Дисертації з теми "Gilles, Deleuze (1925-1995)"
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Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze." Paris 8, 2001. http://www.theses.fr/2001PA081904.
Lléres, Stéphane. "La philosophie transcendantale de Gilles Deleuze." Amiens, 2010. http://www.theses.fr/2010AMIE0006.
Craia, Eladio Constantino Pablo. "Gilles Deleuze e a questão da tecnica." [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279862.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O presente trabalho tem como objetivo central interrogar o problema do estatuto ontológico da técnica a partir da ontologia de Gilles Deleuze. Em um primeiro momento é elaborada uma cartografia geral da filosofia da técnica, desde a ¿filosofia engenheril¿, passando pela ¿filosofia da técnica das humanidades¿, até o pensamento de Martim Heidegger, indicando suas características e as diferenças entre elas. Seguidamente é caracterizada a ontologia deleuziana segundo os eixos especulativos da univocidade, imanência, expressionismo ontológico e complexo questão-problema. Em um terceiro momento, a ontologia de Deleuze é singularizada entorno do conceito de virtual; assim, esta noção é abordada e pensada dentro da obra de Deleuze visando definir a ontologia deleuziana como especificamente virtual. Finalmente, o horizonte ontológico deleuziano é aplicado como categoria de análise para pensar a técnica de uma perspectiva distinta da apresentada no primeiro momento. Assim, com esta ferramenta conceitual, a própria técnica é caracterizada como virtual e produtiva
Abstract: The present work has as its central objective to question the problem of the Technique ontological statute since the ontology by Gilles Deleuze. Firstly, a general cartography on the Technique Philosophy is performed, beginning with the "engineering Philosophy, moving on to the "humanities' Technique Philosophy", until the thought of Martim Heidegger, indicating the characteristics of each, end the differences between them. Secondly, the deleuzian ontology is characterized according to the univocality, immanence, ontological expressionism, and the question-problem complex speculative axes. Thirdly, the ontology by Deleuze is sigularized around the concept of virtual; thus, such notion is approached and thought within Deleuze's opus aiming at defining the deleuzian ontology as specifically virtual. Finally, the deleuzian ontological horizon is applied as analysis category to think the Technique from a distinct perspective than the one presented in the first moment. So, armed with such conceptual tools, the Technique itself is characterized as virtual and productive
Doutorado
Doutor em Filosofia
Evens, Aden. "Practically impossible : Deleuze and ethics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ55326.pdf.
Rocha, Jorge Alberto da Costa. "A ideia de conceito segundo Gilles Deleuze." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278827.
Dissertação (Mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O presente estudo é uma tentativa de compreender, segundo a concepção do filósofo francês Gilles Deleuze, o que seria para ele um conceito filosófico. Para trabalhar este tema tomou-se como fio condutor um texto de sua autoria, escrito juntamente com Félix Guattari ¿ O que é a Filosofia? - e a partir disso duas metas precisas foram demarcadas: 1) uma investigação acerca das características básicas do conceito 2) e um último confronto, sugerido pelo próprio Deleuze, entre filosofia, ciência e arte, tentando reservar ao conceito um lugar distinto do functivo científico e do afecto e percepto na arte. Fez-se ainda um adendo após os dois capítulos desenvolvidos, no qual se tentou mostrar uma série de críticas do autor endereçadas à conjuntura da contemporaneidade, fundamentalmente corroída pelas más influências dos meios de comunicação. Assim, essa situação seria um entrave geral à livre criação de conceitos que, como o disse Deleuze, só seria peculiar ao labor filosófico. A conclusão do trabalho, que quis em seu conjunto ser apenas uma introdução ao tema, enfatizou dois pontos capitais: em primeiro lugar criar é situar o conceito num plano de imanência, plano este independente de qualquer espécie de Modelo transcendente ou de referência a estado de coisas (o conceito diz o "acontecimento"); segundo, restaurar devidamente a idéia de conceito filosófico é identificar nele todo um conjunto de traços expressivos, tal como a relação a uma imagem de pensamento, plano "pré-filosófico", e a uma "estrutura problemática", élan vital do conceito
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Rutigliano, Francisca Tania Soares. "Gilles Deleuze : o drama da diferença." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278830.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Michalet, Judith. "Vie et création chez Gilles Deleuze." Paris 1, 2009. http://www.theses.fr/2009PA010561.
Cardoso, Junior Hélio Rebello. "Teoria das multiplicidades no pensamento de Gilles Deleuze." [s.n.], 1996. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280552.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Doutorado
Doutor em Filosofia
Sauvagnargues, Anne. "Esthétique et philosophie dans l'oeuvre de Gilles Deleuze." École normale supérieure-Lettres et sciences humaines (Lyon ; 2000-2009), 2003. http://www.theses.fr/2003ENSF0094.
