Дисертації з теми "Galerie A"
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1
Řízek, Matěj. "Galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232416.
Повний текст джерелаАнотація:
It is a half-material imaginary architecture that guides the movement of a viewer. Or takes place to stop the viewer in me creating environment. Construction visually "disturbs" the space to a minimum, but the movement of the viewer will be completely different.
2
Hlaváčová, Lenka. "Galerie umění." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2019. http://www.nusl.cz/ntk/nusl-392026.
Повний текст джерелаАнотація:
The theme of my diploma thesis is the design and production of the project documentation of art gallery in Brno in Veveří street. The new building of the cultural center corresponds to the city plan of the the city Brno. The object is composed of three above-ground floors with partial basement. The new building has cafe, great hall, workshop for kids and exhibition area of art gallery. The construction system is combinated, it is formed from ceramic walling and columns. The ceilings are cast-in-place reinforced concrete floors. There is counter roof. Load carrying systém of roof are nailed timber trussgirders . The facade is designed as ventilated. The object is situated in a gently sloping plot.
3
Lorenc, Jakub. "Obchodní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2020. http://www.nusl.cz/ntk/nusl-409839.
Повний текст джерелаАнотація:
The subject of this diploma thesis is the design and assessment of main load-bearing elements od the steel structure of shopping gallery in Hodonín. Part of floor plan is rectangular and rest of it is half-circled. Object's dimensions are 7é m x 147,75 m (and roof overhang 1,5 m on each side), the height of the ridge is 13,43 m and the height of the roof's dome is 22,70 m. It's a two-storey building. The load-bearing structure consist of pin-suported columns, in this case there is max. 8,5 m distance between them in direction of main frame. The distance between main frames is 9 m. The spatial rigidity of the structure is ensured with floor slabs and system of bracings. The cladding consists of sandwich panels, roof's fanlights and dome of glazed areas. Most of elements are made of S355 steel.
4
Žák, Ondřej. "Obchodní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226649.
Повний текст джерелаАнотація:
Master's thesis addresses the design and assessment of the load bearing structure of the shopping gallery. The building is designed as a three-storey rectangular plan with a flat roof. The structure is composed of steel frames and composite steel and concrete slabs. There are proposed two possible solutions - variant with a flat roof and direct central gallery, a reinforced rigid steel frames and a variant with a cupola roofed circular inner atrium, solidified with rods.
5
Bednářová, Bronislava. "Výstavní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226917.
Повний текст джерелаАнотація:
This master´s thesis is deal with design of steel structure of exhibition gallery. Layout od building is three-arm star, where each arm is rectangular with dimensions 6 x 18 m and arm has two floors. All three arms are connected to the hexagonal prism (space frame), which is on the second floor walkway and covered skylight. Maximum building height is 11.28 meters from the finished grade. The main structure of building is created by twelve frame in cross direction. The roof is flat. The surface of facade is glass created by aluminium structure.
6
Richtrová, Pavla. "Obchodní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-227865.
Повний текст джерелаАнотація:
The aim of this theis was to design of load-carrying steel structure of shopping mall in two variations. Geometric proposal and examination of structural element was made for both of variations. Then one variant was selected for detailed elaboration of details and drawings.
7
Altoff, Tomáš. "Nákupní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-239952.
Повний текст джерелаАнотація:
This diploma thesis is deals with design of steel structure of a shopping centre. The object is situated in the Ostrava and has a rectangular and semicircle ground plan. The total ground plan dimensions are 72,5 x 55,0 m. The maximum height of a building is 18,75 m. The object has three storeys above ground. The material of main construction is steel grade S235. The ceilings are constructed from a steel-concrete beams. The roof above central part of the object has shape of a circular arch; above the other part of the building is a pitched roof. The design of main structures was made for two variants. The design of connections, anchorage and drawing documentation were made for the preferable variant.
8
Železná, Radka. "Výstavní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240377.
Повний текст джерелаАнотація:
This master´s thesis is deal with desing of steel structure of exhibition gallery. According to the task have been design of new structures in accordance with applicable standards. The desing of building came frome several studies.
9
Gargulák, Martin. "Obchodní galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2017. http://www.nusl.cz/ntk/nusl-265259.
Повний текст джерелаАнотація:
The objective of the diploma thesis is a design and a check of load-carrying steel structure of a shopping gallery. The project is designed in two options. The building is located in Vsetin. The total ground plan‘s dimensions are 51x54 metres. The height of the building in the highest point is 17 metres.The whole building is divided into two parts - entrance hall and free-storey building. For selected option the calculation of joints and column anchorage is performed as well as the design documentation.
10
Brožka, Petr. "Fenomén prázdné galerie." Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2015. http://www.nusl.cz/ntk/nusl-234290.
Повний текст джерелаАнотація:
The doctoral thesis deals with the topic of exihibiting empty gallery space. The purpose is to clarify the specifics that accompany the exhibited empty gallery and to define the essence of more general patterns of exposition in the gallery space. Doctoral thesis also presents the special simple void that generates art itself. Finally, the text reopens a polemic within the institutional theory of art. Doctoral thesis criticizes the established terminology related with exposition of the empty gallery.
11
Ferencová, Dagmar. "Marketingová činnost prodejní galerie." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-15390.
Повний текст джерелаАнотація:
The aim of the thesis was to analyze the situation in contemporary Slovak art market and the characteristics of entities dedicated to the sale of works of art.This work deals with specific marketing problems in this area. At the end of the analyzed Matica slovenska as an important institution with a long tradition.
12
Petr, Martin. "Výstavní galerie v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-372250.
Повний текст джерелаАнотація:
The subject of this diploma thesis is the design of exhibition gallery in the city center of Brno. The exhibition gallery consist of exhibition rooms, depositories, lecture hall, café, VIP room, entrance and communication spaces, hygienic facilities for visitors and employees, administrative premises of the gallery, air-conditioning and heating machinery. The SO01 object is processed in detail, the object SO02 is processed in the form of a study. Design of the exhibition gallery is based on the requirements of the student competition, the sponsor is Xella CZ, s.r.o. SO01 is designed as a four-storey building with three above-ground and one underground floors. The building has an exhibition area, a lecture hall, a café, a VIP room, entrance and communicative spaces, hygienic facilities for visitors and employees, air-conditioning machinery. The supporting structure of the building is designed as an assembled, prefabricated, reinforced concrete skeleton. Ceiling structures are designed as SPIROLL 250 mm pre-stressed ceiling panels. The facade is designed as two-layer ventilated. The exhibition gallery is designed with a single-layer flat vegetation roof.
