Garde." Thresholds 21 (January 2000): 40–46. http://dx.doi.org/10.1162/thld_a_00445.

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14

Holm, Lorens, and Cameron McEwan. "The city as critical project – a poetics of collective life." Architectural Research Quarterly 23, no. 2 (June 2019): 179–94. http://dx.doi.org/10.1017/s135913551900023x.

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If you want to know what society looks like, look at our cities, look at their distribution of spaces, their scales, their densities. Look at how cities curate events. This article sketches the basis for architectural thinking on individual/collective social formations as read through the texts of Vitruvius and Freud with support from Aristotle, Arendt, and Lacan, in parallel with city projects by the rooms+cities studio, a Master’s-level design research unit at the University of Dundee, which is itself a collective project that begins with the close reading of canonic city plans in search of the collective body of knowledge that comprises the discipline and practice of architecture. Teaching may not be the only way to change built environment thinking but it is one way. Vittorio Gregotti reckoned that the schools were best placed to challenge establishment practices with avantgarde thought. We use architecture to think the relation between the individual and the collective, and thereby to make a space for politics and public life. This article is thus comprised of two arguments, one predominantly textual, the other graphic, of complementary weight and importance, that run side by side and occasionally cross or mingle.

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15

Penteado Neto, Raul Teixeira. "Transformações na Arquitetura de Álvaro Siza na década de 1990 : uma entrevista com Jorge Figueira (JF)." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 18 (December 18, 2020): 1–15. http://dx.doi.org/10.11606/1984-4506.risco.2020.165222.

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Este artigo tem como objetivo relatar resultados parciais da pesquisa que analisou nove projetos do arquiteto Português Álvaro Siza (1933), produzidos entre os anos de 1966 e 1998, a partir do trinômio “arqueologia, metamorfose e inflexão”. A partir de análise atenta à obra do arquiteto português, observaram-se indícios da existência de processos contínuos de recuperação, transformação e atualização de soluções presentes em seu repertório de projetos pregressos, em novos contextos, processo que seria qualificado por Vittorio Gregotti (1972), com o termo “arqueologia autônoma”. A partir dessas considerações, surge o pressuposto sintetizado no título da dissertação que sugere uma chave de leitura e entendimento da obra de Siza a partir da ideia de que três inflexões mais radicais de linguagem teriam sido tributárias e deflagradas por três projetos não-construídos precedentes, que poderiam ser considerados seus “prenúncios”. Este Artigo apresenta uma entrevista com o Prof. Dr. Jorge Figueira, na busca de esclarecer as possíveis origens da inflexão de linguagem ocorrida no Museu da Fundação Iberê Camargo, única obra do arquiteto português Álvaro Siza construída no Brasil até a data. O trabalho busca evidenciar a relevância da memória, acumulação de influências e experiências pregressas no processo de projeto do arquiteto Álvaro Siza.

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16

Tostões, Ana. "Manuel Salgado interviewed by Ana Tostões." Modern Lisbon, no. 55 (2016): 74–77. http://dx.doi.org/10.52200/55.a.wdsh9h4l.

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On August 2016, Ana Tostões interviewed the architect Manuel Salgado, councilor of the Municipality of Lisbon since 2007, in order to discuss the main policies undertaken and his ideas on urban planning in its connection to mobility infrastructures, public space and the continuous reconstruction of park and green areas, in Lisbon. Manuel Salgado was born in 1944, Lisbon, and studied architecture at the Lisbon School of Fine Art (1968). From 1971 to 1982, he was the technical responsible for the architectural office CIPRO and in 1984 he became manager of the architectural office Risco. From 2002 to 2008, he was architecture professor, at Instituto Superior Técnico. He has participated in conferences worldwide and widely published, on urban planning, and has designed major urban projects and buildings in Portugal: the Belém Cultural Centre (with Vittorio Gregotti), the Lisbon Theatre and Film School, the Polytechnic Institute of Setúbal, the Expo’98 public areas, the FC Porto Dragão Stadium, the Lisbon Luz Hospital, etc. His architectural and public space projects received several awards: the Valmor Award (1980, 1998), the International Award Architecture in Stone (1993), the AICA Award (1998); the Portuguese National Design Award (1999) and the Brick in Architecture Award (2003). Within the Municipality of Lisbon, he took the position of councilor of the Urbanism and Strategic Planning Department in 2007, which accumulates, from 2009 to 2013, with the Municipality Vice-Presidency. Currently, as councilor, heads the Department of Planning, Urbanism, Urban Rehabilitation, Public Space and Construction of the Municipality of Lisbon.