Nascimento, Roberto Duarte Santana 1980. "Teoria dos signos no pensamento de Gilles Deleuze." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280549.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: O conceito de signo em Deleuze aparece ao longo de toda a sua obra, ligando-se em cada um de seus livros e artigos ao desenvolvimento de diferentes problemas em pauta. Tais variações por que passa este conceito não comprometem sua consistência no pensamento deleuziano; ao contrário, elas afirmam a complexidade de uma teoria dos signos que insiste virtualmente em seus livros e artigos. Pode-se dizer mesmo que as diferentes problemáticas às quais se dedica Deleuze se enriquecem quando apreendidas tendo em consideração a experiência do signo. Nesta teoria, o signo é afecto, ou seja, é um sentir diferentemente nos encontros, e corresponde à variação de nossa potência de existir. Isto ocorre porque o signo envolve uma diferença de nível constitutiva, uma heterogeneidade irredutível aos dispositivos que seguram a diferença pela analogia no juízo, pela semelhança no objeto, pela identidade no conceito e pela oposição no predicado. Um dos aspectos mais inovadores desta teoria é que, nela, o signo deixa de ser definido pelo imperialismo do significante. Este passa a caracterizar apenas um dos regimes de signos, que não é nem o mais aberto nem o mais importante. Além disso, nesta teoria o pensamento deixa de ser um ato de boa vontade de uma consciência soberana, como ocorre nas imagens tradicionais do pensamento, pois, para Deleuze, pensar implica um pathos, ou seja, é uma atividade disparada involuntariamente pela força de um signo, pela violência de tal encontro
Abstract: The concept of sign in Deleuze appears in all of his works, being linked in every one of his books and articles to the development of different problems. Such variations undergone by this concept do not compromise its consistency in the Deleuzian thought: on the contrary, they affirm the complexity of a theory of signs that virtually persists throughout his books and articles. It could even be said that the different problems to which Deleuze dedicates himself enrich when understood with regards to the experience of the sign. In this theory, signs are affects, i.e. are a variation of feelings in encounters, and correspond to a variation of our power of existence. This occurs as the sign involves a constitutive difference of level, a heterogeneity which cannot be reduced to the devices that secure the difference through the analogy in judgment, through the resemblance in the object, through the identity in the concept and through the opposition in the predicate. One of the most innovative aspects of this theory is that the sign is no longer defined by the imperialism of the signifier, which now characterizes only one of the regimes of signs (neither the most open, nor the most important). More than that, in this theory, thinking is no longer the act of will of a sovereign consciousness, as it was the case in the traditional image of thought, for, according to Deleuze, thinking implies a pathos, i.e., is the unvoluntary activity triggered by the force of a sign, by the violence of such an encounter
Doutorado
Filosofia
Doutor em Filosofia
Silva, Cintia Vieira da. "O conceito de desejo na filosofia de Gilles Deleuze." [s.n.], 2000. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278833.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Partindo da idéia de que o desejo como produção, tal como concebido por Deleuze e Guattari em O Anti-Édipo, inscreve-se na elaboração da ontologia da diferença deleuzeana, fizemos um mapeamento dos elementos constituintes deste conceito e daqueles com os quais ele opera. Nossa pesquisa apoiou-se também na idéia de que tal conceito de desejo surge da crítica de Deleuze às filosofias da representação. Assim, o conceito de desejo seria fruto de todo o esforço teórico deleuzeano para construir uma filosofia da diferença que não a aprisione nas determinações do conceito, segundo uma repartição analógica e categorial do ser. Ao mesmo tempo, na elaboração deste conceito, surgem novos elementos (como a noção de corpo sem órgãos, que desdobra-se e se enriquece) para esta filosofia que, repudiando as figuras do negativo assim como toda instância transcendente, procura se constituir num plano de imanência
Abstract: Considering that desire as production is intrinsic to the development of Deleuze's ontology of difference, this work delineates the elements that constitute this concept (as conceived by him and Guattari in Anti-Oedipus), as welI as the other concepts with which it operates. Emerging from Deleuze's criticism of the philosophies of representation, the concept of desire can be considered a fruit of alI deleuzian theoretical effort to construct a philosophy of difference not imprisoned by concept determinations. At the same time, in the development of that concept, new elements appear (as the notion of body without organs, which is enriched ) to this that, rejecting the negativity figures as welI as alI transcendent instance, tries to constitute itself in an immanence plan
Mestrado
Mestre em Filosofia
Delmas, Sonia. "Penser le temps à partir des oeuvres de Gilles Deleuze." Paris 10, 2007. http://www.theses.fr/2007PA100146.
Thinking about time through Gilles Deleuze’s writings reveals the indivisibility between actual corporeality (present of « effectuation ») and virtual incorporeality (time empty of « effectuation ») as an experience of eternity. Deleuze’s thoughts on time have been deeply influenced by two different kinds of philosophy. As philosophers of immanence, Spinoza, a thinker of God and of the experience of eternity, and Bergson, a philosopher of memory and duration of eternity of life, are his two allies. A description of this background forms the first part of my essay. The second part of the essay stresses the deleuzian distinction between Chronos, the corporal present (characterized as the living present) and Aiôn, time empty of effectuation (characterized as event time). My hypothesis can be summerized as follows : Heidegger’s interpretation of Kant had a significant impact on Deleuze’s elaborations of the concept of Aiôn. The third part aims at emphasising the temporal split between actual corporeality and virtual incorporeality in the field of language, in order to understand the deleuzian concept of Aiôn, not chiefly through the psychanalytic concept of the death instinct, but rather as the virtual that allows the present to pass by making history bifurcate
Ao, Long. "La critique littéraire de Gilles Deleuze." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL185.
This dissertation proposes to contribute to the study of literary criticism of Deleuze, by examining at the same time Deleuze’s philosophical works, in order to demonstrate the autonomy of his literary criticism between philosophy and literature. This shows the double ambition of his literary criticism: the reading of literary works as philosophical exploration, and the metaphysical reflection incorporated in the study of the text. To show at the same time the evolution of his literary criticism and the dialogues that Deleuze engaged with literary critics and philosophers, this dissertation adopts the point of view of Deleuze in his criticisms, that is to say, to find a project of his literary criticism. The analysis of this project is guided by the Deleuzian conceptualization that has continued to be renewed, ranging from the question of genesis to that of finality and autonomy. In the argumentation of each part, this dissertation adopts comparative methods: a comparison within Deleuze’s works to demonstrate the shift of his critical horizon, a comparison with other literary critics to value his critical approaches, and a synchronic dialogue with other philosophers to contextualize its conceptualizations. Deleuze’s literary criticism, studied in his thematic genealogy, gives a place in which the relationship between literature and philosophy remains no longer at the conceptual or interpretative level, but in a reciprocal exploration, always problematised by his literary criticism
Cavalcanti, Adriane da Silva. "Filosofia e pintura em Gilles Deleuze." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281532.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Este trabalho se pretende como uma investigação filosófica enfeixando questões conceituais a respeito de estética, arte e a potencialidade dos conceitos filosóficos ao abordarem este domínio, segundo a óptica do pensador francês Gilles Deleuze (1925-1995). O estudo centra-se no discurso desse autor acerca da arte pictórica, tomada como eixo para a compreensão de como se ergue o encontro entre a filosofia e a arte. Dois aspectos são delimitados para desenvolver a investigação: o primeiro indaga pelas relações entre a filosofia e a arte, explicitando as articulações entre conceitos filosóficos e elementos artísticos segundo um ponto de vista teórico. O segundo aspecto refere-se ao momento prático dessa articulação, presente na pintura. Esse segundo aspecto se desenvolve segundo a análise da operatoriedade de um conjunto de conceitos deleuzianos mobilizados ao apreciar a singular configuração estética da pintura de Francis Bacon em relação à aparição destes mesmos conceitos em outras obras do filósofo, visando com isso verificar as variações e apropriações às quais eles são submetidos e, conseqüentemente, dar a dimensão de como se constitui o discurso deleuziano acerca de uma arte
Abstract: This work intends to be a philosophical investigation assembling conceptual questions related to aesthetics, art, and the potentiality of philosophic concepts to concern this domain, according to Gilles Deleuze¿s point of view. Our study is based on that philosopher¿s discourse about pictorial art, as the axis to understand how proceeds the meet interface between philosophy and art. Two points are circumscribed to develop our investigation: the first asks for the relations hip between philosophy and art, making clear the articulations between philosophicae concepts and artistic elements according to a theoretical point of view. The second point is related to the practical moment of this articulation, as it occurs on painting. This second point evolves according to the analysis of the functionality of an ensemble of deleuzian concepts, mobilized during the appreciation of the singular aesthetic configuration of Francis Bacon¿s paintings, and how these concepts appear in other writings of that same philosopher, intending, to investigate the variations and appropriations to which they are conditioned, and, consequently, to explicit the dimension of the deleuzian discourse constitution about a fine art (painting)
Mestrado
Mestre em Filosofia
Yang, Kailin. "Le problématique du virtuel chez Gilles Deleuze." Paris 8, 2002. https://octaviana.fr/document/18140205X#?c=0&m=0&s=0&cv=0.
