Книги з теми "Glozel artifacts"

The Pictorial Art of El Greco: Transmaterialities, Temporalities, and Media investigates El Greco’s pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses that El Greco created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented burgeoning of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrates that El Greco forged his own independent trajectory. While his paintings have been studied in relation to the Italian and Spanish school traditions, his pictorial art in a global Mediterranean context continues to receive scant attention. Taking a global perspective as its focus, the book sheds new light on El Greco’s highly original contribution to early Mediterranean and multi-institutional configurations of the Christian faith in Byzantium, Venice, Rome, Toledo, and Madrid.

Industrialization refers to an economic transformation that is recent and different in scale and scope from the mere making of artifacts and has involved the rapid rise in the significance of manufacturing in relation to all other forms of production and work undertaken within national economies. This article discusses the many facets of industrialization: industrialization as a historical process; the present tendencies and future trends in global diffusion; inter-sectoral connections; international relations and the global context; and industrialization on a global scale over the very long run. In the twenty-first century success seems to require new and different political and social capabilities that are already shifting the concentrations of industrial activity away from Europe and North America and back to Asia.

This chapter shows that three of the central debates within global normative theory are afflicted by the three pathologies associated with the dominant approach. Constructivist methods for identifying principles of justice are both blatantly undemocratic and severely distortional; debates about the scope of justice are depoliticizing, question begging, and philosophically irresolvable; claims about how the global order affects the poor depoliticize and distort power relations in the global economy and ignore the ideological context in which the claims themselves operate. The argument is not that IMT gives problematic answers to these questions but rather that the questions themselves are unhelpful and unnecessary, artifacts of the approach. In making these arguments, the chapter continues the work of defamiliarization begun in the previous chapter.

The creative reuse of materials, texts, and ideas was a common phenomenon in the medieval world. The seven chapters offer here a synchronic and diachronic consideration of the receptions and meanings of events and artifacts, analyzing the processes that allowed medieval works to remain relevant in sociocultural contexts far removed from those in which they originated. In the process, they elucidate the global valences of recycling, revision, and relocation throughout the interconnected Middle Ages, and their continued relevance for the shaping of modernity. The essays examine cases in the Arab and Muslim world, China and Mongolia, and the Prussian-Lithuanian frontier of eastern Europe.

Completing Juliette Wells’ groundbreaking trio of books on Austen’s readers, this latest volume revolutionizes our understanding of how Austen came to be viewed as the world’s greatest novelist. Wells shows that Austen’s global reputation was established not by British scholars, as is commonly believed, but by visionary American writers and collectors, working largely outside academia. Drawing on extensive research, Wells weaves together colorful, compelling case studies of men and women who, from the 1880s to the 1980s, helped readers appreciate Austen’s novels, persuasively advocated for her place in the literary canon, and preserved artifacts vital to her legacy. Engagingly written and extensively illustrated, A New Jane Austen will inform and delight scholars and Austen fans alike.

This chapter explores the key factors involved in the interaction between religion and globalization. It highlights the roles played by transnational networks, fields, and regimes, as well as migrant and religious diasporas, mass culture, and electronic media in the global circulation and appropriation of religious practices, beliefs, symbols, artifacts, and identities. Using the examples of religious networks associated with Islam, Hinduism, and Christianities, the chapter also argues that while the economic dimensions of religion in a context of globalization are central, the dynamics of global religious fields cannot be reduced to those of the world capitalist system. Religious flows and networks are multi-directional. There is thus a need to develop interdisciplinary and multi-sited approaches to these flows and networks, examining the ways in which they challenge fixed center–periphery models and produce alternative power/geometries shaping religious identities, cultures, and embodied as well as spatialized ontologies.

The global market in antiquities has been described as a grey market. We provide a breakdown of the meanings and implications of this greyness. Usually the term refers to the mixing of recently looted antiquities with those that can be sold legally, thus the antiquities market is grey because illicit objects are sold via a public and purportedly legitimate network of dealers and auction houses. This is supported by a second form of greyness: the ethically grey status of individual looted objects after time and their passage through jurisdictions via multiple trades obscures or overwrites their illicit origins. It is also supported by a greying of ethical judgment, achieved through a discourse that permits the purchase of illicit objects in constructed circumstances of “saving” or “preserving” artifacts.