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17

Janković, Nataša. "Architectural Terri(s)tories: Jajinci Memorial Park in Belgrade." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 81. http://dx.doi.org/10.25038/am.v0i12.169.

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Architecture represents one of the possible ways of how territory can be marked, but it is also a permanent trace of the process of its development. As a built form it is a sign in the ground, while as an idea it represents a trace of various approaches to its development within a theoretical field. This paper examines the significance and meaning of a single architectural gesture within the context of an architectural narrative of the city territory by starting from the structural approach to observation of the territory (Gregotti) and the method of post-structuralist analysis.This study links and analyses: 1) the importance of the architectural gesture in the process of defining and developing the territory of the city, through 2) changing position from the phenomenological (formal, formative) to topographic discourse of observing architecture, which examines 3) the potential of the interpretative narrative both of the architecture and the territory. Memorial park Jajinci was selected as a case study whose primary purpose is to relate messages about the significance and meaning of the place where it is located. The aim of this kind of analysis of the interpretive potential of this example is to show the importance of the elements of the territory as a witness of the processes of development based on spatial narratives ‘written down’ in the city territory. Article received: December 22, 2016; Article accepted: January 18, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this article: Janković, Nataša. "Architectural Terri(s)tories: Jajinci Memorial Park in Belgrade." AM Journal of Art and Media Studies 12 (2017): 81-97

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18

Charitonidou, Marianna. "Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s." Arts 10, no. 1 (February 12, 2021): 14. http://dx.doi.org/10.3390/arts10010014.

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The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa-America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the framework of the Festival d’Automne de Paris in 1981; Architectures en France: Modernité/post-modernité, curated by Chantal Béret and held at the Institut Français d’Architecture (18 November 1981–6 February 1982); La modernité, un projet inachevé: 40 architectures, curated by Paul Chemetov and Jean-Claude Garcias for the Festival d’Automne de Paris in 1982; La modernité ou l’esprit du temps, curated by Jean Nouvel, Patrice Goulet, and François Barré and held at the Centre Pompidou in 1982; and Nouveaux plaisirs d’architecture, curated by Jean Dethier for the Centre Pompidou in 1985, among other exhibitions. Analysing certain important texts published in the catalogues of the aforementioned exhibitions, the debates that accompanied the exhibitions and an ensemble of articles in French architectural magazines such as L’Architecture d’aujourd’hui and the Techniques & Architecture, the article aims to present the questions that were at the centre of the debates regarding the opposition or osmosis between the modernist and postmodernist ideals. Some figures, such as Jean Nouvel, were more in favour of the cross-fertilisation between modernity and postmodernity, while others, such as Paul Chemetov, believed that architects should rediscover modernity in order to enhance the civic dimension of architecture. Following Pierre Bourdieu’s approach, the article argues that the tension between the ways in which each of these exhibitions treats the role of the image within architectural design and the role of architecture for the construction of a vision regarding progress is the expression of two divergent positions in social space.

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19

O'loughlin, T., and H. Conrad-O'Briain. "The ‘baptism of tears’ in early Anglo-Saxon sources." Anglo-Saxon England 22 (December 1993): 65–83. http://dx.doi.org/10.1017/s0263675100004312.