Sibertin-Blanc, Guillaume. "Politique et clinique : recherche sur la philosophie pratique de Gilles Deleuze." Lille 3, 2006. http://www.theses.fr/2006LIL30027.
Antonelli, Marangi Marcelo Sebastián. "Le concept d’immanence dans la philosophie de Gilles Deleuze." Paris 8, 2012. http://www.theses.fr/2012PA084258.
This thesis deals with the concept of immanence in the work of Gilles Deleuze. It is maintained in our hypothesis that it is an ontological, noological, political and ethical notion what constitutes the nucleus of his philosophical project. The ontological dimension refers to the re-elaboration of Duns Scott’s thesis on the univocity of being and the comprehension of Spinoza’s immanence as “expressive pantheism”. The noological aspect focuses on immanence as a “plane”, within Deleuze’s frame of conception of thought and philosophy, and sets a counterpoint with François Jullien concerning his approach to immanence in terms of “depth”. From the political point of view, the idea of “post-historical axiomatics” implies the functioning of capitalist immanence, which feature of “end of history” is connected to Kojève’s thesis. Furthermore, the essential layouts of politics of immanence as from the pledge of becoming-minor are deployed. The ethical aspect articulates three axes around the idea of “practical immanence”. First, it analyses the statements that conform the intertwining between Nietzsche and Spinoza (valorization of the body, definition of ethics as ethology, apology of joy). Second, it tackles nihilism, recognized as an effect of transcendent positions, which goes beyond Nietzsche’s realm and turns into “resentment” towards the event, which is acquitted by means of amor fati. It also becomes “loss of the world”, which vent consists on the “belief in this world”. Third, within the vitalist structure, the determination of desire as an immanent principle of a prudent experimentation and the “body without organs” as “plane of immanence” of desire are probed
Salucci, Marco. "Gilles Deleuze, une inéfinition esthétique." Paris 8, 2014. http://www.theses.fr/2014PA084150.
The concepts of similarity, unconscious Oedipal tendencies, and grammatical order are, respectively, three basic ways of framing sensibility, desire, and writing. Deleuze’s philosophy, however, dismisses this understanding; he renders similarities dysfunctional, while enflaming desire and energizing grammar. In this thesis, we propose an operative approach to Deleuze’s thought, in order to show how it has reclaimed the power of shocking philosophical insight. When desire and its object, or the declaration and its accomplishment, as well as the body and its capacities of sensation, are left in an indefinite area, philosophy is no longer confined to realm of thought; it creates a sensation. This thesis deconstructs and makes explicit those areas where Deleuzian concepts take on this matter of the removal of the certain object. The quick thinking that runs through his philosophy will be placed in counterpoint to those works of art that activate a sharp feeling beyond all defined objects and subject matter. We will see how such undefined paths give rise to a surface where the notion of creation is, according to Deleuze, life itself
Pósleman, Cristina. "Deleuze : filosofía de la creación." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115296.
En la presente investigación nos proponemos mostrar al pensamiento de Gilles Deleuze como una filosofía de la creación. Ésta se plantea como desafío el desmontaje del modelo ego-logo/céntrico de pensamiento, asumiendo el cuestionamiento acerca de cómo procurar lo nuevo en la inmanencia absoluta, Dos ejes problemáticos la atraviesan. Dentro del primero abordamos la crítica de la noción de idea como fundamento y la apuesta por una perspectiva acontecimental. Al respecto consideramos el problema de la „realidad de lo virtual‟, atendiendo a los desplazamientos operados por la pareja conceptual actual-virtual, en clave de la teoría de las multiplicidades diferenciales. En la estela de dicho desplazamiento abordamos el combate que el pensamiento deleuziano emprende frente a la perspectiva especular del signo, en pro de una semiótica intensiva. Lo hacemos yendo de una sintomatología o teoría evaluativa de las posibilidades de existencia, a una semiótica estadística o diagramática de las líneas disjuntas que dinamizan la diversidad de regímenes semióticos. Consideramos cómo a tono con este enfoque que pondera la condición intensiva de lo real, el pensamiento de Deleuze asume todas las consecuencias que, para una filosofía del pensamiento como creación, conlleva una perspectiva no orgánica de la vida. Como segundo eje problemático, consideramos que la filosofía de la creación de Deleuze, constituye un modo particular de cumplimiento del llamado „giro estético de la filosofía‟ (Zourabichvili 2011). Uno tal que se conforma en la intercesión del arte y la filosofía, de manera que la filosofía recoge de lo que el arte hace, aquello que desafía los límites del pensamiento como representación, y que, por lo tanto, contribuye a acercar el pensamiento a la vida. Definida la noción de creación con la fórmula: „crear es engendrar pensar en el pensamiento‟ (Deleuze 1968), esta investigación apunta a dar cuenta de la dinámica de dicha génesis, en vistas de mostrar cómo la noción de creación viene a hacer frente a las paradojas de la experimentación de los límites del pensamiento.
