Дисертації з теми "Glass conservation"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-18 дисертацій для дослідження на тему "Glass conservation".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
Carothers, Milena R. "Ancient Cypriot Glass: Production, Reception, and the Collections at the Claremont Colleges." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1339.
Повний текст джерелаRyan, Jason Lawrence. "The atmospheric deterioration of glass : studies of decay mechanisms and conservation techniques." Thesis, Imperial College London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361666.
Повний текст джерелаWertheimer, Mariana Gaelzer. "A arte vitral do século XX em Pelotas, RS." Universidade Federal de Pelotas, 2011. http://repositorio.ufpel.edu.br/handle/ri/1050.
Повний текст джерелаIn order to understand the manifestation of the stained glass art of the XX century in the city of Pelotas, it was necessary to acknowledge its general aspect, its evolution and historical processes, its technological and composing characteristics, as well as its degradation process. It was possible to identify thirteen stained glass examples in the central area of the city of Pelotas using a methodology of instrumental survey of cadastral records. The stained glass examples were analyzed according to formal and technological characteristics, and also aspects regarding its conservation and changes caused by the passage of time or by human intervention. The analysis showed different types of stained glasses considering either its iconography or its technological aspect. This survey of thirteen examples of stained glass carried out in the city of Pelotas showed that they represent the economic and cultural power of the city. Although there is a large gap it is possible to consider that the stained glasses represent a cultural manifestation with European influence although not related to the Portuguese tradition. As a symbol of economic and cultural progress of the city, its manufacture has not been very much changed through the years. The religious stained glasses identified date back to the medieval tradition, they represent the narrative and the mark of their donor. The profane ones have decorative characteristics representing floral or bucolic motifs related to the New Art tradition and the movements of Applied Arts
Para compreender a manifestação da arte do vitral do século XX na cidade de Pelotas, foi necessário conhecê-la em seu aspecto geral, seu processo evolutivo, histórico, suas características tecnológicas e compositivas, assim como seu processo de degradação. A partir de uma metodologia de levantamento instrumentalizado com fichas cadastrais, foi possível identificar treze exemplares de vitrais na zona central da cidade de Pelotas. Os exemplares foram analisados quanto as suas características formais e tecnológicas e, também, quanto aos aspectos de conservação e alterações causadas pela ação do tempo ou pela intervenção humana. A análise permitiu identificar diferentes tipologias de vitrais, que r seja sob o olhar tecnológico quer sob o olhar iconográfico. O levantamento dos exemplares de vitrais pelotenses, feito nesta pesquisa, mostrou serem estes representativos do poder econômico e cultural da cidade e que, apesar de grandes lacunas, pode-se considerar que estes representam uma manifestação cultural com influência europeia sem, no entanto, se vincular à tradição portuguesa, e que, sendo um símbolo de progresso econômico e social da cidade, sua manufatura pouco se alterou desde as suas origens. Os vitrais religiosos identificados remontam à tradição medieval da narrativa e da presença da marca dos doadores. Os vitrais profanos trazem características decorativas representando motivos florais ou bucólicos, vinculados à tradição da Arte Nova e dos movimentos de Artes Aplicadas
Allard, Austin. "Energy-Saving Non-Metallic Connectors for Precast Sandwich Wall Systems in Cold Regions." Thesis, North Dakota State University, 2014. https://hdl.handle.net/10365/26840.
Повний текст джерелаND EPSCoR
Lee, Eunji (Jubee). "After the big wind stops I see gentle waves." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5367.
Повний текст джерелаKuchenbecker, Emily E. "Lifetime." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5838.
Повний текст джерелаDeMer, Stephanie. "Enact in Disappearance." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5454.
Повний текст джерелаAlloteau, Fanny. "Contribution à la compréhension des mécanismes de l'altération atmosphérique des verres et étude d'un traitement de protection à base de sels de zinc." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEC004/document.