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In an article published in 1986 Michael Lapidge1 noted the occurrence of the term Umbrensium (from Humbrenses/Umbrenses) in both the U-text of Theodore's Indicia2 and the anonymous, eighth-century Whitby Vita S. Gregorii.3 This is by no means the only point of contact between the two works. Perhaps the most memorable episode in the Vita S. Gregorii is that of Gregory's weeping for the soul of Trajan, his tears having the effect of baptizing the dead emperor.

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20

Bell, Karen L., Haripriya Rangan, Rachael Fowler, Christian A. Kull, J. D. Pettigrew, Claudia E. Vickers, and Daniel J. Murphy. "Genetic diversity and biogeography of the boab Adansonia gregorii (Malvaceae: Bombacoideae)." Australian Journal of Botany 62, no. 2 (2014): 164. http://dx.doi.org/10.1071/bt13209.

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The Kimberley region of Western Australia is recognised for its high biodiversity and many endemic species, including the charismatic boab tree, Adansonia gregorii F.Muell. (Malvaceae: Bombacoideae). In order to assess the effects of biogeographic barriers on A. gregorii, we examined the genetic diversity and population structure of the tree species across its range in the Kimberley and adjacent areas to the east. Genetic variation at six microsatellite loci in 220 individuals from the entire species range was examined. Five weakly divergent populations, separated by west–east and coast–inland divides, were distinguished using spatial principal components analysis. However, the predominant pattern was low geographic structure and high gene flow. Coalescent analysis detected a population bottleneck and significant gene flow across these inferred biogeographic divides. Climate cycles and coastline changes following the last glacial maximum are implicated in decreases in ancient A. gregorii population size. Of all the potential gene flow vectors, various macropod species and humans are the most likely.

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21

van Winden, J. C. M., G. Heil, J. P. Cavarnos, and O. Lendle. "Gregorii Nysseni Sermones, pars II." Vigiliae Christianae 45, no. 3 (September 1991): 305. http://dx.doi.org/10.2307/1584461.

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22

Olovsson, Ivar. "Gregori Aminoff (1883–1947)." Physica Scripta 89, no. 12 (November 10, 2014): 128002. http://dx.doi.org/10.1088/0031-8949/89/12/128002.

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23

Jahns, Lisa. "Response to Gregori Letter." Journal of the American Dietetic Association 107, no. 4 (April 2007): 562–63. http://dx.doi.org/10.1016/j.jada.2007.02.045.

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24

Baydal Sala, Vicent. "Ressenya a Gregori Roig, Rosa M. (ed.), La Vall d’Uixó en el temps de la lloctinència de l’infant Martí (1372-1396), València, 2019." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 15 (June 10, 2020): 266. http://dx.doi.org/10.7203/scripta.15.17584.

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Ressenya a Gregori Roig, Rosa M. (ed.), La Vall d’Uixó en el temps de la lloctinència de l’infant Martí (1372-1396), València, Universitat de València, 2019, 368 pp., ISBN: 978-84-9134-420-9. Review to Gregori Roig, Rosa M. (ed.), La Vall d’Uixó en el temps de la lloctinència de l’infant Martí (1372-1396), València, Universitat de València, 2019, 368 pp., ISBN: 978-84-9134-420-9

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25

Sojka, Stanisław. "Przedchrześcijańskie "actio" i "contemplatio" a "vita activa" i "vita contemplativa" u św. Grzegorza Wielkiego." Vox Patrum 10 (June 15, 1986): 17–39. http://dx.doi.org/10.31743/vp.10462.

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26

Qin, Sheng, Hua-Hong Chen, Hans-Peter Klenk, Chang-Jin Kim, Li-Hua Xu, and Wen-Jun Li. "Saccharopolyspora gloriosae sp. nov., an endophytic actinomycete isolated from the stem of Gloriosa superba L." International Journal of Systematic and Evolutionary Microbiology 60, no. 5 (May 1, 2010): 1147–51. http://dx.doi.org/10.1099/ijs.0.015792-0.