Yoo, Ga Yeon. "Éthique et esthétique de l’image dans la philosophie de Gilles Deleuze." Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080121.
Our thesis work aims to identify the essential character of the image in the philosophy of Gilles Deleuze. It is true that he is the first philosopher to consider the movement of images as the basis of thought. He has indeed written several books about the image. To him, it resembles the movement of thought and ideas and, as such, it is a means of expression and a way of existing, so it is substantial in expressing philosophy. The image allows thought to become a process to facilitate the thinker's reasoning, to understand his act, to desire life and to form the sensible. This is why Deleuze does not limit his theory of the image to the image of cinema, but extends it to all images of thought. This long neglected dimension is beginning to interest more in research on the philosophy of Deleuze. Indeed, the image makes it possible to invent the actual and virtual world of thought, and the possible and real world of existence, so that it is political, ontological and existential. The image invites us to enter into a new sensitivity and a new composition of the relationships of thoughts. The ethics of the image consists of a totality of ideas which expands and differs into everything, which accelerates in movement and slows down in rest. It constitutes its ultimate and absolute unity in a singular way of aesthetic activities. This is how the ethics of image creates a new image that is aesthetic, stylistic and transcendent in its heterogeneities, discontinuities, insensibility. The aesthetic style image specifies this new image as a new form of thought and defines it by constituent elements, expressions and contents
Yalán, Dongo Eduardo. "Acontecimiento y expresión : la lógica del signo de Gilles Deleuze." Master's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/13596.
Tesis
Brito, Vanessa. "Les arts dans la philosophie de Gilles Deleuze." Paris 8, 2007. http://www.theses.fr/2007PA082850.
What is always astonishing for the reader of Deleuze is the abundance of his artistic references and the multiplication of encounters between art and philosophy. By identifying a program with ethical and political resonances at work, for Deleuze, in literature, painting and cinema, this thesis sets out to clarify how these encounters between the readable and the visible are organized. What is ultimately at stake in the enquiry is the exact status and role of the arts in Deleuze's philosophy. By examining the themes of "voyance" and "fabulation", Deleuze's conception of the sublime, his use of allegory and the notion of a "practical philosophy", the enquiry finally reveals the construction of plane of immanence between the inventions of art and the powers of life
Duarte, Rovenir Bertola. "El diagrama arquitectónico después de Deleuze : estudio de casos holandeses." Doctoral thesis, Universitat Politècnica de Catalunya, 2015. http://hdl.handle.net/10803/285633.
Esta tesis trata de una reflexión sobre el diagrama en la disciplina arquitectónica contemporánea a partir de la introducción de las ideas teóricas del filósofo Gilles Deleuze a mediados de los años 90. La tesis plantea la existencia de dos imágenes del pensamiento diagramático arquitectónico, a partir de las cuales el arquitecto puede orientar su modo de entender el objeto arquitectónico, las repeticiones en su proceso de diseño y la propia evolución de la arquitectura. Para comprender el papel de estas dos imágenes en la producción del proyecto, propongo una profundización de esta investigación desde dos mundos: (a) el conocimiento teórico-filosófico y la descripción del diagrama en la arquitectura; y (b) el empleo de los diagramas en las actividades prácticas en tres firmas de arquitectura en Holanda – Neutelings Riedijk Architecten, MVRDV y UNStudio. De modo general, el tema de la tesis puede ser entendido como una suerte de subcapítulo de la historia de la expresión del proyecto arquitectónico contemporáneo, en su trayectoria hacia procesos más dinámicos, abstractos y no determinantes. En este sentido, el trabajo colabora con herramientas conceptuales de análisis del uso de notación diagramática y su función en los procesos de diseño en la contemporaneidad, más específicamente sobre la actuación de estas en la repetición y inserción de la diferencia.
Montenegro, Vargas Gonzalo. "Empirismo trascendental: sobre los problemas fundamentales de la filosofía de Gilles Deleuze." Tesis, Universidad de Chile, 2011. http://www.repositorio.uchile.cl/handle/2250/108707.
Speglich, Erica. "Duração : entre imagens do Programa Biota/Fapesp." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251776.
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Componho este resumo com algumas das apostas da tese. Aposta no conceito de duração de Gilles Deleuze em suas leituras de Bergson e em como este conceito vai criando potências, sentidos e possibilidades para pensar entre imagens de divulgação científica de um programa de pesquisas em conservação da biodiversidade, Programa Biota/Fapesp. Aposta de deslocar do contexto e aproximar da duração para poder pensar entre imagens das ciências naturais, pensar com a idéia de que um cientista é também criador que tem inten(ç)(s)ão de criar. Inten-ção e Inten-são, ação e intensidade de criar. Aposta no entre como uma fonte imanente de movimento-duração, uma fonte de onde emergem potências criadoras, a potencialidade de pensamentos como movimentos associativos e estratigráficos e não estruturados pelo hábito; com percepções atentas do que irrompe e não percepções automatizadas. Apostas que me auxiliam a pensar em multiplicidade, em virtualidade e em afecção nos entre imagens criados para esta tese.
Abstract: This abstract is composed with some bets. Bet on the Gilles Deleuze concept of duration and on how this concept creates potentialities, senses and possibilities to think in-between scientific divulgation images of a biodiversity conservation research program, the Biota/Fapesp. Bet on the approximation to the duration to think in-between natural science images, to think with the idea that the scientist is also an creator that has inten(t)(s)ion of creation. Action and intensity of creation. Bet on the in-between as a source of movement-duration immanent, a source where creative potencies emerges, the potentiality of thoughts as associative and stratigraphic movements and not structured by the habit. Thoughts build with attentive perceptions of what blows up and not automatic perceptions. Bets that help me to think on multiciplity, virtuality and afection on the inbetween images created for this thesis.
Doutorado
Educação, Conhecimento, Linguagem e Arte
Doutor em Educação
Hur, Domenico Uhng. "Discursos do trânsito da guerrilha ao Estado neoliberal: estratopolítica, tecnopolítica e nomadopolítica." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47134/tde-27112009-103453/.