13
Morcinková, Eliška. "Výstavní galerie v Olomouci." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240078.
Повний текст джерелаАнотація:
The aim of this diploma thesis is the design of bearing construction of the Exhibition gallery in Olomouc. The building is of irregular shape with the biggest span of 50 m. The bearing structure in the highest point goes up to 14,6 m. The main design material is the glue-laminated timber GL24h and GL32h. The optimization of chosen parts of the structure has been made and the best option was then used in the detailed structural calculation. The bearing structure consists of circular columns to which the floor beams and roof trusses are connected. The irregular structure of the gallery comprises of three different roof types – flat trafficable roof, double-pitched glass roof formed by pitched cambered trusses and single-pitch roof spanning over the central part of a 20,7 m span. Within the thesis the design and check of the main structure members and connections has been made. The entire structure is pinned and its stiffness is secured by the system of tension rods and rigid floor and roof construction respectively.
14
Kolář, Zdeněk. ""Galerie Velké Ceny" - architektonická studie." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215654.
Повний текст джерелаАнотація:
The goal of the diploma project is the architectural design of The Gallery Grand Prix in Brno Racing Circuit. Project considers the actual urbanization of racing circuit. It's goal is to continue in long-term history of this kind of sport in Brno and to make this racing circuit more attractive.
15
Sikora, Zbigniew. "Galerie Velké ceny města Brna." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2014. http://www.nusl.cz/ntk/nusl-216097.
Повний текст джерелаАнотація:
The main task of this thesis was to create an architectural study of The Gallery of Brno Grand Prix based on previous urban study from previous semester works. The proposal is focused on the iconic circuit’s former glory restoration, on providing new content for raceway complex and creating decent and presentable place for the presentation of the rich history of Czech and Czechoslovak motorsport. The result is a study of an object that meets these needs while respecting the historical and morphological values of the place. The building creates new themed attraction and creates the potential for further development of near circuit.
16
Junek, David. "Komunikační strategie Galerie Vaňkovka Brno." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2014. http://www.nusl.cz/ntk/nusl-224717.
Повний текст джерелаАнотація:
The subject of the thesis is to develop a communication strategy for the company Galerie Vaňkovka Brno. The starting point of this work is theoretical knowledge of marketing, which are applied in the analytical description of the company. The findings of the current state of the company is subsequently developed a set of recommendations that will enable achieving effective communication with customers.
17
Ježková, Tereza. "Galerie Velké ceny města Brna." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240877.
Повний текст джерелаАнотація:
The main purpose of the diploma project is to redesign an object of the Brno Grand Prix areal. The design case study is a second step after an urban project analyses created in the pre - diploma project phase. The main aim of the diploma design studio is to produce a new impulse in the whole nearby area of the Brno Grand Prix by finding a new purpose for the city's iconic areal and creating a decent and representative place for exhibition of the extensive history of Czechoslovak Motor sport.
18
Benmessai, Karim. "Maser cryogénique à modes de galerie." Besançon, 2008. http://www.theses.fr/2008BESA2015.
Повний текст джерелаАнотація:
Les oscillateurs les plus stables au monde sont ceux utilisant un résonateur saphir placé à basse température. Dans ce cas, le résonateur est utilisé en mode passif et l'oscillation est entretenue par un amplificateur placé à température ambiante. Pour atteindre des stabilités ultimes, ce dispositif doit être complété par plusieurs asservissements afin de pallier les dérives de phase et d'amplitude du signal dans la boucle d'oscillation. Ce type d'oscillateur est donc encombrant et difficile à mettre en oeuvre dans des applications de terrain. L'objectif de cette thèse est de valider un autre principe d'utilisation du résonateur saphir : le MASER à modes de galerie. L'idée cette fois est de mettre à profit la présence d'impuretés paramagnétiques dans le cristal de saphir pour obtenir un effet MASER auto- entretenu. L'ensemble du dispositif est maintenant dans le même ensemble physique, à savoir le résonateur saphir et l'amplificateur placés à basse température. Le principe du MASER à modes de galerie a été démontré à l'aide de résonateurs saphir de type HEMEX, contenant des impuretés du type Fe3+. Son principe est fondé sur le MASER à trois niveaux d'énergie sans champ magnétique dc. En pompant les ions au moyen d'un mode de galerie à une fréquence de 31 GHz, une oscillation peut être obtenue via un autre mode de galerie à 12,04 GHz. Le niveau de puissance maximal obtenu à la sortie du résonateur est de 6. 10'9 W (dix mille fois supérieur à celui d'un Maser H) pour une' concentration ionique de quelques 10 ppb. Un modèle combinant le comportement des modes de galerie et celui des ions dans la matrice saphir a permis de décrire l'évolution de la puissance MASER en fonction de différents paramètres, tels que la température, les couplages des modes de galerie (à 12 GHz et à 31 GHz) et la concentration ionique. Des mesures sur l'instabilité relative du MASER, pour des niveaux de puissance de l'ordre de 10. 12 W, ont montré que cet oscillateur n'est limité à court terme que par le bruit thermique. Une autre expérience comparant le Whigmo à un oscillateur saphir cryogénique (OSC) à l'état de l'art a montré que le MASER présente une instabilité inférieure à quelques 10. 14 à court terme. Ce travail suggère que le MASER fonctionnant à une puissance de 3. 10. 9 W pourrait présenter des niveaux d'instabilité à court terme. En conclusion le MASER saphir cryogénique à mode de galerie est un oscillateur alliant les performances des OSC classiques et une extrême simplicité et pourrait à terme remplacer les OSCThe most stable oscillators use a sapphire resonator placed at low temperature. This resonator is used in a passive configuration and the oscillation is maintained by an amplifier at room temperature. To reach ultimate stabilities, several controls must be implemented in order to mitigate the phase and amplitude drifts of the signal in the oscillation loop. Such an oscillator is thus cumbersome and difficult to implement in ground applications. The main objective of this thesis is to validate another principle of the use of sapphire resonator: the Whispering Gallery modes MASER Oscillator (Whigmo). The idea is to use paramagnetic impurities that are present within the sapphire crystal to obtain a self-sustained MASER effect. The Whigmo principle has been demonstrated by using HEMEX sapphire resonators, containing paramagnetic ions (Fe3+ ions). Its principle is based on the three energy levels MASER at zero dc magnetic field. By pumping the ions thanks to a whispering gallery (WG) mode at 31 GHz, an oscillation is obtained via another WG mode at 12. 04 GHz. The maximum power delivred is of about 6. 10. 9 W (ten thousand times higher than an H-Maser) for ionic concentration as Iow as 10 ppb. A model combining the WG modes and the behaviour of the ions within the sapphire matrix, allows to describe the Maser power evolution according to various parameters, such as temperature. . Couplings of the WG modes (at 12 GHz and 31 GHz) and the ionic concentration. Measurements on the MASER instability for a power of about 10-12 W, showed that this oscillator is limited only at short term the thermal noise. An instability lower than 10. 14 at short term has been shown through another experiment, by comparing the Whigmo to the state of the art Cryogenic Sapphire Oscillator (CSO). This work suggests that the MASER working at power of 6. 10. 9 W could deliver short-term instability of about 1. 10. 1611/2. The Whigmo is then an oscillator that combine the performances of the traditional CSO and an extreme simplicity. Ln the near future it will elsewhere become the successor of the traditional CSO
19
Sýkorová, Eva. "Galerie v Praze a cestovní ruch." Master's thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-77253.
