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Книги з теми "Gardons"

Автор: Grafiati
Опубліковано: 12 квітня 2025

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1

Galard, Aude de, 19..- ... and Azous Michel 1964-, eds. Gardons notre âme d'enfant: Poil aux dents! [Paris]: Seuil, 2004.

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2

Faivre, Denis. A̳ ye a̳ le̳no̳ te̳ sah!: Gardons notre santé! Ouagadougou, Burkina Faso: Association de la Traduction de la Bible Toussian, 2007.

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3

Sibomana, André. Gardons espoir pour le Rwanda: Entretiens avec Laure Guilbert et Hervé Deguine. Paris: Desclée de Brouwer, 1997.

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4

Denis, André, ed. Habiter en Cévennes au Moyen Âge: Architecture vernculaire dans les hautes vallées des Gardons. Sète: Nouvelles presses du Languedoc, 2012.

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5

Laure, Guilbert, and Deguine Hervé, eds. Gardons espoir pour le Rwanda: Suivi de enquête sur la mort d'André Sibomana, par Hervé Deguine. Paris: Harmattan, 2008.

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6

Bélanger, Bruno. Attention jeune en mutation: Gardons le contact : une vision constructive et réaliste de la communication entre les parents et leurs jeunes. [Québec]: Gouvernement du Québec, Ministère de la santé et des services sociaux, 1996.

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7

Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. Oxford: Tempus Reparatum, 1996.

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8

Farrar, Linda. Gardens of Italy and the western provinces of the Roman Empire: From the 4th century BC to the 4th century AD. [s.l.]: typescript, 1996.

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9

Watteeuw, Lieve, and Hannah Iterbeke, eds. Enclosed Gardens of Mechelen. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463720724.

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Анотація:
During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.
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10

Bacher, Rémy, and Birgit Kilian-Debord. Jardins écologiques d'aujourd'hui. Mens, France: Terre vivante, 2004.

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11

Ray, Skibinski, Susan A. Roth & Company., and Ireland-Gannon Associates Inc, eds. Beds & borders: 40 professional designs for do-it-yourselfers. Tucson, Ariz: Home Planners, 1998.

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12

Robert, Holt, ed. Roddy Llewellyn's Elegance & eccentricity. London: W. Lock, 1989.

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13

Paola, Maresca, ed. Giardini e Oriente. Firenze: A. Pontecorboli, 2006.

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14

Lowe, D. B. Cushion plants for the rock garden. Portland, Or: Timber Press, 1996.

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15

Patrick, Taylor. The garden lover's guide to Britain. New York: Princeton Architectural Press, 1998.

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16

Vincenzo, Scaccioni, ed. I giardini Vaticani. Regensburg: Schnell & Steiner GmbH, Verlag, 2009.

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17

Doblhammer, Rupert. Gehölze und Wege in formalen historischen Gartenanlagen Österreichs: Eine Dokumentation zur Erschliessung noch bestehender gartenkünstlerischer Strukturen in Österreichs formalen Gärten. Frankfurt am Main: Peter Lang, 2005.

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18

Clay, Perry, ed. Traditional English gardens. New York: Rizzoli, 1987.

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19

Llewellyn, Roddy. RoddyLlewellyn's elegance & eccentricity. London: Ward Lock, 1989.

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20

Owen, Jennifer. The ecology of a garden: The first fifteen years. Cambridge: Cambridge University Press, 1991.

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21

Coudray, Philippe. Gardons l'équilibre! Mango, 1997.

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22

Chamina, Guide. Vallées Cévenoles et Hauts-Gardons. Chamina, 2000.

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23

l/Lain, Chiasson. gardons la forme programme personnel d entrainement. MODULO, 2008.

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24

Gupta, Anshu. Infirmière Florence®, Comment Gardons-Nous Notre équilibre? Lulu Press, Inc., 2024.

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25

BROCHOT, Stephanie. Cri des Colombes: Gardons le Sourire Car Demain Peut être Pire... Independently Published, 2019.

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26

L' autrefois des Cévenols: Mémoire de la vie quotidienne dans les vallées cévenoles des Gardons. La Calade, Aix-en-Provence: Edisud, 1987.

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27

Horsfall, Mary. Australian Garden Rescue. CSIRO Publishing, 2014. http://dx.doi.org/10.1071/9781486300013.