In 2002, the Workers Party (PT) won the elections for the country\'s presidency, inspiring the expectation of many social changes in Brazil, once it Government is compound by social segments that historically struggled for the transformation of the country, as leaderships of social movements and former-guerrilla fighters of armed struggle. However, the expected social changes didnt happen, putting in question the perspective of a transformation by Left in State\'s power. To reflect upon this problem, this research intended to investigate the discourses of the former-guerrilla fighters about the transition from the armed struggle to the current political moment: a neoliberal democracy. To achieve this scope, we interviewed four former-guerrilla fighters that occupy different social positions, that we called: Deputy, Economist, Journalist and Photographer. We elected the former-guerrilla fighters as actors of this research because we understand they adopted the most radical struggle for social transformation during the military dictatorship. From our social actors\' rebuilt memory analysis and Gilles Deleuze\'s reflections on the agency and the transcendental field, we elaborated three discourses that express the transition from armed struggle to democracy: the Stratumpolitics, the Technopolitics and the Nomadpolitics. Each discourse refers to a singular agency modality, in a specific type of operation that articulates political practice, memory and psychic configuration. Each discourse has different perspectives about the ways to social transformation: the first puts the determining in the stratum, institutions and State to promote social changes; the second, in a development of a governability technology, of management\'s knowledges; the third, in the primacy of movements and displacements, in a more diffuse and molecular practice. We concluded, in agreement with G. Deleuze and F. Guattari (1997), R. Michels (1982) and A. Przeworski (1991)\'s reflections, that Left in Government acts in a fixation at the State-Institution, with more compromise to places\' occupation in the institutional structure than to a transformer political practice, i.e., it acts mainly in stratumpolitics way.
Blumer, Diogo Gondim 1981. "Estudo e conexão das noções de vida não orgânica e grande saúde na filosofia de Gilles Deleuze." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278828.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A noção de vida percorre singulares tramas conceituais na filosofia de Deleuze. Seguir a sinuosidade desse percurso tornará possível uma caracterização mais segura do vitalismo desse filósofo. Pensado em função de tensões entre o que ele tematiza como vida orgânica e vida não orgânica, esse vitalismo implica complexas relações entre articulações extensivas e intensivas, vetores que modulam a própria vida em suas oscilações entre uma saúde dominante e uma paradoxal grande saúde
Abstract: The notion of life covers in a unique conceptual scheme in Deleuze philosophy. The sinuosity of this path will enable us to understand better the vitalism of this philosopher. Due to the tensions between the life he thematizes as organic and non-organic life, this vitalism involves complex relationships between extensive and intensive joints, vectors that modulate life itself in its oscillations between a dominant health and a paradoxical great health
Mestrado
Filosofia
Mestre em Filosofia
Muñoz, S. Judith. "Relaciones entre filosofía y psicoanálisis: Gilles Deleuze aportes y crítica al pensamiento freudiano." Tesis, Universidad de Chile, 2010. http://www.repositorio.uchile.cl/handle/2250/108635.
Park, Jung-Tae. "La méthode d'entrecroisement immanent dans l'ontologie de Deleuze." Paris 8, 2006. http://www.theses.fr/2006PA083003.
Deleuze never announced the end of metaphysics. On the contrary, it endeavors to find another plan systematic and logical of metaphysical thought. For him, this other metaphysical plan is that of "univocity of Being". The univocal movement of Being thus seems the core of the philosophy of Deleuze, and the structure of the univocal movement of Being would be the fundamental framework to understand the totality of his philosophy. Indeed, Deleuze works out his own method which founds and dominates his philosophy, leaning, from beginning to end, absolutely, on the structure of the univocal movement of Being, and, insofar as it is absolutely constituted according to the univocal movement of Being, his philosophical method gives us a fundamental point of view which makes us answer precisely all the possible questions about his ontology. From this fact, our thesis proposes to clear up the philosophical method of Deleuze. According to the work of this thesis, it will be proved that the system of the univocal movement of Being is system of immanent intersection between the movement of the immanent identity and the movement of the immanent otherness, and that the method which founds and dominates the ontology of Deleuze is thus a method of immanent intersection
Santos, Bernardo de Carvalho Tavares dos. "Metafísica e exterioridade : Jean Wahl e o gosto empirista de Deleuze." reponame:Repositório Institucional da UnB, 2017. http://repositorio.unb.br/handle/10482/23981.
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A presente dissertação assume, como via de acesso ao pensamento de Deleuze, a ideia de que imprimem-se, nos lances de tal filosofia, as marcas fundamentais de um empirismo metafísico diretamente influenciado pelo pensamento de Jean Wahl, e vinculado, através dele em sua posição particular na academia francesa, não apenas a Bergson (o que evidencia, certamente, uma linhagem do pensamento francês), mas também a William James e Whitehead. A seguir, contudo, as sugestivas relações histórico-biográficas às quais se apontará serão menos importantes que as relações filosóficas entre esses cinco pensamentos. Esta abordagem mais geográfica da assim chamada “história” da filosofia, feita de planos, regiões e camadas sobrepostas, é ela também deleuziana, e foi elaborada em sua forma mais bem acabada em O que é a filosofia? (com Guattari). A primeira parte deste trabalho se ocupará da concepção apresentada neste livro e culminará na noção deleuzo-guattariana de gosto filosófico. A hipótese de leitura que nos orientará a partir de então será a seguinte: é o próprio gosto de Deleuze — ou seja, a maneira como sua filosofia se constrói, e não apenas este ou aquele termo mobilizado por ela — que coloca a sua filosofia em comunicação decisiva com a de Wahl. A segunda parte desta dissertação percorre o empirismo metafísico deste último, uma filosofia positiva, relacional e intensiva, passando por sua leitura de Bergson, James e Whitehead. Será aberto assim um vasto conjunto de possibilidades de composição entre tais filosofias e a de Deleuze. Na terceira parte, serão recolhidas algumas destas possibilidades, com o objetivo de demonstrar de que maneira a hipótese de um Deleuze com gosto filosófico empirista à moda de Wahl e seus aliados conduz a uma compreensão coerente de três questões que a obra deleuziana coloca ao seu leitor: a relação de tal pensamento com a história da filosofia e notadamente seu cânone racionalista; as relações com Kant e sua filosofia crítica, por trás do projeto deleuziano do empirismo transcendental; a significação da obra escrita a partir d’O anti-Édipo e do encontro com Guattari.