Повний текст джерелаАнотація:
Práce charakterizuje oblast kulturního turismu a analyzuje činnost galerií v Praze. Zabývá se otázkou financování galerií. Případové studie Galerie Rudolfinum rozebírá aspekty propagace výstavy. Diplomová práce pojednává také o galerijní pedagogice,aukcích a nových vývojových tendencích v oblasti umění.
20
Bělotová, Jana. "Marketingové plánování krajské galerie výtvarného umění." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-113698.
Повний текст джерелаАнотація:
The master thesis, "Marketing planning of regional gallery for fine arts," consists of two major segments; theoretical and practical. The first includes theoretical bases concerning marketing plans and most importantly, Arts marketing. The regional gallery of fine arts in Zlin can be given a practical definition with special focus on; characteristics, buildings, visitors, competi-tion, current marketing activities etc. The main attribute of this thesis and the initial goal con-sists of proposed communication solutions linked to the plan of exhibitions for the year 2012. Recommended communication regards the nature of exhibitions and using the suitable com-munication channel that finds the target group. The original proposal concerning the lower financial inputs while using targeted communication was proved. The effectiveness of rec-ommended solutions expressed by a higher number of visitors could be proved only after full application of proposed solutions.
21
Paležnica, Maja. "Galerie a výstavní expozice v Rymicích." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2011. http://www.nusl.cz/ntk/nusl-375499.
Повний текст джерелаАнотація:
Justice in the area of the former fortress is located in Rymice outdoor exposure hlíněního architecture that builds on the theme museum, located in the village. Outdoor exhibition refers to the interior of the building and economic stronghold. In the project was to link these two objects.
22
Radović, Ranka. "Galerie a výstavní expozice v Rymicích." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2011. http://www.nusl.cz/ntk/nusl-215743.
Повний текст джерелаАнотація:
By entering this thesis was to create exposure Earthen Architecture in the fortress Rymice, resolving outdoor exposure with clay workshop. Outdoor space devoted clay consists of two main parts. These are the elements of clay production and exhibition features. The exhibition section consists of clay trails and glass showcases for exhibits, which form a linear streaks, and thus linking production and exposure space.
23
Racký, Peter. "Návrh implementace aukčního systému pro galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2011. http://www.nusl.cz/ntk/nusl-223043.
Повний текст джерелаАнотація:
I am dealing with implementation of auction system for internet presentation of art gallery in my dissertation. Advertising agency CCD Media Ltd had given an order for solution. In all sphere of business is trend of implementing of auctions, especially electronic in present. Sale of art cannot avoid this trend. Wi will find out advantages of this solution in use.
24
Suk, Tomáš. "Podnikatelský plán pro založení Café baru Galerie." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2013. http://www.nusl.cz/ntk/nusl-224276.
Повний текст джерелаАнотація:
The thesis deals with the business plan for establishing café bar with a gallery. The main goal is to create a feasible business plan and found, if the future company has a chance to succeed in the market based on the conducted analysis. The theoretical part defines the structure of the business plan and conditions for the establishment of a new company. Analytical part analyzes market environment where the company will operate and the factors that will affect the company. The practical part is focused on the development of specific business plan.
25
Hinrichsen, Kristina [Verfasser]. "Galerie als Werkstatt : Paul Maenz und die Neuerfindung der Galerie zwischen New York und Westdeutschland, 1965-1971 / Kristina Hinrichsen." Gießen : Universitätsbibliothek, 2019. http://d-nb.info/1190031108/34.
Повний текст джерела
26
Menclová, Eliška. "Interní komunikace jako součást komunikační strategie Národní galerie." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-203766.
Повний текст джерелаАнотація:
The thesis deals with the issue of internal communication at the National Gallery in Prague. The first part is focused on theoretical concepts, historical development and definition of the substance and means of internal communication. The essence of the work consists of situational analysis of current conditions at the National Gallery in Prague in terms of internal communication, with an emphasis on conceptual changes and communication strategy. The conclusion of the analytical part is dedicated to the evaluation of questionnaire survey, formulation of the strategy and design of communication plan, concrete activities and recommendations in the internal communication according to particularity of public cultural sector.
27
Boukrouche, Fahd. "Modélisation du transfert thermique des câbles en galerie." Thesis, Valenciennes, 2017. http://www.theses.fr/2017VALE0005/document.