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Whether you have a garden suffering from lack of attention, damaged from weather events or suffering pest attacks, Australian Garden Rescue will guide you through practical solutions, helpful tips and preventative tactics to minimise future harm. Best-selling author Mary Horsfall explores how our harsh climate can impact gardens, including the effects of bushfires, floods, frost, storms and heatwaves. She also addresses various pests from possums, snails and caterpillars to fungal problems and weeds. With an emphasis on environmentally friendly strategies and simple advice, this highly illustrated guide will provide tactics for gardeners repairing recent damage or tackling prolonged neglect. Regardless of your garden’s size or location, this book should be part of your gardening toolkit.
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28

Campbell, Gordon. Garden History: A Very Short Introduction. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780199689873.001.0001.

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Gardens take many forms and have a variety of functions. They can serve as spaces of peace and tranquillity, a way to cultivate wildlife, or as places to develop agricultural resources. Globally, gardens have inspired, comforted, and sustained people, and many iconic gardens have inspired great artists, poets, musicians, and writers. Garden History: A Very Short Introduction embraces gardens in all their splendour, from parks and vegetable gardens to ornamental gardens, and takes the reader on a globe-trotting historical journey through iconic and cultural signposts of gardens from different regions and traditions. It concludes by looking to the future of the garden in terms of global warming and human innovation.
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29

Davies, Wendy. Gardens in Northern Iberia in the Early Middle Ages. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191997983.001.0001.

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Анотація:
Abstract This book is about gardens in northern Spain and northern Portugal in the early middle ages, that part of the Iberian peninsula that lay beyond Muslim al-Andalus. Dealing with a vast area, of great geographical diversity and wide variation in climate, it spans the sixth to tenth centuries. Using archaeological, archaeobotanical, and written evidence, it shows that gardens might lie beside houses or scattered among arable fields or grouped together in garden zones. Gardens are difficult to recognize archaeologically but excavation suggests that many were terraces, as it also suggests that indicators of intensive use—through fertilization or irrigation or characteristic weed species—may be more useful for identifying garden activity than looking for a distinctive shape. The strongest indications of garden produce are that fruit was always important and so were legumes; and some gardens, especially those owned by monasteries, may have grown herbs. The most striking trend across the tenth century is that peasants sold gardens to monasteries, although there are regional differences, Catalonia having a more diverse land market. Peasants sold in order to get food and monasteries bought partly to provide garden produce, including herbs, for expanding communities but partly to use and increase garden space for textile use—growing flax, hemp, and dye plants—for commercial reasons, especially urban supply. Gardens were vital for the supply of clothes.
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30

Saitō, Yuriko. Japanese Gardens. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456320.003.0009.

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In Japan, as in the west, gardens represent an idealized form of nature in which human beings reshape the natural world according to specific aesthetic paradigms. Unlike Western formal gardens, which are characterized by symmetry and rigid order, Japanese gardens present a more “natural” appearance by articulating the native characteristics of the materials, such as rocks and plants. The philosophy of Zen Buddhism, as well as the time-honored garden design principle of “following the request” show how Japanese garden designers are inspired by—and possibly improve upon—nature in their art and how a respectful attitude toward nature is expressed aesthetically in Japanese gardens.
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31

Stevenson, Jane. Outdoor Rooms. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0008.

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There is such a thing as modernist gardening, and in England Christopher Tunnard was its principal proponent. But interwar great gardens were mostly baroque in inspiration and design, expressing baroque principles of excess and astonishment. Philip Sassoon’s garden at Port Lympne is one of the campest. The design is by Philip Tilden, who also worked on Garsington Manor, another Italianate garden. Baroque gardening in England owes much to Sir George Sitwell’s carefully researched book on the topic, to Geoffrey Jellicoe and John Shepherd’s Italian Gardens of the Renaissance, and to Cecil Pinsent, designer of the gardens at I Tatti, who influenced both Lawrence Johnson (Hidcote) and Vita Sackville-West (Sissinghurst).
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32

Horsfall, Mary. Gardens for All Seasons. CSIRO Publishing, 2012. http://dx.doi.org/10.1071/9780643106772.

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Gardens for All Seasons is a gardening lifestyle book by bestselling author Mary Horsfall, celebrating the role of gardens in our lives and advising on the timing of jobs in the gardening year throughout Australia. Monthly chapters include topics such as planning, bushfire preparation, watering, pot plant care, mulching, weeding, fertilising, pruning, propagating, pest control, what to plant for different climate zones and what garden venues and events to visit. Mary details her own gardening year, including jobs done, fruits and vegetables harvested, food cooked based on the harvest, what was in flower and wildlife observations – all on a month by month basis. Each chapter includes a special topic of the month, such as fun for kids in the garden, biodiversity, manipulating microclimate, and fragrance and first aid. Covering both edible and decorative gardens, and including colour photographs as well as some of Mary’s own recipes, Gardens for All Seasons is sure to please all types of gardeners.
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33

Children's Gardens: Twelve Theme Garden's for Families. Westholme Publishing, 2006.