The present work assumes, as a way of accessing Deleuze’s thought, the hypothesis that the very moves of such philosophy carry the characteristic marks of a metaphysical empiricism directly influenced by Jean Wahl’s thought, and, linked through him—in his particular position within French Academy—not only to Bergson (indicating an authentic lineage of French thought), but also to William James and Whitehead. In the following however, our suggestive observations on historical-biographical relations will be less important than the philosophical relations between the five thoughts. This more geographical approach of so called “history” of philosophy is itself a Deleuzean approach, which was developed in its best well-finished manner in What is philosophy? (with Guattari). The first part of this work is devoted to Deleuze’s view of philosophy in the book mentioned, and culminates in the notion of philosophical taste. Our hypothesis transforms itself. It is by its philosophical taste—the very manner in which his philosophy is construed, not only some therm which it mobilizes—that Deleuze’s philosophy communicates resolutely with Wahl’s. The second part of this text goes through the metaphysical empiricism of the latter—a positive, relational and intensive philosophy—whose paths also include encounters with Bergson, James and Whitehead. Thus we open numerous possibilities of bringing together—or to compose—this four thoughts and Deleuze’s philosophy. In out third part, we will recall a few of this possibilities, in order to demonstrate that our hypothesis of a Deleuze endowed with empiricist philosophical taste, in the way of Wahl and his allies, leads to a coherent understanding of three questions brought by Deleuze to the readers of his books: the relations between Deleuzean thought and the history of philosophy, and namely the relations with its rationalistic canon; the relations with Kant and its critical philosophy that underlie the project of transcendental empiricism; the significance of the Deleuze’s work written after his encounter with Guattari.
Cherniavsky, Axel. "La conception de la philosophie de Gilles Deleuze : concept et méthode." Paris 1, 2011. http://www.theses.fr/2011PA010510.
Navas, José Francisco [UNESP]. "Sobre o esquecimento." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/115576.
Esta dissertação tem por sentido a investigação da idéia do esquecimento dentro da filosofia da diferença. Para tanto, toma como referencial as proposições elaboradas por Deleuze como também seus pares dentro do escopo educativo , questionando-se se valeria a pena uma educação para o esquecimento, ou até mesmo se a filosofia da diferença se sustentaria através de uma territorialização do esquecer.
This dissertation research is towards the idea of forgetting within the philosophy of difference. To do so, taking as reference the propositions elaborated by Deleuze as well as their peers within the educational scope, it wonders if it would be worth an education into oblivion, or even if the philosophy of difference sustain itself through a territorialization of forgetting.
Craia, Eladio Constantino Pablo. "A problematica ontologica em Gilles Deleuze : (os conceitos de ser, univocidade, diferença e problematico como categorias determinantes da ontologia deleuziana." [s.n.], 1997. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278825.
Dissertação (mestrado) - Universidade Estadual de Campinas. Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Beaulieu, Alain. "Deleuze et la phénoménologie." Paris 8, 2001. http://www.bibliotheque-numerique-paris8.fr/fre/ref/165119/174493835/.
Horváth, Eszter. "Deleuze, Derrida : la doublure de la différence." Paris 8, 2005. http://www.theses.fr/2005PA082693.
Ismail, Nouri. "Esthétique nomade : la ligne, Deleuze et Klee." Paris 8, 2010. http://octaviana.fr/document/150188242#?c=0&m=0&s=0&cv=0.
From several concepts and techniques belonging to Deleuze and Klee, we tried to create an nomad aesthetic arrangement. An aesthetic for nomadic basic feature a new design space. In the mobile space, the elements are not forms, but events, hecceities, the formatting : Gestaltung. It is the use of a key concept, the Nomad line, which allows us to consider this new aesthetic and returns an operational function, not an essence. It is from this concept of the line that we first developed the main features of this area plastic nomad. This discussion then led us to define the essence of this aesthetic nomad in the original design of creation, as compared with the forces of chaos
Shirani, Takashi. "Singularité et intensité : Deleuze et une philosophie de l'immanence." Paris 8, 2004. http://www.theses.fr/2004PA082373.
Bourassa, Alan. "Calvino's desiring machines : literature and the non-human in Deleuze and Calvino." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56803.
Hawkins, Stephen Bernard. "The void in Deleuze : difference and the good /." Internet access available to MUN users only, 2003. http://collections.mun.ca/u?/theses,166046.
Thouvenot, Olivier. "Ontologie et politique dans la conception du lien social dans une perspective deleuzienne et guattarienne." Paris 8, 2007. http://www.theses.fr/2007PA083610.
Attali, Jean. "Le plan et le détail : une philosophie de l'architecture de la ville." Paris 1, 2000. http://www.theses.fr/2000PA010667.