This chapter, which describes why religion is resurging in the political sphere and the conditions under which religion is most likely to cause troubling violence, also places the source of the problem at the intersection of local politics and three global trends: modernization, democratization, and globalization. The urbanization that accompanied modernization is largely an artifact of the increasing industrialization of production, including especially agricultural production. A greater voice for religion and religious actors is assisted by the global movement toward greater democratization. When globalization accelerated, religious actors are in a position to harness its associated technologies. In the current era, the transnational dimensions of religion, and in particular Islam, explain why religious civil wars have the character of starting out local and then becoming more global. Solving religiously inspired violence demands the combination of religious authority with a better idea.

This chapter considers the ways Charles Chesnutt and other writers at the turn of the twentieth century critically responded to the project of postbellum national reconciliation, which involved not only a recommitment to national expansion and the increasingly global projection of American power, but also the proliferation of monumental structures and historical celebrations that enabled and justified that imperial agenda. The chapter focuses on Charles Chesnutt’s early work in relation to this resurgent imperial culture of the postbellum United States. While monumental constructions and public rituals commemorating national history aimed to reassert the Jeffersonian notion of the “empire for liberty,” Chesnutt’s early fiction—in alignment with the writings of contemporaries like T. Thomas Fortune and Pauline Hopkins—reads these cultural rituals and artifacts as evidence of the persistence of the “empire of slavery” by another name.

Human communication has been largely influenced by the global popularization of social network sites such as Facebook over the past decade. From PCs to mobile phones, humans can now communicate in ways never before experienced during our history on Earth; moreover, sites like Facebook are providing a novel platform for engaging in female intrasexual competition. Through cyberbullying, selfies, and Facebook “stalking,” females are engaging in traditional strategies of intrasexual competition (i.e., self-promotion, rival derogation, mate manipulation, and competitor manipulation) in an evolutionarily novel social environment. This chapter examines what is new about social interactions that take place online and what is an artifact of our evolutionary heritage. Additionally, it argues that the self-promoting material that Facebook users post to the site is indicative of underlying fitness; therefore Facebook postings are an example of a modern-day extended phenotype.

Shanghai, long known as mainland China’s most cosmopolitan metropolis, has recently re-emerged as a global capital. Above sea: Contemporary art, urban culture, and the fashioning of global Shanghai offers the first in-depth examination of turn of the twenty-first century Shanghai-based art and design – from state-sponsored exhibitions to fashionable cultural complexes to cutting edge films and installations. This book offers a counter-touristic view of one of the world’s fastest developing megacities that penetrates the contradictions and buried layers of specific locales and artifacts of visual culture. Informed by years of in-situ research including interviews with artists and designers, the book looks beyond contemporary art’s global hype to reveal persistent socio-political tensions accompanying Shanghai’s explosive transitions from semi-colonial capitalism to Maoist socialism to Communist Party-sponsored capitalism. Analyses of exemplary design projects such as Xintiandi and Shanghai Tang, and artworks by Liu Jianhua, Yang Fudong, Gu Wenda and more reveal how Shanghai’s global aesthetics construct glamorizing artifices that mask historically-rooted cross-cultural conflicts between vying notions of foreign-influenced modernity versus anti-colonialist nationalism, and the city’s repressed socialist past versus consumerist present. The book focuses on Shanghai-based art and design from the 1990s-2000s, the decades of the city’s most rapid post-socialist development, while also attending to pivotal Republican and Mao Era examples. Challenging the “East-meets-West” clichés that characterize discussions of urban Shanghai and contemporary Chinese art, this book illuminates critical issues facing today’s artists, architects, and designers, and provides an essential field guide for students of art, design, art history, urban studies, and Chinese culture.