Повний текст джерелаАнотація:
Une analyse critique de la modélisation des échanges thermiques des câbles d’énergie en galerie est réalisée, avec l’étude de facteurs d’influences propres aux modes de pose des câbles dans ces ouvrages. Les câbles, de plusieurs kilomètres, chauffent du fait du courant transmis dans leurs âmes. Ils sont alors refroidis par une convection forcée turbulente, dans l’axe des câbles, et échangent par rayonnement avec les parois. Pour étudier ce refroidissement, un banc d’essais expérimental a été conçu, en similitude de Reynolds, modélisant différents câbles soumis à un écoulement turbulent développé. Les résultats sont comparés et étayés par des simulations numériques 3D, développées sous l’outil OpenFOAM. Les études réalisées ont permis de mettre en évidence la mésestimation importante de l’échange convectif par la norme existante. Celle-ci propose un refroidissement qui se compose en réalité pour un tiers de l’effet de supports maintenant les câbles et d’un autre tiers d’un écoulement encore en début d’établissement. Le dernier tiers étant le refroidissement effectif des câbles. L’impact des groupements des câbles est aussi étudié, avec un résultat étonnant où un groupe de deux câbles en nappe est trouvé mieux refroidis qu’un seul, lorsque ceux-ci sont placés en proche paroi de la galerie. A l’issue des travaux, une unique loi de refroidissement conservative est proposée, permettant de modéliser tous les cas traités. Cette loi a un impact important sur l’intensité maximale admissible des câbles, qui est dégradée de 5% à 9% par rapport à précédemment pour un cas idéaliséA critical analysis of the thermal rating of power cables in tunnels is carried out, with the study of factors of influence specific to cable laying constrains. The heat generation in the cables, due to the transiting current, is dissipated by an axial turbulent forced convection and by radiation with the tunnel walls. To characterize this cooling, an experimental mock-up tunnel has been designed, modelling various cables in a fully-developed turbulent flow. The results are compared and bolstered by 3D numerical simulations, developed under the OpenFOAM code. The studies have highlighted an important underestimation of the convective exchange by the existing standard. Their cooling law is actually a sum of the effects of racks supporting the cables, for a third, and the effect of a flow still underdeveloped for another third. The last third being the actual cooling of the cables. The impact of groups configurations is also studied, with an astonishing result for groups of two cables, which are better cooled than a single cable case, when installed close to a wall. Following the analysis, a single conservative cooling law is proposed to model all studied cases. This law has a significant impact on the permissible current in the cables, which is downgraded from 5% to 9% from previous ratings
28
Nicoud, Guillaume. "Une galerie issue des Lumières : la galerie impériale de l’Ermitage et la France de Catherine II à Alexandre Ier (1762-1825)." Thesis, Paris, EPHE, 2016. http://www.theses.fr/2016EPHE4015.
Повний текст джерелаАнотація:
Cette présente étude propose d’éclairer l’apport de la France durant la première étape du développement de la galerie impériale de peintures, qui donna naissance au Musée de l’Ermitage, à Saint-Pétersbourg. C’est durant cette période que se constitue et se sanctuarise, comme nous tenterons de le démontrer, la galerie des souverains russes au sein d’un nouveau complexe palatial adossé au palais d’Hiver – siège du pouvoir –, en un établissement qui prend rapidement le nom – français – d’« ermitage ». Ce travail se divise en trois parties. Après une présentation de l’apport de la France sous Catherine II (1729-1762-1796), à travers l’étude de la construction des bâtiments de l’Ermitage d’une part, et la formation des collections d’autre part, nous traiterons ensuite des règnes de Paul Ier (1754-1796-1801) et surtout de son fils Alexandre Ier (1777-1801-1825), afin de déterminer comment ils ont géré cet héritage, en soulignant ce que ces souverains ont puisé en idées et en œuvres en France. Il reste enfin à établir, dans un troisième temps et au terme de cette première étape de l’évolution de l’Ermitage, comment la France a stimulé la mutation de la galerie impériale en un établissement tendant de plus en plus vers le muséeThis study proposes to clarify the contribution of France during the first stage of development of the Imperial Gallery of Paintings, which gave birth to the State Hermitage Museum, in Saint Petersburg. It is during this period that the gallery of the Russian sovereigns, within a new palatial complex, is gathered, organized and housed immediately just next to the Winter Palace – the seat of power – in an establishment which is quickly given the – French – name, “Hermitage.”This study is divided in three parts. First, the study will present the contribution of France under Catherine the Great (1729-1762-1796), by examining both the construction of the Hermitage’s building and the formation of the collections. Secondly, we will delve into the reigns of Paul I (1754-1796-1801) and especially his son, Alexander the Great (1777-1801-1825), in order to determine how they managed this inheritance, by highlighting how these sovereigns used the ideas and artworks from France. Finally, the study will establish, how, at the end of this first stage of the evolution of the Hermitage, France stimulated the transformation of the Imperial Gallery into an institution whose trajectory arced towards becoming a museum
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Walter-Ris, Anja. "Die Geschichte der Galerie Nierendorf Kunstleidenschaft im Dienst der Moderne Berlin, New York 1920-1995 /." [S.l. : s.n.], 2003. http://www.diss.fu-berlin.de/2003/238/index.html.
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Baker, Christopher. "Résonateurs nano-optomécaniques à mode de galerie sur puce." Phd thesis, Université Paris-Diderot - Paris VII, 2013. http://tel.archives-ouvertes.fr/tel-00923404.
Повний текст джерелаАнотація:
Ces travaux de thèse portent sur la conception, la fabrication et la caractérisation de résonateurs nano-optomécaniques sous forme de disques en arséniure de Gallium (GaAs). Ces disques sont à la fois des résonateurs mécaniques oscillant au GHz, et des résonateurs optiques à mode de galerie à haut facteur de qualité (>10^5). En confinant l'énergie mécanique et optique sur un volume sub-µm^3, ils permettent d'atteindre un couplage optomécanique extrêmement large (g0 >1 MHz). Nous présentons les développements technologiques ayant permis l'intégration de ces résonateurs avec des guides de couplage optique directement sur échantillon semi-conducteur, tout en maintenant des performances à l'état de l'art. Nous discutons les différents mécanismes de couplage optomécanique (pression de radiation, photoélasticité) dans les disques GaAs, ainsi que les sources de dissipation optique et mécanique dans ces résonateurs. Nous présentons également des expériences d'optomécanique à l'air libre et en cryostat à basse température, allant de la mesure du mouvement brownien et l'observation de rétroaction dynamique, jusqu'à des premières tentatives d'approche du régime quantique du mouvement. Enfin, nous présentons un développement nano-optomécanique complémentaire mené sur le matériau nitrure de silicium (SiN), aboutissant à la fabrication de résonateurs à mode de galerie sur puce à haut facteur de qualité. Après l'étude des instabilités optiques et de la dynamique d'auto-pulsation de ces résonateurs, nous présentons des premières signatures de couplage optomécanique dissipatif dans ces systèmes.