La, Salvia Andre Luis 1982. "Introdução ao estudo dos regimes de imagens nos livros "Cinema" de Gilles Deleuze." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281534.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A ¿taxionomia¿ dos signos cinematográficos e dos tipos de imagens, os quatro comentários a Bergson, as monografias de mais de 150 autores são algumas das entradas possíveis aos livros Cinema de Gilles Deleuze. Aqui, optou-se por encarar a obra pelo viés conceitual, a saber, considerou-se Imagem-movimento e Imagem-tempo conceitos deleuzeanos. Assim sendo, em primeiro lugar, a pesquisa precisou entender quais características Deleuze dá aos conceitos: eles são constituídos por elementos em relação de vizinhança organizando campos de solução para problemas. Os conceitos de Imagem-movimento e Imagem-tempo são dinâmicos e diferenciam-se através das diferentes relações dinâmicas que seus diferentes elementos travam entre si. Ao mesmo tempo, a pesquisa percorreu a obra Cinema em vários sentidos, extraiu linhas mais ou menos constantes e assistiu muitos filmes. Desse modo, buscou os elementos que eram colocados em jogo quando Deleuze precisava explicar porque determinado autor fazia uma ¿imagem indireta do tempo¿ ou uma ¿imagem direta do tempo¿ ¿ o filósofo deixa claro, em uma das entrevistas de Conversações, que seu interesse é analisar como o devir das imagens e signos constitui um ¿automovimento¿ e também uma ¿autotemporalização¿ das imagens. E estes termos são os problemas para os quais os conceitos de Imagem-movimento e Imagem-tempo apresentam elementos que, em relação, são capazes de dizer algo sobre os diferentes autores e estilos de fazer cinema
Abstract: The ¿taxionomy¿ of the cinematographic signs and the types of images, the four commentaries the Bergson, the monographs of more than 150 authors are some of the possible entrances the work Cinema of Gilles Deleuze. Here, it was opted to facing the work for the conceptual bias, namely, considered Image-movement and Image-time deleuzeans concepts. Thus, in first place, the research needed to understand which characteristics Deleuze gives to the concepts: they are constituted by elements in neighborhood relation having organized fields of solution for problems. The concepts of Image-movement and Image-time are dynamic and are differentiated through the different dynamic relations that its different elements do between itself. At the same time, the research covered the work Cinema in some directions, extracted more or less constant lines and attended many films. In this manner, it searched the elements that were placed in game when Deleuze needed to explain because one author made a ¿indirect image of the time¿ or a ¿direct image of the time¿ - the philosopher leaves clearly, in one of the interviews of Conversations, that its interest is to analyze how the devir of the images and signs constituted a ¿automotion¿ and a ¿autotimezation¿ of the images. And these terms are the problems for which the concepts of Image-movement and Image-time presents elements that, in relation, are capable to say something on the different authors and styles to make cinema
Mestrado
Mestre em Filosofia
Bowden, Sean. "La priorité ontologique des événements dans la "Logique du sens" de Gilles Deleuze." Paris 8, 2009. http://octaviana.fr/document/152360085#?c=0&m=0&s=0&cv=0.
The aim of this thesis is to examine the way in which Deleuze affirms the ontological priority of events over substances in his 1969 work, "The Logic of Sense". In particular, the thesis analyses the way in which Deleuze grounds this affirmation by establishing a complex and 'structural' relation between the works representative of several of the philosophers and intellectual movements which Deleuze privileges in "The Logic of Sense", namely, the Stoics, Leibniz, Albert Lautman, Gilbert Simondon, Structuralism and Psychoanalysis. We will show Deleuze constructs a concept of the ontologically primitive event by extracting from the works of these thinkers, on the one hand, a number of event-related problems and, on the other hand, a system of concepts which are capable, with several important qualifications, of resolving these problems, and thus functioning as the elements of a concept of the event on which, in the final analysis, every substance depends. We conclude that the process of associating, ordering and bringing into relation the worldly events characterizing things in general – that is, of discovering the laws which govern them and of constructing their corresponding concepts – is itself an event, always already underway, which is produced in an intersubjective and linguistic context. This 'sense-event' can be described in terms of a moving structure of relations between events. Within this structure, events of all orders and levels determine one another to determine things in general, and without reference to some already given substance which would fix this structure from outside
Hortonéda, Jeanine. "Deux contemporains Michel Foucault et Gilles Deleuze : convergences, divergences, résurgences." Toulouse 2, 2009. http://www.theses.fr/2009TOU20115.
Foucault and Deleuze: two philosophers, two contemporaries with an unusual career whose meeting and mutual acknoledgement throws a glimmering ligth on each other's thinking. By comparing Foucault's and Deleuze's texts, one can find out how concepts –even philosophical practices– pass and transform from one to the other. Their asymmetrical respective publications put into relief perspectives on topical questions theoretical and political common commitments, particulary on the issue of relationships between politics and subjectivization practices; How the subject came into being through desire, and how the body harnesses its pleasures –caught between subjection to and desubjection from – give rise to an array of questions about what a life that would be free from the concept of subject, êthopoiétique, alêthurgique, in a word, a philosophical life can be. Two philosophers concerned with the event – even though Deleuze's notion of transformation does not coincide with Foucault's genealogical and archeological approach – who share the same sharp sense of criticism in order to provide a new vision of thought and foster the resurgence of an ethical questioning after the “dead of man” and the “dead of God”
Jacques, Vincent. "Expressionnisme et suspension problématique : la notion de problème chez Gilles Deleuze." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0148.
The notion of problem occupies an essential position in Deleuze's –philosophy. Starting from this notion, and using both a genetic and systematic approach, this study offers a reading of the Deleuze's system while at the same time exposing its fractures and its transformations This thesis situates itself, and develops, around the turn leading from the Idea¬problem (Difference and repetition) to the abstract machine of A Thousand Plateaus. The first part of the thesis is constructed around the critical reversaI which places the problem at the very heart of thought. The notion of problem correlates to a concept of expression taken from the first reading of Spinoza (1967). Insisting on the importance of the notion of expression, the study shows the strong internal consistency of the first stage of the system, which is known as problematic expressionism. The second part of the thesis presents the second stage of this problematic expressionism, which was developed in Mille plateau. As a result of analysis of the second reading of Spinoza (1981), it becomes necessary to demonstrate in what way the reorganization of the expressionist system became the driving force for a philosophy of the nature and the social. The notion of problem is also essential to the notion of experience as problematic suspension, as revealed in the event of The Logic of Sense and in the crystal-time of The Time-Image. Between the suspension as the contemporary question of the belief in the world and the expression as the problematic: participation in the world, the thesis thus shows that the notion of problem is found at the heart of the Deleuze's philosophy
Itagiba, Claudio Ulpiano Santos Nogueira. "O pensamento de Deleuze ou a Grande aventura do espirito." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280557.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Doutorado
Doutor em Filosofia
Ingala, Gómez Emma Andrea. "Structure et rapport : philosophie transcendantale chez Gilles Deleuze et Jaques Lacan." Paris 7, 2012. http://www.theses.fr/2012PA070077.