This one-volume encyclopedia introduces readers to the world's cryptids—those hidden or secret animals believed to exist at the margins of human society—including Bigfoot, Yeti, the Loch Ness Monster, and the Mothman. This one-volume encyclopedia introduces readers to the world's cryptids—those hidden or secret animals believed to exist at the margins of human society—including Bigfoot, Yeti, the Loch Ness Monster, and the Mothman. Comprehensive in its scope, this book is a valuable resource for anyone who wants to know more about well-known creatures of myth and legend, such as the Chupacabra and the Jersey Devil, and discover lesser-known animals, such as the Bunyip of Australia and the Mamlambo of South Africa. Rather than purport to prove or deny the existence of these creatures, however, this volume classifies them within their respective cultural, historical, and social contexts, allowing readers to appreciate cryptids as cultural artifacts important to societies around the globe. Finally, this book goes beyond the study of the unknown to investigate who believes in cryptids, why they do, and why the study of cryptozoology is as much about understanding cryptids as it is about understanding ourselves.

The Archaeology of New Netherland illuminates the influence of the Dutch empire in North America, assembling evidence from seventeenth-century settlements located in present-day New York, New Jersey, Connecticut, Pennsylvania, and Delaware. Archaeological data from this important early colony has often been overlooked because it lies underneath major urban and industrial regions, and this collection makes a wealth of information widely available for the first time. Contributors to this volume begin by discussing the global context of Dutch colonization and reviewing typical Dutch material culture of the time as seen in ceramics from Amsterdam households. Next, they focus on communities and activities at colonial sites such as forts, trading stations, drinking houses, and farms. The essays examine the agency and impact of Indigenous people and enslaved Africans, particularly women, in the society of New Netherland, and they trace interactions between Dutch settlers and Europeans from other colonies including New Sweden. The volume also features landmark studies of cooking pots, marbles, tobacco pipes, and other artifacts. The research in this volume offers an invitation to investigate New Netherland with the same sustained rigor that archaeologists and historians have shown for English colonialism. The many topics outlined here will serve as starting points for further work on early Dutch expansion in America.

The North American Arctic was one of the last regions on Earth to be settled by humans, due to its extreme climate, limited range of resources, and remoteness from populated areas. Despite these factors, it holds a rich and complex history relating to Inuit, Iñupiat, Inuvialuit, Yupik, and Aleut peoples and their ancestors. The artifacts, dwellings, and food remains of these ancient peoples are remarkably well preserved due to cold temperatures and permafrost, allowing archaeologists to reconstruct their lifeways with great accuracy. Furthermore, the combination of modern Elders’ traditional knowledge with the region’s high-resolution ethnographic record allows past peoples’ lives to be reconstructed to a level simply not possible elsewhere. Combined, these factors yield an archaeological record of global significance—the Arctic provides ideal case studies relating to issues as diverse as the impacts of climate change on human societies, the complex process of interaction between indigenous peoples and Europeans, and the dynamic relationships between environment, economy, social organization, and ideology in hunter-gatherer societies. In this book, each Arctic cultural tradition is described in detail, with up-to-date coverage of recent interpretations of all aspects of their lifeways. Additional chapters cover broad themes applicable to the full range of arctic cultures, such as trade, stone tool technology, ancient DNA research, and the relationship between archaeology and modern arctic communities. The resulting volume, written by the region’s leading researchers, is by far the most comprehensive coverage of North American arctic archaeology ever assembled.

In The Valkyries’ Loom, Michèle Hayeur Smith examines Viking textiles as evidence of the little-known work of women in the Norse colonies that expanded from Scandinavia across the North Atlantic in the ninth century AD. While previous researchers have overlooked textiles as insignificant artifacts, Hayeur Smith is the first to use them to understand gender and economy in Norse societies of the North Atlantic.This groundbreaking study is based on the author’s systematic comparative analysis of the vast textile collections in Iceland, Greenland, Denmark, Scotland, and the Faroe Islands, materials that are largely unknown even to archaeologists and span 1,000 years. Through these garments and fragments, Hayeur Smith provides new insights into how the women of these island nations influenced international trade by producing cloth (vaðmál); how they shaped the development of national identities by creating clothing; and how they helped their communities survive climate change by reengineering clothes during the Little Ice Age. She supplements her analysis by revealing societal attitudes about weaving through the poem “Darraðarljoð” from Njál’s Saga, in which the Valkyries—Óðin’s female warrior spirits—produce the cloth of history and decide the fates of men and nations.Bringing Norse women and their labor to the forefront of research, Hayeur Smith establishes the foundation for a gendered archaeology of the North Atlantic that has never been attempted before. This monumental and innovative work contributes to global discussions about the hidden roles of women in past societies in preserving tradition and guiding change.