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Riviere, Armelle. "Le directeur de galerie d'Art contemporain : sociologie d'une profession." Paris 10, 1993. http://www.theses.fr/1993PA100125.
Повний текст джерелаАнотація:
Une nouvelle génération de marchands de tableaux, diffusant l'art actuel, s'est développée dans les années quatre-vingt, alors que le marché de l'art connait un véritable essor. Si de nombreuses études ont porté sur le marché et ses acteurs, elles ne se sont jamais penchées de façon précise sur cette population spécifique. Notre recherche s'est donc centrée sur l'analyse de cette jeune génération afin de cerner les spécificités de leur activité professionnelle et leur rôle au sein de la marche de l'art. Les directeurs de galerie de cette étude, appelés également "galeristes", ont profité de l'euphorie du marché de l'art pour ouvrir leur galerie. Ils sont jeunes et agissent au plus près de la communauté artistique et de ses valeurs naissantes.
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Masařová, Šárka Bc. "Vnímání Národní galerie v Praze obyvateli Čech a Moravy." Master's thesis, Vysoká škola ekonomická v Praze, 2007. http://www.nusl.cz/ntk/nusl-1434.
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Léotard-Sommer, Christine de. "Sans Bacchus et Vénus, la Galerie se refroidit : dispositif libérant le programme de l'intégralité du décor de la Galerie du Roi de Fontainebleau." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30001.
Повний текст джерелаАнотація:
Cette thèse avance une hypothèse nouvelle à l’énigme du décor de la Galerie François 1er de Fontainebleau, teste son efficacité sur la totalité de ses 16 unités originelles, cadres compris, et argumente la question de sa vraisemblance. Elle repose sur l’analyse de l’unité décrochée de l’extrémité Ouest en 1639, le Bacchus et Vénus de Rosso, aujourd’hui au MNHA de Luxembourg. Ce tableau est un unicum qui relève des mirabilia . Sous le voile d’une scène érotique, il traite de façon sophistiquée un adage récent d’Erasme, ici écourté : sans Bacchus, Vénus se refroidit. Par art de mémoire plastique, il « mémorise » aussi le schéma de la Monarchie céleste, tel que figuré dans la Treschrestienne Cabale metrifiee (1519) de Jean Thenaud et commenté dans son Traicte de la Cabale (1521), deux manuscrits commandés par François 1er . Par trois motifs en bas du tableau, il indique son mode d’emploi discursif qui s’appuie sur Erasme, puis Cues, puis Bonaventure. Enfin, c’est une peinture fabriquée comme les images artificielles irradiantes du De triplici vita de Ficin, mais sans effet magique. Ce tableau est le centre d’un dispositif à la fois intellectuel, matériel, et pratique, qui relie les 16 unités originelles et invite les princes Valois-Angoulême à une réception spécifique pour verbaliser eux-mêmes le programme de discours organisé. La base intellectuelle de ce dispositif est théologique : elle repose sur le verset de saint Paul (1 Co, XIII, 12), et se réfère à Erasme, Cues, et Bonaventure. Sa particularité est de transposer les concepts mentaux de ces penseurs chrétiens à un décor peint et stuqué, et ce, par serio ludere alors très prisé, en termes d’inventions formelles et d’usages inédits des images, pour générer les discours du programme. Parmi ces inventions, la plus remarquable est la pratique plastique de l’art de mémoire suivant ses règles classiques, dans toutes les unités, cadres compris. Le programme expose la vérité du pouvoir de la monarchie-très-chrétienne, par trois analogies spéculaires au pouvoir de la Monarchie céleste. Il définit des valeurs morales princières, mais aussi deux ambitions politiques majeures, le pouvoir absolu et l’accès à l’imperium mundi par de nouveaux arguments. Il forme le « miroir du prince » secret de la nouvelle dynastie Valois-Angoulême. Ce « miroir » cite aussi le « théâtre » de Giulio Camillo acheté par le Roi en 1530 et éclaire son fonctionnement resté énigmatique. Nous proposons Jean Thenaud associé à Rosso comme concepteursThis thesis puts forward a new hypothesis concerning the enigma of the décor of the Francis I Gallery in the royal palace of Fontainebleau, tests whether this hypothesis works for all 16 of its original units, frames included, and considers the question of its likelihood. It is based on an analysis of the unit removed from the western end of the gallery in 1639, Rosso Fiorentino’s Bacchus, Venus and Cupid, now hanging in the MNHA in Luxembourg. This painting is a unicum that falls into the mirabilia category. Behind the erotic scene lies a sophisticated depiction of a recent - here shortened - adage of Erasmus: without Bacchus, Venus grows cold. Using the art of memory, it also “memorises” the paradigm of the heavenly monarchy portrayed in Jean Thenaud’s Treschrestienne Cabale metrifiee (1519) and commented on in his Traicte de la Cabale (1521), two manuscripts commissioned by Francis I. The three motifs at the bottom of the work indicate its discursive modus operandi, drawing on Erasmus, then De Cues, then Bonaventure. It is a painting constructed like the radiant images of Marsilio Ficino’s De triplici vita, but without magical effect. This painting is at the centre of a simultaneously intellectual, material and practical device, linking the 16 original units and inviting a specific reception from the Valois-Angoulême princes so that they can themselves express the organised discursive programme. The intellectual basis of this device is theological in nature: it is founded on the verse of Saint Paul (1 Corinthians 13:12), and refers to Erasmus, De Cues and Bonaventure. It is unique in that it transposes the mental concepts of these Christian thinkers to a painted, stuccoed décor, following the serio ludere maxim, very popular at the time, in terms of formal inventions and original use of images to generate the programme’s rhetoric. The most remarkable of these inventions is the plastic practice of the art of memory, following its classic rules, in all the units, including the frames. The programme exposes the truth of the power of the very-Christian monarchy, via three analogies to the power of the heavenly Monarchy. It defines princely values, as well as two major political ambitions, absolute power and access to the imperium mundi using new arguments. It forms the secrete “mirror for the prince” of the new Valois-Angoulême dynasty. This “mirror” also cites the “theatre” of Giulio Camillo bought by the King in 1530 and illuminates its enigmatic function. We propose Jean Thenaud, supported by Rosso, as the creators
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Siems, Maren [Verfasser]. "Die Galerie und die Herrscherporträts im Schloss Jever / Maren Siems." Greifswald : Universitätsbibliothek Greifswald, 2012. http://d-nb.info/1019508493/34.