The aim of this research is to highlight and inquire into the common methodological principles, interest and concepts constitutive of Gilles Deleuze's and Jacques Lacan's theories. Against interpretations that affirm the incompatibility of their approaches, and against analyses that restrict the comparison to their critiques of the Freudian Oedipus, our aim is to prove that the source of their commonality emanates from the relationship Deleuze and Lacan have to the problematic field designated by Kantian transcendental philosophy. Since what is at stake is no longer the possibility of thinking the conditions of possible experience in general but the conditions of the singular or the difference, that is, the conditions of an experience that by definition cannot be limited a priori by anything, that affiliation will entail a subversion and a deep reformulation of the concept 'transcendental'. The transcendental becomes a paradoxical concept insofar as, first, it is emptied or neutralized, although it doesn't disappear completely, and, second, the impossible reveals itself as the ultimate condition of possibility. We expose the programmes of Deleuze and Lacan separately but in parallel, understanding that both define the mission of transcendental research by dividing it into two phases: first, the analysis of the conditions of the thinkable in general, based upon the Structuralist premises, operates as the platform that allows them to, secondly, transcend to the real, which entails a movement from the structure towards its reverse: the "beyond the conditions'. This progress is completed in both Deleuze and Lacan by a science of limits
Santos, Zamara Araujo dos 1966. "A geofilosofia de Deleuze e Guattari." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280012.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A Geofilosofia é um conceito tardio na obra de Deleuze e Guattari e, embora se aplique ao último livro em parceria, Qu'est-ce que la Philosophie ?, trata-se de uma noção que envolve suas principais criações conceituais, circunscrevendo o período de Capitalisme et schizophrénie, mas dialogando com noções e momentos distintos da obra dos autores. Sob a rubrica da noção, a filosofia consagra a conexão de um plano de imanência absoluto derivado de um meio imanente e social que constitui a conjunção de relações variáveis entre o território e a terra. Assim, o ato de pensar não gravita sob a órbita das categorias sujeito e objeto, mas concerne a um meio intensivo e contingente, que, compondo uma ambiência de circunstâncias externas, demarca um campo de conexões e fronteiras de relações múltiplas e devires que contornam o molar e o molecular, estabelecendo um regime de troca, captura e sobrecodificação dos códigos. Nesse traçado, o pensamento e os conceitos invocam um "fora", um devir molecular, devires animais e imperceptíveis que povoam o território e os agenciamentos, perfilham conexões, ramificações heterogêneas e rizomáticas que seguem por linhas intensivas, conjurando forças e movimentos da terra que operam por movimentos diagramáticos, geodésia e desterritorialização. Configura-se, com efeito, uma cartografia dos deslocamentos, direções e trajetos que circunscreve o mapa de uma geografia agitada por linhas de fuga, longitudes e latitudes, sendo essas, portanto, as condições do plano de imanência absoluto do pensamento, de sua desterritorialização e reterritorialização
Abstract: Geophilosophy is a lag concept in Deleuze and Guattari's work, and besides it can be applied at the last book in partnership Qu'est-ce que la Philosophie?, it is a notion that involves their main conceptual creations, circumscribing the period of Capitalisme et schizophrénie, but in dialogue with distincts notions and moments of both autors work. Under the heading of the notion, philosophy consecrates the conexion of an absolut immanence plan derivative of a social and immanent environment that constitutes the conjunction of variable relations between the territory and the earth. This way, the act of thinking doesn't gravitate in the orbit of the categories of subject and object, but concerns to a intensive and contingent environment, that, setting an ambience of external circunstances, delimits a field of conexions and borders, of multiple relations and becomings that skirts the molar and the molecular, establishing a system of change, capture and overcoding of the codes. In this route, the thought and the concepts invocate an "outside", a molecular becoming, animal and inconspicuous becomings that settle the territory and the assemblages, profiling conexions, heterogeneous and rhizomatic ramifications that follow by intensive lines, conjuring forces and movements of earth that operates by diagrammatic movements, geodey and deterritorialization. Setting up, in effect, a cartography of displacements, directions and pathways that circumscribes the map of a geography agitated by creepage, longitudes and latitudes, being these, by the way, the conditions of the absolut immanence plan of thinking, of its deterritorialization and reterritorialization
Doutorado
Filosofia
Doutor em Filosofia
Zabunyan, Dork. "Voir, parler, penser au cinéma : L'Image-mouvement et l'Image-temps de Gilles Deleuze." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0084.
Deleuze asserts that is two books on cinema - The Movement-Image (1983) and The Time-Image (1985) are "philosophy books". This statement is the starting point of our analysis which tries to replace this essay onmoving images within the general process and work of Deleuze. The main assumption is to insist on the importance of the "doctrine of the faculties" the author analyses since 1968 first with Difference and Repetition in a confrontation with Kant's critical philosophy. The awkward question underlining the link between the "movement-image" and the "time-image" is adressed through this assumption with a specific focus on the idea of "sighted cinema" developped by Deleuze in the interspace of the two volumes, and which formally refers to the particularities of this "doctrine of the faculties". This same doctrine mainly enables to go into the modalities of the disjunction among the visual and the word, which are investigated by Deleuze through contemporary cinema
Tapia, Araya Juan. "El devenir de las fuerzas: aproximaciones a lo trágico-político en Gilles Deleuze." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/148092.
El presente escrito tiene por objetivo reconocer en el pensamiento temprano de Gilles Deleuze un carácter trágico. Dicho carácter es reconocible a partir del modo en que Deleuze plantea su lectura de Nietzsche centrada en las fuerzas y sus devenires, la cual se haya en confrontación con el pensamiento dialéctico, y más precisamente, antes que meramente oponerse a este, lo excede. De este modo, en el primer capítulo abordamos el modo de comprensión de las fuerzas y la potencia desde ambas perspectivas. En el segundo, es expuesta la manera en que para Deleuze la dialéctica no es más que un pensamiento nihilista que al representar las fuerzas, termina por negarlas a partir de la trascendencia. El tercer momento se limita a señalar la total desconfianza de Deleuze respecto de la concepción del hombre y de la historia propias de la dialéctica que, al estar soportadas por el nihilismo, expresan un devenir-reactivo de las fuerzas. Finalmente, el cuarto capítulo aborda el modo en que, a partir del eterno retorno, en tanto pensamiento ético, alegre y destructor, se hace posible interrumpir el nihilismo, afirmar las fuerzas y su devenir-activo, poniendo en juego una afirmación inmanente de la vida.