Small Spaces recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people—the servants, women, children, subalterns, and racialized minorities—who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. Taking the British empire in India as its primary focus, this book presents fourteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale – global trade networks, vast regions, and architectures of power and domination – Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Recasting the Architecture of the British Empire is an invitation to shift our attention to the small spaces that have long been considered insignificant because of their size or location, or the minor role they seemingly play in economic and political histories. Such spaces are discontinuous, never front and center. They are work spaces, storage spaces, cook rooms, and bottlekhanas—spaces with uncertain names and hazy genealogies. Spaces of privacy and privation, they tremor with unanticipated potential. Drawing on the archive of the British empire, Chattopadhyay offers a new approach to spaces such as the kitchen and verandah, and artifacts like the book shelf and a box of homeopathic medicine to demonstrate how attention to small scale and size, and the lived worlds of small spaces might help us rethink empire as a global enterprise.

Adaptive governance is defined by a focus on decentralized decision-making structures and procedurally rational policy, supported by intensive natural and social science. Decentralized decision-making structures allow a large, complex problem like global climate change to be factored into many smaller problems, each more tractable for policy and scientific purposes. Many smaller problems can be addressed separately and concurrently by smaller communities. Procedurally rational policy in each community is an adaptation to profound uncertainties, inherent in complex systems and cognitive constraints, that limit predictability. Hence planning to meet projected targets and timetables is secondary to continuing appraisal of incremental steps toward long-term goals: What has and hasn’t worked compared to a historical baseline, and why? Each step in such trial-and-error processes depends on politics to balance, if not integrate, the interests of multiple participants to advance their common interest—the point of governance in a free society. Intensive science recognizes that each community is unique because the interests, interactions, and environmental responses of its participants are multiple and coevolve. Hence, inquiry focuses on case studies of particular contexts considered comprehensively and in some detail.Varieties of adaptive governance emerged in response to the limitations of scientific management, the dominant pattern of governance in the 20th century. In scientific management, central authorities sought technically rational policies supported by predictive science to rise above politics and thereby realize policy goals more efficiently from the top down. This approach was manifest in the framing of climate change as an “irreducibly global” problem in the years around 1990. The Intergovernmental Panel on Climate Change (IPCC) was established to assess science for the Conference of the Parties (COP) to the U.N. Framework Convention on Climate Change (UNFCCC). The parties negotiated the Kyoto Protocol that attempted to prescribe legally binding targets and timetables for national reductions in greenhouse gas emissions. But progress under the protocol fell far short of realizing the ultimate objective in Article 1 of the UNFCCC, “stabilization of greenhouse gas concentrations in the atmosphere at a level that would prevent dangerous anthropogenic interference in the climate system.” As concentrations continued to increase, the COP recognized the limitations of this approach in Copenhagen in 2009 and authorized nationally determined contributions to greenhouse gas reductions in the Paris Agreement in 2015.Adaptive governance is a promising but underutilized approach to advancing common interests in response to climate impacts. The interests affected by climate, and their relative priorities, differ from one community to the next, but typically they include protecting life and limb, property and prosperity, other human artifacts, and ecosystem services, while minimizing costs. Adaptive governance is promising because some communities have made significant progress in reducing their losses and vulnerability to climate impacts in the course of advancing their common interests. In doing so, they provide field-tested models for similar communities to consider. Policies that have worked anywhere in a network tend to be diffused for possible adaptation elsewhere in that network. Policies that have worked consistently intensify and justify collective action from the bottom up to reallocate supporting resources from the top down. Researchers can help realize the potential of adaptive governance on larger scales by recognizing it as a complementary approach in climate policy—not a substitute for scientific management, the historical baseline.