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Paquet, Alex. "Biodétection au moyen des modes de galerie de microsphères fluorescentes." Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28672/28672.pdf.
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Boukria, Zoheir. "Caractérisation des impacts sur une galerie "pare-blocs structurellement dissipant"." Chambéry, 2009. http://www.theses.fr/2009CHAMS044.
Повний текст джерелаАнотація:
Cette thèse a pour objectif de quantifier l'aléa rocheux de type chute de blocs sur une galerie pare-blocs et ainsi pouvoir intégrer cette structure dans un système de détection et d'alerte de l'activité d'un versant rocheux. Pour ce type de problème, les méthodes inverses peuvent permettre une caractérisation (identification et localisation) de l'effort subi par la structure. Ces méthodes sont largement utilisées pour des structures de type poutre et plaques sous charges dynamiques inconnues. Pour résoudre ce genre de problème, l'une des approches les plus utilisées est de créer les fonctions de transfert entre des points d'impact et de mesure sur la structure expérimentalement ou numériquement, de mesurer les réponses, et de trouver la force par déconvolution du signal. Il est connu que ce type de problème est « mal posé ». Afin d'obtenir une solution stable ayant un sens physique, il faut généralement avoir recours à la régularisation soit par filtrage du bruit, soit par des méthodes de régularisation classique, telle que celle de Tikhonov. Le problème de caractérisation des impacts sur une structure devient plus complexe lorsque la localisation du point d'impact est inconnu. Pour résoudre ce problème, on peut utiliser une approche basée sur la minimisation d'une fonctionnelle représentant l'erreur entre les réponses mesurées et estimées en plusieurs points formant un quadrillage sur la structure. Dans le cas d'une structure en situation réelle avec des conditions aux limites complexes, il est préférable d'opter pour une approche expérimentale. Une série d'essai sur des structures simples de type poutre et plaque permet de contrôler les paramètres influents sur la qualité de reconstruction de l'effort. Afin de recréer les caractéristiques de la structure et son comportement, une application de la démarche sur une dalle en béton armée s'avère la plus appropriée. En utilisant les fonctions de transfert obtenues expérimentalement et validées numériquement, la localisation des efforts et l'identification de leurs historiques devient possible. Cette étude ouvre les perspectives d'étendre l'application des méthodes inverses à la caractérisation des efforts de type souffle générés par une avalanche ou par une explosionThe aim of this thesis is to quantify the hazard of rock fall on a rock-shed structure, and thus able to integrate this structure into a system of detection and warning. For this type of problem, the inverse methods may allow a characterization (identification and location) of the effort sustained by the structure. These methods are widely used for structures like beams and plates under dynamic loads unknown. To resolve this problem, one of the most used approaches is to create transfer functions between impact point and measuring point on the structure experimentally or numerically, measure responses, and find the force history by deconvolution of the signal. It is known that this type of problem is "ill posed". To obtain a stable solution with physical sense, it must generally be used to stabilize either by filtering noise, or by conventional methods of regularization, such as that of Tikhonov. The problem of characterization of impacts on a structure becomes more complex when the impact location is unknown. To resolve this problem, we can use an approach based on the minimization of an objective function representing the error between measured and estimated responses at several points forming a grid on the structure. In the case of a real structure with complex boundary conditions, it is preferable to opt for an experimental approach. A series of tests on simple structures like beams and plates can control the parameters affecting the quality of the force location and identification. To recreate the characteristics of the structure and behavior, an application of the approach on reinforced concrete slab is most appropriate. By using transfer functions obtained experimentally and validated numerically, the location and identification of force history becomes possible. This study opens perspectives to extend the application of inverse methods to characterize the efforts of such breath generated by a flood or an explosion
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Lašová, Martina. "Marketing Galerie Středočeského kraje v Kutné Hoře a její návštěvníci." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-124816.
Повний текст джерелаАнотація:
This master thesis "Marketing of the Gallery of the Central Bohemian Region in Kutná Hora and gallery visitors" consists of two major parts -- practical and theoretical. In the theoretical part there are explained terms such as arts marketing, marketing mix, marketing planning, situational analysis, marketing research, visitors of cultural institutions and targeted marketing. These terms are applied on the Gallery of the Central Bohemia. The main goal for this thesis is to produce complex situational analysis of marketing of the Gallery of the Central Bohemian Region, segmentation of the visitors and from these parts target on chosen segment of visitors.
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Brantl, Sabine. "Archivische Räume: Historisches Archiv und Archiv Galerie im Haus der Kunst." Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, 2015. https://slub.qucosa.de/id/qucosa%3A7493.
Повний текст джерелаАнотація:
Mit der Einrichtung der Archiv Galerie hat das Haus der Kunst im März 2014 ein neues Format für die Präsentation seines Bestandes an historischen Materialien und ihrer Vermittlung etabliert. Basis sind die Bestände des Historischen Archivs, die 2004 erschlossen wurden. Der Beitrag diskutiert das kuratorische Konzept der Archiv Galerie sowie Anliegen und Perspektiven des Historischen Archivs. Der Beitrag behandelt Fragen der Aussagekraft archivarischer Materialien im aktuellen Kontext.
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Barhaila, Rajae. "Etude et réalisation de résonateurs microondes SiO2 à mode de galerie." Besançon, 2002. http://www.theses.fr/2002BESA2059.