Повний текст джерелаIn the cultural heritage field, it is of major concern to develop new protective methods for ancient glass objects that decay under atmosphere. In this framework, two complementary research directions are undertaken. The first one aims to get a better understanding of the glass atmospheric alteration mechanisms at a small scale. The second one is focused on the potentiality of a zinc salt surface treatment. By the mean of accelerated ageing experiments (temperature and humidity control) of replica glasses (alkali silicates), untreated or zinc salts treated, the evolution of the glass surface and sub-surface with atmospheric alteration are evaluated at different scales (macro – nano). These surface modifications are compared to the properties of hydrated layers of ancient glass objects that have been altered over decades. The influence of the ageing temperature and the glass composition on the atmospheric alteration mechanisms are highlighted. In particular, these parameters affect the proportion of alkali elements that are retained into the hydrated layer, which would severely impact the glass chemical durability. Positive effect of a zinc salt treatment to reduce the replica glasses hydration kinetics is shown with ageing experiments at 80 °C or 40 °C, when the glass surfaces are not pre-altered before the deposit. The formation of thermally activated zinc species that react with the glass surface are put in evidence as well as their predominant role in the protection mechanisms. Therefore, a zinc salt treatment might be considered if a heating step of the glass object is accepted (around 60 °C). However, the treatment performances seem to be strongly dependent on the surface alteration degree before the deposit. This point is critical for the relevance of the treatment for the glass artwork conservation and should be investigated deeper. Others directions of research are arisen in this work and should be followed to propose new protective methods in the longer terms
Dvořáková, Zuzana. "Obchodní dům "Centrum" v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-227137.
Повний текст джерелаPage, Marine. "Création d'objets mats : optimisation d’un procédé d’impression en relief en termes d’apparence." Thesis, Paris, CNAM, 2018. http://www.theses.fr/2018CNAM1204/document.
Повний текст джерела2.5D printing is between traditional color printing, for the process and its visual quality, and 3D printing, which makes forms and reliefs by ink superposition. Because of its properties, 2.5D printing could allow the realistic reproduction of objects and surfaces, but inks are too glossy. To reduce and control this glossy aspect of inks, we modulate the roughness of the printed layers, at the micro-scale, both in frequency and amplitude. Influence of parameters was measured, and different strategies were suggested to reduce sparkle and to allow the creation of matte colored layers: by constituting a 5D space where gloss and color are modeled, we can make gloss level of colored surfaces uniform.Several case studies form the Conservation of Cultural Heritage were considered, where 2.5D printing could help the curator, the conservator or the archivist. We studied in particular the issues of the the gap filling on an archaeological object, the realistic reproduction of surfaces, and the creation of matte objects for readability
Arcak, Cory. "The Conservation of Seventeenth Century Archaeological Glass." 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-08-7014.
Повний текст джерелаLovell, Adam. "Glass bead deterioration of ethnographic objects : identification, prevention, and treatment /." 2006. http://library2.jfku.edu/Museum_Studies/Glass_Bead_Deterioration.pdf.
Повний текст джерелаPinto, Amanda Monteiro Corrêa. "Stained-glass windows of historical buildings from Belém do Pará (Brazil): a conservation approach." Doctoral thesis, 2018. http://hdl.handle.net/10362/57405.
Повний текст джерелаLourenço, Ana Rita da Silva Vaz. "Challenges in the conservation of historical chemicals: Corrosion patterns in glass containers and development of preservation guidelines." Master's thesis, 2019. http://hdl.handle.net/10362/97940.
Повний текст джерелаCoutinho, Inês. "New insights into 17th and 18th century glass from Portugal: study and preservation." Doctoral thesis, 2016. http://hdl.handle.net/10362/19089.
Повний текст джерелаPeixe, Carolina Infante da Câmara dos Reis. "The Passos Manuel high school glass crystal models: Condition assessment and analytical characterization." Master's thesis, 2019. http://hdl.handle.net/10362/96708.