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A Gram-stain-positive, aerobic actinomycete, strain YIM 60513T, was isolated from the stem of Gloriosa superba L. collected from tropical rainforest at Xishuangbanna, Yunnan Province, south-west China. 16S rRNA gene sequence analysis indicated that strain YIM 60513T belonged to the genus Saccharopolyspora and was closely related to Saccharopolyspora gregorii NCIB 12823T (99.1 % similarity) and Saccharopolyspora cebuensis SPE 10-1T (97.3 % similarity). Data for the predominant quinone [MK-9(H4)], major fatty acids (iso-C16 : 0, anteiso-C17 : 0 and C17 : 1 cis9) and G+C content of the genomic DNA (71.6 mol%) were similar to those for members of the genus Saccharopolyspora. The level of DNA–DNA relatedness between strain YIM 60513T and S. gregorii NCIB 12823T was 43 %. The combination of phylogenetic analysis, phenotypic differences, chemotaxonomic characteristics and DNA–DNA hybridization data supported the view that strain YIM 60513T should be distinguished from S. gregorii NCIB 12823T and S. cebuensis SPE 10-1T. Strain YIM 60513T therefore represents a novel species of the genus Saccharopolyspora, for which the name Saccharopolyspora gloriosae sp. nov. is proposed. The type strain is YIM 60513T (=KCTC 19243T =CCTCC AA 207006T).

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27

Custodio, Adriana R., Charles E. Simpson, and José F. Montenegro Valls. "Cruzabilidad entre Arachis gregoryi (Fabaceae) y especies silvestres de Arachis con distintos genomas." Bonplandia 30, no. 1 (December 23, 2020): 91. http://dx.doi.org/10.30972/bon.3014669.

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<p>Estudios de compatibilidad cruzada en Arachis L. han sacado a la luz posibles nuevas fuentes de genes para introgresión en el maní cultivado. Se hicieron un total de 32 cruzamientos distintos, utilizando A. gregoryi C.E. Simpson, Krapov. & Valls accesión V14957 como progenitor femenino y especies de Arachis que contienen siete genomas distintos como progenitores masculinos. Las 3167 polinizaciones resultaron en 153 híbridos inter e intraespecíficos confirmados. Estimaciones de viabilidad del polen paternal por tinción (PVS) variaron de 46.75 a 99.17%, mientras que el recuento de polen de los híbridos varió de 0.30 a 43.60 %, ese PVS más alto resultando de una combinación intraespecífica, lo que sugiere variabilidad apreciable entre accesiones de A. gregoryi. Las estimaciones de viabilidad del polen paterno por germinación (PVG) resultaron en valores consistentemente más bajos para todos los materiales, que van desde 41.91% a los 88.00%. Arachis gregoryi es importante para expandir la diversidad disponible de especies asociadas con el genoma B del maní; tiene el potencial de incorporarse como progenitor en cruzamientos que apuntan a la expansión de la base genética del maní y puede ser útil para concentrar genes importantes en líneas de premejoramento asociadas al genoma B.</p>

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28

Grunvald, Vitor. "Prazeres perigosos." Cadernos de Campo (São Paulo 1991) 27, no. 1 (December 26, 2018): 406–14. http://dx.doi.org/10.11606/issn.2316-9133.v27i1p406-414.

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29

Nelvo, Romário Vieira. "Da vida baunilha aos êxtases no erotismo contemporâneo: Prazeres perigosos: erotismo, gênero e limites da sexualidade, de Maria Filomena Gregori." Revista de Antropologia 61, no. 1 (April 27, 2018): 395. http://dx.doi.org/10.11606/2179-0892.ra.2018.145532.

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30

Milani, Matteo. "I quadri poetici di «Generale» di Francesco De Gregori." Carte Romanze. Rivista di Filologia e Linguistica Romanze dalle Origini al Rinascimento 10, no. 2 (December 23, 2022): 377–400. http://dx.doi.org/10.54103/2282-7447/18730.