Повний текст джерелаАнотація:
Ce mémoire concerne l'étude et la réalisation des résonateurs micro-ondes à quartz à mode de galerie dans la bande K (20-40 GHz). Nous avons évalué expérimentalement les composantes du tenseur permittivité relative et la tangente de perte du quartz en utilisant la technique du résonateur de Courtney. Ces mesures nous ont permis de montrer que la variation de la permittivité avec la température reste peu importante. La sensibilité thermique du résonateur est alors due à la dilatation thermique. La tangente de perte du quartz varie très peu avec la température. Le refroidissement du quartz n'apporte donc qu'un faible gain en terme du coefficient de surtension. Nous avons ensuite réalisé des résonateurs à quartz à mode de galerie fonctionnant à des fréquences de résonances différentes. Des coefficients de surtension de l'ordre de 60 000 à 300K et de 130 000 à 77K ont été obtenus à une fréquence de 16 GHz, et de l'ordre de 30 000 à 300K à une fréquence de 26 GHz. Un modèle basé sur la technique du raccordement modal développée au LPMO nous a permis d'évaluer avec une bonne précision les fréquences de résonance de nos résonateurs. De plus, une technique de sélection modale a été mise au point afin de supprimer les modes parasites autour d'un mode de galerie donné. Le résonateur à 26 GHz a été utilisé pour concevoir un oscillateur en utilisant les technologies disponibles au laboratoire. Le bruit de phase obtenu est de l'ordre de -75dB. Rad2. Hz-1 à 1 kHz de la porteuse. L'utilisation d'un correcteur interférométrique et/ou l'optimisation du circuit d'oscillation peuvent conduire à une nette amélioration de ces performancesThis work deals with the study and the realization of Whispering gallery mode quartz resonators in the K-band (20 - 40 GHz). We evaluated experimentally the quartz dielectric properties (permittivity and intrinsic losses) using the Courtney resonator method. These measurements show that the variation of quartz permittivity with temperature is small and then the thermal sensitivity of the resonator is principaly due to thermal dilatation. The quartz loss tangent at low temperature changed very little from their room temperature value at 300K. Thus the cooling of the quartz brings only a weak profit in terms of the quality factor. We also achieved some Whispering Gallery mode quartz resonators working at different resonant frequencies. Experimental quality factors Q around 60 000 at 300K and of 130 000 at 77K have been obtaind at 16 GHz. Moreover, a Q-factor around 30 000 at 300K has been obtained at 26 GHz. A theoretical model, based on a Mode Matching method has been developed at LPMO in order to evaluate with a good precision the resonant frequencies of our resonators. Moreover, the efficiency of the mode selection method has been experimentally demonstrated. The 26 GHz resonator was used in order to design an oscillator. The achieved oscillator presents very good phase noise performances at 300K. These performances can be still improved by optimizing the circuit of oscillation and/or by using an interferometric corrector
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Hertelová, Viola. "Elementární architektura / Galerie a muzeum architektury při FA VUT v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2021. http://www.nusl.cz/ntk/nusl-445382.
Повний текст джерелаАнотація:
The topic I have chosen for my diploma thesis is the curation of architecture as a possible overlap of teaching architecture towards the general public, but also a tool for connecting academic and municipal institutions. In my work I will examine the possibilities of creating an architecture center within the Faculty of Architecture, BUT. Galleries and museums of architecture, and thus various other associations and groups dealing with architecture, often function as separate institutions. I decided to solve the creation of a similar center, which as such has been missing in the Czech environment for many years, through its placement in academia. In my work I will first focus on the theoretical study of the possibilities of presentation and representation of architecture together with new approaches in the field of exhibition and curation of architecture. Subsequently, I will deal with the possibilities of connecting the activities of the Center of Architecture and the Faculty of Architecture. The aim of the work will be a practical design of the center within the BUT campus, for which I chose a space near Veveří Street in Brno, also known as Academic Square. For me to design the center, it will be important for me to analyze the place and find possibilities for its new concept. Today, the space of the Academic Square is in a state of disrepair and is waiting for an important gesture that can unite the place. Can it be the center of architecture?
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Blahová, Dagmar. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354953.
Повний текст джерелаАнотація:
This thesis describes design gallery of aviation technology and traditions at the airport in Brno Part of my thesis is focused on urban solution of area layout its interconnections with near districts “Komín“ and “Medlánky“. There is new pedestrian, cycling paths, operational and logistic roads inside the complex layout. This design supposed to keep the two existing historic hangars and demolishing remaining buildings with subsequent completion of necessary objects. Priority and the main idea is to keep compositional and visual axis to ensure visual contact with all airport operational parts to ease of orientation. According to this principle is mass and platform solved with object “gallery”. This object in addition to the exhibition space is also used for administration and operation department of the gallery. In separate part there is ensured catering in form of restaurant with associated technical, operational and sanitary facilities. The gallery is designed to visually and physically separate section used by pilots and airport vehicles from visitors to avoid dangerous situation. Other buildings I have designed in my project are “the clubhouse”, airport administration, emergency accommodation, social activity space mainly designed for aircraft-model pilots and the air traffic control tower. These objects creates border between premises restricted for aero club and visitors.
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Neveselá, Veronika. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354959.
Повний текст джерелаАнотація:
The subject of my thesis is the project of Gallery aviation technology and traditions of aviation at the airport Medlánky in Brno. The project also includes urban solution of area airport in Medlánky and linking urban areas Medlánky and Komín by newly designed roads and walking paths. The area of airport consists of the two historic hangars and newly designed buildings for the servise and maintenance of aircraft, for the laboratories and the test room of aviation technology, from the control tower and the gallery aviation technology, in which there is also bistro-cafe. The building with gallery aviation technology formed a compact space for visitors with the other buildings, but at the same time the building is separated from the private area, where the planes are moving freely. In the building with gallery, there are besides the exhibition space designed also the bistro-cafe, areas for management and operation of gallery, technical and sanitary facilities, restoration workshop of historic aircraft, conference halls, meeting and training rooms, clubhouse and accommodation. The building serves as a curtural - public building, wheelchair accessible is available throughout the object.
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Soukupová, Vladimíra. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354966.
Повний текст джерелаАнотація:
The thesis design called Gallery of aviation tecnology and traditions of aviation at the airport Medlanky in Brno is engaged the future developement othe airport complex. Traditional wooden hangars are complemented with new buildings, the Gallery of aviation technology, the Faculty of Mechanical engineering department and Snackbar replacing U Krive vrtule pub. All these buildings are public in relation with operational part. All three buildings are wooden structures combined with glass facade directed to runway. Buildings are based on low energy consumption. The Pub and VUT department are inspired by the original hangars with gabled roof. The gallery is different. The building is a large-span hall whose structure is composed of glued wooden stiffened ribs. Design provides enough space for exhibits.