Повний текст джерелаTsai, Ho-Yi, and 蔡和益. "A Study of a Full-Scale Experimental House Applied in Exploring the Energy Conservation and Thermal Comfort Performance of Glass Heat-insulating Film in Buildings." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/96rx5f.
Повний текст джерела國立臺灣大學
生物環境系統工程學研究所
106
Heat-insulating film is a material applied to glass windows to achieve heat insulation and keep infrared and ultraviolet rays out by reflecting and absorbing solar energy. Frequently applied to glass windows of external building walls, in addition to effectively enhancing building energy conservation through the principle of external shading during the summer, heat-insulating film is also an alternative for reducing indoor thermal discomfort. However, due to the differed heat and humidity climatic conditions of Taiwan situated in the subtropics, how heat-insulating film can be applied on the glass of external walls of buildings in Taiwan remains an issue worth exploring. How to apply heat-insulating film material at the opening of building glass is the main research issue. This study adopted the actual measurements of the experimental house as the basis, while building energy consumption simulation software EnergyPlus was used to simulate indoor environmental values of the experimental house. Actual thermal environment measurements were taken inside the experimental house in different seasons, which were compared with traditional clear glass and external shading. Research results show that: 1. The actual measurement results of heat-insulating film, clear glass, and external shading were compared. It was found that the heat-insulating film indeed effectively reduced the indoor temperature. 2. As far as the heat insulation performance of heat-insulating film is concerned, the impact caused by low temperatures in the winter and outdoor at night was not obvious. The use of heat-insulating film and indoor wall PS panels possess certain heat and temperature insulation effects, while the heat-insulating film’s heat-insulating performance is slightly improved in spring and autumn. For heat-insulating film in the scorching summer, the higher the outdoor temperature, the better the heat-insulation performance of the external wall glass with heat-insulating film attached; 3. Through the actual experimental module measurements, simulated external walls of the experimental house, and the interrelationship between the outdoor temperature and indoor thermal environment, using comparative analysis, and the optical performance parameters of glass and heat-insulating film, the radiant heat and conductive heat were calculated, and the results of the indoor thermal load and external wall heat conduction of the experimental house were simulated and calculated. The heat-insulating film with a lower solar heat gain coefficient; SHGC produced better energy conservation and thermal comfort improvement results.
Miranda, Miguel Ângelo Machado. "Metodologias de intervenção em vitrais : a praxis da empresa Vetraria Muñoz de Pablos - Segóvia (Espanha)." Master's thesis, 2019. http://hdl.handle.net/10400.14/32905.
Повний текст джерелаThe internship project took place at the company Muñoz de Pablo S.L. located in Segovia (Spain). This company is devoted to the conservation and restauration of stained glass. The main goal of this five-month internship project was the learning and knowledge improve of the stained-glass conservation and restoration both in workshop and within rehabilitation of in situ works. The conservation and restauration work focused on two artworks, namely the Niño Jesus hospital and the skylight of a palace located in the San Marcus street, both in Madrid. These two case studies had several structural problems and adhered surface dirts. All conservation proposals presented are in accordance with the conservation and restoration Code of Ethics following the principles of minimum intervention thus respecting the integrity and historical value of the work, as well as the principle of reversibility of treatments. The intervention carried out in Niño Jesus hospital case study can be considered a previous emergency treatment in order to ensure the conservation of the stained-glass in higher risk, since the intervention in the entire set will take more four years to be finished. On the other hand, the intervention in the skylight of the Calle de San Marcus palace was programed within the building’s rehabilitation. Both interventions allowed us to understand all phases and procedures related with the conservation and restoration treatments of stained glass such as: previous documentation, in situ removal, photographic record, transportation to the workshop, intervention, reassembly of the sets, outside protections application, and also, the specificities of each work in the context of conservation and restoration or rehabilitation The intervention allowed, in both cases, the restoration of the aesthetic reading of the stained glass and recovery of its original functionality.