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Con Generale (singolo di apertura dell’album De Gregori, 1978), Francesco De Gregori dipinge «un mare di immagini di altissimo linguaggio poetico in canzone, violente, esplosive, immediate, da non starci a pensare su». Questa struggente successione di quadri poetici e musicali (la collina, il treno, il Natale, le lacrime e il ritorno), una delle piú intense della tradizione cantautoriale italiana, trova la sua guida testuale e ritmica in un delicato, ma saldo equilibrio di strutture metriche, figure retoriche e scelte lessicali, interne alle singole strofe e trasversali all’intero componimento: la loro decodifica può aiutare a comprendere la forza incalzante di questa «gran canzone di pace» (Roberto Vecchioni).

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31

Gee, Bryan M., and William G. Parker. "A juvenile Koskinonodon perfectus (Temnospondyli, Metoposauridae) from the Upper Triassic of Arizona and its implications for the taxonomy of North American metoposaurids." Journal of Paleontology 91, no. 5 (May 2, 2017): 1047–59. http://dx.doi.org/10.1017/jpa.2017.18.

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AbstractMetoposaurids are temnospondyl amphibians that are well known from Upper Triassic deposits in North America, Europe, India, and Africa. Two species of metoposaurids, Koskinonodon perfectus and Apachesaurus gregorii, are among the most common fossils found in the Petrified Forest National Park (PEFO) of the southwestern United States. The two are distinguished on the basis of several cranial traits and the morphology of their intercentra, and are more informally distinguished by their overall size and biostratigraphic range. While material of adult metoposaurids is extremely common in Upper Triassic deposits, described material of juveniles is very rare, which limits the study of ontogenetic trajectories that would assist in assessing whether diagnostic traits of the smaller A. gregorii are also ontogenetically influenced traits in juveniles of K. perfectus. Here we report on material from a juvenile specimen of K. perfectus from the Petrified Forest Member (Norian) of the Chinle Formation in the PEFO. This specimen is significant because it represents the highest known occurrence of the species within the PEFO, documents a rare occurrence of a juvenile specimen of a North American metoposaurid, and records a rare North American metoposaurid specimen that includes associated cranial and postcranial material. Additionally, the combination of cranial features diagnostic of K. perfectus and intercentra of proportions intermediate between K. perfectus and A. gregorii in this specimen raises questions about the utility of several characters for species discrimination in North American metoposaurids.

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32

van Winden, J. C. M., J. Kenneth Downing, Jacobus A. McDonough, and Hadwiga Horner. "Gregorii Nysseni Opera Dogmatica Minora, Pars II." Vigiliae Christianae 42, no. 1 (March 1988): 91. http://dx.doi.org/10.2307/1584477.

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33

Ruiz-Romero, Erick, Katia Berenice Sánchez-López, María de los Angeles Coutiño-Coutiño, Sirenia González-Pozos, Juan Manuel Bello-López, María Patricia López-Ramírez, Daniel Alejandro Ramírez-Villanueva, and Luc Dendooven. "Natronobacterium texcoconense sp. nov., a haloalkaliphilic archaeon isolated from soil of a former lake." International Journal of Systematic and Evolutionary Microbiology 63, Pt_11 (November 1, 2013): 4163–66. http://dx.doi.org/10.1099/ijs.0.053629-0.

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A novel haloalkaliphilic archaeon, strain B23T was isolated from the former lake Texcoco in Mexico. The strain was Gram-stain-negative, the cells coccoid to ovoid rods, red pigmented and aerobic. Strain B23T grew in 1.7–4.3 M NaCl, at pH 6.5–9.5 and at 25–45 °C with optimal growth at 2.6–3.4 M NaCl, pH 7.5–8.5 and 37 °C. Phylogenetic analysis based on 16S rRNA gene sequences revealed that strain B23T was most closely related to Natronobacterium gregoryi SP2T with 97.3 % sequence similarity. The polar lipids of strain B23T were phosphatidylglycerol and several unidentified phospholipids. The G+C content of the DNA of the strain was 62.5 mol%. Levels of DNA–DNA relatedness between strain B23T and Natronobacterium gregoryi DSM 3393T was 32.3 %. The name Natronobacterium texcoconense sp. nov. is proposed. The type strain is B23T ( = CECT 8068T = JCM 17655T).