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Rebrova, Tatiana. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354967.
Повний текст джерелаАнотація:
Area of the airport Medlánky is situated on the border of city districts Brno-Medlánky and Brno-Komín near the nature reserve "Medlánecké kopce". The designed gallery of aviation is a two-storey building, which consists of three parts. The main part is the exhibition space for airplanes, which is formed of a single-storey long-span hall, with the two-storey entrance part of the complex of buildings connected to it, in which are situated the area of the entrance, the training center (detached workplace of the institute of aviation FS BUT in Brno) and the administration. In the building of the original hangar, which is located along the street Turistická are located restaurants and aeroclub. Exhibition hall of the building of the gallery is formed by the structural system of the arched wooden glulam beams. The load-bearing wooden structures are visible and form the elements of the interior of the exhibition space. Two-storey extention of the entrance part of the building is structurally designed as a skeleton wooden structure. The material exception is the area of the entrance, which is made of monolithic concrete.
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Bělehradová, Věra. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354975.
Повний текст джерелаАнотація:
Sport Airport complex Brno-Medlánky is nestled in the undulating hilly terrain in fields just beyond populated areas in Brno-Medlánky. The history of the airport dates back to 1924 when it was built the first wooden hangar for training purposes glider flights. Current state urban of airport is orderless. The aim is to streamline the complex and give it the order, allowing easy and efficient orientation in the space. The main intervention was the creation of a new central building - Aviation Museum. The concept of the design is based on the division of the whole area into two branches - communication axes, based on the mass preserved historic wooden hangars. Between the two communication arms is inserted a central axis on which is located the heart of the complex - Aviation Museum. It is a building organic form, inspiring axially symmetric wingspan (bird, airplane, beetle). It is this symmetry axis of the building creates a view towards building on the runway. Mass of the building used by the sloping terrain and is partially sunk under the ground. Building volume follows an upward slope from the outside and blends with the surrounding terrain. The internal layout consists of three floors, one of them is completely sunk below ground level and second half. The main entrance to the gallery is located in the uppermost floors, the direction of the exhibition is therefore directed downwards into the basement. The exposition is divided into six parts: RC models exposure, gliders exposure, powered aircraft exposure, screening room, children's exposure and air trainers. Other areas consist of building technical facilities. In the basement there is a workshop with aircraft lift, with the possibility of placement unexposed aircrafts. The supporting system of the building consists of two parts: reinforced concrete tubs and arched steel structure with a span of 50m.
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Kašpárek, Michal. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354982.
Повний текст джерелаАнотація:
The theme of Master thesis is a Gallery of aviation technology and traditions of aviation at the airport Gallery aviation technology and traditions of aviation at the airport Medlánky in Brno. The project insludes overall operation of the sports airport, then deal in detail operations of the museum and related services within the airport. The new campus will humbly entered in the countryside, in an attractive location Medláneckých hills creates another attractive feature and despite the complex operation and movement techniques does not create a barrier to the contrary territory it unites and is a natural center. Airports Medlanky was founded already in the twenties of the last century, and since then the area is relatively non-conceptually grew by more hangars and various outbuildings. Of these, only two were preserved original wooden sheds, which adds yet another new administrative and ceremonial buildings. Operational buildings set limits on technology, the new representative building it closes, and defining a space for people, nature trail connects the area, offers wonderful views and creates a public space that makes passers airport. The whole area is oriented to the back area and opens onto the landscape, wide area thus presents an iconic silhouette reperzentační building. The curve of the building provides space aircraft-makers to fly and allows collision-free movement of people and equipment around the airport and also generates a dignified space for aircraft to fly longer will. Exposure air museum at the second floor of the building and the visitor thus rises to individual gliders that levitate in space, the sun's rays make their reflections on the polished bonnets and backgrounds are vivid airports and skies. The museum offers a walk through the history of aviation in a different context than conventional hangars. The entire building is representative functionally and structurally divided into three parts. The ground floor closer to the a
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Sudolský, Filip. "Galerie letecké techniky a tradic letectví na letišti Medlánky v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354989.
Повний текст джерелаАнотація:
The main subject of the diploma project was to create architecture study for new building of a Gallery for sport aircrafts and their traditions and other equipment that cooperate with this topic. The Gallery is designed in Brno´s Medlanky municipality and it is incorporated on current local sport airport. This project was preceded by studio project on the same area, which included reconstruction and development of this airport area. In this diploma project I was trying to continue with this development and establish a design which would react to my earlier design. The site has a sloped character and it separated from a dense city area. Starting point for the design was to gently touch the landscape and also trying to find certain references directly in the closest surrounding. From the views to surrounding was created the idea to preserve the horizontal lines and with a landscape and constructions demands was created the main idea to continue with the landscape over the spatial structure. The need to cover large-scale exhibit items like aircrafts and other items from this topic led to a starting point of my design. The structure is formed as a spatial truss structure and dominates the exhibition space. Building is connected by program and structure to services and other areas like conference hall, coffee, study room, work room and administration. As a one building it teems mainly from arrival at the airport area when the roofing is an organic, monolithic surface disappearing in surrounding. But gallery itself emerges from the ground and opens towards the aircraft take off and departure area where it is also direction of a main view to the surrounding. The building is also unique for its entering, such as the main entrance through narrow staircase gap in the roof. This entrance should evoke to people an aircraft landing, where while descent plane dive in to the clouds and appear underneath above a whole new landscape. Thus a person sore in to the roof surface a
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Boll, Dirk. "Der Kampf um die Kunst Handel und Auktionen positionieren sich am Kunstmarkt /." [S.l. : s.n.], 2005. http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-26017.
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Verlaeken, Arnaud. "Valorisation et protection de la galerie de captage d'eau de Fontaine-l'Evêque." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212187.
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Boulanger, Patrick. "La galerie ; suivi de Réflexions phénoménologiques sur l'appréhension des formes littéraires tabulaires /." Trois-Rivières : Université du Québec à Trois-Rivières, 2003. http://www.uqtr.ca/biblio/notice/tablemat/17800728TM.pdf.
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