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34

Morgan, Luke. Garden Design and Experience in Shakespeare’s England. Edited by Malcolm Smuts. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199660841.013.38.

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This chapter presents an overview of the design and experience of gardens in Shakespeare’s England. It focuses on key examples, from Hampton Court Palace, laid out by Henry VIII from the 1530s, to Henry, Prince of Wales’s Italianate garden at Richmond Palace, which was never completed due to his premature death in 1612. As well as providing a selective design history, the chapter seeks to reconstruct contemporary attitudes to landscape design during Shakespeare’s period through comparing actual gardens with literary ones such as Spenser’s ‘Bower of Bliss’ inThe Faerie Queene. It is argued that two neglected themes emerge from this comparison: first, the potentially negative connotations of the concept of the enchanted garden and, second, the cultural significance of the representation of monsters in Renaissance landscape design.
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35

New directions in garden tourism. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789241761.0000.

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Abstract This book provides an update on the statistics and growth of the global phenomenon of garden visitation. It delves into new themes and contemporary trends, from art and culture, to psychographic profiling of visitors and how social media and semiotics are used to enrich visitor experience and fuel motivation. In addition to new topics, the book also provides expansion of chapters previously touched upon in Garden Tourism such as the continued rise in urban gardens, events, and garden economics. It features: an update on visitor statistics up to 2019; new case studies throughout; and full colour images. The book has 12 chapters.
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36

Cross, Rob, and Roger Spencer. Sustainable Gardens. CSIRO Publishing, 2009. http://dx.doi.org/10.1071/9780643097988.

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The third title in the CSIRO Gardening Guide series, Sustainable Gardens by Roger Spencer and Rob Cross shows how horticulture can contribute towards a more sustainable future. Written for home gardeners, professional horticulturists, landscapers, and all those passionate about cultivated landscapes, this book examines the steps we can take towards harmonising gardening activity with the cycles of nature. Two outstanding botanists from the Royal Botanical Gardens in Melbourne, Roger and Rob have produced a genuine gardening bible for our times. They show how every gardener – both professional and amateur – can contribute positively to environmental stewardship. Gardens may be consumers of resources, but the negative effects of this consumption can be minimised and can be offset by some of the positive contributions gardens make. Roger and Rob explain the connections between human activity, resource depletion, and environmental degradation. They show how to conduct an audit of gardening practices, materials, and results so that every gardener can measure the impact he or she is having on nature. They show: how to minimise the impacts on nature of our consumption of water, materials and energy in the garden; how to make gardens more environmentally friendly through design, construction and maintenance phases; the importance of biodiversity and how horticulture can help protect natural systems; and the role that gardening can play in alleviating the environmental impacts of food production. Checklists are provided so that gardeners can ensure they are taking the most sustainable path through each phase of gardening – design, construction, maintenance. The book ends with a guide round an existing garden that combines physical beauty with sustainability, and discusses future trends for sustainable horticulture. In an increasingly urbanised world, parks and gardens are our main point of contact with nature. If we can maximise the environmental benefits of our gardens, public spaces and landscapes, we will make a huge contribution to sustainable living. This book if the first to show us how.
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37

Hickman, Clare. The Doctor's Garden. Yale University Press, 2021. http://dx.doi.org/10.12987/yale/9780300236101.001.0001.

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As Britain grew into an ever-expanding empire during the late eighteenth and early nineteenth centuries, new and exotic botanical specimens began to arrive within the nation's public and private spaces. Gardens became sites not just of leisure, sport, and aesthetic enjoyment, but also of scientific inquiry and knowledge dissemination. Medical practitioners used their botanical training to capitalize on the growing fashion for botanical collecting and agricultural experimentation in institutional, semipublic, and private gardens across Britain. This book highlights the role of these medical practitioners in the changing use of gardens in the late Georgian period, marked by a fluidity among the ideas of farm, laboratory, museum, and garden. Placing these activities within a wider framework of fashionable, scientific, and economic interests of the time, the book argues that gardens shifted from predominately static places of enjoyment to key gathering places for improvement, knowledge sharing, and scientific exploration.
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38

Beds and Borders. Ryland, Peters & Small Ltd, 2005.

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39

Hartswick, Kim J., Wilhelmina F. Jashemski, Kathryn L. Gleason, and Amina-Aïcha Malek. Gardens of the Roman Empire. Cambridge University Press, 2017.

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40

Hartswick, Kim J., Wilhelmina F. Jashemski, Kathryn L. Gleason, and Amina-Aïcha Malek. Gardens of the Roman Empire. Cambridge University Press, 2017.