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34

Jiao, Zhenhua. "On Fixed Point Theorems in Intuitionistic Fuzzy Metric Spaces." Journal of Applied Mathematics 2012 (2012): 1–9. http://dx.doi.org/10.1155/2012/474983.

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35

NOVELO-GUTIÉRREZ, RODOLFO, and ROBERT W. SITES. "The probable larva of Anotogaster gregoryi Fraser, 1923, with new distributional records of the genus from northern Thailand (Odonata: Cordulegastridae)." Zootaxa 4565, no. 1 (March 7, 2019): 138. http://dx.doi.org/10.11646/zootaxa.4565.1.12.

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The probable larva of Anotogaster gregoryi Fraser, 1923 is described for the first time by supposition based upon four F-0 larvae collected in the provinces of Loei and Phitsanulok, which are new province records for Anotogaster in Thailand.

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36

Longosz, Stanisław. "Dramatyzowane homilie o Janie Chrzcicielu i chrzcie Chrystusa." Vox Patrum 44 (March 30, 2003): 65–75. http://dx.doi.org/10.31743/vp.8066.

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Hac in brevi dissertatiuncula explicantur duae dramaticae homiliae: faise attributa Gregorio Thaumaturgo patriarchae Gregorii Antiocheni et Pseudo-Eusebii Alexandrini, quae iuxta auctorem constituunt validum momentum in processu formandi dramatis christiani; uti appendix proponitur prima Polonorum translatio homiliae pseudo-Eusebianae de baptismo.

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37

Novillo López, Miguel Ángel. "Reseña de: Gregori, Gian Luca – Almagno, Giovanii, Roman Calendars: Imperial Birthdays, Victories and Triumph." Espacio Tiempo y Forma. Serie II, Historia Antigua, no. 32 (November 7, 2019): 299. http://dx.doi.org/10.5944/etfii.32.2019.25899.

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38

Ferrer del Río, Estefania. "Ressenya a Rosa Mª Gregori Roig, La impressora Jerònima Galés i els Mey (València, segle XVI), València, Generalitat Valenciana-Biblioteca Valenciana, 2012." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 2, no. 2 (December 17, 2013): 357. http://dx.doi.org/10.7203/scripta.2.3072.

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39

Simioni, Ana Paula Cavalcanti. "Anatomia de um Móvel Moderno: algumas questões em torno do Mobiliário da Casa Modernista, de Gregori Warchavchik." ARS (São Paulo) 10, no. 20 (November 14, 2012): 42. http://dx.doi.org/10.11606/issn.2178-0447.ars.2012.64421.

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<p>A afirmação da estética modernista no Brasil perpassa diversas práticas artísticas, entre elas o da decoração de interiores. De um modo geral, o protagonismo na introdução do design modernista no Brasil é atribuído ao suíço John Graz e ao ucraniano Gregori Warchavchik, dois imigrantes aportados no país em inícios da década de 19202. Sem contestar o papel que ambos desempenharam para a promoção de uma atualização do design de interiores, o presente artigo pretende analisar o mobiliário concebido por Gregori Warchavchik para a Casa Modernista procurando mostrar que esse, em sua materialidade, apresenta contradições que transparecem os impasses então vivenciados entre um certo ideário modernista almejado e as práticas concretas possíveis para sua realização na cidade de São Paulo em inícios do século XX.</p>

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40

YANG, GUO-HUI, HAO-MIAO ZHANG, and ALBERT G. ORR. "Descriptions of larvae of Caliphaea angka Hämäläinen, 2003 and Mnais gregoryi Fraser, 1924 (Odonata: Calopterygidae)." Zootaxa 4926, no. 2 (February 5, 2021): 276–84. http://dx.doi.org/10.11646/zootaxa.4926.2.7.

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The larvae of Caliphaea angka Hämäläinen, 2003 and Mnais gregoryi Fraser, 1924 are described and illustrated for the first time from Erhai lake Basin, Yunnan Province, China. Notes on their habitat are provided. This paper represents the first verified description of the larva of Caliphaea Hagen in Selys, 1859.

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41

Boyce, James, Antiphonarium de Tempore, and Antiphonarium de Sanctis. "Illustrisimi Domini Alfonsi Gregorii Archiep. Caesaraugustani iussu aeditum." Notes 54, no. 3 (March 1998): 773. http://dx.doi.org/10.2307/899921.

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42

Hall, S. G. "Gregorii Nysseni Epistula Canonica. Edited by EKKEHARD MuHLENBERG." Journal of Theological Studies 60, no. 1 (November 12, 2008): 291–93. http://dx.doi.org/10.1093/jts/flp007.

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43

Maddalena, Giovanni. "Comentario en contexto de Vincent M. Colapietro, Acción, sociabilidad y drama. Un retrato pragmatista del animal humano, La Plata, Edulp, 2020." Revista de Filosofía (La Plata) 52, no. 1 (June 1, 2022): e043. http://dx.doi.org/10.24215/29533392e043.

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Comentario en contexto de Vincent M. Colapietro, Acción, sociabilidad y drama. Un retrato pragmatista del animal humano, La Plata, Edulp, 2020 reseña por Giovanni Maddalena. Traducción: Cristina Di Gregori, Livio Mattarollo y Giovanni Maddalena.

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44

Lira, José Tavares Correia de. "Ruptura e construção: Gregori Warchavchik, 1917-1927." Novos Estudos - CEBRAP, no. 78 (July 2007): 145–67. http://dx.doi.org/10.1590/s0101-33002007000200013.

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A obra de Gregori Warchavchik (1896-1972) vem sendo tratada como um esboço de renovação, isolado e ambíguo, sem conseqüências sobre os rumos da moderna arquitetura brasileira. Não é de estranhar que até hoje o arquiteto não tenha merecido um exame minucioso de sua trajetória. Este artigo se detém nos anos de formação do arquiteto russo, na tentativa de melhor situá-lo na história do modernismo brasileiro e do modernismo arquitetônico em particular.

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45

Bolo Martínez, Laura. "Carme Gregori & Xavier Rosselló (eds.), «L’empremta del mite en la literatura del primer terç del segle XX», Barcelona, Publicacions de l’Abadia de Montserrat, 2018." Caplletra. Revista Internacional de Filologia, no. 68 (April 1, 2020): 249. http://dx.doi.org/10.7203/caplletra.68.16480.

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Ressenya sobre el llibre de Carme Gregori & Xavier Rosselló (eds.), L’empremta del mite en la literatura del primer terç del segle XX, Barcelona, Publicacions de l’Abadia de Montserrat, 2018, ISBN: 978-84-9191-027-5.

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46

Łukaszyk, Ewa. ""In the Pleats of Great Languages": Minor Romance Literatures in Europe." Colloquia Humanistica, no. 2 (June 13, 2015): 293–96. http://dx.doi.org/10.11649/ch.2013.013.

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"In the Pleats of Great Languages": Minor Romance Literatures in EuropeThis text is a review of the book: „Literatury mniejsze” Europy romańskiej, Mirosław Loba, Barbara Łuczak, Alfons Gregori (eds), Wydawnictwo Naukowe UAM, Poznań 2012, 236 pp.

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47

Marcillas, Isabel. "F. Carbó, C. Gregori & R. X. Rosselló, (eds.), «La ironia en les literatures occidentals des de l’inici de segle fins a 1939», 2016, Barcelona, PAM, 551 pp." Caplletra. Revista Internacional de Filologia, no. 64 (March 22, 2018): 271. http://dx.doi.org/10.7203/caplletra.64.11396.