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41

Gardens of the Roman Empire. Cambridge University Press, 2017.

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42

Bown, D. Garden (Through the Seasons). Hodder Wayland, 1989.

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43

Zhuang, Yue, Alasdair Forbes, and Michael Charlesworth, eds. Garden Retreat in Asia and Europe. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350447417.

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The Garden Retreat in Asia and Europeexplores the meaning of gardens and designed landscapes as places of retreat and refuge in times of need or emergency. In the current times of war, pandemic, climate change, and global anxiety, the value of the garden as a sanctuary, a space where we can find refuge in a natural environment, has taken on new and poignant meanings and has attracted increasing academic interest. Multidisciplinary and multicultural in scope, this book examines perspectives from scholars including art historians, architects, philosophers, landscape architects and garden practitioners, reassess the importance of the garden as a foil to abiding and contemporary concerns and predicaments, whether understood from an individual, cultural or environmental point of view. Ranging widely across Asia and Europe, its chapters examine ideas, narratives and practices from the 4th-century Chinese poet Tao Yuanming, to the 12th century Iranian polymath Omar Khayyam, through to the late 20th-century British artist and film-maker Derek Jarman. Drawing upon traditional Asian philosophies like Buddhism, Daoism and Sufism and combining these with more recent western philosophies, the aim is to question how the unique virtues of gardens and designed landscapes can help to poise, educate, and possibly transform attitudes and behaviours in a time of personal, environmental, or cultural crisis. At once poetic, scholarly, and rigorous, this book provides insightful reading for students and researchers in landscape architecture, garden history, architectural history, art history, and cultural history. The Garden Retreat in Asia and Europe: Ways of Dwelling in a Torn World revisits the meaning of the garden as a retreat in a time of need or emergency. From both Eastern and Western perspectives, and with reference to a wide variety of garden environments, both ancient and modern, a multi-disciplinary team of scholars and garden practitioners reassess the importance of the garden as a constructive foil to abiding and contemporary concerns and predicaments, whether understood from an individual, cultural or environmental point of view. Our points of reference range from England and Sweden to Iran and China. The aim is to question how the unique virtues of the garden environment can help to poise, educate, and possibly transform attitudes and behaviours, even, and perhaps especially, in a time of personal, cultural or global crisis.
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44

Rickard, Simon. New Ornamental Garden. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643101760.

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This book takes a fresh look at garden-worthy plants for Australian conditions. It will help gardeners to reappraise their climate, select appropriate plants and modify gardening practices to create beautiful gardens featuring native and exotic plants with proven drought tolerance, reliability and minimal weed potential. The New Ornamental Garden shows how heat, cold, water availability, rainfall patterns, length of growing season, evaporation rate and humidity influence plant growth in Australia, from the wet sub-tropics to the temperate climate of southern Australia. It also discusses the influence of microclimates within a garden: dry sun, dry shade, moist sun, moist shade, seaside conditions, exposed sites, urban situations and root competition from eucalyptus and allelopaths. The main focus of the book is the plant index, which contains notes on hundreds of plant varieties and how they function in the garden. All gardeners will benefit from reading this book!
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45

Designing and planting borders. Ramsbury: Crowood, 2011.

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46

Susan A. Roth & Company (Illustrator), Inc. Ireland-Gannon Associates (Corporate Author, Editor), and Ray Skibinski (Editor Illustrator), eds. Beds and Borders: 40 Professional Designs for Do-It-Yourselfers. Home Planners, 1998.

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47

Gardens and Gardeners of the Ancient World: History, Myth and Archaeology. Windgather Press, 2016.

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48

photographer, Baldwin Kate, ed. The gardening in miniature prop shop: Handmade accessories for your tiny living world. Timber Press, 2017.

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49

Small garden solutions. London: Hamlyn, 2000.

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50

Mártonfiová, Lenka, ed. Index Seminum 2021. Univerzita Pavla Jozefa Šafárika, Vydavateľstvo ŠafárikPress, 2021. http://dx.doi.org/10.33542/is2021-967-2.

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The Index Seminum 2021 of the Botanical Garden of the Pavol Jozef Šafárik University contains a list of 131 seed samples offered for the international exchange among botanical gardens on the world. It includes seeds collected from the wild plants in natural localities of Slovakia with a detailed description of the localities with coordinates and date of collection (72 samples) and seeds of plants grown in the Botanical Garden (5 samples) and seeds from Exposition of the Tatra Mountain Nature of the State Forests of Tatra National Park, Tatranská Lomnica (54 samples). The index includes a desiderata table that can be used when ordering seeds.
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