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Ressenya sobre el llibre de F. Carbó, C. Gregori & R. X. Rosselló, (eds.), «La ironia en les literatures occidentals des de l’inici de segle fins a 1939», 2016, Barcelona, Publicacions de l’Abadia de Montserrat, 551 pp., ISBN: 978-84-9883-873-2.

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48

Fuertes Zapata, Joan Vicent. "Ressenya a Emilio Callado Estela & María Milagros Cárcel Ortí & Joaquim Martí Mestre & Vicente Pons Alós, L’episcopologi valencià de Gregori Ivanyes (segle XVI), València/Barcelona, 2018." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 12 (December 21, 2018): 251. http://dx.doi.org/10.7203/scripta.12.13654.

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Resenya a Emilio Callado Estela & María Milagros Cárcel Ortí & Joaquim Martí Mestre & Vicente Pons Alós, L'episcopologi valencià de Gregori Ivanyes (segle XVI), València / Barcelona, Institut Interuniversitari de Filologia Valenciana / Publicacions de l'Abadia de Montserrat, 2018, 186 pp.. ISBN: 978-849883-981-4.

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49

Knyazev, M. S. "Review of the genus Astragalus section Helmia (Fabaceae)." Novitates Systematicae Plantarum Vascularium, no. 50 (2019): 120–31. http://dx.doi.org/10.31111/novitates/2019.50.120.

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A taxonomic review of species and intraspecific taxa of the Astragalus L. section Helmia Bunge is presented. We treat the section Helmia in a traditional, narrow scope, including only 9 species and subspecies: A. helmii Fisch. ex DC., A. tergeminus (Knjaz., Kulikov et E. G. Philippov) Knjaz., A. permiensis C. A. Mey. ex Rupr., A. depauperatus Ledeb. (= A. chakassiensis Polozhij), A. kasachstanicus Golosk. subsp. kasachstanicus, A. kasachstanicus subsp. coloratus Knjaz., A. gregorii B. Fedtsch. et Basil. (= A. tuvinicus Timokhina), A. heptapotamicus Sumnev., A. ionae Palib. ex Gontsch. et Popov. With regard to the other 16 species of sect. Helmia in its widest sense, as accepted in the monograph by D. Podlech and Sh. Zarre (2013), we believe it more correct to attribute them to other sections. The rank of A. helmii var. tergeminus Knjaz., Kulikov et E. G. Philippov is raised to the species, A. tergeminus (Knjaz., Kulikov et E. G. Philippov) Knjaz. It is shown that A. gregorii is a priority name of A. tuvinicus. The epitype of A. permiensis C. A. Mey. ex Rupr. is designated. An identification key and a map of distribution for all species and subspecies of Astragalus sect. Helmia are presented.

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50

Turner, S. R., and K. W. Dixon. "Seed dormancy and germination in the Australian baobab, Adansonia gregorii F. Muell." Seed Science Research 19, no. 4 (December 2009): 261–66. http://dx.doi.org/10.1017/s0960258509990134.

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AbstractSeeds of the iconic Australian baobab Adansonia gregorii display physical dormancy (PY) and germinate readily once they become water permeable, a trait found in most other species in this genus. Highest germination (100%) was observed when seeds were placed in concentrated sulphuric acid (H2SO4) for 24 h, although exposure to H2SO4 for 6–12 h also resulted in >85% germination. Exposure to boiling water for 1–5 min was far less effective in promoting germination (0–23%), although a high number of seeds were water permeable (67–99%) following boiling water treatment. However, the majority of these water-permeable seeds appeared to have been injured by boiling water exposure. Germination at warmer temperatures (30 or 35°C) was found to be optimal (81–83% germination) and proceeded rapidly, with maximum germination occurring after incubation for only 8 d. In comparison, germination at 15–25°C resulted in 3–67% germination over a longer time frame (up to 20 d). While seeds of A. gregorii display PY they are unusually sensitive to dipping in boiling water and are therefore atypical when compared to most other Adansonia species.

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